Showing posts with label psy trance. Show all posts

15:40:00


 
Basil O'Glue returns to JOOF Recordings with Takeover, a fierce solo release that blurs the lines between trance and techno. At 136 BPM, this one is built for peak-time intensity, a true powerhouse for the underground floors.

Driven by relentless grooves and a hypnotic low-end, Takeover weaves in Basil's unmistakable melodic edge, creating a dark, driving, and uncompromising soundscape. It's raw power fused with atmospheric depth, the perfect embodiment of the JOOF ethos.

Basil O'Glue is back, and he's here to Takeover.





LISTEN TO THE REVIEW HERE


Dimitris Kechagias Review:
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[item value="10"] [/item]
[content title="Summary" label="Overall Score"] Basil O'Glue makes a triumphant return to JOOF Recordings with his latest solo release, Takeover, an audacious track that masterfully bridges trance and techno. Clocking in at 136 BPM, Takeover is engineered to dominate peak-time slots, offering an electrifying experience tailor-made for underground dance floors. The production of Takeover showcases impeccable attention to detail, with a polished mixdown that emphasizes both clarity and depth. The track is anchored by tough, tech-infused kicks that deliver a punchy low-end, balanced exquisitely with pounding dark basslines. The bass design employs subtle modulation techniques, creating an evolving groove that maintains listener engagement. Layered atop this foundation are meticulously crafted metallic percussions that add rhythmic complexity, providing crisp high-frequency energy. The use of reverb and delay effects on these elements creates a spatial dimension, enhancing the track's immersive quality without cluttering the mix. Basil's signature melodic edge shines through with dark, euphoric synth hooks that emerge during the breakdown. These synths are built with rich harmonic layering and subtle filter sweeps, creating a haunting atmosphere. The sound design incorporates analog-inspired textures, giving the track an organic feel amid its digital precision. The breakdown is a masterclass in tension-building. Atmospheric pads and ethereal textures evolve gradually, underpinned by a rising synth line that crescendos into the main dark climax. This contrast between the serene breakdown and the aggressive drop provides a dynamic flow that captivates and energizes the dance floor. Takeover’s versatility makes it an asset for both tech trance and psy trance sets. For tech trance DJs, the track’s driving grooves, sharp percussion, and relentless energy align perfectly with the genre's demand for hypnotic, high-octane tracks. The tight, percussive elements and robust basslines provide the rhythmic backbone needed to maintain momentum in intense set moments. For psy trance DJs, Takeover’s dark, psychedelic undertones and hypnotic low-end frequencies resonate with the genre’s aesthetic. The track’s atmospheric depth, combined with its evolving soundscapes and trance-like synth motifs, creates a mind-bending journey that complements the psychedelic vibe. In essence, Takeover is a testament to Basil O'Glue’s prowess in blending genres, delivering raw power fused with atmospheric complexity. It stands out as both a dancefloor weapon and an intricate piece of sonic art—pure gold for any DJ’s arsenal. Love it[/content]
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[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
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07:01:00

 


Darkness descends with John Askew’s latest offering. Morning Star twists and turns as it thunders down the tracks causing a ripple down the spine. This is after after afterparty warehouse music straight from the underground. Strong kick and rolling bass drive the track forwards while the detuned, pitch rising elements keep the energy dial firmly on 11. This is tech trance of the highest grade from one of the genre’s original pioneers.





Dimitris Kechagias Review:
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[item value="10"]John Askew - Morning Star [/item]
[content title="Summary" label="Overall Score"]John Askew’s latest tech trance masterpiece, "Morning Star," is an electrifying journey through sound, showcasing his unparalleled prowess in production and deep roots in the genre. This track is not just a listening experience; it’s a sonic assault designed for after-afterparty warehouse settings, where energy and intensity reign supreme. At a pulse-raising 140 BPM, "Morning Star" seamlessly blends psy tech trance elements with cutting-edge production techniques. The track kicks off with a robust, punchy kick drum that lays a solid foundation, complemented by a rolling bassline that adds depth and momentum. The bass is meticulously engineered, featuring razor-sharp textures that slice through the mix with precision, creating an irresistible groove. One of the standout features of "Morning Star" is its detuned, pitch-rising synth elements. These are expertly crafted using advanced modulation techniques, possibly involving complex LFO routing and pitch automation to maintain that relentless energy. The twisted synth hooks are layered with acid overtones, achieved through the deft use of resonant filters and TB-303-inspired sequences, adding a gritty, raw edge that keeps the track dynamic and engaging. Vocally, the track employs top-tier samples that are strategically placed to enhance the rhythmic flow without overwhelming the instrumental arrangement. The vocal snippets are processed with reverb and delay effects, providing an atmospheric lift that complements the track’s intense drive. Production-wise, the mix is clean yet powerful, balancing the high-energy elements with precision. The stereo imaging is expansive, with carefully panned effects and synth layers that create an immersive, three-dimensional soundscape. The mastering is tight, ensuring that every frequency hits with clarity and impact, making "Morning Star" a standout in any high-octane DJ set. In conclusion, "Morning Star" is a testament to John Askew’s status as a pioneer in the tech trance scene. It’s a track that not only moves the crowd but also showcases the depth of technical skill and production mastery that defines his work. #PureGold indeed. LoveIT[/content]
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[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
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Additional info:

22:28:00

 


Fast-paced, feisty and ready to rumble, Simon Patterson’s new two-tracker on Armada Music hits like a full-throttle freight train. Between the aggressive synthwork in ‘Red’ and the dark bass slams ‘Black’, ‘Red & Black’ delivers two scorching techno belters able to devastate any club space.


Discover Here





Dimitris Kechagias Review:
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[item value="10"]Simon Patterson - Red & Black EP [/item]
[content title="Summary" label="Overall Score"] The production quality of Simon Patterson’s Red & Black EP is outstanding, showcasing his mastery in creating a seamless blend of techno and trance. The track "Black" pulsates at a rapid 145 BPM, crafting an intense soundscape that marries the relentless energy of techno with the ethereal elements of trance. The mix is meticulously engineered, ensuring that each layer—from the pounding basslines to the intricate break sections—stands out without overshadowing others. The use of dark spoken vocal samples adds an intriguing texture, enhancing the track's overall dark and mysterious atmosphere. These vocals are perfectly integrated within the mix, not only providing a narrative but also functioning as a rhythmic element that aligns with the rolling sequences. The ethnic-like voices in the breakdown are treated with reverb and subtle delay, creating an expansive auditory environment that captivates the listener. On the production front, "Red" is equally impressive, operating at a slightly slower yet still electrifying 144 BPM. The track features an aggressive female vocal that cuts through the mix, delivered with precision to evoke a sense of urgency. The plinky plonky melody is cleverly layered with acid overtones, pushing the boundaries of energy and intensity. The sound design is state-of-the-art, with each sonic element—from the synth stabs to the acidic lines—being sculpted to perfection. The breakdowns in both tracks utilize advanced sound effects that maintain listener engagement. These sections are polished with dystopian synths that add a cinematic quality, creating a multi-dimensional auditory experience. In "Red," the second breakdown is notably more dramatic, featuring rave synth stabs that build anticipation for the climax. The transitions are smooth, demonstrating Patterson’s prowess in maintaining a dynamic flow without abrupt disruptions. Overall, the Red & Black EP is a testament to Simon Patterson’s technical abilities and creative vision, marking it as an essential addition to any trance or techno set. The sophisticated production techniques employed ensure that these tracks are not only heard but felt, resonating deeply with audiences and leaving a lasting impression. Two must-play items. #PureGold Love IT.[/content]
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[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
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Additional info:
linktr.ee/simonpatterson

12:24:00




One of the most iconic trance tracks of all time, the seminal Loops Of Infinity returns to modern trance floors thanks to Talla 2XLC who presented his uplifting trance rework this summer along with Cosmic Baby on Technoclub Retro. Talla 2XLC adopts his uplifting psy-trance alias Zyrus 7 to deliver the second remix, that is an explosive psy-lifting remix on Dreamscape, with sharp and twisted basslines, thumping kicks, crunchy drums and acid touches. The short breakdown is the right occasion for the well known piano theme to appear and tease the listeners while on top the re-recorded female vocal “Loops of Infinity” appears as well. The first section allows the magic of the piano theme to beautifully unfold and surround the listeners creating that sense of endless positivity and growing optimism. The breakdown is short and melodramatic building the tension with heavy drops and airy synthy hooks along with the superb female vocal. The fast and intense psy trance beat strikes back with the piano theme on top along with the euphoric uplifting synths to energize the senses and relax your mind as we get lost in that sense of eternal infinity that trance music creates for its devotees. With twisted dirty basslines, acid infusions and melodramatic elements originating from classical music compositions, Zyrus 7 aka Talla 2XLC offers one of the most imaginative and groundbreaking psy-lifting reworks of the beloved classic Loops of Infinity with Cosmic Baby out now on Dreamscape.

 Get or stream it here: https://zyxdance.lnk.to/LoopsZyrus


Dimitris Kechagias Review:
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[content title="Summary" label="Overall Score"]One of the most iconic trance tracks of all time, “Loops of Infinity,” has made a resurgence in contemporary trance scenes. This summer, Talla 2XLC presented his uplifting trance rework of the classic on Technoclub Retro, accompanied by Cosmic Baby. Talla 2XLC adopts his uplifting psy-trance alias, Zyrus 7, to deliver the second remix, an explosive psy-lifting masterpiece on Dreamscape. The remix features sharp and twisted basslines, thumping kicks, crunchy drums, and acid touches. The short breakdown provides an ideal moment for the renowned piano theme to emerge, captivating the listeners and hinting at the upcoming re-recorded female vocal, “Loops of Infinity.” The first section allows the piano theme to unfold gracefully, enveloping the listeners in a sense of boundless positivity and growing optimism. The breakdown is brief and dramatic, building tension with heavy drops and airy synthy hooks, complemented by the exceptional female vocal. The fast-paced and intense psy trance beat returns, accompanied by the piano theme and euphoric uplifting synths, energizing the senses and inducing a state of tranquility. As we immerse ourselves in the trance music’s embrace, we transcend the limitations of time and space, experiencing the eternal infinity that trance music holds dear for its devoted followers. Zyrus 7, the alias of Talla 2XLC, presents one of the most imaginative and groundbreaking psy-lifting reworks of the beloved classic “Loops of Infinity.” This rework, featuring Cosmic Baby, is now available on Dreamscape. #PureGold Love IT[/content]
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[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
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Additional info:

05:42:00

 


“Though often associated with meditative music, I believe techno, when crafted with intention, can be deeply healing, uplifting, and transformative.”

This is the ethos that Italian producer, multi-instrumentalist, and live electronic music innovator Giorgia Angiuli embraces in her new EP, ‘Eye Contact’, released recently on Armada Music. 


The project explores themes of spirituality, creativity, and meditation across five tracks ranging from techno to psytrance. At its heart lies its title track—a long-awaited collaboration with Australian DJ and producer Juliet Fox—from which the EP draws its name. The duo first crossed paths at a festival earlier this year, sparking an instant musical connection and the beginning of a close friendship, united by their shared vision of fostering unity and freedom through a blend of their unique styles. Together, the two trailblazers channeled their creativity synergy into ‘Eye Contact’, crafting an immersive journey through rhythm, sound and transcendence. 






Unlike any of her previous projects, Angiuli adopted a fluid, hybrid approach to the EP’s production, allowing the music to move organically and resonate both physically and emotionally. Drawing from her arsenal of unusual objects that she incorporates into both her production style and live sets, she tapped into this unique collection of unconventional items, including plush animals that produce sounds, each with distinct names. Across ‘Break The Dawn’, ‘Nothing is Far’, “Nietzsche’, ‘A Good Addiction’, and now ‘Eye Contact’, each track builds on swift arpeggios, hypnotic synth stutters, and suspenseful vocals to create an entrancing and deeply meditative listening experience. 

 

Giorgia Angiuli says, “I’m so excited that ‘Eye Contact’ is finally out in the world. The project brings a fresh perspective to hybrid techno by weaving positivity into powerful beats and rhythms, and each track invites listeners to connect deeply, exploring resilience, presence, and inner strength.”
A strong advocate for women’s empowerment, Angiuli also launched a remix contest exclusively open to female artists in partnership with Change the Beat, a non-profit organization that supports underrepresented voices in electronic music. Change the Beat champions access to mentorship, workshops, and networking for electronic music artists, producers, and DJs. The contest winner will be eligible for an official release of their remix, while the second and third place winners will receive gear from Native Instruments.



Tracklist: 
1. Eye Contact (with Juliet Fox) 
2. Break The Dawn 
3. A Good Addiction
4. Nietzsche 
5. Nothing Is Far 


Dimitris Kechagias Review:
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[item value="10"]Giorgia Angiuli & Juliet Fox - Eye Contact[/item]
[content title="Summary" label="Overall Score"]Giorgia Angiuli is undoubtedly one of the most promising artists in the trance genre, renowned for their exceptional talent and inspiring musical compositions. Collaborating with Juliet Fox on “Eye Contact,” they have crafted a powerful and anthemic psy trance anthem. The track features heavy psy trance basslines, razor-sharp kicks, thumping drums, and cool, dark synths. The breakdown incorporates intricate gated, chopped, and manipulated vocals, seamlessly blended with Indian ethnic voices commonly employed in psy trance tracks. The climax builds to a crescendo, delivering a powerful and direct assault on the listener’s senses. New euphoric yet subtly subliminal synths propel the listener on a magical journey, punctuated by heavy acid tones. With its captivating blend of elements, “Eye Contact” possesses the ability to dominate psy trance sets, leaving an indelible impression on audiences. #PureGold Love IT[/content]
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[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
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About Giorgia Angiuli 

Giorgia Angiuli is an Italian electronic producer and classically trained musician.

She possesses a colorful and playful vision of music, attributed to her synaesthesia, constantly exploring artistic themes in innovative ways.

Adored by peers, fans, and tastemakers alike for her authenticity and unquenchable curiosity, she connects with her listeners through her sets, releases, and her label 'united’. She released many singles and 2 albums on Stil vor Talent ("in a pink bubble") and her label united (" Quantum Love"). Utilizing her voice to create an ethereal dimension, Giorgia intensifies her performances with a unique combination of technology. Her live setup is ever-evolving as she continually explores new techniques, combining synths, drums, theremin, modified children's toys, and numerous bluetooth midi controllers. Collaborating with various brands, she eagerly tests new gear, fueled by her insatiable curiosity. Curiosity is the driving force in Giorgia's life. By blending samples and loops, she crafts a vibrant and energetic groove that ignites the dance floor. Her passion for spirituality and meditation adds to her work messages that spread unity and positivity. Her formula is: intention + sound frequency = healing. 2024 marks a transformative year for Giorgia Angiuli's solo project as she ventures into a new sound blending psy-trance and techno, releasing on labels such as artcore and armada, and remixing acts such as pan-pot or octave one.


Connect with Giorgia Angiuli: 

About Armada Music

Armada Music is the biggest independent dance music label in the world. Founded by Armin van Buuren, Maykel Piron (CEO) and David Lewis, the label manages an ever-growing catalog of over 40,000 tracks, built up across twenty-plus years of specialized dance music exploitation.

Representing artists such as Armin van Buuren, ARTY, D.O.D, Eelke Kleijn, Jan Blomqvist, Loud Luxury, Sunnery James & Ryan Marciano, Tensnake, THEMBA and Yulia Niko, Armada Music amasses more than one billion streams per month, airplay on leading radio outlets such as BBC Radio 1 and Sirius XM, and top positions in the world’s most notable charts. The label also takes great pride in major achievements such as Armin van Buuren’s GRAMMY nomination for ‘This Is What It Feels Like’, Loud Luxury and Brando’s ‘Body’ surpassing one billion streams on Spotify and breaking artists such as Lost Frequencies into global stardom.

Across offices in Amsterdam (HQ), New York, London and Laren (NL), Armada Music offers a truly global appeal to its growing roster. The label has its own club, radio studio and multiple production studios, and hosts various live formats. Producer platform Armada University, which offers educational products and opportunities, shows the label’s sustained effort to nurture the next wave of talent.

In 2023, Armada Music launched BEAT Music Fund, the world’s first dance music investment company, that acquires catalogs with the mission of honoring, representing and reinvigorating them. BEAT’s portfolio will continue to grow; in the first six months following its launch, BEAT acquired the catalogs of, among others, electronic music star ARTY, house and techno pioneer Kevin Saunderson’s KMS Records, legendary NYC-based house label King Street Sounds and chart-topping producers Chocolate Puma.

Additional info:

10:53:00


Are we looking at the final artist album from John Askew?? It is after all his first since his ‘Z List Uber Star’, which is currently closing in on its 20th anniversary. Add to that the duality of ‘A Room Full Of Pros & Cons’s title; the faintly Last Supper-ish lean of its cover, not to mention some flagrant nose-thumbing of LP conventions, and, well, the question could at least be asked.


As with so much in life though there’s more to that than meets the eye. Between John’s production schedule (breakneck), day to day roles in artist management, international touring (both as a DJ and live act), label management, event organising and his ‘open-all-hours’ industry rep, the man’s had his hands way full. Lesser wonder then that it’s taken him five years to close all the ‘P’s and curve all the ‘C’s on ‘A Room Full Of Pros & Cons’. 


The title’s John’s summation of half a lifetime’s worth of observations and experiences, garnered at the business end of the electronic music industry. One that hopscotched him from England’s unchained free party scene to Ministry of Sound resident, and from being managed by the biggest agencies to, himself, managing legendary names. All the while mind you, refusing to compromise on absolutely anything … ever. That’s always going to leave a mark, all of which has been poured into this album.

In ways big and small, subtle or big-print, ‘A Room Full Of Pros & Cons’s track titles (‘Running In The Dark’, ‘Be Careful What You Wish For’, ‘Take A Breath’, ‘When Darkness Comes’, ‘I Want Your Soul’ and ‘Afterburner’ to mention a few) each speak to its theme. Many are fueled by John’s signature sound, one as dependably immediate, tenacious, and floorward-thinking as any DJ from his bloc. Key to their potency is the intuitively high-wire balancing act Askew strikes between darkness and light, the subtle and the visceral, always ensuring there’s nuance and alchemic colour (or shadow!) in every floor roar. 


Others tracks project their power through alternate studio methods. ‘Be Careful What You Wish For’ (featuring singer Lyonheart) is a soul searing, breakbeat scattered affair, while ‘Grave Digger’ features a cavernous feel and apocalyptic polemic (voiced by Askew), straight from the darkest ‘Cons’ corner of the ‘Room’. Regarding that “flagrant convention nose-thumbing”, ’00.00’ sees John slide some doors with the album’s originally envisioned overture. Now track 5, it forms a brilliant palate-cleanse, ahead of the transcendental ‘Take A Breath’, (a collaboration with Sikh singer, songwriter and philanthropist, Manika Kaur) and the instantly infectious hook of ‘Running In The Dark’. 


Artists of John’s ilk don’t tend to have vocal muses, and it’s debatable whether Ohio-born/Nashville-based singer Shelby Merry fills that role. As you cross John’s Room’ though, vocally, lyrically and significantly she features three times, each track with its own individual tone and something-to-say tale.

So, if this does prove to be John’s last LP hurrah, what’s he leaving us with? Well at the very least, 15 brilliantly honed pieces of music, fused together to create a cohesive, journeying bravura, that’ll delight his diehards, while drawing others to the flame. Half industry cheer, half-cautionary tale, ‘A Room Full Of Pros & Cons’ arrives on physical and digital formats Sept 27. Now … don’t say you weren’t warned.  FIND HERE


Tracklist: John Askew - A Room Full Of Pros & Cons
01. Grave Digger
02. Steady & Stronger (with Shelby Merry)
03. Push It
04. UFO
05. 00:00
06. Be Careful What You Wish For (with Lyonheart)
07. Take A Breath (with Manika Kaur)
08. Running in the Dark
09. These Dogs Trust No One (Red Dragon Edit)
10. Organism
11. When Darkness Comes (with Shelby Merry)
12. Aces Hi
13. I Want Your Soul (with Sinful Biz)
14. Afterburner
15. Wild Horse (with Shelby Merry)


Additional info:


 


02:01:00

 


GRAMMY Award-winning producer and electronic dance music icon AFROJACK, Australian DJ and live instrumentalist Timmy Trumpet and Grammy Award-winning rapper, producer and DJ Lil Jon have combined their forces for the new collaborative single ‘We Can’t Stop’, released on Tomorrowland Music today! Uniting for the first time ever, the boys deliver an energetic psytrance production with true rave energy and fast-paced beats – a memorable debut collaboration and a guaranteed crowd pleaser. As one of the most notable IDs in AFROJACK’s epic Mainstage performance at Tomorrowland last year, ‘We Can’t Stop’ is now finally out for the entire world to enjoy.



AFROJACK: “I’m really excited to be working with Timmy Trumpet and Lil Jon on this one. Two of my favorite people.”
Timmy Trumpet: “’Lil Jon is undoubtedly the official voice of the most party anthems our generation has witnessed. What an honor to finally work with the legend himself, and to be together on another production with the one and only AFROJACK is the icing on the cake. Let’s fkn go!!!”

About AFROJACK

​As one of the most innovative and sought-after artists, GRAMMY Award-winning producer and electronic dance music icon AFROJACK continues to shatter boundaries that push music in bold new directions. Since making his breakthrough with the multi-platinum-selling single ‘Take Over Control’, the Dutch-born musician has lent his production skills to tracks that bend genres and laid the foundation for major hits for artists such as Beyoncé, Pitbull, Will.i.am and more. In the last few years, AFROJACK was named one of the 50 Most Important People in EDM by Rolling Stone and placed on the Forbes ‘30 Under 30’ music list. In 2010, he was one of the first DJs to secure a Las Vegas residency and continues to entertain global audiences as a headlining resident artist for the Hakkasan group. In 2010, he won his first GRAMMY award for Best Remixed Recording, Non-Classical for his remix of David Guetta & Madonna’s song ‘Revolver.’ In 2011, he nabbed two more GRAMMY Nominations for Best Rap Song for his part in Chris Brown’s ‘Look At Me Now’ and for Best Remixed Recording, Non-Classical for his remix of Leona Lewis & Avicii’s ‘Collide’. AFROJACK travels the world performing at the biggest clubs/festivals while producing new music with his label Wall Recordings. In 2020, his song ‘All Night’ (feat. Ally Brooke) reached number 1 on the US dance radio chart through amassing an impressive 40+ million streams, to date. His most recent worldwide hits such as ‘Anywhere With You’ with Lucas & Steve and DubVision and ‘Up All Night’ with Hard Lights and VINAI, add to an impressive repertoire spanning over a decade as a global performer and multi-platinum selling artist. In 2021, AFROJACK received his fourth GRAMMY nomination, this time for Best Dance/Electronic Recording for his inspiring pop-edm crossover summer song “Hero,” which came out during the pandemic with David Guetta.



About Timmy Trumpet

​DJ, producer and live instrumentalist, Timmy Trumpet is undoubtedly the most explosive performer in the electronic music scene. An award-winning, multi-platinum selling recording artist, Timmy has forged his way to the very top. His breakthrough release Freaks has reigned in over a Billion streams, accompanying a string of singles to break the 100 million barrier on Spotify alone. From performances on Jimmy Kimmel Live to the most streamed set at Tomorrowland, Timmy is a festival promoter’s headlining weapon of choice. Timmy’s music career boasts of an extensive resume spanning over twenty years from early beginnings as a classically trained Jazz musician. At the age of thirteen he was named ‘Young Musician of the Year’ before being granted a full scholarship to the Conservatorium of Music, where Sydney Symphony Orchestra’s Anthony Heinrich tutored him. Within two years he secured a position as the leading solo trumpet player in the Australian All-Star Stage Band, taking part in an extensive European tour covering some of the world’s biggest Jazz Festivals.

As a songwriter and producer, Timmy Trumpet refuses to be pigeon-holed releasing music of all flavours, in various genres. “There’s only two kinds of music to me, good music and bad. Hopefully I’m making the good stuff!” – Timmy Trumpet.
The stats don’t lie. Timmy’s discography has exceeded 3 BILLION streams.

Always up for collaborating with other artists his extensive catalogue features global heavyweights such as Armin Van Buuren, Hardwell, Afrojack, Steve Aoki, Dimitri Vegas & Like Mike, R3HAB, W&W, ALOK and KSHMR. His debut mainstage performance at Tomorrowland in 2017 is the highest streamed set of all time on the official YouTube channel, with his most recent sets also leading the charge.

Timmy has an impressive international touring schedule, headlining festival performances at iconic events like Tomorrowland, Ultra and EDC. In 2022, Timmy threw out the first pitch for the NY Mets Vs LA Dodgers and performed his track ‘Narco’ while pitcher Edwin Diaz walked out to the mound. The iconic moment clocked over 200 Million views on social media in 48 hours and sent ‘Narco’ to #1 on Spotify’s viral chart in the USA. To add to his impressive list of achievements, Timmy became the first instrumentalist to perform in Zero Gravity, thanks to a partnership between BigCityBeats and the European Space Agency.

When asked if he pinches himself looking back on a career that originated from the humble beginnings of Band Camp and after school Jazz practice, you only get one response – “We’re just getting started!”.



About Lil Jon

​For the last decade plus, the words “YEAHHH,” “WHATTT,” and “OKAYYY” have been synonymous with multi-platinum, Grammy award winning artist, producer Lil Jon. He has been one of the most prominent figures in music and pop culture alike, performing and collaborating for hundreds of thousands of fans with Usher & Ludacris, Afrojack, Steve Aoki, Pitbull, Daddy Yankee, Snoop Dogg, Ice Cube, Shaq, LMFAO, Too $hort and Jermaine Dupri just to name a few. In 2014, Lil Jon proved once again he’s a powerhouse artist teaming up with DJ Snake for their smash hit “Turn Down For What,” which created a massive worldwide craze with billions of streams under their belt. The string of hit songs haven’t stop after that – including most recently Lil Jon releasing two more singles teaming back up with iconic artists known for their collabs: “Jumpin” with Pitbull, and “What We On” with E-40.

Known best for his role in creating and popularizing the southern movement and lifestyle known as Crunk, Lil Jon delivered a string of regional hits (in the 90’s and 00’s) with the East Side Boyz eventually becoming a national force in 2001 thanks to the tracks “Bia Bia” and “Put Yo Hood Up,” “Get Low,” “Rep Yo City,” “I Don’t Give A F***” and many more. Their iconic albums include We Still Crunk!, Put Yo Hood Up, Kings of Crunk and Crunk Juice. Jon helped popularized the word ‘Crunk’ not only on a national scale, but worldwide, so much so that The Merriam-Webster Dictionary added the word into their book in 2007. Paying homage to the fact that he became a fixture in American pop culture, comedian Dave Chappelle created entire skits on the legendary Chappelle’s Show based on Lil Jon’s personality and sayings.

Lil Jon has a long list of platinum-selling productions, crafting groundbreaking hits for a diverse array of artists such as E-40, Usher, Ciara, The Ying Yang Twins, Ice Cube and more. He’s also worked with will.i.am, Miley Cyrus, Britney Spears, Bret Michaels, Travis Barker, Jennifer Lopez, Machine Gun Kelly, and many more. As an artist, he has sold millions of records as the frontman of Lil Jon & The East Side Boyz, whose smash hits “Get Low” and “What U Gon’ Do” have been among some of the biggest crossover hip-hop records. His songs have been featured in huge blockbuster movies and television shows including The Hangover, Girls Trip, Neighbors 1 & 2, The Proposal, the Step Up franchise, FOX’s So You Think You Can Dance, Ballers, Logan, Black-Ish, HBO’s Ballers, SNL digital short, Horrible Bosses, NBC’s Parks & Recreation, The Late Show with Stephen Colbert, etc.

His success as a mainstay in the DJ-world is evident with a current residency at Hakkasan Nightclub (MGM Grand) along with Jewel Nightclub at Aria Resort & Casino. Previously, Lil Jon had a DJ residency for over five years at the Wynn/Encore (Surrender, Tryst, XS); even being named the Las Vegas Resident DJ of The Year. He has traveled the globe DJing worldwide in places such as, but not limited to France, Germany, South Korea, China, India, Dubai, London, Mexico and Australia.

Lil Jon continues to be a master at marketing and business with a huge 2019 being tapped by Pepsi’s Super Bowl commercial (which also featured Cardi B and Steve Carell), Hotels.com for their commercial featuring Captain Obvious, and Jimmy John’s for the rollout of their new Little John sandwich. Kool Aid and Lil Jon collabed in 2018 for their viral Christmas campaign with the Kool Aid Man, Bud Light [Fall 2015] to star in their #UpForWhatever commercial and campaign. For many years he’s has a business relationship with Don Julio tequila as a brand ambassador, with a 2020 campaign that’s both a Postmates and Don Julio partnership for Lil Jon Party Packs which were rolled-out. He’s had an Oakley endorsement deal, partnered with SOL headphones ​ - which helped to launch SOL Deck by starring in the Radio Shack commercial in Fall 2013.

His marketing chops came in helpful when casted on NBC’s primetime show Celebrity Apprentice (Spring 2011) quickly becoming a fan-favorite nationwide. Lil Jon was back on primetime television in the Spring of 2013 on the cast of Celebrity Apprentice All-Stars, where he came in 3rd and raised almost $200,000 for the American Diabetes Association. His philanthropic work hasn’t stopped there; Lil Jon has built 2 schools in Ghana with Pencils of Promise, where he took his family to Ghana himself to physically help build the schools, for which one is named after his late mother. He was honored at their 2019 Gala in New York City for all his contributions with the Visionary Award to a packed crowd at Cipriani’s.

Many TV shows have featured Lil Jon as a guest or host with his massive presence such as The Ellen Degeneres Show, The Tonight Show with Jimmy Fallon, Late Night with Seth Meyers, The Today Show, Good Morning America, Bravo’s Watch What Happens Live, Talk Soup, E!’s Fashion Police, Extra!, Access Hollywood, Talking Dead (AMC), MTV’s Ridiculousness, VH1 Hip Hop Squares, Lights Out with David Spade (Comedy Central), and much more. Jon was a guest host for ABC network’s iconic Bachelor In Paradise franchise - which aired Summer of 2021 - and featured him in the Heineken commercial during the finale episode.

His consistent hitmaking has earned him legions of fans from Los Angeles to New York to the Midwest and of course his native region, the South. This is no more evident as Lil Jon has won 2 BMI Songwriter of the Year awards as well as scored eleven Billboard Awards (for the two hit Usher tracks “Yeah!” and “Lovers and Friends”), a Grammy, a Radio Music Award, a BET award, two MTV Video Music Awards, and an American Music Award.

Additional info:

About Tomorrowland Music

​Tomorrowland has expanded the family with its own music label: Tomorrowland Music. Tomorrowland Music is a dedicated music division within Tomorrowland, collaborating closely with both artists and labels, supporting them in all their recording and release activities. 

Tomorrowland Music has partnered with Virgin Distribution and Virgin Records. As part of the Universal Music Group, Virgin has been one of the industry leaders in music distribution and independent records labels for many years. Tomorrowland Music is delighted to be working closely with Virgin and looking forward to taking the label to a higher level together.

Stay tuned for a stellar line-up of renowned artists from all different levels who can’t wait to release their music on Tomorrowland Music, encompassing a multitude of genres.


15:34:00


Talla 2XLC dark melodic uplifter Phenomena after its huge success on That’s Trance imprint returns on Dreamscape records with Zyrus 7 remix treatment. Zyrus 7 aka Talla 2XLC transforms the already stunning original into a massive psy tech trancer to please the ears of the growing fanbase of psy trance worldwide. It starts with cool intro perfect to use it as the starting track of your DJ set and then the sharp and raw psy tech trance basslines along with the slamming kicks and the thunderous drums are injected to carry us away to this dark and moody strange Phenomena ride. Soon acid riffs are added along with cool distorted German spoken vocal samples. The breakdown unleashes the anthemic cinematic orchestral music section until the dark and mysterious synthy hook is revealed to raise the hair from your back and make you scream with anticipation. When the psy tech trance beat is coming back the track evolves into the perfect peak time destroyer with the dark synthy themes on top plus other effects to turn it into the absolute mayhem that any psy trance party is asking for. It’s one of those remixes that psy trance and even uplifting trance fans will play as it sounds fabulous in all occasions and settings. The Zyrus 7 remix on Phenomena by Talla 2XLC is out now on Dreamscape, the absolute home of psy trance music.



About Talla 2XLC

Born and raised in Frankfurt, Germany, Talla 2XLC is a true trance stalwart in every sense of the word. With over 3+ million in album sales and no signs of stopping — it is clear that Talla is a veteran, pioneer and visionary when it comes to uplifting and progressive trance. When Talla 2XLC takes his position behind the wheels of steel, you know you’re in for a powerful and euphoric trance journey. He has taken many listeners to a world beyond and has done so at some of the world’s largest festivals such as Tomorrowland, MAYDAY Dortmund, Luminosity Beach, Nature One, World Club Dome and both Electric Daisy Carnival Orlando and Mexico. It comes as no surprise that he’s had the opportunity to perform at these legendary events as he is well-known for his peak time sets as he has an artillery of instantly recognizable tunes defined by his high-spirited yet banging trademark sound. These tunes have been released on some of the highest tiered labels in existence like Armada Music, In Trance We Trust, Subculture, Outburst Records, Nocturnal Animals and of course Talla’s own — TechnoClub, which has been a leader in electronic music of all sorts since 1984 and his other label, which has been gaining love and support over the years — That’s Trance! As we all know far too well, 2020 brought upon us the COVID-19 Pandemic, which put a halt on live, in-person events. But all was not lost — Talla 2XLC was a light in a very dark place as he began performing live-streamed sets on the recently booming platform, Twitch. Gaining over 12,000 followers within a year and obtaining Partner status in under 3 months, it is clear that Talla has truly built a community of trance lovers and all music lovers alike. Now, streaming three times a week, partaking in raid train events and putting on special release streams; Talla has won the hearts of many through the power of music. Twitch is not the only thing our beloved German DJ and producer has been up to since the pandemic began. Talla has been immensely productive in the studio; having released a track almost every week and even releasing an artist album of his own (‘Carpe Diem’), we have seen a year like none other, musically. It’s quite evident that Talla has switched his focus on his productions and his 4 labels within German record company, ZYX Music. This can be made apparent if you take a look at Talla’s presence on Beatport. Over the last year, he has had 6 productions in the Beatport Trance Top 10 and several others within the Top 20 — including hit songs like ‘Suburbia’ with Allen Watts, ‘Aniara’ with XiJaro & Pitch, his own ‘Follow The Meteor’ and many others. The end is not in sight either because we are still hotly anticipating the release of his upcoming single with one of trance’s most sought after vocalists, Christina Novelli. You’ll definitely want to keep an eye on this space for more on that and other upcoming releases, so stay tuned for what Talla 2XLC has to offer. booking: talla2xlc.com/booking live stream: twitch.tv/talla2xlc website: talla2xlc.com merch: bit.ly/talla2xlc_choonwear



Additional info:

13:08:00

 


Dreamscape establishes itself as a psy record label with a lot of potential for 2023. The third release line-up is Talla 2XLC’s remix on his track Illusion 2.0 under his own psy trance alias Zyrus 7. The experience DJ, label owner, record producer and legendary figure of the electronic music history services a magnificent version that while it uses the classic razor sharp psy trance basslines stays true to the uplifting trance roots with the superb melancholic synthy melody and vocal snippets being present to keep the uplifting trance fans fully and totally satisfied. The breakdown long and lethargic allowing the immersive synthy melody to do its great job until the beats are back for the full on uplifting section followed by the more psy tech basslines focuses final parts that will keep both trance camps happy and ecstatic. Illusion 2.0 on the very unmissable Zyrus 7 remix is out now on Dreamscape.

Find it here:  https://zyxdance.lnk.to/IlluZyrus

08:28:00

 



DJ since 1991, Radio producer since 1992, Music producer since the early 00s, Events promoter since mid 00s, Raver since the begging of the era till today.

Chris Oblivion seems like he's been in the scene since forever, always in love with the sound of the underground but not barred by it, he is continuously present to serve the electronic dance culture in many forms.

As a dj he supported many top international names in their appearances in Greece the likes of Paul Van Dyk, Tiesto, John 00 Fleming, Aly & Fila, Push, Roger Shah, Vini Vici and many more, while in his headlining events he drifts from progressive tunes to the hardest psytrance ones with a unique way.

His radio show "Insomnia Radio Show" is on the radio for more than 25 years non stop in a raw, establishing itself as one of the longest living underground radio shows in Greece, both on terrestrial radios and in web radios.

He began producing music to find a way to express his perspective of the world, and till today (2022) he has more than 100 releases as an artist or remixer.


Dimitris: Your Top 3 biggest music career achievements in 2022:

Chris Oblivion: It is hard to say what an achievement is, but if I have to state 3 key points for 2002 then I would choose the following.

a. My EP "Margins" released from 1db Records since the music in this release is very unique and out of the box.

b. My very productive summer which made so many tracks ready to be released in 2023.

c. The induction of my 8 year old son in the music industry with him writing melodies for several of my tracks.

Best of 2022


1) Best track(s) and short comment for each track from other fellow artists of 2022

Chris Oblivion: One of the best tracks I've heard this year is Digital Blonde vs Idiosyncrasy - Providence. It is the perfect combination of dark driving trance with progressive elements, blended with the weird and distinctive style of Digital Blonde. I believe that Alan (Idiosyncrasy) did a great job in the
track as well.

 


2) Best of 2022 personal productions with short comment about them:

Chris Oblivion: Of course I would selected "Margins" from my "Margins EP". Although most of my latest releases are remixes with a more contemporary sound, this original has a very different approach on Electronic Dance Music. I tried to capture the native feeling of our connection the our planet by blending sounds which refer to our most primitive instincts and sounds which refer to the most modern and underground music styles. Although it is categorized as "psytrance" I bet that even the best judge would not be able to place this track on a certain category.

3) Best Artist of 2022(DJ & producer) with short comment:

Chris Oblivion: As a DJ I would place my money always on John '00' Fleming. This guy is a true scientist on the decks, creating memories and not just placing "track-after-track" with "wow-drops". He makes a complete trip and when everything is over you never knew what hit you.


As an artist I cannot be more behind Digital Blonde since he is out of this world. Every creation of his, every remix, every sound which comes out of this studio is truly unique, distinctive and cannot be replicated! I believe that he might be an intelligent alien form in a human suit!!!


4) Best Remix(es) from other fellow artists of 2022 with short comment :

Chris Oblivion: I loved Active Limbic System's remix on o track of mine with friend Soundpass "At The Gates Of Desert". This track was created as a reference to the old goa trance scene only to be featured in my personal album "Living Trance" (released by 1db Records) and ALS Remixed it just fine giving it a more driving twist.


5) YOUR Best Remix which you have produced of 2022 with short comment?

Chris Oblivion: For 2022 I think i have to choose my remix on "I Miss You" for Jameson Tullar, Alex Van Sanders and Rebecca Louise Burch. A very well crafted track with beautiful melodies, driving and haunting vocals. Worked the best for me.


6) Best Remixer(s) of 2022 with short comment:

Chris Oblivion: I would choose Alex Di Stefano, since whatever he touches is gold and best for the
dance floor.

 

7) Best social media response you may have received about your music or your DJ performance of 2022:

Chris Oblivion: Hehe, this always makes my day! Whenever I play music somewhere, the next day there is always a guys sending a message saying "Hey man, I did not know any of the tracks you played but I had a great time so thank you"

This is what it's all about. Even people who are not "die hard trance fans" and come (maybe by accident) had a great time. That's why we (djs) play music in the first place.

8) Best music composition software of 2022 with short comment:

Chris Oblivion: FL Studio. I know that many will disagree but Image-Line has worked wonders since 2021. I am a traditional Pro Tools guy, but FL Studio captured my imagination and turned it into sounds.

9)Best club event /festival/music conference of 2022 with short comment:

Chris Oblivion: Every F.S.I. Events party i've played. These guys are amazing in organization and
quality music.

 

10) Your Best personal DJ Gig & DJ performance of 2022 with short comment:

Chris Oblivion: Sorry, I cannot judge myself in public, I would trash me so much and i am very harsh on myself! It's up for the people to do so.

11) Best production or DJ equipment (a)software & (b) hardware) of 2022 with short comment:

Chris Oblivion: I loved the Denon Prime Go product. Maybe the best compact standalone dj gear you can get. Has everything, very reliable and works even without power giving you up to 4 hours of deck time.

12) Best ever electronic dance music track(s) of all times with short comment?

Chris Oblivion: The Overlords - Sundown. The feeling, the atmosphere, the haunting voice, the pace of the track are remarkable.


13) From 1 (bad) to 10(super excellent) what is your rate for 2022 in electronic dance music?

Chris Oblivion: 7, there is always a room for improvement

Dimitris: In which TV series, film or advert would you like to experience your track being used? Which track was the best placed on films/TV series/advert/official aftermovie of a festival from another artist?

Chris Oblivion: I would like to hear a track of mine on "Chernobyl" of "Maestro". Not the same track, I have an idea for every one of these series.

Dimitris: During 2022 we experienced many tracks that were hybrids of music styles & genres. Do believe that music genres or styles are still relevant today?

Chris Oblivion: As a matter of fact yes, the genres are relevant so we can mix them up, mash them up and deliver something new. It's a relation like "groceries and salad". You love a great mixed salad but you still need to have have tomatoes, cucumbers, lettuce, carrots etc.

Dimitris: Do you have any concrete plans for 2023 regarding future releases, tracks, albums, collaborations, DJ gigs? Please provide us the juicy details.

Chris Oblivion: Yes, I've been very active in 2022 creating. Till now I have 2 original releases coming out on the revived Rated Records, also a remix for them, I have another remix for Astral Projection's "Utopia" (with my friend Astro-D) coming out on Spiral Trax and another original vocal track with Pelany about to be signed. So let's say that for the first half of 2023 you will see many many Chris Oblivion releases.

My ultimate aim is to finish my second personal album.

Dimitris: Your message & wishes for 2023.

Chris Oblivion: Wishing health to everyone, peace in mind and more music in your life.

Additional info:

14:08:00

 


A record born from having fun in the studio in lockdown times, ReOrder and Ben York's 'Crystalized' invites fans to lose themselves completely on the dance floor. A blend of rampaging psy-trance bass, charged big room synths and even destructive hardstyle kicks, this monster track is able to reduce and club or stadium to rubble.


Dimitri Kechagias review:
[review top="1"]
[item value="10"]Beat and Rhythm[/item]
[item value="10"]Basslines and Groove[/item]
[item value="10"] Melody [/item]
[item value="10"] Synths [/item]
[item value="10"]Breakdown[/item]
[item value="10"]Climax / Drop / Crescendo / Pay off moment[/item]
[item value="10"]Intensity, Drive and Energy[/item]
[item value="10"]Sound-design and Arrangement[/item]
[item value="10"]Overall Atmosphere[/item]
[item value="10"]Goosebumps / Shivers moments[/item]
[item value="10"]Emotional affinity and heartfelt moments[/item]
[item value="10"]Originality and Inventiveness[/item]
[item value="10"]Radio Friendly[/item]
[item value="10"]You can’t get this memorable track out of your head[/item]
[item value="10"]It has potential to become an anthem or a classic[/item]
[item value="10"]ReOrder & Ben York - Crystalized  [/item]
[content title="Summary" label="Overall Score"]ReOrder & Ben York collaborate for the instant dancefloor anthem Crystalized. The two producers combine successfully driving raw pulsating psy trance basslines and cool sci-fi vocal snippets until to reach the cinematic breakdown with the epic filmic melodies  playing around until the huge feel good massive gargantuan size synthy line is unleashed. The climax moves to the rough raw deadly hardstyle direction to drive the clubbers crazy and deliver the sure shot of high energy levels and pump up the adrenaline levels. #PureGold Love IT    [/content]
[/review]


About Dimitris Kechagias

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