pauraque: paper cutouts of Palpatine smiling as Luke and Vader cross light sabers (star wars palpatine)
So, I don't know if Attack of the Clones is necessarily "better" than The Phantom Menace, but I had a more enjoyable experience watching it. I was feeling pretty cheerful through most of the runtime, while I think poor [personal profile] sdk was suffering much more than I was. I definitely had watched the last half of this movie on TV at some point in the mid-2000s. Nothing from the first half was familiar to me at all.

cut for length, and still negativity though a little less than the last one )

Anyway, here's a song about Anakin and sand.

Embedded video: Fan edit autotunes scenes from the movies to craft a musical narrative centering on Anakin's enduring hatred of sand.


One more. We can do it! I believe in us!
pauraque: paper cutouts of Palpatine smiling as Luke and Vader cross light sabers (star wars palpatine)
After rewatching the Original Trilogy, [personal profile] sdk and I allowed our enthusiasm to carry us forward into rewatching the Prequel Trilogy. That was... well, it was certainly a decision that we made.

I saw this movie in the theater and had not seen it since then. I knew it wasn't a cinematic masterpiece, but I did go in with a positive attitude hoping to enjoy some cheesy silliness and at least have fun razzing it. I'm afraid I was not able to maintain that attitude; I actually found the movie unpleasant to watch. So if you love it, maybe skip this post.

cut for length and negativity )

In conclusion, I don't recommend this movie. I do, however, recommend this:

Embedded video: Music video for Weird Al's song "The Saga Begins", which retells the plot of the movie to the tune of "American Pie" by Don McClean.


Nonetheless we plan to persevere with Attack of the Clones, which I think I have seen part of. Maybe it will be better! Let me dream!
pauraque: paper cutouts of Palpatine smiling as Luke and Vader cross light sabers (star wars palpatine)
After some consideration of my options, I have made a Star Wars icon that pleases me. It's a screenshot of the music video for Jeremy Messersmith's "Tatooine" with animation by Eric Power.

Embedded video: Paper cutout animation retelling the plot of the Star Wars Original Trilogy.
pauraque: patterned brown and white bird flying on a pale blue background (Default)


This is one of my favorite performances of one of my favorite Dave Brubeck Quartet pieces.

Some commenters have noted that this concert footage seems to intentionally avoid showing Eugene Wright, the bassist, perhaps because he was Black. Wright was a part of the quartet for 10 years, and concert venues often resisted allowing him to perform with the group, but Brubeck would not go on without him.
pauraque: patterned brown and white bird flying on a pale blue background (Default)
Apropos of nothing, I found myself with this song stuck in my head, so I went to watch the music video, as you do.



And now my Youtube recommendations have adjusted accordingly, and I have to admit, the algorithm has my number -- I really do want to listen to all the Hottest Hits of 1996!

It's so weird how nostalgia works. If 1996 wasn't the most miserable year of my life, it was certainly up there. (I was 14. Enough said?) You would not think I would want to immerse myself in music that reminds me of that time. I didn't even like or actively listen to a lot of these songs, I just heard them passively on the radio, in malls, on TV, and so on. But somehow there is still an "If It Makes You Happy"-shaped groove in my brain, and fitting the song in there just feels good and satisfying in some abstract way that transcends liking or disliking the actual music. (Then again, there are some songs I hated at the time that still make me recoil in horror to this day!)

What kinds of music make you nostalgic? Do you ever find yourself listening to music from your childhood/adolescence that you didn't even like at the time?
pauraque: patterned brown and white bird flying on a pale blue background (Default)
When some people pass on, they've left such a legacy of great work, which will surely continue to delight and inspire people for many generations to come, that it's hard to think of anything to say but "well done".

I'm seeing a lot of people struggling to articulate what Sondheim's work has meant to them and to share something that feels representative of that. It's impossible, of course, but this is what came to mind for me. It's not an objectively "best" or most moving song, just one that evokes a very specific memory and feeling for me.

I saw A Little Night Music in San Francisco sometime in the 1990s when I was a teenager, with my mother, who introduced me to musical theater and who has been gone for many years now. It was a high-quality professional production, but I hardly remember any of it except for one number. It's not the Big Number from this show (that would be "Send In The Clowns"), but rather one that can feel almost like an aside in some performances. It's not sung by a central character and it doesn't directly deal with the central plot, though it certainly comments on it by implication. But in this particular production, it was sung by an actress whose name I'm afraid I can neither remember nor turn up by googling, but with this one number she completely stole the show and made me wonder why the entire musical was not about her. I was young, and it made a huge impression on me -- this moment when the right piece and the right performer on the right night could electrify an audience in ways I'd never imagined. I've had that feeling many times since then, but it was a Sondheim show that introduced me to it.



Lyrics )
pauraque: red leaf on the ground (red leaf)
October means it's time for [community profile] hp_halloween, a spooky season double drabble exchange back for its eighteenth consecutive year! It's a low commitment--just 200 words--and all are welcome to sign up until Tuesday evening (Eastern time).

Sign-ups and matching are being handled on AO3 for the first time this year, but the process isn't difficult, I promise. If you have any questions about how it works, I'd be happy to answer them.


Also, with Halloween on the brain, I've had this song running through my head all day (lyrics in the Youtube description).

pauraque: patterned brown and white bird flying on a pale blue background (Default)
I recently had reason to look up who wrote the filk The Lurkers Support Me In Email (someone in fandom didn't recognize the reference, making me feel very old) and was startled to realize it was none other than Jo Walton, author of that Victorian dragons book I reviewed a bit ago. I'd thought her name sounded familiar, and I pored over her list of works thinking I must have read something of hers, but couldn't come up with anything. The mystery is now solved!

So, in case anyone doesn't know it or hasn't thought about it in years:

The Lurkers Support Me In Email (to the tune of My Bonny Lies Over the Ocean) )


Twenty-three years later and still relevant. The rest of us can only dream of creating such an enduring masterwork.
pauraque: Guybrush writing in his journal adrift on the sea in a bumper car (monkey island adrift)
The sixth [community profile] sunshine_challenge prompt is Amphitrite, a goddess of the sea.

This put me in mind of a Youtube channel I recently started checking out, [youtube.com profile] ListeningIn. He makes videos about music, art, and the cultural and historical connections between the two. I watch a lot of music history videos, so the algorithm wisely recommended this one about Debussy and Hokusai:


video description: Hokusai's 'The Great Wave Off Kanagawa' is one of the most recognisable paintings in art history. But why did Claude Debussy use a version of it on the front cover of the his orchestral masterpiece, 'La Mer'? In this essay, I look at the influence of Japanese art on cultural life in France in the 19th Century, and consider the connections between 'The Great Wave' and 'La Mer'.

I really enjoyed the analysis and the beautiful visuals and sound design of the video. Unfortunately, it does not have closed captions (though I see some of his more recent ones do), but since it isn't that long, I figured I'd type out the narration myself:

Text of the Listening In video's narration )

And here's the Debussy piece in its entirety )
pauraque: cartoon of darwin and a turtle (darwin explores the galapagos)
The second prompt for [community profile] sunshine_challenge is Eos, goddess of the dawn.

This made me think of the musical composition 'A Glorious Dawn' by [youtube.com profile] melodysheep, consisting of edited and retuned dialogue and video of Carl Sagan and Stephen Hawking. The piece is from 2009 and went viral at the time, so you may have already heard it, but it never gets old for me. It's a beautiful tribute to two great science communicators and the awe and respect for the universe that they instilled.

Dr. Sagan's lines "The sky calls to us / If we do not destroy ourselves / We will one day venture to the stars" still resonate just as deeply as they did when he spoke them on his TV series Cosmos in 1980. Then, he was alluding to the Cold War-era threat of nuclear annihilation; today our focus has moved on to other global threats, and I think we still need inspiring voices to remind us of what wonders may await us, if we can only overcome our self-destructive impulses and survive to reach them.



Lyrics:

[Sagan]
If you wish to make an apple pie from scratch
You must first invent the universe

Read more... )
pauraque: cartoon of darwin and a turtle (darwin explores the galapagos)
One of the unexpected bright spots of 2020 was that the creators of Homestar Runner (a flash animated series that was wildly popular online in the early 2000s), presumably finding themselves with a lot of time on their hands, started putting out a bunch of new stuff. Stuff like this! It's a song by their fake indie/shoegaze band "sloshy", which is a fake band in the same sense that Spinal Tap is a fake band—they really write songs and really play their instruments, but it's not meant to be taken seriously. Nonetheless, I think this song is unironically kind of a bop. (Though obviously tongue-firmly-in-cheek, given the context of every one of their new videos being met with an avalanche of nostalgic comments about how people used to love H*R in college, high school, or even grade school!)



Lyrics )
pauraque: bird flying over the trans flag (trans pride)


Some clever lines in this, and the stop-motion animation is impressive!

rêverie

4 Nov 2020 03:47 pm
pauraque: photo of the planet Pluto showing heart-shaped glacier (pluto <3)
Need to be taken to another place for a few minutes? Try this:


composer: Claude Debussy (1862-1918)
pianist: François-Joël Thiollier (b. 1943)
pauraque: patterned brown and white bird flying on a pale blue background (alien underwear bullies)


Today's [community profile] sunshine_challenge prompt is orange. The thing that came to my mind right away for this was the song "Orange Colored Sky" (written by Milton DeLugg and Willie Stein in 1950), which I first heard as a kid and always loved.

I went looking for a version to share and found this cool kinetic typography video using Nat King Cole's classic recording:



I think the word "orange" is a big part of why I like the song. Usually in songs you get blue skies, maybe cloudy skies or dark skies... but an orange sky is unique. It could be a sunset, but I always pictured a sky that was orange all the way across, like a surreal, stylized, cartoony setting, appropriate for the exaggerated lyrics.

Obviously the song is about love at first sight. But--and this was typical for me as a kid--I never thought it had to be about romance. It could be about suddenly falling into friendship with a kindred spirit, or even falling in love with a book or a song. Or falling for a character, or a fandom! I was always very passionate about my interests, easily enough to interpret love songs as being about them, so fandom was a natural home for me. ♥
pauraque: patterned brown and white bird flying on a pale blue background (Default)
Howard Ashman would have been 70 years old today.

When he died of AIDS in 1991, I doubt I knew his name or realized he'd passed away (I was eight) but if I had known, I would have been very sad. He was one of the primary creative minds behind the movies that meant the most to me as a kid. He not only wrote the lyrics to all the songs in The Little Mermaid and Beauty and the Beast, as well as the best songs in Aladdin, but he was also instrumental in any of those films being produced at all and in pushing Disney towards making full-scale animated musicals again. Without him, the Disney Renaissance as we know it wouldn't have happened, or at least would have been greatly impoverished.

I really love his lyrical style—witty and quirky, full of agile rhymes and references, but also able to evoke deep feeling and life's strange ironies. I don't think he ever wrote a line that was boring or obvious. If he hadn't been cut down just as his star was rising, I suspect he and his musical partner Alan Menken might have been considered the Gilbert & Sullivan of their time. Menken has written lots of great tunes since 1991, but I think his collaborations with Ashman were his best work.

Here's Ashman & Menken circa 1981 performing a demo of one of the songs from Little Shop of Horrors, their biggest hit before they came to Disney. That's Menken as Mr. Mushnik (and playing the piano) and Ashman as Seymour during the intro dialogue, and then they switch during the main part of the song.



lyrics )

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