I was intrigued to say the least. A creepy pasta inspired horror film. But where creepy pasta may work on YouTube this does not translate to feature film as much as I wished it did.

Renate is impeccable and while she’s a very thin character, there’s enough there to grab onto. Despite the lack of any real full fleshing out. 

I understand the atmospheric tone is what sets this sub genre of horror apart but you can’t just let it…

Obsession really sticks out in its ability to toe the line between highly stylized camp horror and straight up unsettling hereditary chills. This balance lets the audience fall in love with the characters while still being terrified of them. Bear is genuinely endearing but also a complete fucking creep and psycho. Nikki is horrifying yet deeply heartbreaking. Their dynamic is what drives the whole thing. It is this twisted, magnetic pull where obsession feels both intoxicating and poisonous. You see…

A cinematic exorcism of the monoculture.

This is Ryan Coogler unleashed. No capes. No IP. Just pure vision — and that vision absolutely rips. There’s a sequence in here (no spoilers, but if you know, you know) that had me levitating out of my seat with tears in my eyes. It’s abstract, musical, visual, and thematic perfection. The moment this film reveals its thesis, it hits like a thunderclap. And then the horror kicks in — three vampires watching a…