What I read
Rather in installments, got to the end of Clear Horizon: boy, she has Hypo/Wells bang to rights, doesn't she? (His urging her to write The Great Dental Novel based on her experience working in the dental practice, reminds me of Wells' letter to Katherine Mansfield, asking when she was Going To Write A Novel: point thahr, misst, Bert.)
Went straight through Phoenix Feather III and IV, Firebolt and Dragon and Phoenix, which were gripping.
Barbara Hambly, Death and Hard Cider, arrived on Sunday: good as always, but perhaps a little sparse as regards the various series recurring characters - there but rather background?
On the go
I am not sure if these count as on the go, as they are in the category of, picked these up having finished all the above and expecting the new Sara Paretsky tomorrow.
Richard Garnett, The Twilight of the Gods and other tales (1888), which partner has been reading and raving about, but I'm not sure it's quite hitting the spot for me.
Alice Campbell, Water Weed (1929), another freebie from publisher still furiously putting out forgotten 'gems' of the Golden Age of crime fiction - I am a bit put off when there is a crashing coincidental overhearing of conversation in Kensington Gardens about people our heroine has only just heard of. Also, fat-shaming.
Up next
New Paretsky, I hope.
Also I ordered copy of bio of Marquess of Queensberry (yes, that one, the horrible one) which has arrived.
no subject
Date: 2022-05-04 08:57 pm (UTC)I love her writing style but it didn't seem to quite pick up for me until the second half, but then there were lots of beautiful passages again. And the epilogue felt a bit off. But I think the only other author I've read with such total control over their chosen historical period -- making you feel you're there seemingly effortlessly, with natural grace -- is Mary Renault.