26 Inside Every Pixel Are Two Scrolls; The One You Chose To File Is The One That Clicks

Posted on May 23, 2026 by Mike Glyer

(1) SCI-FI LONDON PROOF OF LIFE. Jonathan Cowie sent along a photo taken with his fellow Northumberland Heath Science Fiction Society members at Sci-Fi London.

The Facebook photo shows Jonathan, Louis Savey (Director of the event), and siblings Stephen and Julie Perry.

(2) IS THE FORCE STRONG ENOUGH? In the latest “Week in Geek” newsletter Ben Childs wonders whether Star Wars is now an “impossible franchise” on the big screen: “The Mandalorian and Grogu shows Star Wars is a cursed franchise – on the big screen at least” in the Guardian.

When Disney bought Lucasfilm for roughly $4bn in 2012, it must have felt like an obvious piece of business: who wouldn’t throw wads of cash at a saga boasting an entire galaxy in a box? For a while, it seemed too good to be true. The Force Awakens made more than $2bn worldwide. Rogue One did more than $1bn. The Last Jedi conjured up more than $1.3bn, even while triggering a culture war so radioactive it could power the Death Star. Most of the fandom hated The Rise of Skywalker, but that most execrable of movies still earned Disney more than $1bn.

Then came Disney+, the perfect delivery system. No more waiting years between films: just hang around for a few months and something else would pop up on the conveyor belt. Andor, The Book of Boba Fett, Obi-Wan Kenobi, Ahsoka, The Mandalorian. Plot holes were filled, animated side characters got their magnum opus, and we all learned far more about the middle-management structure of galactic fascism than we had ever imagined possible. So why are we, almost 14 years on from that monumental shift in the Star Wars power structure, reading yet another slew of critical notices declaring that the saga has run its course? The Mandalorian and Grogu, at time of writing, has a rating of 61% on Rotten Tomatoes, pushing it just into the “fresh” category. The positives, broadly speaking, are that it is charming, brisk, visually polished and has Baby Yoda, a character precision-engineered for adorability. On the negative side, critics have complained the film feels thin, formulaic and weirdly televisual, less a grand restoration of Star Wars on the big screen than three Disney+ episodes….

(3) SNAIL MAIL CALL In his “Personal Interlude: ‘The Postcard Liberation Front’”, Paul Riddell of The Annals of St. Remedius Medical College offers to share his funky postcard collection with the world. See the link for full instructions. Here’s an excerpt —

…Among other things, this was the opportunity to consolidate decades of weird postcards, bumper stickers, letterhead, and stationery into one box for eventual disposition. Official US Post Office cards and envelopes of the James Gurney-painted dinosaur stamp series from 1997 were a big one, as well as a set of letterhead given to me by my maternal grandmother shortly before she died in 2002. Various postcard books gathered and occasionally used since 1984. (You think Harlan Ellison’s untold story of how he ended up with Donny Osmond Fan Club letterhead is one of the great mysteries of the universe? I’m still trying to figure out how I ended up with a Star Trek III postcard book.) The biggest haul, though, were postcards, purchased at places I’d visited or lived in, sent by friends either deceased or disappeared, and sometimes gathered because of plans that fell through. Museum postcards, postcards from state and national parks (US and Canadian), postcards bought solely for the art and postcards promoting long-ago art showings, lots and lots and LOTS of paleontology and natural history-related postcards, and piles of cards promoting long-dead businesses and projects intended to be passed on to others three decades ago or more. Some were so fresh that I remembered the exact circumstances under which I purchased them, and others still make me ask “And exactly why the hell did I hang onto these? I know I wasn’t drunk.” As of a count a few hours ago, 391 postcards in a cardboard box. I didn’t know exactly what I’d do with them, but I’d been to so many estate sales during the Texas Triffid Ranch years and seen so many boxes piled up with unknown and unknowable postcards that had been hoarded for a rainy day that I knew these eventually had to get out to the world in general. When, though, was the question….

…So here’s the new project, dedicated to those who still love dead physical media, who want a more solid connection than an email or a text, and who didn’t know how much they missed getting things in their mailbox. The rules:

Number One: Absolutely no purchase necessary. The Postcard Liberation Front will continue until all cards are sent, but quantities are limited.

Number Two: To receive a postcard, I need a mailing address. This can be sent via email or via the St. Remedius Contact Form. Note that the mailing address doesn’t have to be YOUR mailing address: I have no problems sending it to someone or somewhere else….

(4) FYI. Federal tax returns filed by nonprofit organizations are public records. ProPublica has made available a reconstruction of the 2024 Form 990 filed by the Locus Science Fiction Foundation.

The return shows total revenue increased year-to-year from $617K to $1055K, mostly due to “Contributions and grants” increasing from $334K to $754K.

You can’t really infer very much from these raw numbers, however, they may still be of interest.

(5) MEMORY LANE.

[Written by Cat Eldridge.]

The Shining (1980)

Forty-six years ago, the most perfect Stephen King film imaginable from my viewpoint came out in the form of The Shining as directed by Stanley Kubrick from a screenplay by him and Diane Johnson, it was also produced by him. This was true of 2001, wasn’t it? The screenplay and production I mean (co-written with Clarke, not Johnson).

It had an absolutely wonderful lead cast of Jack Nicholson, Shelley Duvall. Danny Torrance, Scatman Crothers and Danny Lloyd. Jack Nicholson in particular was amazing in his role as was Shelley Duvall in hers. And the setting of the Overlook Hotel is a character in and itself — moody, dangerous and quite alive.

Kubrick’s script is significantly different from the novel which is not unusual to filmmaking. However Stephen King was extremely unhappy with the film due to Kubrick’s changes from his novel.

If you saw it upon the first release, you saw a print that was a half hour longer than later prints. Yes, Kubrick released multiple prints, all different from each other. Some prints made minor changes, some made major changes. I assume that first release exists as a director’s cut or whatever they care to call as the lust after lucre never ends.

It cost twenty million to make and made around fifty million. Now according to some sources it cost much more than forty million, but this being studio accounting, that will never be known. What is known is that it lost the studio money, or so they claim.

So how was it received by the critics? Well it got a mixed reception.

Gene Siskel in his Chicago Tribune review stated he thought it was a “crashing disappointment. The biggest surprise is that it contains virtually no thrills. Given Kubrick’s world-class reputation, one’s immediate reaction is that maybe he was after something other than thrills in the film. If so, it’s hard to figure out what.” No thrills? Huh.

Peter Bradshaw of The Guardian was much more positive: “The Shining doesn’t look like a genre film. It looks like a Kubrick film, bearing the same relationship to horror as Eyes Wide Shut does to eroticism. The elevator-of-blood sequence, which seems to ‘happen’ only in premonitions, visions and dreams, was a logistical marvel. Deeply scary and strange.”

Let’s give Roger Ebert the last word: “Stanley Kubrick’s cold and frightening ‘The Shining’ challenges us to decide: Who is the reliable observer? Whose idea of events can we trust?”

Audience reviewers at Rotten Tomatoes currently give it an excellent ninety-three percent rating.

(6) COMICS SECTION.

Brevity revisits a character’s lack of education.
Frank and Ernest suggest a way to make a sporting event more efficient.
Saturday Morning Breakfast Cereal demonstrates that one thing is safe, but nothing else.

(7) BACK AT YOU. Space Daily says “The Soviet Lunokhod 1 rover went silent on the Moon in 1971, then scientists found its lost reflector in 2010 and got a signal bright enough to reopen a forgotten corner of lunar science”.

For nearly 40 years, Lunokhod 1 was not so much dead as misplaced.

The Soviet rover had stopped responding in 1971, after almost a year on the lunar surface. Its tracks were still there. Its body was still there. Its French-built laser reflector was still there too, bolted to the rover and facing whatever part of the sky it had last faced before the machine went silent.

The problem was that scientists no longer knew precisely where to aim.

That changed in 2010, when high-resolution images from NASA’s Lunar Reconnaissance Orbiter helped identify the rover’s location. Soon after, researchers using the Apache Point Observatory Lunar Laser-ranging Operation in New Mexico were able to acquire a signal from the long-lost reflector. In the abstract of their later paper, the team wrote that the reflector appeared to be in excellent condition and was returning a signal roughly four times stronger than the reflector on Lunokhod 2.

After decades of silence, the old Soviet rover had answered back.

A rover that outlived its mission by accident

Lunokhod 1 landed in the Sea of Rains on November 17, 1970, delivered by the Soviet Luna 17 mission. It was the first remote-controlled rover to operate on another world, a tub-like vehicle with eight wheels, a hinged solar lid, television cameras, scientific instruments, and a laser retroreflector built in France….

(8) REMINDS ME OF SOMETHING. [Item by Steven French.] Anyone else thinking about a spatio-temporal version of Ice Nine?! “Crystals of space and time: A structural phenomenon that may collapse into tiny black holes” at Phys.org.

A team from Vienna and Frankfurt has found a formula describing a strange phenomenon: Space and time can form a kind of “crystal” that may turn into a black hole. The results are described in Physical Review Letters.

Alongside the famous gigantic black holes, physics also allows for microscopic versions. They emerge from so-called critical states, when spacetime organizes itself into a regular, crystal-like structure during a process known as critical collapse. A team from Goethe University Frankfurt and TU Wien has now succeeded, for the first time, in describing this phenomenon with an exact mathematical formula using an unusual mathematical trick….

(9) THE SOLAR SYSTEM’S INTERSTELLAR ODYSSEY HAS BEEN FROZEN IN TIME. [Item by SF Concatenation’s Jonathan Cowie.] The Solar system’s travel through the local part of the Galaxy has been charted in Antarctic ice. Iron (Fe) comes in a number of isotopes with around 98% in the form of ⁵⁴Fe and ⁵⁶Fe (the latter being the most common making up nearly 92% of all iron). However, there are other minority isotopes including 60Fe which is radioactive and decays with a half-life of 2.6 million years. It is a form of iron that is created in supernova explosions and so is found in interstellar dust clouds.

The Antarctic is covered in ice and so can be considered to be a blank sheet. Consequently, ⁶⁰Fe in Antarctic ice is considered to be a proxy for interstellar dust entering the atmosphere and this happens to a greater extent when the Solar system passes through an interstellar dust cloud.

The Earth and Solar system is currently passing through one such interstellar dust cloud that is tentatively thought to have been created around 130,000 years ago but within a cluster of clouds thought to have formed around a million years ago, and an even larger surrounding, encompassing bubble (called the Local Bubble) that was likely triggered by supernova-driven outflows from 14 – 20 supernovae in the Scorpius Centaurus Association starting around 10–15 million years ago.

Researchers, mainly based in Germany, have now drilled an Antarctic ice core. As snow falls on the Antarctic ice surface, so ice builds up over time. Therefore, by measuring ⁶⁰Fe in Antarctic ice it is possible to estimate when the rate of such isotopic deposition was higher or lower. The researchers found that between 40,000 and 81,000 years ago there was less of an isotopic signature and this, the researchers conclude, is evidence of a changing interstellar medium surrounding the Solar system than experienced now and before then. Separate work on marine sediments, as well as future work added to current astronomical observations and modelling, should enable us eventually to understand the Solar system’s journey through the various encompassing bubbles over millions of years. (See the primary research Koll, D. et al (2026) Local Interstellar Cloud Structure Imprinted in Antarctic Ice by Supernova 60Fe. Physical Review Letters, vol. 136, 192701.)

(10) VIDEO OF THE DAY. “China’s real-life ‘transformer’ mech is a giant humanoid robot that can switch from bounding on 4 legs to walking on 2” reports Live Science.

Chinese engineers have built a mecha-style robot that can quickly transition from two legs to four while carrying people, resembling the power-loader exoskeletons from Aliens or the utility-style mobile suits from Japanese anime series Gundam SEED.

The robot’s developer, Unitree, says the large, humanoid robot is intended for civilian transport. In a promotional video, the robot ‪— called GD01 ‪— walks upright, smashes down a high wall of cinder blocks, and reconfigures itself to stand on four limbs to traverse more difficult terrain.

Unitree representatives say the machine weighs around 1,100 pounds (500 kilograms) with an operator on board and stands nearly 10 feet (3 meters) tall. People can even buy the robot, with prices starting at 3.9 million yuan ($572,000)….

[Thanks to Chris Barkley, Mark Roth-Whitworth, Kathy Sullivan, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 5/31/25 Scroll Tuesday Night

Posted on May 31, 2025 by Mike Glyer

(1) MASSIVE SPOILER WARNING. And don’t read the URLs of these two links, either, which also contain the spoiler.

Gizmodo asks “What the Hell Just Happened on ‘Doctor Who’?” – and then answers the question. No spoiler in the first paragraph, fortunately.

Doctor Who‘s latest season has just come to an end—and with it, we just got hit with an absolute shocker of a cliffhanger. Let’s discuss, shall we?

The Guardian’s storygoes even farther with a spoileriffic headline that I won’t quote fully: “Doctor Who finale sees…”

(2) LOCUS APPEAL NEARS END. The “Locus Mag 2025” fundraiser at Indiegogo ends today. With seven hours still to run it had taken in $80,375. How much does that help?

…With rising inflation, tariffs, and shipping costs, it now costs over $725,000 a year to publish the magazine, run the website, and present the awards each year. Through subscriptions, advertising, and existing donations and sponsors, we can count on $400,000 in anticipated revenue next year. That means we need to raise an additional $325,000 to make it all the way through 2025….

So there are probably more fundraising efforts to come.

(3) THE 20,000 LEAGUE MISSION. “Star Trek Alum Shazad Latif Captains the ‘Nautilus’ in First Trailer for Rescued Sci-Fi Series” – Collider profiles the show.

Star Trek: Discovery‘s Shazad Latif is going where no man has gone before… but this time, instead of outer space, he’s headed to the hidden depths of the ocean. Latif stars as Captain Nemo in Nautilus, AMC’s new reimagining of Jules Verne‘s classic science fiction novel 20,000 Leagues Under the Sea. The show’s new trailer sees him set sail in the titular super-submarine, even as he’s pursued to the ends of the Earth. The series premieres June 29 on AMC and AMC+.

In the new trailer for the 19th-century-set science fiction series, which serves as a prequel to Verne’s novel, Nemo is the prisoner of the East India Mercantile Company, a globe-spanning corporation that wields more power than any government. He and his fellow prisoners are put to work building the Nautilus, an advanced submarine that the Company hopes will further tighten its grip on the world’s seaways. However, Nemo foments a rebellion among his fellow prisoners and takes command of the ship, escaping into the depths with his fellow prisoners as his crew. The Mercantile Company is soon in hot pursuit, with a dogged mariner assigned to bring Nemo down; meanwhile, Nemo has an unwilling passenger on board. Will he have his revenge on his captors, or will the Company deep-six his ambitions?…

(4) NYT’S PETER DAVID TRIBUTE. The New York Times profile is terrific — “Peter David, Comic Book Writer Who Repopularized the Hulk, Dies at 68” – link bypasses the paywall. Here’s the very end of the piece:

…Mr. David, a gregarious soul who was befriended by movie stars and celebrities in the science-fiction realm, fondly remembered in his memoir the night he was watching the original “Star Wars” movie on television and its protagonist, Mark Hamill, called. A budding comic book writer himself, Mr. Hamill wanted to know: Could Mr. David write the introduction to a collection of his work?

“Uh, hey, Mark,” Mr. David said. “I’m watching you about to blow up the Death Star.”

“I can call back,” Mr. Hamill replied.

“No, that’s OK,” Mr. David told him. “I’ve seen this movie before. I know how it ends.”

(5) QUACKING UP. Scott Edelman is back with Episode 23 of the Why Not Say What Happened? podcast: “Why Howard the Duck Was the Silver Surfer of the ’70s”. (And here’s several dozen platforms where it can be found.)

Join me and Neil Ottenstein for a rambling panel about Howard the Duck in which I share the Marvel Comics chaos which caused me to be hired there in 1974, my regrets over having written an issue of Omega the Unknown, my ethical queasiness about owning original art, what it means when I say I knew Stan Lee before he had hair, my terrifying Bullpen encounters with “Jumbo” John Verpoorten, why Howard the Duck was the Silver Surfer of the ’70s, my Times Square street theater with Steve Gerber, the time Howard the Duck had to be hatched instead of laid, how immaturity cost me Captain Marvel, the only time I ever saw Stan Lee get flustered, and more.

Among other things, Edelman recalls the time Howard the Duck couldn’t get laid – see the relevant comics panel here, and read the whole story here.

(6) HOW WUDE! [Item by Steven French.] Ben Child, in the Guardian’s “Week in Geek”, ponders a galaxy full of hangovers rather than hope: “Ryan Reynolds has pitched an ‘R-rated’ Star Wars. What would that look like?”

Take all the essential ingredients of Star Wars – samurais in space, adventure among the wookiees, aliens with backward syntax, evil cyborgs with a penchant for murder by telekinesis – then imagine George Lucas hadn’t given us all of that through a PG prism. This, it appears, is what Ryan Reynolds did when pitching to Disney. “I said, ‘Why don’t we do an R-rated Star Wars property?’” Reynolds told The Box Office podcast. “‘It doesn’t have to be overt, A+ characters. There’s a wide range of characters you could use.’ And I don’t mean R-rated to be vulgar. R-rated as a Trojan horse for emotion. I always wonder why studios don’t want to just gamble on something like that.”

Let’s imagine the scene: a gaggle of studio execs are nervously cowering before the Hollywood A-lister’s megawatt smirk as he reveals his idea for a take on George Lucas’s space opera that doesn’t hold back. This is Star Wars Tarantino-style. Perhaps Mando’s got a drug problem, or Chewie really does rip people’s arms off – and beat them to death with the wet ends. Somewhere over in Coruscant a Jedi slices a corrupt senator into symmetrical chunks without ever unsheathing his saber. Or maybe Reynolds just thinks the galaxy far, far away could use a little more Deadpool & Wolverine-style sweary irreverence.

He’s wrong. Push Star Wars too far into the realm of self-aware snark, or nudge it to start laughing at itself before the audience does, and you undercut the very thing that keeps fans tethered to its dusty, big-hearted mythos. We already have umpteen animated takedowns – Robot Chicken’s fever-dream dismemberments, Family Guy’s fart-laced remakes – and they’re fine, in their way. But if Star Wars ever starts mimicking the shows that exist solely to mock it, then the circle will be complete….

(7) THE THING OF SHAPES TO COME. Rich Horton’s reviews of the finalists continue at Strange at Ecbatan: “Hugo Ballot Review: Someone You Can Build a Nest In, by John Wiswell”.

… The story is told from the point of view of Shesheshen, who is a shapeshifting monster, or wyrm, and who has threatened the population of the Isthmus for some time. As the novel opens, Shesheshen is awakened early from her yearly hibernation by a familiar menace — monster hunters….

(8) CONCURRENT SEATTLE. ConCurrent Seattle, a one-day alternate program created in protest of the use of ChatGPT by the Seattle Worldcon, had raised almost half of its $5,000 budget as of yesterday.

The use of ChatGPT at WorldCon has been a breach of trust in an industry of writers whose work has been stolen to train genAI. ConCurrent, a one-day event being held on Thursday, August 14, 2025, at the ACT Theatre in downtown Seattle, is an alternative for those who want a convention with no genAI involved.

ConCurrent is not a replacement for WorldCon and will be free of charge and open to all….

(9) JAYANT NARLIKAR (1938-2025). [Item by Steven French.] The science journal Nature has an obituary of Jayant Narlikar who was not only Fred Hoyle’s PhD student and collaborator (together they developed an alternative theory of gravitation which rejected any Big Bang) but also wrote science fiction himself (his novel The Comet is still on the syllabus in some Indian schools). “Jayant Narlikar, visionary astrophysicist and science populariser, dies at 86”. He died on May 20.

… Narlikar’s influence extended well beyond academic circles. He was a dedicated science communicator and one of India’s earliest and most prolific writers of science fiction. A story exploring black holes and time dilation, submitted anonymously, won him his first award and launched a writing career that brought scientific ideas to a wider audience. His accessible and engaging popular science books became fixtures in school curricula and earned him the UNESCO Kalinga Prize in 1996….

(10) MEMORY LANE.

[Written by Paul Weimer.]

May 31, 1990 — Total Recall

By Paul Weimer: “Get your ass to Mars”.

Sure, I think as social satire The Running Man is probably better science fiction as a movie. But as a vehicle for 1980’s SF for Schwarzenegger that wasn’t Terminator, I think you can’t do better than one of my favorites, Total Recall. The excitement of a movie “based on a story by Philip K. Dick” (which I subsequently read and was confused by how little it actually had to do with it.)

But the movie is a corker from start to finish and so much of the movie is imprinted in my brain to this day. The movie’s insistence on keeping it very ambiguous, right to the end, if Quaid was dreaming or not , charmed me. I argued with my brother over this, who thought the “sweat drop” scene with Dr. Edgemar proved it was all real. I disagreed, and pointed out things like “Bluesky on Mars” being the name of his program, and how Melina resembled the woman programmed for his vacation. And if you listen to the commentary, Paul Verhoeven directed the movie with the point of view that it was all a dream, and Schwarzenegger acted with the point of view that it was reality. It makes for an interesting tension on screen and it works.

There are lots of little details that happen in the background. The change in geopolitical setup to a North-South Cold War. The Tokyo Samurai are trying to go for a fifth and deciding win in the World Series (so now the American Baseball leagues have teams in Japan…and the World Series is a best of nine affair). The movie is visually rich and generous like that, showing a lived in world that you can believe is real. Two worlds to be precise, both Earth and Mars. And the brutalist architecture pattern works for this authoritarian future.

And of course the movie is hideously violent. The body count is high.

The movie remains ever relevant with its critiques of colonialism, and authoritarianism. We are meant to side with the Free Mars movement, and maybe not until Cox’s Cohagen decides to kill everyone by asphyxiation does he really go from a tyrannical colonial figure who is vaguely understandable, to a true and undeniable monster that is irredeemable. But that steady revelation of just how horrible he can be starts with him looking sympathetic at first, and then unfurling his true nature and the extent of what he has done, and is willing to do. It’s a dive into authoritarian and colonialist mindsets, and in this day and age, even more relevant than ever.

And the movie follows through on the implications of its technology with the character beats. When Richter is told that Quaid/Hauser won’t remember anything, he just has to punch him hard, because of all what he’s put Richter through at this point. It’s a character beat that makes sense given the tech. And we have Chekov’s guns all over the place, which all fire, which propel us to the final confrontation. Sure, the “Ten second terraforming method of Mars” is bonkers and would not work. The movie doesn’t explain that there are more steps to the breathable atmosphere than melting the ice to get oxygen. I don’t care.

I read the novelization, done by Piers Anthony, because “I wanted to know more”. And I wish I hadn’t. I had not yet discovered how terrible Anthony was as a writer, but the novel’s insistence at each and every chance to say “yes this is real” over and over, was disappointing. Even at the end, when Quaid points out to Melina that she looks like the woman from Rekall, she casually says she used to do modeling for them. The book was determined to squash any ambiguity, and it was a major turn off. It did more solidly explain the terraforming, though and how it would work.

But the movie remains solid. Don’t bother with the remake. Watch the original. Don’t let me down, buddy, I’m counting on you.

(11) COMICS SECTION.

Brilliant Mind of Edison Lee compares entertainments.
Wumo avoids a clichéd location.
xkcd says this is not an immediate concern.

(12) MURDERBOT SUITS UP. Alexander Skarsgård shows it’s a real challenge to pull on his costume in this TikTok video: “Discover the Morning Routines of Security Units in Murderbot”.

(13) TODAY’S THING TO WORRY ABOUT. “How the iPhone Drove Men and Women Apart” is a hooky headline, but the real topic of Ross Douthat’s Interesting Times podcast (which is the source of the New York Times article) is the declining fertility rate in many countries. If the NYT article is paywalled, the podcast episode is available on YouTube under the title “Progressives Are Driving Themselves Into Extinction”.

…Douthat: What about culture apart from politics? Because, while it is the case that culture is determined to some degree by tech, the smartphone creates culture in its own way. It’s also the case that the issue of declining birthrates is not one that much of elite Western culture has taken seriously. It’s not something that’s entered into the mainstream cultural mind the way that the threat of climate change has done. So you could imagine if it became a more important part of the cultural imaginary — some kind of self-conscious attempt to treat this as an important issue.

Let’s say, right now people in Hollywood would feel bad if they were perceived to be not doing something to fight climate change or something. Hollywood used to make a lot of romantic comedies. It doesn’t really anymore. There’s still a few. But are there cultural scripts that could be written — whether in movies or TV or elsewhere — that you think could actually make a difference?

Evans: I think definitely, yes. And I think it would be wonderful if Hollywood promoted that and supported that. In fact, as a joke last year, I even wrote a comedy script about how Hollywood could support fertility and things like that.

Even though I’m totally on board with that — and I think that’s very important — there are several frictions. One, it’s very difficult to do cultural engineering today, because we have infinite options of entertainment at our fingertips — on Netflix and everything. So if you’re not that interested in a romantic comedy — you know, in China, a lot of the most popular films are about divorce. So it’s difficult to do cultural engineering. On top of that, as long as people are hooked on their smartphones, they might not have the social skills to do it.

I think another possible mechanism would be to use the tax system and to give massive tax incentives to people who have children, because that’s a positive externality….

(14) NUMBER NINE? NUMBER NINE? “Scientists Say They’ve Found a Dwarf Planet Very Far From the Sun” – this link bypasses the New York Times paywall. “The small world was found during a search for the hypothetical Planet Nine, and astronomers say the next time it will reach its closest point to the sun is in the year 26186.”

A sizable world has been found in a part of the solar system that astronomers once thought to be empty. It probably qualifies as a dwarf planet, the same classification as Pluto.

Temporarily named 2017 OF201, it takes more than 24,000 years to travel around the sun just once along a highly elliptical orbit, coming as close as 4.2 billion miles and moving as far out as 151 billion miles. (Neptune is just 2.8 billion miles from the sun.)

And 2017 OF201 may have implications for the hypothesis of an undiscovered planet, nicknamed Planet Nine, in the outer reaches of the solar system.

“We discovered a very large trans-Neptunian object in a very exotic orbit,” said Sihao Cheng, a researcher at the Institute for Advanced Study in Princeton, N.J….

(15) WHAT’S THAT SMELL? [Item by Steven French.]

“My space-dog has no nose!”

“How does he smell?”

“Like a poisonous marzipan cloud!”

“From cat urine to gunpowder: Exploring the peculiar smells of outer space” at the BBC.

Scientists are analysing the smells of space – from Earth’s nearest neighbours to planets hundreds of light years away – to learn about the make-up of the Universe.

Jupiter, says Marina Barcenilla, is “a bit like a stink bomb”.

The largest planet in the solar system, Jupiter has several layers of cloud, she explains, and each layer has a different chemical composition. The gas giant might tempt you in with the sweet aroma of its “poisonous marzipan clouds”, she says. Then the smell “would only get worse as you go deeper”.

“You would probably wish you were dead before you got to the point where you were crushed by the pressure,” she says.

“The top layer of cloud, we believe, is made of ammonia ice,” says Barcenilla, likening the stench to that of cat urine.” Then, as you get further down, you encounter ammonium sulphide. That’s when you have ammonia and sulphur together – a combination made in hell.” Sulphurous compounds are famously responsible for stinking of rotting eggs….

(16) RARA AVIS. [Item by SF Concatenation’s Jonathan Cowie.] Eat chicken — I have never really forgiven the dinosaurs for what they did to Raquel Welch. This is this week’s Nature cover story….

The cover shows an artist’s impression of Archaeopteryx, the oldest-known fossil bird, which lived some 150 million years ago. In this week’s issue, Jingmai O’Connor and colleagues describe the fourteenth known specimen of Archaeopteryx — colloquially known as the Chicago Archaeopteryx because it was acquired by the Field Museum of Natural History in Chicago, Illinois. This specimen is important because it is so well preserved: it is nearly complete and has not been crushed, which means it retains a remarkable level of detail. This, combined with painstaking preparation guided by micro-computed tomography, allowed the researchers to uncover fresh information about the skeleton, soft tissues and plumage of this iconic creature. Among the team’s findings are specialized inner secondary feathers called tertials on both wings, and an indication that creature’s foot pads were adapted for movement on the ground. The collection of newly identified features suggests that Archaeopteryx was adapted for some level of flight and was comfortable living both on the ground and in trees.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Scott Edelman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/27/25 Everybody Loves Raymond Palmer (Both The Shaver’s Mystery Guy And The Size-Shrinking Superhero)

Posted on May 27, 2025 by Mike Glyer

(1) SO THIS HEINLEIN, IS HE ANY GOOD? View Sharon Lee’s acceptance speech for the 2025 Robert A. Heinlein Award in this YouTube video.

(2) FAIR PAY. Steve Davidson urges sff readers to commit to pay a fair price for short fiction in a post on Facebook. Davidson begins by telling what the market rates of the Thirties would translate to after factoring in 90 years’ worth of inflation. Then he makes this appeal —

…Authors need to LIVE in order to be able to write and, I’d venture to guess, authors who are not stressing over whether or not they’ll be living in their cars next month will write more and better than those who have no such concerns.

To put a finer point on it: magazines would have to pay a word rate of 67 cents per word if the sale of that one short story is to have the same economic power today as $150 bucks did back in 1930.

On the other hand….

I’m betting that readers actually DO value authors and their works (well, at least those readers who read anyways). And I’m betting that they are willing to step up IF they’re given the opportunity. Oh, maybe not quite yet to covering sixty-seven cents per word, but certainly more than 8 cents per word.

I think the evidence is all around us that they are. I mean – go look at what a paperback costs these days! Me, I choke whenever I see the cover price because my baseline is what it cost me to buy those first Heinlein novels from the Bookmobile back in 1968 – 45 cents to 60 cents. Those same books now go for $13 – or more!

Anyway, the point is this:

We KNOW you all are willing to pay something close to what modern science fiction is actually worth, because you’re already doing it everyday when you plunk down ten bucks for an ebook or fifteen bucks for a paperback (or forty+ bucks for a hardback).

Now all you have to do is extend that same calculus, that same perceptual handwavium when it comes to magazine issues and their close cousin companions, theme anthologies….

(3) LOCUS FUNDRAISER LOOKS TO FINISH STRONG. The “Locus Mag: Science Fiction, Fantasy, Horror 2025” appeal at Indiegogo has four days to go. It had raised $44,671 when I checked this afternoon. Among reasons for you to click over, the Indiegogo paid includes links to videos of Connie Willis, Daniel Abraham, and Tobi Ogundrian reading from their work.

We are incredibly grateful for every penny donated and we’ll put it all to good use, but this is a moment to be honest about the urgency of our fundraiser. We’re just 4 days from the close of this fundraiser and we haven’t raised even half of the money we need to keep Locus running.

Being an indie non-profit press, we’ve been running on a skeleton crew for years. A larger budget means paying writers and artists a better rate, adding more short fiction and long form reviewers to cover all the amazing stories that are being written, and enough budget to cover all the amazing events out there and to stay connected with the community. Please help keep Locus alive, as the independent voice of the field and the guide to the world’s imagination!

If we don’t reach our funding goals, we will have to contract even further – you’ve seen your favorite magazines and newspapers shrink or disappear… There’s no part of what Locus does that we can imagine giving it up, reviews, interviews, cons, obits, the Locus Awards, the recommended lists – remembering people, pushing the news out, evening out the playing field. We don’t want to give any of it up. And we want to get back to a full schedule of writing workshops, reach more people on different platforms about our amazing genre, host readings… so much more.

We’re particularly concerned about the loss of short fiction reviews. Locus is one of the only venues that reviews short stories and makes a concerted effort to cover the small and independent press. Locus wants to help level the playing field for emerging writers and everyone in general. Without those efforts it feels like the only SFF writers getting attention out there are NYT bestsellers…

(4) APPEALS COURT SAYS LIBRARY COLLECTION DECISIONS ARE GOVERNMENT SPEECH. “Full Court of Appeals Reverses Previous Rulings, Supports Texas Library’s Book Removals” at Publishers Lunch (behind a paywall).

A full en banc ruling from the Fifth Circuit Court of Appeals has overturned both a lower-court decision and a Court of Appeals ruling that had found a Texas library’s removal of books was a violation of the First Amendment, in a 10-7 decision.

Last year, a regular three-person Court of Appeals panel ruled that the Llano County Library could not remove books based on their content, writing that, “Government actors may not remove books from a public library with the intent to deprive patrons of access to ideas with which they disagree.” The titles at issue included books about sexuality and racism, and “butt and fart books.” Eight of the original 17 removed titles were returned to the library.

Now, the court reversed that preliminary injunction and dismissed the free speech claims of the plaintiffs—seven library patrons.

In the decision, Judge Stuart Kyle Duncan writes that the right to receive information from “tax-payer funded library books” is not protected by the First Amendment.

“That is a relief, because trying to apply it would be a nightmare,” the decision continues. “How would judges decide when removing a book is forbidden? No one in this case—not plaintiffs, nor the district court, nor the panel—can agree on a standard. May a library remove a book because it dislikes its ideas? Because it finds the book vulgar? Sexist? Inaccurate? Outdated? Poorly written? Heaven knows.”

The decision also states that “a library’s collection decisions are government speech and therefore not subject to Free Speech challenge.” Judge Duncan asserts that libraries have always made decisions about what books to shelve, just as government-funded museums decide on which paintings to include.

“That is what it means to be a library—to make judgments about which books are worth reading and which are not, which ideas belong on the shelves and which do not.

“If you doubt that, next time you visit the library ask the librarian to direct you to the Holocaust Denial Section.”…

(5) LETTING THE DOGS IN. [Item by Daniel Dern.] In chatting with one of the (local) librarians about some catalog quirks (mentioning my not-yet-replicated search within WorldCat/OCLC showing a library/book location of “outer space”), they noted that the CountWay library in the (Harvard) medical center area had a dog in their catalog — a “library” dog, e.g., for “Read with a Dog,” “schedule cuddle time”…

I haven’t (yet) found actual catalog entries, but (as I already knew), “library dogs” are indeed a Real Thing, e.g., Therapy Pets | Countway Library (harvard.edu)

For many Filers, this, of course, immediately brings to mind the classic Eric Frank Russell story, “Allamagoosa” (here’s a Baen link to the story.)

(6) ORSON WELLES HELPS SELL A BOOK. A Deep Look by Dave Hook looks at another 1949 sf collection: “’Invasion from Mars: Interplanetary Stories’, Orson Welles ‘editor’, 1949 Dell (SFE says ghost editor was Don Ward)”

The Short: I read Invasion from Mars: Interplanetary Stories, Orson Welles “editor”, 1949 Dell (there is controversy about the actual editor). Including the 1938 “Invasion from Mars: A Radio Adaption” radio play adaptation, it includes ten stories and an Introduction. My favorite story is the well reprinted and superlative Ray Bradbury story “The Million Year Picnic“, a Martian Chronicles short story, Planet Stories Summer 1946. My overall average rating of the stories was 3.76/5, or “Very good”. I have mixed feelings about recommending it, see below. You can find links to the stories here.

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 27, 1911 — Vincent Price. (Died 1993.)

By Paul Weimer: Vincent Price. My first voice and face of horror. But especially, his voice.

I’ve mentioned WPIX many times in these birthday reminiscences and in comments at File 770. And so it was on NY’s movie station that I first encountered the work of Vincent Price. It was one of the Dr. Phibes movies, gory, weird and a lot of fun. That voice was unmistakable. Imagine my surprise when the very different looking Dr. Egghead (played by Price) showed up in an episode of the 60’s Batman cartoon. Although Egghead and Phibes couldn’t be more different, the voice was what keyed me, even with my amusia, that the same actor was at work here. That oily, horror fueled voice. He was the voice of terror, of nightmares, of the dark descent.

And that’s kind of how I kept running into him, by accident, again and again. For a while it seemed I could not escape the Master of Horror. Oh, here he is in a movie based on the “Pit and the Pendulum”. How very droll. Oh, and here he has shown up randomly on an episode of Columbo. Oops, here he is again in a Roger Corman horror film. All with That Voice. Although I still think the Jeff Goldblum version is better, the haunting image of his version of The Fly, where a part of him is trapped in a fly’s body, caught in a web, with a spider coming to eat him, is enough to give me the chills.

Even with all of his other work, again and again, what Price comes down to is the voice of horror. And so I ask you, who else could have been the narrator voice for the music video Thriller?

(8) TODAY’S BIRTHDAY, TOO.

[Written by Paul Weimer.]

May 27, 1934 — Harlan Ellison. (Died 2018.)

By Paul Weimer: Harlan Ellison. No trademark symbols, if he wants to come back from the dead and harangue me, he’s welcome to do so.

To talk about him as a broken step will be taken as read, it turns out he did behave very badly indeed, and that mars his reputation. Not being ever to finish the Last Dangerous Visions is another stain on his record, too. He seems to have forgotten his own maxims and advice on that one. He was a writer’s writer and an editor’s editor, and while he had the juice for the first Last Dangerous Visions, he never could see through to the last.

My older brother had plenty of collections of his stories, so his stories, both genre and only near-SF was an early part of my reading. Included in those collections were both volumes of The Glass Teat, so along with lots of Ellison stories, I also got a healthy dose of his film and television criticism, and his unyielding personality. I may have never gotten to meet him personally, but his ferocious reputation by his writing was enough. When Heinlein has him show up in the end of The Number of the Beast as simply “Harlan”, I had read enough to know what Heinlein meant with that one word.

Three stories of his always come to my mind and you can guess them. “’Repent, Harlequin!’ Said the Ticktockman” which for even though the titular Harlequin is captured and his rebellion ended, is still a story of hope, because his spirit of chaos cannot and will not be permanently stilled. “I Have No Mouth and I Must Scream”, one of the most ultimate horror stories, with four people and a deranged computer at the end of the world. And, “Paladin of the Lost Hour” which is the best “Rage against the dying of the light” story I’ve ever read. When he wasn’t a raging a-hole, Harlan Ellison could and did write.

(9) COMICS SECTION.

Dinosaur Comics discusses resolutions.
Fowl Language knows facts about stars.
Non Sequitur is surprised to meet the author.
Pardon My Planet indulges in a false equivalence about pro wrestling.
Strange Brew witnesses a timely departure.
The Argyle Sweater points out the disadvantage of cowl hair.
Wumo tries a line that fails.

(10) DEADPOOL/BATMAN CROSSOVER. Wade Wilson has been hired for a job in Gotham City, but will the World’s Greatest Detective help him or destroy him? Entertainment Weekly today revealed Marvel’s Merc with a Mouth will meet DC’s Dark Knight this September in Marvel/DC: Deadpool/Batman #1, the first of two crossovers between Marvel and DC more than twenty years in the making. It will be followed by DC’s Batman/Deadpool #1 in November.

Deadpool/Batman #1 will be written by prolific Spider-Man comics writer and co-writer for Marvel Studios’ Deadpool & Wolverine Zeb Wells and drawn by industry superstar Greg Capullo, an artist with an incredible legacy at both legendary comic book companies, with influential work on Batman and X-Men titles.

“After writing Amazing Spider-Man for 60 issues, I told Marvel I needed a break. Marvel told me I could do that or I could write a comic starring Deadpool and Batman with the best Batman artist of our generation. I no longer needed a break,” Wells shared with EW. “In Batman we’ve found someone who has even less time for Deadpool’s antics than Wolverine, but a city-wide threat from the Joker makes strange bedfellows (literally, if Deadpool had his way). It’s been a blast letting Deadpool loose in Gotham City and watching what happens.”

“Am I dreaming? This crossover is likely to be the high point of my career…and, I’ve had a great career,” Capullo added. “Some of my earliest work (many years ago) was on X-Force, so Deadpool and I go way back. More recently, I spent 10-plus years drawing Batman at DC. The idea that I get to do a crossover event with Deadpool and Batman…If I am dreaming, please don’t wake me!”

Check out Capullo’s main cover and stay tuned for more news about Deadpool/Batman #1 in the weeks ahead.

(11) WB WHACKS SCREENING OF SCHUMACHER CUT. “Studio Blocks Screening of Controversial Batman Forever Director’s Cut” reports CBR.com.

The fabled Schumacher cut of Batman Forever has hit a major snag as Warner Bros. has decided to scrap a planned screening of the hotly anticipated film.

A screening of the Schumacher cut was supposed to take place at Cinefile Video in Santa Monica, California. But according to The AV Club, the event was canceled following a legal request from Warner Bros. “Our planned screening of Batman Forever has been canceled,” the store said in an email to its members. “This follows a legal request from Warner Bros. regarding the rights to the version of the film we intended to show. While this was a free, members-only event meant to celebrate a unique piece of film history, we respect the rights of studios and creators, and have chosen to withdraw the event accordingly.”

The news came as a major blow for Batman fans as the Schumacher cut has long been considered a Holy Grail of sorts….

(12) FIRST OF THE LAST OF US. [Item by Steven French.] “The Last of Us science adviser: COVID changed our appetite for zombies” learned Nature.

The year was 2013, and the release of a hotly anticipated zombie-apocalypse video game was on the horizon.

The game, called The Last of Us, invited players to explore what then seemed a fanciful scenario: a world devastated by a pandemic in which a pathogen kills millions of people.

Unlike in many apocalypse fictions, the pathogen responsible wasn’t a bacterium or a virus, but a fungus called Cordyceps that infects humans and takes over their brains.

The writers at game studio Naughty Dog, based in Santa Monica, California, were inspired by real fungi — particularly Ophiocordyceps unilateralis, known as the zombie-ant fungus. The fungus infects insects and releases chemicals into the animals’ brains to change their behaviour. Ahead of the game’s release, Naughty Dog turned to scientists, including behavioural ecologist David Hughes, a specialist in zombie-ant fungi (he named one after his wife), to field questions from the media about the fungal and pandemic science that inspired the story. Hughes, who is at the Pennsylvania State University in University Park, has since moved to studying climate change and food security….

(13) BALTICON SUNDAY SHORT SCIENCE FICTION FILM FESTIVAL 2025 WINNERS. [Report by lance oszko.] Audience scores were from 0 to 5, with sum of values divided by number of votes.

Best Live Action

Stephen King’s The Reach (2024) Italy Luca Caserta 167 points in 41 votes cast = 4.0731 *

Best Animation

Dad in the Echo (2023) China Jacky Heng SUN 315 points in 82 votes cast = 3.8414 *

Scores of all entries:

An Old Friend 2024 USA Nuk Suwanchote 198 Points in 57 Votes cast = 3.4736.
Akashic Spheres 2021 USA James Scott 150 points in 69 votes cast =2.1739
Invasion ’53 2024 Maryland Danielle Weinberg 304 points in 77 votes cast = 3.9480
Zerk 2024 Maryland Theo Jack-Monroe 193 points in 69 votes cast = 2.7971
Dad in the Echo 2023 China Jacky Heng SUN 315 points in 82 votes cast = 3.8414 * Best Animation
Eunice 2018 UK Eric Garro 240 points in 74 votes cast = 3.2432 * Science History Discovery of Greenhouse Gasses.
M.T. Nestor 2023 USA John Schlag 250 points in 70 votes cast = 3.5714
The Hairdo 2024 UK Catherine Ruby Yeats 205 points in 73 votes cast = 2.8082
Fire of God 2024 Belgium Yannick Mourcia 106 points in 40 votes cast = 2.6500
Frederic Brown’s The Hobbyist 2016 USA George Vatistas 161 points in 46 votes cast = 3.5000
Battle of LA 2024 USA Patrick Pizzolorusso 137 points in 46 votes cast = 2.9782
Forever 2018 France Donia Summer 115 points in 47 votes cast = 2.4468
Under Siege 2025 Greece Nikos Nikitoglou 107 points in 47 votes cast = 2.2765
Stephen King’s The Reach 2024 Italy Luca Caserta 167 points in 41 votes cast = 4.0731 * Best Live Action
The Faun of Healwood The Edge 2023 France Stephane Artus 116 points in 39 votes cast = 2.9743
In The Walls 2023 Argentina Ramsés Tuzzio 63 points in 32 votes cast = 1.9687 (continuing trend of low scoring Horror)

*** last 3 had technical error in missing subtitle/captioning.

Leïla et Les Fantômes 2023 France Chiraz Chouchane 41 points in 19 votes cast = 2.1578
Alcalyne 2022 France MICHAËL PROENÇA 41 points in 24 votes cast = 1.7083 * Lowest Score.
Howard Waldrop’s Mary Margaret Road Grader 2024 USA Steven Paul Judd 110 points in 30 votes cast = 3.6666.

(14) THEY KEEP WATCHING THE SKIES. “New evidence suggests our solar system has nine planets again” – Earth.com discusses a new candidate for number nine.

…Searching the far reaches

Researchers at a university in Taiwan believe a Neptune-sized object could be wandering roughly 46.5 to 65.1 billion miles from the sun.

Their fresh findings are based on two deep infrared surveys taken more than two decades apart, with equipment sensitive enough to detect a faint planetary glow.

Infrared data from 1983 and 2006 offered a rare chance to see if something moved slightly between observations.

A possible candidate popped up, and the group thinks it might take 10,000 to 20,000 years to orbit the sun….

…Researchers estimate that if this object exists, it could weigh between seven and seventeen times as much as Earth. That puts it in the ice giant category, similar to Uranus or Neptune, rather than a rocky planet like Earth or Mars….

(15) 48 CHALLENGE 2025. [Item by SF Concatenation’s Jonathan Cowie.] Sci-Fi London Film Fest has just posted its latest 48-hour film challenge’s 10 finalists for 2025.

This challenge is where amateur film makers are given a line of script and told to include a particular prop (it could be anything from a top hat to a candle stick) and then they are given two days to complete a short SF film.

You can view the finalist shorts at the link.

Meanwhile, this year’s Fest runs June 19– 22, 2025 at the Picture House in Finsbury Park (just north of central London).

(16) ESA BLUE DANUBE BROADCAST TO SPACE, [Item by SF Concatenation’s Jonathan Cowie.] To mark ESA’s 50^th anniversary, ESA’s Cebreros station will broadcast “The Blue Danube” to space on Saturday, May 31, 2025.

The Cebreros station has been used to communicate with deep space missions including: BepiColombo, Euclid, Juice, Hera, Rosetta, Mars Express and NASA’s Perseverance rover.

The Blue Danube was famously (for us SF buffs) in 2001: A Space Odyssey.

The Cebreros station can, in theory, communicate with current-technology deep-space probes up to 1/3 light years away. However, it could communicate further with bigger dishes than those aboard current deep space probes and so in theory anyone listening around nearby stars should pick the microwave (S-band) broadcast up.

Details here: “European Space Agency will beam the famous ‘2001: A Space Odyssey’ waltz out into the cosmos” in BBC Sky at Night Magazine.

The European Space Agency is planning to beam Johann Strauss’s ‘Blue Danube’ waltz out into the cosmos to celebrate a series of key anniversaries in the history of spaceflight.

2025 marks the 50th anniversary of the European Space Agency and its ‘Estrack’ satellite tracking network.

It also marks the 20th anniversary of its ‘Cebreros’ space antenna and, coincidentally, the 200th birthday of Johann Strauss II himself, composer of the Blue Danube.

And a reminder of the 2001: A Space Odyssey clip:

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Daniel Dern, lance oszko, Paul Weimer, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mark Roth-Whitworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Locus Launches Fundraiser 2024

Posted on March 5, 2024 by Mike Glyer

Locus Magazine’s annual fundraiser is live! Help fund a strong 2024 by donating today to Locus Magazine, locusmag.com, and the Locus Awards! In its 56th year of publishing, donor and reader support is a crucial component to continuing everything Locus does into 2024.

Locus is more than a review magazine or a news website or a literary award – it is an enthusiastic mix of readers, writers, fans, and industry professionals, working together to uplift the science fiction, fantasy, and horror field (SFFH) they love for a global audience. In the magazine and on the website, they provide book reviews, author interviews, curated reading lists, and industry news and resources, along with hosting the annual Locus Awards and running writing workshops. Your support will help Locus continue providing these services to the SFFH community.

The Locus Indiegogo Campaign has some great donor swag, with more being added daily, including author chats, crits, personalized and signed books, Locus coffee mugs and tees, acts of whimsy, personalized letters from bestselling authors, and more, from names like Eugen Bacon, Cory Doctorow, William Gibson, Fonda Lee, Ken Liu, George R.R. Martin, Suyi Davies Okungbowa, Suzanne Palmer, Brandon Sanderson, John Scalzi, Nisi Shawl, Wole Talabi, Sheree Renée Thomas, Jo Walton, Connie Willis, and more.

“I’ve been part of the Locus community for over three decades, and I believe it is incredibly important to the speculative fiction community.”

Neil Gaiman

Over the past 55 years, Locus has published more than 750 issues, keeping readers, authors, artists, book buyers, industry professionals, and fans up to date on what’s happening in the field. The Locusmag.com archive holds thousands of reviews, news posts, and articles covering fiction, craft, art, conventions, international events, and more, chronicling the field, including SFADB.org. Those archives are a searchable resource to both subscribers and the general reading public.

Beyond the magazine, they started the Locus Awards in 1971, celebrating writers, editors, and artists of SFFH; including an award specifically for debut authors as well as an award for community development, historically given to those who boost marginalized voices. Locus also started a writing workshop series tapping our immense community of master writers. They offer internships and have seen many move on to establish publishing careers.

A lot has changed at Locus over the years and with the shifting landscape of magazine publishing, including the near collapse of print advertising revenue, Locus has shifted to an annual fundraiser to continue funding the archival and community work so dear to their hearts.

As a 501(c)(3) non-profit, Locus is now donor-supported in addition to the steady revenue from a strong subscriber base.

“Locus Magazine is the spit and baling wire that holds the entire, bizarre, wondrous enterprise of publishing together. We’re all seriously f—ed if it ever stops working.”

—Cory Doctorow

Your donations support…

Interviews with up-and-coming and established writers, providing an in-depth look at their publishing journey, process, philosophy, experiences, and more.
Reviews of books and short fiction by award winning critics who pinpoint exciting new titles and writers to look out for.
Forthcoming Books Lists used worldwide by bookstores, librarians, collectors, and avid readers to make buying decisions.
News including international reports about what’s happening in the SFFH community around the world, to keep us all connected and informed.
The Locus Awards, the democratic, readers’ choice award that acknowledges, celebrates, and embraces authors and artists in the field.
And more, including recommended reading lists, convention and workshop news, workshops, internships, event calendars, and obituaries honoring the life and work of SFFH’s voices.

Thank you for your support! Donate today at https://igg.me/at/locusmag

[Based on a press release.]

Pixel Scroll 1/23/23 You Can Make The Scene On The Mezzanine, But Don’t Scroll In The Pixels

Posted on January 23, 2023 by Mike Glyer

Android Jones. Photo by Greg Preston. From Jones’ appearance at Spectrum Fantastic Art Live! in 2012.

(1) HELP ARTIST RECOVER FROM STUDIO FIRE. [Item by Arnie Fenner.] Artist Andrew “Android” Jones’ studio burned down on January 18. I posted a little about it on Muddy Colors, “Android Jones Fundraiser”, and you can see some photos of his studio (before and after) in his GoFundMe page.

Several days ago a distinguished member of our art family experienced every artists’ nightmare: Andrew “Android” Jones’ studio burnt to the ground in a devastating fire. The studio, built by Andrew’s father, was separate from his home and contained all of his computers, back-up files, printers, sketchbooks, business records, traditional paintings and drawings, and his library. Thankfully Andrew and his family are safe, but everything in the studio was lost.

As one of the world’s most innovative artists—someone who was a leader of the “immersive experience” so popular today with his projections on the Empire State Building, the Sydney Opera House and at Burning Man, someone whose innovations with Painter and Photoshop pushed the boundaries and possibilities of digital art—Android’s loss is a loss for us all.

GoFundMe: “Fundraiser by Andrew Jones : Android Jones Studio Fire”.

Here’s a bit from his bio:

Best described as a “digital painter,” Jones has created an immense body of work. He has become well known for his many layered, psychedelic works and live performances using a custom built digital set up. He participated in the Grateful Dead Fare Thee Well Tour and his work has been projected on the Sydney Opera House and the Empire State Building. A long time member of the Burning Man community, Android has traveled the world exhibiting his work and has contributed to events on 6 continents.

Andrew’s art appeared on the cover of Spectrum #14 and was featured in a show at the Smithsonian: “Android Jones” at Smithsonian American Art Museum.

(2) COZY. [Item by Cora Buhlert.] My Semiprozine Spotlight project never really took off the way the other spotlights did, but I just posted another one today, featuring Wyngraf Magazine of Cozy Fantasy.

Tell us about your magazine.

Wyngraf is a magazine of cozy fantasy short fiction—as far as I know, the first of its kind. Cozy fantasy focuses on low-stakes stories, often with themes of home and community. They can be simple slice-of-life tales or feature some conflict, but they’re never about toppling kingdoms or preventing the world from ending and they’re rarely solved with violence. They’re often set at home, though when they go off wandering we call that “backpack fantasy” and still count it. Our stories always give readers worlds they’d love to live in and endings that leave them feeling warm and, well, cozy!

(3) EARLY HORROR AFICIANADO. Bobby Derie has dug up an 18th century piece of horror criticism: “’On the Pleasure derived from Objects of Terror; with Sir Bertrand, a Fragment’ (1773) by Anna Laetitia Aikin & John Aikin” – Deep Cuts in a Lovecraftian Vein at Deep Cuts in a Lovecraftian Vein.

Anna Laetitia Aikin was born in 1743; her father was a Presbyterian minister and the headmaster of a boy’s school, and both Anna and her brother John Aikin received solid educations, which led to their careers in letters—Anna being noted for working in multiple genres, and earned a reputation as a poet and author. One of her earliest publications was Miscellaneous Pieces in Prose (1773), published jointly with her brother. Among the contents of this volume is “On the Pleasure derived from Objects of Terror; with Sir Bertrand, a Fragment.”

The essay is one of the early English works on the subject of the horror story, and much of it is as insightful today as it was two and a half centuries ago…

(4) JMS ON B5. J. Michael Straczynski has released another Babylon 5 episode commentary track on YouTube: “Babylon 5: Severed Dreams”

A new sync-up commentary sponsored by my Patrons (if you’d like to lend your support you can do so the Patreon page noted above) for Severed Dreams, the third episode of the Messages from Earth trilogy. Best listened to by playing this on your iphone or tablet while the episode unspools on the TV in front of you.

(5) LOCUS GETS GRANT. “CLMP Names US Literary Publishers’ ‘Capacity-Building’ Grants” reports Publishing Perspectives. Locus Magazine is one of the grant recipients.

CLMP, the nonprofit Community of Literary Magazines and Presses in the United States, has announced extensive funding to 43 independent nonprofit literary magazines and presses. Each of these grantees has been chosen to receive two-year “capacity-building” grants of US$2,500 to $25,000 per year, meaning that each company listed will get, in total, between $5,000 and $50,000….

(6) MEMORY LANE.

1991 — [Compiled by Cat Eldridge.] Emma Bull’s Bone Dance

There’s a nice riff on gardening, on growing food, in Emma Bull’s Bone Dance when Sparrow is in a community outside the city.

I used to read, when I could still read novels, this Hugo-nominated work at least every few years as it’s one of my favorite novels. It’s got great characters, especially the gender ambiguous Sparrow, a fascinating setting that’s based according to her on our Minneapolis and an absolutely stellar story.

I do have a signed copy of it as I do Finder and two copies of War for The Oaks, one just after her unfortunate accident and one much later one. And yes, she is on the chocolate gifting list. Surely you aren’t at all surprised by that.

Here’s the quote.

As my endurance came back, and my flexibility, I began to walk instead of sit. Outside the second ring of houses (my estimate had been low; there were thirty-nine), I found barns and sheds and stables and workshops. Beyond those were pastureland and cultivated fields. Grain did its foot-rooted wind dance there; corn thrashed its jungle leaves; beans waggled long green or purple or yellow fingers; summer squash ripened furiously in a pinwheel of tropical-looking vegetation. Here, too, there were always people, cultivating, hoeing weeds, spreading things, raking things, trimming, harvesting. It all seemed as ritual as a pre-Bang Catholic mass, and as intelligible to outsiders.

Work

One morning, when I’d gone farther than I had before and was feeling the effects, I sat down in the shade of a tree next to a field. Five people were hoeing up and down the rows of something I didn’t recognize. One of them reached the end of the row nearest me, looked up, smiled, and came over.

“Hi,” she said, dropping down onto the grass. “Sparrow, isn’t it? I’m Kris.” She pulled her straw hat off to reveal a brush of hair the color of the hat. She tugged a bandanna out of her pocket and wiped her face with it; then she unclipped a flask from her belt and poured some of the contents over the bandanna. She draped that over her head like a veil and jammed the hat back on. “Funny-looking,” she said with a grin, when she saw me watching the process. “But it does the trick. The evaporating water keeps your head cool.”

“Looks like hard work,” I said, nodding back out into the sun.

“Goddess, it is. Especially this part of the year. Harvesting isn’t any easier, but it’s more fun, and you have something to show for it right away. Every year about now I start wishing it was winter.”

This was a reasonable line of conversation, not too personal. “What is that out there?”

“Sugar beets. We voted to do ’em this year instead of tobacco, thank Goddess. Don’t get me wrong—I love to smoke. But I’ll pay for my tobacco and be glad to. It’s a good cash crop, but the hand labor is murder, and no matter how careful we are, we always have trouble with the tomatoes when we grow it. Turns out we’ll make as much on the beets, anyway, so I can afford to buy my smokes.”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born January 23, 1923 — Walter M. Miller Jr. He’s best remembered for A Canticle for Leibowitz, the only novel he published in his lifetime. Terry Bisson would finish off the completed draft that he left of Saint Leibowitz and the Wild Horse Woman, a sequel of sorts to the first novel. He did a fair amount of short fiction as well. He’s poorly represented both from the usual suspects and in the dead tree sense as well beyond A Canticle for Leibowitz. (Died 1996.)
Born January 23, 1933 — Emily Banks, 90. She played Yeoman Tonia Barrows in the absolutely splendid “Shore Leave”. Though her acting career was brief, ending twenty years later, she shows up on Mr. Terrific, a series I’ve never heard of, Fantasy Island, The Wild Wild West, Bewitched, the original Knight Rider, Highway to Heaven and Air Wolf.
Born January 23, 1939 — Greg and Tim Hildebrandt. Greg is aged 84, but Tim passed seventeen years ago. I’d say best known for their very popular and ubiquitous Lord of the Rings calendar illustrations, also for illustrating comics for Marvel Comics and DC Comics. They also did a lot of genre covers so I went to ISFDB and checked to see if I recognized any. I certainly did. There was Zelazny’s cover of My Name is Legion, Tolkien’s Smith of Wooton Major and Farmer Giles of Ham and Poul Anderson’s A Knight of Ghosts and Shadows. Nice. (Tim Hildebrandt died 2006.)
Born January 23, 1943 — Gil Gerard, 80. Captain William “Buck” Rogers in Buck Rogers in the 25th Century which I fondly remember as a really truly great SF series even if it really wasn’t that great. He also shows up in the very short lived E.A.R.T.H. Force as Dr. John Harding, and he’s General Morgenstern in Reptisaurus, a movie title that proves someone had a serious lack of imagination that day. In Bone Eater, a monster film that Bruce Boxleitner also shows up in as Sheriff Steve Evans, he plays Big Jim Burns, the Big Bad. Lastly, I’d like to note that he got to play Admiral Sheehan in the “Kitumba” episode of fan created Star Trek: New Voyages.
Born January 23, 1944 — Rutger Hauer. Roy Batty In Blade Runner of course but did you know he was Lothos In Buffy the Vampire Slayer? That I’d forgotten. He’s also William Earle in Batman Begins, Count Dracula himself in Dracula III: Legacy, Captain Etienne Navarre in Ladyhawke, the vey evil John Ryder in The Hitcher, Abraham Van Helsing in Dracula 3D, King Zakour in, and no I didn’t know they’d done this film, The Scorpion King 4: Quest for Power and finally let’s note his involvement in Valerian and the City of a Thousand Planets as President of the World State Federation. (Died 2019.)
Born January 23, 1950 — Richard Dean Anderson, 73. Yes I am counting MacGyver as genre you can say it is open to debate if you want. His main and rather enduring SF role was as Jack O’Neill in the many Stargate small universe series. Well Stargate SG-1 really as he only briefly showed up on Stargate Universe and Stargate Atlantis whereas he did one hundred and seventy-three episodes of SG-1. Wow. Now his only other SF role lasted, err, twelve episodes in which he played Enerst Pratt alias Nicodemus Legend in the most excellent Legend co-starring John de Lancie. Yeah, I really liked it. Too bad it got cancelled so fast.
Born January 23, 1950 – David Feldman, 73. Before authoring the “Imponderables” series, David Feldman taught the first-ever college course on soap operas at Bowling Green State University (OH), at that time the only school in the world with a postgraduate degree in popular culture. That’s where Mike Glyer met him. After Feldman took his talents to the University of Maryland in pursuit of a Ph.D., where the soap opera class blew up into a 350-student draw, he worked in New York in the programming department of NBC, in both daytime and primetime programming until he decided writing books was a more attractive idea. Imponderables, the first in the 11-book series, came out in 1986. And once upon a time, he even ran Wolfman Jack’s campaign for president. (OGH)
Born January 23, 1954 – Craig Miller, age 67. Ray Bradbury suggested he join LASFS (Los Angeles Science Fantasy Society). Of course I put that first, what Website do you think this is? CM soon earned the LASFS’ Evans-Freehafer Award (service). Co-chaired Equicon ’74, Westercon 28, L.A.con II the 42nd Worldcon; chaired Loscon 12. Fan Guest of Honor, Westercon 41, Loscon 27 (with wife Genny Dazzo), Baycon 2006, Boskone 55. With Marv Wolfman co-created and produced Pocket Dragon Adventures. Memoir of work with Lucasfilms Star Wars Adventures. Three hundred television writer and producer credits. Writers Guild of America West’s Animation Writers Caucus Animation Writing Award. [JH]
Born January 23, 1964 — Mariska Hargitay, 59. First, I must note she is the lead cast member as Olivia Benson of Law & Order: Special Victims Unit, now in its twenty-fourth season, the longest running scripted series currently on television. Did you know she’s the daughter of Jayne Mansfield? I certainly didn’t. Her first film appearance was as Donna in Ghoulies which is a seriously fun film. Later genre creds are limited but include playing Marsha Wildmon in the Freddy’s Nightmares – A Nightmare on Elm Street: The Series. She also plays Myra Okubo in the Lake Placid film and voices Tenar in the not very good, indeed truly awful, Tales from Earthsea. Bad, bad idea.

(8) REVISITING APPENDIX N. [Item by Cora Buhlert.] The good folks of Goodman Games are profiling more early 20th century SFF authors who appear in Appendix N of the original D&D Dungeon Master handbook:

James Maliszewski profiles Abraham Merritt: “Adventures in Fiction: Abraham Merritt”.

Of all the literary influences on D&D and DCC RPG, Abraham Merritt is perhaps the “most-influential of the least-known.” His work is rarely read in this modern time, yet he is named by Gary Gygax as one of “the most immediate influences on AD&D. Today, on January 20, 2020, the 136th anniversary of his birth, we provide a little more insight into this little-read but well-deserving author. You can also learn about all the Appendix N authors by listening to the Appendix N Book Club. For Merritt in particular, his most famous work, The Moon Pool, was recently covered in a special session on the Appendix N Podcast in which Joseph Goodman participated. You can find more about it HERE.

Michael Curtis profiles Clark Ashton Smith: “Appendix N Archaeology: Clark Ashton Smith”.

…While we cannot fault Gygax for not including certain names, we can, however, dig deeper into the authors he does list and examine where they drew their influences from. In the process, we discover that some of the names that people grumble about over their absence, are in fact representative in the works of those that are present. One of these influencers of the influencers is the third name from “the big three of Weird Tales”—Clark Ashton Smith….

Ngo Vinh-Hoi profiles John Bellairs: “Adventures in Fiction: John Bellairs”.

…Many years later a fan asked Bellairs about his time in England only to have him reply “I lived for a year in Bristol [England], and it was the most miserable year of my life.” Bellairs’s misery was everyone else’s good fortune though, as this is when he wrote The Face in the Frost….

(9) COMPARE AND CONTRAST. Also at Goodman Games, Bill Ward contrasts those archetypical adventurers Conan and Elric: “Archetypes of Adventure: Conan and Elric”.

Few characters in fantasy are as iconic as Conan the Cimmerian: black-haired barbarian warrior with the deadly grace of a panther and the impressive physique of a prize fighter, a wanderer, a reaver, and a king by his own hand. Michael Moorcock’s Elric of Melnibone perhaps rivals Conan in terms of iconic status (if not exactly in market saturation), perhaps in part due to his deliberate inversion of many of Conan’s characteristics….

(10) SHE KNOWS. “We Think Rian Johnson’s Poker Face Is a Superhero Show, and He’s OK With That” says Gizmodo at the top of its interview with the director.

Columbo. Kojak. Murder, She Wrote. These are the shows most commonly mentioned when describing Peacock’s new show, Poker Face. And, it being from Rian Johnson, the mastermind behind the Knives Out films (as well as The Last Jedi), the comparisons are accurate and logical. Poker Face is, at its core, about a woman named Charlie (Natasha Lyonne) who travels the country and solves murders.

But there’s a twist. Charlie is a human lie detector. She can instinctively tell, for a fact, if a person is lying about something. So if you step back and describe that in a different way you might say she has an innate, unexplained power that makes her superior to others. Or, in other words, a superpower….

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Arnie Fenner, John Hertz, Daniel Dern, Cora Buhlert, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 12/15/22 Pixel’s Turn To Scroll

Posted on December 15, 2022 by Mike Glyer

(1) LOCUS REACHES CROWDFUNDING TARGET. The Locus Magazine Indiegogo appeal hit the target today. When I checked in they had exceeded their $75,000 goal and were at $78,571. Although today was the announced deadline, Locus has extended the appeal to the end of the year.

…But, wait, it’s not over yet! On advice from those that know, we are going to extend our campaign to the end of the year: if we hit $85k that will cover all of the expenses of the fundraiser and we will get the whole $75k. FTW!

Also, we really want to reach our Special Short Story Issue stretch goal!! At $85,000 we’ll dedicate one of our 2023 monthly issues to the art of short fiction, and already have Kelly Link, Usman T. Malik, and Ted Chiang lined up for a roundtable feature.

Oh, and (Jan-Erik Zandersson might want to cover his eyes here) Locus hitting its goal means John Scalzi is going to do a Christmas story.

The $75k mark has been hit (thank you!) so a Christmas story is on its way by 12/24 — but remember, if the @locusmag fundraiser makes it to $85k I throw in an audio version of that story too. So there's still time to get on it! https://t.co/8UjhPPm5mH
— John Scalzi (@scalzi) December 15, 2022

(2) TRUMP’S BIG ANNOUNCEMENT. Former President Trump’s hyped “big announcement” would probably not be covered in today’s Scroll except that it proved to be the introduction of his “’official Donald Trump Digital Trading Card’ collection with a picture of himself in superhero costume, cape and ‘Trump Champion’ belt.” “’Losing the plot’: Trump mocked after announcing superhero card collection” at Yahoo!

… But when the announcement came on Thursday, Trump said he was merely offering supporters “limited edition cards featur[ing] amazing ART of my Life & Career”, which he promised would prove “very much like a baseball card but hopefully much more exciting”.

“GET YOUR CARDS NOW!” the 76-year-old former president commanded, above the picture of himself standing in a ring for boxing or wrestling, muscles rippling under a red leotard and wearing high blue boots emblazoned with “45” (his presidential number) and an American flag as a cape.

The cards, the declared candidate for the Republican nomination in 2024 said, cost “Only $99 each” and “would make a great Christmas gift”….

And how did the base react? We take you now to Jon Del Arroz’ reaction video titled “Trump HUMILIATES Himself With His New CRINGE Announcement. Make It STOP!”

“This is ridiculous. This reeks of an nft scam where you’re just like collecting these things that are not actually collectible. They’re digital pictures just like this one. Just take a screenshot friends and you’ll have it yourself. Let’s go to the website and check it out. All right. Collecttrumpcards.com here we go. [laughs] And it’s loading slow, too, how exciting. How exciting. Gosh this is so sad. I mean to me like a president doing this, somebody who is a 2024 Contender or kind of was. Uh, the site’s not even loading. Womp womp uh it is actually embarrassing. Like he he should not be stooping to this kind of thing, especially as like a big businessman or whatever. Like I mean you’d think that he’d have a better sort of business plan going forward to where he’s making real money. I mean this is like selling stupid trinkets that aren’t even actual trinkets, you don’t even get anything out of it, and it’s just kind of sad to watch. I think this is really the downfall of Trump when you’re doing a big announcement in all this and this is what you come out with….”

It’s my blog so I don’t have to run an image of Trump’s superhero card to illustrate this item. I think that’s a right guaranteed to me by the Constitution. Or the LA County sanitation code. Somewhere.

(3) MARLEY WAS DEAD. Open Culture invites you to “Hear Neil Gaiman Read A Christmas Carol Just Like Charles Dickens Read It”. (It’s an updated 2014 post.) The recording is here.

In Christmases past, we featured Charles Dickens’ hand-edited copy of his beloved 1843 novella A Christmas Carol. He did that hand editing for the purposes of giving public readings, a practice that, in his time, “was considered a desecration of one’s art and a lowering of one’s dignity.” That time, however, has gone, and many of the most prestigious writers alive today take the reading aloud of their own work to the level of art, or at least high entertainment, that Dickens must have suspected one could. Some writers even do a bang-up job of reading other writers’ work: modern master storyteller Neil Gaiman gave us a dose of that when we featured his recitation of Lewis Carroll’s “Jabberwocky” from memory. Today, however, comes the full meal: Gaiman’s telling of A Christmas Carol straight from that very Dickens-edited reading copy….

(4) HORROR HOSTESS. Via the Horror Writers Association blog, “Nuts and Bolts: Interview with Aurora Gorealis”. There’s a substantial excerpt at the link, however, only HWA members have access to the full article.

In the tradition of such sinister seductresses as Vampira and Elvira, Aurora Gorealis is a Baltimore-based horror host who weaves dark magic from a combination of campy movies, sassy attitude, and the occasional pun of dubious quality.

Since 2017, Aurora (aka: Melissa LaMartina) has been playing the character during “Shocktail Hour” at the Golden West Café in Baltimore, combining live comedy and screenings of off-the-wall classics such as “Phantom of the Paradise” and “House on Haunted Hill” (complete with William Castle-style gimmicks)….

(5) STONE THE PHONE. “‘Luddite’ Teens Don’t Want Your Likes” reports the New York Times.

…“Lots of us have read this book called ‘Into the Wild,’” said Lola Shub, a senior at Essex Street Academy, referring to Jon Krakauer’s 1996 nonfiction book about the nomad Chris McCandless, who died while trying to live off the land in the Alaskan wilderness. “We’ve all got this theory that we’re not just meant to be confined to buildings and work. And that guy was experiencing life. Real life. Social media and phones are not real life.”

“When I got my flip phone, things instantly changed,” Lola continued. “I started using my brain. It made me observe myself as a person. I’ve been trying to write a book, too. It’s like 12 pages now.”

Briefly, the club members discussed how the spreading of their Luddite gospel was going. Founded last year by another Murrow High School student, Logan Lane, the club is named after Ned Ludd, the folkloric 18th-century English textile worker who supposedly smashed up a mechanized loom, inspiring others to take up his name and riot against industrialization….

… “But that wasn’t enough,” she said. “So I put my phone in a box.”

For the first time, she experienced life in the city as a teenager without an iPhone. She borrowed novels from the library and read them alone in the park. She started admiring graffiti when she rode the subway, then fell in with some teens who taught her how to spray-paint in a freight train yard in Queens. And she began waking up without an alarm clock at 7 a.m., no longer falling asleep to the glow of her phone at midnight. Once, as she later wrote in a text titled the “Luddite Manifesto,” she fantasized about tossing her iPhone into the Gowanus Canal.

While Logan’s parents appreciated her metamorphosis, particularly that she was regularly coming home for dinner to recount her wanderings, they grew distressed that they couldn’t check in on their daughter on a Friday night. And after she conveniently lost the smartphone they had asked her to take to Paris for a summer abroad program, they were distraught. Eventually, they insisted that she at least start carrying a flip phone….

(6) THERE’S A LOT AT THE END OF GRAVITY’S RAINBOW. “Thomas Pynchon, Famously Private, Sells His Archive” – and the Huntington Library is its new home reports the New York Times.

For years, archival traces of the novelist Thomas Pynchon have been almost as rare as sightings of the man himself.

Only a handful of confirmed photos of him are known to exist. While letters by him sporadically pop up for sale, those that have surfaced in publicly accessible archives have tended to disappear from view just as quickly, following protests from the famously private author.

But now, the Huntington Library, Art Museum and Botanical Gardens in San Marino, Calif., has acquired Pynchon’s literary archive, promising to open a window into the mind and methods of an author whose dense, erudite, playfully postmodern and often extremely long novels like “Gravity’s Rainbow” (760 pages) and “Against the Day” (1,085) have inspired serious scholarship, cultish devotion and wild-eyed conspiracy theories.

The archive includes 48 boxes — 70 linear feet, in archivist-speak — of material dating from the late 1950s to the 2020s. There are typescripts and drafts of all his published books, from “V.” (1963) to “Bleeding Edge” (2013). And there are copious research notes on the many, many subjects (World War II rocketry, postal history, 18th-century surveying) touched on in his encyclopedic novels.

But for all its richness, those hoping for a more intimate view of the man who twice made a cheeky cameo on “The Simpsons” with a paper bag over his head may be out of luck.

The archive includes correspondence relating to the publishing process, the library said, but no private letters or other personal material. And no, there are no photographs of Pynchon either…..

(7) DEFENDING SANDMAN. [Item by SF Concatenation’s Jonathan Cowie.] Last night BBC Radio 4 Front Row arts programme had Neil Gaiman. Neil, apparently, has been getting a fair bit of criticism saying that Sandman is too woke what with non-binary characters and all. Neil thinks this strange as 30 years ago when Sandman first came out there was no problem. OK, so woke did not exist then, but Neil points out that nobody back then complained that Sandman was too PC.. “Neil Gaiman, China’s art censorship in Europe, Decline of the working class in the creative industries”.

(8) MEMORY LANE.

1995 — [By Cat Eldridge.] Winnie statues in the London Zoo

Yes, we already had a look at the Winnie the Pooh statue in White River, Ontario, but neither one of those statues is of him. Rather the examples today are of the bear that inspired A.A. Milne to create that marvelous bear.

The first, not at all surprisingly, stands close to the War Memorial.

This bronze statue, which is called the Winnie the bear and Lt. Colebourn Statue, was sculpted by Canadian artist William (Bill) Epp, and donated to London Zoo by the Canadian province of Manitoba. A copy of an identical statue in the Assiniboine Park Zoo, Winnipeg.

The plaque reads:

Winnie and Lt. Colebourn
by Bill Epp
presented by the people
of Manitoba
unveiled July 1995

But it’s not the only sculpture of Winnie you’ll find here in the London Zoo! There is another bronze of Winnie, shown as a young cub, by sculptor Lorne McKean. It was unveiled by Christopher Robin Milne in 1981. It is located near Animal Adventure right by the Blackburn Entrance.

McKean likes swans since two of her commissions have been them, Girl and A Swan and simply Swans. She also did a stellar Fox fountain with a bronze fox on a rock with water in Old Fox Yard, Stowmarket.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born December 15, 1923 — Freeman Dyson. Physicist best known in genre circles for the concept he theorized of a Dyson Sphere which would be built by a sufficiently technologically advanced species around a sun to harvest all solar energy. He credited Olaf Stapledon in Star Maker (1937), in which he described “every solar system… surrounded by a gauze of light traps, which focused the escaping solar energy for intelligent use,” with first coming up with the concept. (Died 2020.)
Born December 15, 1937 — John Sladek. Weird and ambitious would be ways to describe his work. The Complete Roderick Is quite amazing, as is Tik-Tok, which won a BSFA, and Bugs is as well. He did amazing amounts of short fiction, much of which is collected finally in the ironically named Maps: The Uncollected John Sladek. He is generously stocked at the usual suspects. (Died 2000.)
Born December 15, 1949 — Don Johnson, 73. Though Miami Vice is where most will know him from, he has impressive genre creds including the lead in the Ellison-derived A Boy and Dog, voicing Wazir’s Son in Aladdin and the Wonderful Lamp, Office Andy Brady in the Revenge of the Stepford Wives film and another Sheriff, Earl McGraw, in the From Dusk till Dawn: The Series.
Born December 15, 1951 — David Bischoff. His “Tin Woodman” which was written with Dennis Bailey and nominated for a Nebula would be adapted into a Next Generation story. He also wrote the Next Gen story “First Contact” (with Dennis Russell Bailey, Joe Menosky, Ronald D. Moore and Michael Piller.) And he continued the Bill the Galactic Hero story with Harry Harrison. He’s also written a kickass excellent Farscape novel, Ship of Ghosts. (Died 2018.)
Born December 15, 1952 — Marta DuBoi. Her first genre role is on the Starman series as Dr. Ellen Dukowin the “Fever” episode though you’ll likely better recognize her as Ardra on the “Devil’s Due” episode of the Next Generation. She also had roles on The Land of The Lost, The Trial of the Incredible Hulk and Tales of the Golden Monkey. (Died 2018.)
Born December 15, 1953 — Robert Charles Wilson, 69. He’s got a Hugo Award for Spin, a John W. Campbell Memorial Award for The Chronoliths, a Theodore Sturgeon Memorial Award for the “The Cartesian Theater” novelette and Prix Aurora Awards for the Blind Lake and Darwinia novels. He also garnered a Philip K. Dick Award for Mysterium. Very, very impressive indeed.
Born December 15, 1963 — Helen Slater, 59. Was Supergirl in the film of that name, and returned to the 2015 TV series of the same name as Supergirl’s adoptive mother. Also within the DC Universe, she voiced Talia al Ghul in in Batman: The Animated Series. Recently she also voiced Martha Kent in DC Super Hero Girls: Hero of the Year. And Lara in Smallville… And Eliza Danvers on the Supergirl series. Me? I’m not obsessed at all by the DC Universe. Her other genre appearances include being on Supernatural, Eleventh Hour, Toothless, Drop Dead Diva and Agent X.
Born December 15, 1970 — Michael Shanks, 52. Best known for playing Dr. Daniel Jackson in the very long-running Stargate SG-1 franchise. His first genre appearance was in the Highlander series and he’s been in a lot of genre properties including the Outer Limits, Escape from Mars, Andromeda (formally titled Gene Roddenberry’s Andromeda and there’s a juicy story there), Swarmed, Mega Snake, Eureka, Sanctuary, Smallville, Supernatural and Elysium. Wow!

(10) A “KING KONG” BIRTHDAY CAKE. [Item by Steve Vertlieb.] For my 70th birthday (December 15th, 2015), dear friends Bruce and Ann Gearhart in Baltimore surprised me with the most wonderful celebratory cake I’ve ever been given.

“The Girl In The Hairy Paw,” edited and compiled by Ronald Gottesman and Harry M. Geduld, with wonderful cover art by Dave Willardson, was published by Avon Books in 1976 and featured, as its lead chapter, my lengthy essay on the making and production of the original “King Kong.” Its release was a significant benchmark in my life and career, as it was the first time that my work had ever been published in a book.

The opening chapter of this legendary volume was adapted from my series of articles comprising the cover story for the premiere issue of “The Monster Times” in 1972. This astonishing birthday sheet cake, replicating the book’s famous “King Kong” cover, thrilled me beyond words.

Carving into this wondrous pastry was delayed by a solid half hour while we all took pictures of it. It was simply too precious to deface. Fortunately, sanity eventually prevailed and this wondrous cake was ravenously devoured. Still, I wish that it might somehow have been preserved forever…. a delectable artifact commemorating my lifelong favorite film.

After seven years, the astonishing, childlike joy of having received this unforgettable gift brings a wondrous smile to my aging lips.

(11) TURKISH CARVINGS COULD BE FIRST COMIC STRIP. “Prehistoric carvings are oldest known story sequence” behind a paywall in Nature.

An 11,000-year-old carving in Turkey is the earliest known portrayal of a narrative scene. Archaeologists have uncovered other etched images in southeastern Turkey from the Neolithic period, which in the Near East stretched roughly from 10,000 bc to 7,000 bc and
includes the transition from nomadic life to settlements. But, unlike previously identified images, the latest discovery consists of two adjacent panels with a progressing storyline….

Although the Nature article is paywalled, the source journal article with numerous photos is available: “The Sayburç reliefs: a narrative scene from the Neolithic” at Cambridge Core.

(12) SF READER LITMUS TEST. [Item by Daniel Dern.] Having pre-registered as press for the rapidly-approaching CES (I’m not going IRL/F2F, but want some of the PR email barrage), Daniel Dern just got this:

Subject: CES to Feature FoodTech Sessions, Exhibits & More – Connect w/ Cultivated Meat CEO Panelist?

Dern asks/thinks (but did not reply with) this, to a mix of fellow tech journalists and Filers: Who else first quick-read this as a, with all due respect to SF writer Terry Bisson [1] ‘made-of-cultivated-meat’ panelist rather than the more likely meaning?

[1] http://www.terrybisson.com/theyre-made-out-of-meat-2/

(13) WITH ALICE. [Item by Daniel Dern.]It zooms through the skies with the greatest of ease! “Antimatter Could Travel Through Our Galaxy With Ease, Physicists Say” – Gizmodo has the story.

A team of physicists determined that enigmatic ‘antinuclei’ can travel across the universe without being absorbed by the interstellar medium. The finding suggests we may be able to identify antimatter that is produced by dark matter in deep space.

The physicists estimated the Milky Way’s so-called transparency to antihelium-3 nuclei—meaning, how permissive the galaxy’s interstellar medium is to antinuclei zipping through space.

“Our results show, for the first time on the basis of a direct absorption measurement, that antihelium-3 nuclei coming from as far as the centre of our Galaxy can reach near-Earth locations,” said ALICE physics coordinator Andrea Dainese, in a CERN release….

(14) WHY IT CRATERED. MLive takes you back to “Space World: The Michigan amusement park that never was”.

In the late 1970s, a Detroit-area aeronautical engineer who helped make NASA’S Apollo program possible dreamed up an amusement park called Space World. He hoped to build it on what was then farmland in Ypsilanti Township. He eventually broke ground on the park in nearby Huron Township, but down-to-earth troubles like high interest rates scrubbed the project.

(15) VIDEO OF THE DAY. From The Late Late Show With James Corden, “Avatar Ed: James Explains The First ‘Avatar’ To Kids”.

This group of schoolchildren is getting older, so it’s time they got… “the talk”. That is of course, the talk about what “Avatar” is and why they should care.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Daniel Dern, Steve Vertlieb, SF Concatenation’s Jonathan Cowie, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 12/14/22 Scroll My Pixeling Down, Sport

Posted on December 14, 2022 by Mike Glyer

(1) LOCUS CROWDFUNDING NEARS FINISH LINE. The Locus Magazine Indiegogo campaign wraps up tomorrow. Backers have pledged $73,015 of $75,000 as of this afternoon – they may make it!

Sarah Gailey interviewed Locus’ publisher and editor-in-chief at Stone Soup: “Liza Groen Trombi Asks Better Questions”.

…Locus is a hub of genre community news, collecting stories about publishers, awards, conferences, publishing rights, deaths, and so much more. You encounter a massive volume of information every day — you’ve mentioned elsewhere that Locus receives as many as 80-100 emails in an hour. How do you process that avalanche into such a concise and informative package?

Practice, practice, practice. We have a lot of systems to gather info, an amazing senior editor who sifts through hundreds of emails every day pulling out news and all the important bits and bobs (Tim Pratt – we all bow down to his speed and competence), another who indexes all of our incoming books, many of which we hear about in email at this point (Carolyn Cushman), another who is constantly chasing up new titles and hunting down info (Arley Sorg)… and we also know we aren’t going to cover everything, catch every bit of news. So then a little self-compassion helps a lot….

(2) THE SUN IN A JAR. In “Fusion? We’ve Seen This Movie Before”, the New York Times tells how popular culture is setting viewers’ expectations for a scientific breakthrough.

…You probably already have some familiarity with fusion thanks to movies.

At the end of the 1985 sci-fi classic “Back to the Future,” Dr. Emmett Brown, played by Christopher Lloyd, soups up his tricked-out time-traveling DeLorean by feeding trash into a canister called the Mr. Fusion Home Energy Reactor attached to the top of the car. And in “Spider-Man 2,” from 2004, the well-meaning scientist Dr. Octavius (a.k.a. Doc Ock, played by Alfred Molina) creates a fusion reactor with an artificial sun at the center. But when it gets out of control, so does he, transforming into a villain who aims to re-create the dangerous machine.

Pop culture’s fascination with fusion goes beyond a process that sustains robotics and machinery; our culture’s collective dreams of safe, unlimited energy have even been epitomized by some of our heroes….

(3) MAPPING THE OUTER DARKNESS. Sunday Morning Transport marks “Reader Favorite Wednesday” by posting as a free read Yoon Ha Lee’s “Nonstandard Candles”.

Why hasn’t Yoon Ha Lee won all the awards? His writing is always smart, inventive, and above all compelling—everything you want Science Fiction to be. This story, about making maps through the darkest of spaces, is just one example, and especially apropos given everything going on in the world right now.

(4) TWISTED SISTERS CREATOR REMEMBERED. The Comics Journal reports “Diane Noomin’s Memorial Service at SVA, November 10, 2022”, a profile of the artist with a full a transcript of the remarks by her husband Bill Griffith (excerpted below).

… Diane was my partner in so many ways, from our mutual love for comics and art to a decades-long, behind the scenes collaboration on what we produced, and as aunts and uncles, brothers and sisters, and friends to our extended family. But here’s the thing to remember. We were each other’s creative editors on every project we worked on, on her Twisted Sisters anthologies, on her career-spanning Glitz-2-Go book, on her recent landmark book, Drawing Power, and especially for me, on my four graphic novels, the last one still in progress. Diane’s fingerprints are all over every page of all of those books. I can’t begin to count how many times, after reading a few of my pages as I created them, she’d say, “Put more feeling into it. Get under the character’s skin, bring out the emotion. Put in some backstory.”

These books wouldn’t be the same without Diane. I can only hope I absorbed enough of her spot-on insights and continuity expertise to keep me on the straight and narrow in the future….

(5) RICHARD MILLER (1942-2022). Industrial Light and Magic sculptor Richard Miller died December 8 at the age of 80. Deadline led with his work creating Princess Leia’s gold bikini costume for Star Wars: Return of the Jedi, and followed with a long list of credits of his work on other Hollywood films, many of which were genre.

His work was used in films like Willow (1988), Who Framed Roger Rabbit (1988) Indiana Jones and the Last Crusade (1989), Body Wars (1989), Back to the Future Part II (1989), Back to the Future Part III (1990), Backdraft (1991), Rocketeer (1991), Hook (1991) and Death Becomes Her (1992).

Other movies his work was featured in were The Flintstones (1994), Baby’s Day Out (1994), The Mask (1994), Casper (1995), Congo (1995), Jumanji (1995), Mission Impossible (1996), Spawn (1997), Flubber (1997).

Miller returned to the Star Wars universe when his sculptures were used in the three prequels of the saga. His credits also included films like The Mummy (1999), Space Cowboys (2000), A.I. Artificial Intelligence (2001), Planet of the Apes (2001), Hulk (2003) and Terminator 3: Rise of the Machines (2003).

Some of his last work was on the Pirates of the Caribbean series of films.

ILM’s Chief Model Maker Richard Miller with a few of the many he created with Lucasfilm. Pictured here are from The Rocketeer, Pirates of the Caribbean, The Mask, Star Wars: Return of the Jedi, Terminator 2, Yoda and Chubacca busts and Jumanji. #VFX #ILM #FX #Starwars #Jumanji pic.twitter.com/jqHMU93S3B
— Richard Miller (@RichardMillerFX) January 28, 2022

(6) MEMORY LANE.

2007? — [By Cat Eldridge.] The Ent in Birmingham

Yes, there’s an Ent in Birmingham. Well, there’s supposed to be.

Let’s start at the beginning with the solicitation: “In honour of JRR Tolkien, a Treebeard type Statue is going to be built for the centre of Moseley, the place where he grew up as a child and where he puts his inspiration down to. In this area, very close to his second childhood home in what was the hamlet of Sarehole (now part of Moseley) are the amazing places of Moseley Bog, the Dell and Sarehole Mill. These 3 places, alongside the River Cole have been preserved and protected, allowing the writer to experience what it must have been like for JRR and his brother Hilary as children.”

They raised the cost by selling leaves, to wit “Under ‘him’, will be a bed of leaves on which you can have a personalised dedication engraved and so be associated with this most famous of writers. We are offering 30 large bronze leaves at a fixed price of £2000.”

So far, so good. The twenty foot tall stainless steel structure is off Treebeard and it up in Moseley Village Green, near J. R. R. Tolkien’s childhood home in Birmingham. It will eventually be made by the author’s great-nephew Tim Tolkien.

Let me now quote the sculptor at length from an interview in 2007: “The ‘Ent’ idea was the one that was most liked. There was some negative criticism but enough positive, too, for planning permission to be granted.

The design stage is complete now. It took probably about two to three years; the time was spent considering different ideas and going through the process of getting planning permission. A model was made and used to create mock photos, which people thought were very realistic. I’ve had people ring to see if the statue has been moved, because they’ve seen the mock photos then gone to visit, but I haven’t started making yet. I won’t until all the money is there. It will take about six months to construct the statue; I will build it in pieces then put it together on the site.”

In the meantime, local opposition has mounted several campaigns to get the local authorities to rescind their approval for it going there with one group claiming that Tolkien is not a major British literary figure and therefore this is an improper usage of that space. Yes, they really did say that.

Yes, there are digital models as it’ll appear placed there so here’s one. It might indeed be up but I can find no proof that it online. On the other leaf, it might never actually have happened. The Google Maps photo of the proposed location shows nothing but lawn.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born December 14, 1916 — Shirley Jackson. First gained public attention for her short story “The Lottery, or, The Adventures of James Harris” but it was her The Haunting of Hill House novel which has made her legendary as a horror novelist as it’s truly a chilling ghost story. I see that she’s written quite a bit of genre short fiction — has anyone here read it? And yes, I know there’s at least one series made off The Haunting of Hill House novel but you already know my opinion on such matters. (Died 1965.)
Born December 14, 1920 — Rosemary Sutcliff. English novelist whose best known for children’s books, particularly her historical fiction which involved retellings of myths and legends, Arthurian and otherwise. Digging into my memory, I remember reading The Chronicles of Robin Hood which was her first published novel and rather good; The Eagle of the Ninth is set in Roman Britain and was an equally fine read. (Died 1992.)
Born December 14, 1949 — David A. Cherry, 73. Illustrator working mostly in the genre. Amazingly he has been nominated eleven times for Hugo Awards, and eighteen times for Chesley Awards with an astonishing eight wins! He is a past president of the Association of Science Fiction and Fantasy Artists. Oh, and he’s is the brother of the science fiction writer C. J. Cherryh (“Cherry” is the original spelling of the last name of the family) so you won’t be surprised that he’s painted cover art for some of her books such as The Cherryh Odyssey and The Kif Strike Back! as well as books for Robert Asprin, Andre Norton, Diane Duane, Lynn Abbey and Piers Anthony to name but a few.
Born December 14, 1954 — James Horan, 68. One of those actors that had roles across the Trek verse, having appeared on Next Generation, Voyager, Deep Space Nine and Enterprise. He also voiced a character on Roughnecks: Starship Troopers Chronicles, and showed up on Highlander, Charmed and Lost. Like so many Trek alums, he’s also been on The Orville.
Born December 14, 1959 — Debbie Lee Carrington. Actress who was an ardent advocate for performers with disabilities. She was the performer inside the Howard the Duck costume, a Martian rebel named Thumbelina in Total Recall, an Ewok in Return of the Jedi (and in the TV movies that followed, a Drone in Invaders from Mars, Little Bigfoot in Harry and the Hendersons, an Emperor Penguin in Batman Returns and a Chucky double in Curse of Chucky. (Died 2018.)
Born December 14, 1966 — Sarah Zettel, 56. Her first novel, Reclamation, was nominated for the Philip K. Dick Award in 1996, and in 1997 tied for the Locus Award for the Best First Novel. Writing under the alias of C. L. Anderson, her novel Bitter Angels won the 2010 Philip K. Dick award for best paperback original novel. If you’ve not read her, I’d recommend her YA American Fairy Trilogy as a good place to start.
Born December 14, 1968 — Kelley Armstrong, 54. Canadian writer, primarily of fantasy novels since the early party of the century. She has published thirty-one fantasy novels to date, thirteen in her Women of the Otherworld series, another five in her Cainsville series. I’m reasonably sure I listened to the Cainsville series and would recommend it wholeheartedly.

(8) INVESTIGATING CONSCIOUSNESS. The Hugo Book Club Blog reviews “The Tentacle of Empathy” by Ray Nayler.

…The novel’s depiction of semi-functional future geopolitics and extreme forms of predatory capitalism are sadly believable, but written with interesting nuance. Nayler’s background working in the foreign service has given him a perspective and a knowledge that lends the story credibility.

But at its core, the strength of the novel is in how richly it explores the ways in which humans interpret experiences, how different sensoria and neurological architecture might construct individual understandings of the world, and how artificial intelligences might evolve and what that could mean for their sentience. It’s impossible to know what’s going on in another being’s head, nor whether depicting these processes can ever be accomplished, but we suspect that Nayler has done this about as well as possible….

The author was pleased —

One of my favorite reviews so far of The Mountain in the Sea, this really gets to the heart of the matter https://t.co/W0rvT1Fn3Z
— Ray Nayler (@raynayler) December 14, 2022

(9) BLOOD SCIENCE. “World-First Trial Transfusing Lab-Grown Red Blood Cells Begins” – ScienceAlert has details.

…The world-first trial, underway in the UK, is studying whether red blood cells made in the laboratory last longer than blood cells made in the body.

Although the trial is only small, it represents a “huge stepping stone for manufacturing blood from stem cells,” says University of Bristol cell biologist Ashley Toye, one of the researchers working on the study.

To generate the transfusions, the team of researchers isolated stem cells from donated blood and coaxed them into making more red blood cells, a process that takes around three weeks.

In the past, researchers showed they could transfuse lab-grown blood cells back into the same donor they were derived from. This time, they have infused the manufactured cells into another compatible person – a process known as allogeneic transfusion….

(10) SOME LIGHTNING FOR THUNDER LIZARDS. 65 comes to movie theaters March 10. SYFY Wire explains the premise.

…The new film, written and directed by A Quiet Place creators Scott Beck and Bryan Woods, opens with a very familiar premise. Commander Mills (Adam Driver), a starship pilot, is sending out a distress signal after his ship crashed on an uncharted planet. With his means of escape ripped to shreds and just one human survivor (Arianna Greenblatt) to co-exist with on this new world, he has no choice but to simply work to survive until some form of help can arrive. What he doesn’t know, of course, is that he’s crashed somewhere very familiar, not to him, but certainly to us.

That’s right, the “65” of the title is for “65 million years ago,” pitting Driver’s character against all manner of prehistoric creatures who’ve never seen the likes of him before, and setting up some very interesting implications about the early history of Earth….

(11) VIDEO OF THE DAY. “’A Very Cold War Christmas’ – A Late Show Animated Holiday Classic”.

It’s Christmas eve, and after Vladimir Putin demands Ukraine for Christmas, Santa must defend the North Pole against a Russian invasion. President Biden delivers much needed aid to Santa via bicycle drawn choo-choo train, and then sends an elite elf squadron of North Pole’s best to the Kremlin in a Top Gun style mission culminating in an epic face off in Red Square. Are you ready to “Ride into the Manger Zone?”

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Olav Rokne, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 12/7/22 Pixels: What Are They Scrolling? Are They Scrolling Anything? Let’s Find Out!

Posted on December 7, 2022 by Mike Glyer

(1) 2022 #BLACKSPECFIC. FIYAH has posted the 2022 #BlackSpecFic Report, an examination of the state of representation of Black authors within the speculative short fiction market published in 2021. This report was composed by L. D. Lewis and Nelson Rolon with sponsor support from the Carl Brandon Society, Diabolical Plots, and CatStone Books.

In the report, “a market is considered “successful” with regard to its publication of Black authors if their percentages are within 2% of the U.S. census reported Black population (13.6%)” —

Highlights

Of the 23 pro and semipro markets examined in all 2015-2017 studies, 11 showed an increase in publishing works by Black authors relative to their respective outputs.
While Black editors of short speculative fiction continue to represent a small portion of the field, nearly all of the surveyed markets who host a Black owner, editor, or guest editor made the “Most Successful (without reprints)” list. And those four publications (Anathema, Fantasy Magazine, Fantasy & Science Fiction, Uncanny Magazine) are responsible for 25.4% of the entire field’s Black-authored works.

The next report is slated for 2025.

(2) AUTHORS NOT GETTING PAID. In the Guardian, Joanne Harris states “Horribly low pay is pushing out my fellow authors – and yes, that really does matter”, and goes on to spotlight how bad things are.

…We arrive at what we imagined would be the creative heart of an industry, but it turns out to be a room full of slot machines. Some of us are lucky enough to feed the right slot at the right time and hit jackpots of varying sizes. Others bring their own luck to the room – they can afford to feed the slots regardless of what they get in return. But what about everyone else? Who can honestly afford to stay?

The trouble with luck is that it is not a reliable foundation for a profession. Nor is it a reliable way to run an industry. Yet here we are.

When the ALCS first ran its survey of author incomes in 2006 it found that the median self-employed income of a full-time author was £12,330. In 2022 – a year in which multiple publishers have posted record profits while freelancers in all professions are still reeling from the impact of Covid-19, Brexit and rising living costs – the median full-time income has fallen to £7,000. That’s a drop of more than 60% when accounting for inflation.

There is also a more worrying, granular luck at play. The gender pay gap is getting worse – men earn 41% more than women (compared with 33% five years ago). Payment for Black and mixed-heritage authors is a full 51% lower than for white authors. Young authors earn less, as do older ones. Fewer authors than ever are receiving advances…

(3) LOCUS INDIEGOGO AT 82%. With 8 days to go, the Locus Magazine Indiegogo appeal has raised $61,790 of its $75,000 goal.

(4) AMAZING KICKSTARTER FALLS SHORT. Despite attracting contributions from 114 backers, the Amazing Stories Kickstarter failed reports publisher Kermit Woodall. Only $3,330 was pledged towards the $13,000 goal.

I’m afraid Amazing Stories failed to meet its Kickstarter goal. This means the SOL SYSTEM issue won’t be coming out as planned. Kickstarter won’t take pledge money from backers. No worries!

We do still plan to have an online convention, I can’t promise all the same writers will attend, but it will be different and possibly better! More news as that develops.

…The special SOL SYSTEM issue won’t happen.

(5) GENRE ON STRIKE. The call is out for authors and readers to join the HarperCollins picket line on December 16. (Via John Scalzi.)

https://twitter.com/kuangrf/status/1600524438105194501

(6) IN COLLABORATION. “I See, Therefore You Are: PW Talks with Robert Lanza and Nancy Kress”, a Publishers Weekly Q&A.

Scientist Lanza conveys his theory that “the universe springs from life, not the other way around” in Observer (Story Plant, Jan.), a thriller coauthored with Kress.

How did you come to develop your theory of biocentrism?

Lanza: It goes back to when I was a young boy, when I used to explore the forests of eastern Massachusetts. I was observing nature and pondering the larger existential questions, and it occurred to me that the static objective view of reality that I was being taught just wasn’t right. The Nobel Prize was just awarded just a few months ago to three gentlemen whose experiments showed that entangled particles change behavior depending on whether you look at them or not. Why? The answer is that that reality is a process that involves our consciousness.

How did this partnership begin?

Kress: Our agent put us together, because Bob, who’s published several nonfiction books on biocentrism, wanted to embody his ideas in a novel.
I was intrigued by the project from the very beginning because I have always thought that consciousness is woven into the universe. What we wanted to write together was about how these ideas might inform a possible future. And we worked until we got something we were both happy with….

(7) MEMORY LANE.

2019 — [By Cat Eldridge.] Rudyard Kipling statue

So today is we’re looking at a quite new statue, that of Rudyard Kipling which unveiled in Burwash just three years ago. Kipling as you know did The Jungle Booksand The Just Stories, plus two true pieces of SF in his Aerial Board of Control series, With the Night Mail and As Easy as A.B.C.: a Tale of 2159 A.D.

The fully life-size figure which is located on High Street shows Kipling, who lived in the village, sitting on a bench also cast in bronze. Burwash Parish Council commissioned the piece in 2018 and it was created by local sculptor Victoria Atkinson.

Atkinson researched Kipling using archives at Bateman’s, the Jacobean house which was the home of Rudyard Kipling, and the National Portrait Gallery with the Kipling Society providing details such as Kipling’s height and hat and shoe size. Of course she needed a live model to actually create the statue so she used one of her neighbors who wore a thick suit of the type favored by Kipling as a model to get the look and pose of Kipling right.

Oh the book underneath the bench? It’s The Just So Stories.

It was actually, to keep costs down, cast in Athens, Greece.

Now comes a really cool thing. The unveiling took place on February 25, 2019. So who did the unveiling? Why it was Mike Kipling, grandson of Rudyard Kipling!

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born December 7, 1915 — Eli Wallach. I‘ve a fondness for anyone who appeared on the Sixties Batman series. He played Mr. Freeze in a two part story, the third actor to do as both George Sanders and Otto Preminger had done so in previous two part stories. He also had one-offs in Worlds Beyond, Alfred Hitchcock Presents, Veritas: The Quest and Tales of the Unexpected. (Died 2014.)
Born December 7, 1923 — Johnny Duncan. Was the Sixties Batman the first Batman series? You know better. Johnny here was Robin on Batman And Robin (1949) for Columbia Pictures Corporation. It ran for fifteen episodes of roughly fifteen or so minutes apiece. Robert Lowery was Wayne / Batman. He has only one other genre appearance, an uncredited one in Plan 9 from Outer Space as Second Stretcher Bearer. (Died 2016.)
Born December 7, 1915 — Leigh Brackett. Let’s us praise her first for her Retro Hugo for Shadow Over Mars, originally published in the Fall 1944 issue of Startling Stories. Now surely her scripts for The Big Sleep and The Long Goodbye are genre adjacent? Ok, I’m stretching it, I know. Ok, then her very pulpy Sea-Kings of Mars is? Being rhetorical there. And I love her Eric John Stark stories! (Much of these were written with her husband Edmond Hamilton.) She completed The Empire Strikes Back script for George Lucas just before she died, and although it did not become the final script many of its elements made it into the movie and she received credit along with Lawrence Kasdan. (Died 1978.)
Born December 7, 1945 — W.D. Richter, 77. As a screenwriter, he was responsible for Invasion Of The Body Snatchers, Dracula, and Big Trouble In Little China, the latter one of my favorite popcorn films. As a director, he brought Late for Dinner and Buckaroo Banzai Across The 8th Dimension to us. He was also co-writer with Stephen King on the adaptation of King’s Needful Things novel to film.
Born December 7, 1949 — Tom Waits, 73. He’s got uncredited (but obviously known) roles in Wolfen and The Fisher King. He is in Bram Stoker’s Dracula as R.M. Renfield, and he shows up in Mystery Men as Doc Heller and in Mr.Nick in The Imaginarium of Doctor Parnassus. He’s simply Engineer in The Book of Eli.
Born December 7, 1953 — Madeleine E Robins, 69. I’m very fond of her Sarah Tolerance series which starts often Point of Honour, it features a female PI in an alternate version of Georgian London. The Stone War set in a post-apocalyptic NYC is quite interesting as well, and she has quite a bit short fiction, though only three have been collected so far in Lucstones: Three Tales of Meviel. Much of her fiction is available from the usual digital suspects.
Born December 7, 1973 — Kelly Barnhill, 49. Her The Girl Who Drank the Moon novel was awarded the Newbery Medal and she was a McKnight Writing Fellow in Children’s Literature. Four years ago, her “Unlicensed Magician” novella received the World Fantasy Award for Long Fiction. Iron Hearted Violet was nominated as Andre Norton Award.
Born December 8, 1979 — Jennifer Carpenter, 43. Ok, usually I pay absolutely no attention to TV awards, but she got a nomination for her work as Emily Rose in The Exorcism of Emily Rose. It was the MTV Movie Award for Best Scared-As-Shit Performance. It later got renamed to Best Frightened Performance. She’s apparently only got two other genre credits, both voice work. One is as Black Widow in Avengers Confidential: Black Widow & Punisher which is a horridly-done anime film that I do not recommend; the other is as Selina Kyle aka Catwoman in Batman: Gotham by Gaslight, the animated version of the Mike Mignola Elseworld series which I strongly recommend. Possibly the Limitless series she was in is genre, possibly it isn’t…

(9) BRACKETT BIRTHDAY SUGGESTION. Bill Higgins— Beam Jockey – thinks this would be most appropriate.

Everyone else gets parentheses, but I feel that, of all people, Leigh Brackett's lifetime should be written:

Leigh Brackett {1915 —1978}

(HT @DAgranoffAuthor.) https://t.co/9j0WaOIs4Y
— Bill Higgins— Beam Jockey (@MrBeamJockey) December 7, 2022

(10) ENTERPRISING LAWYERS. This legal advertisement is making the rounds in social media.

Evidently the “Shaw-Louvois” firm name is appropriate for Trek because in the 1967 Original Series episode Court Martial Lt. Areel Shaw prosecutes Captain Kirk, and in ST:TNG Phillipa Louvois is a member of Starfleet’s Judge Advocate General branch who has to rule on the rights of Lt. Cmdr. Data in “The Measure of a Man.”

(11) CANCEL THOSE KILLER ROBOTS. Gizmodo reports “San Francisco Votes Down Killer Robots After Fierce Backlash”.

In a hasty retreat, San Francisco lawmakers have reversed a vote allowing local police to use remote-controlled robots equipped with lethal explosives in extreme situations. The move comes after a wave of backlash from the community and activist organizations.

San Francisco’s Board of Supervisors voted 8-3 Tuesday on a revised version of the policy, which now prohibits police from using robots to kill people. Tuesday’s vote was a surprise turn of events after the board approved the policy last week, including a clause allowing for the lethal bots. As reported by the San Francisco Chronicle, the board rarely changes its mind on second round votes, which are typically seen as formalities. However, since the first vote on Nov. 29, the policy has received a wide range of criticism both locally and nationally. Lawmakers will debate the issue for another week before voting on yet another version of the policy next week….

Cat Eldridge is skeptical: “So the Terminators lost this first skirmish against humanity. But to paraphrase Arnold‘s character in the first Terminator film, ‘They’ll be back.’”

(12) GOOD LORD. “Figgy Pudding | SPAM® Brand”. Eh, so the main ingredient is still pork? Then shouldn’t this be Piggy Pudding?

(13) HOT DAGNABIT. Here’s an NPR segment and another article on this important topic: “Swear words across languages may have more in common than previously thought”.

AILSA CHANG, HOST:

There’s a common trope in sci fi when characters curse.

RYAN MCKAY: I watched “Mork & Mindy” when I was growing up.

CHANG: That’s psychologist Ryan McKay. He’s, of course, talking about a sitcom that starred a young Robin Williams as an extraterrestrial named Mork.

MCKAY: He would often cry out shazbot when he would, you know, stub his toe or bang his head or something….

Inverse ran an article about the same study: “Scientists want to know why swear words share this one universal trait”. And unlike NPR, they didn’t bury the lede:

…Rather than present the perfect ingredients for a swear, this study identifies something that all swear words seem to lack. Across languages, swear words tend to exclude sounds like l, r, and w, known as approximants.

If you’re like me, then the first thing you did was scour your brain for exceptions to the rule (and “asshole” was the first one that came to mind, followed by “wanker”). This isn’t to say that swear words wholesale lack these phonemes, but statistically speaking, curses across different languages are less likely to contain approximants….

(14) THIRTY. Open Culture introduces “The 30 Greatest Films Ever Made: A Video Essay” by Lewis Bond from his Youtube channel The Cinema Cartography. Three genre films make Bond’s top 10.

… You may not feel exactly the same as Bond does about both My Dinner with Andre and the Lord of the Rings trilogy (a rare dual enthusiasm in any case), but seeing where he places them in relation to other movies can help to give you a sense of whether and how they could fit into your own personal canon — as well as the kind of context a film needs to earn its place…

(15) VIDEO OF THE DAY. Via DUST, JJ Pollack’s sci-fi short film Jettison.

A restless young woman ships off to fight an interstellar war, only to struggle with the effects of being cut off from her home by both time and space.

(16) DEFINITELY NOT TODAY’S SCROLL TITLE. By Daniel Dern:

Scrollomon Grundry
Filed On Sunday
Posted On Monday
Notified On Tuesday
Clicked On Wednesday
Commented On Thursday
Fifth’ed On Friday
Stalked On Saturday
This is the lifecycle of
Scrollomon Grundy

[Thanks to John King Tarpinian, Chris Barkley, Daniel Dern, Soon Lee, Dann, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 11/22/22 File Thing, You Make My Scroll Sing, You Make Everything … Pixelly

Posted on November 22, 2022 by Mike Glyer

(1) NPR’S PICKS OF 2022. NPR has put up its massive list of “Best Books 2022: Books We Love”. It’s sortable by category – this is the button to pull out the 67 “Sci-Fi, Fantasy & Speculative Fiction” titles. The tool will also take you back to any of their annual selections since 2013.

Books We Love! – NPR’s biannual, interactive reading guide – is back for its 10th year with 400+ books published in 2022! Mix and match tags including “Book Club Ideas,” “Eye-Opening Reads,” and “Kids’ Books” to browse titles hand-picked by NPR staff and trusted critics. Click back through a decade of recommendations to find more than 3,200 books – we’ve got your next favorite read and something for every person on your holiday shopping list. Discover the books that comforted, challenged, and captivated us this year.

(2) WHAT DO YOU WANT SANTA TO BRING? Connie Willis, on Facebook, recommends adding Miracle on 34th Street to your Thanksgiving viewing. She does a deep dive into how a real Macy’s parade was filmed for the movie, and has other insights into the actors and actresses.

Thanksgiving is fast upon us, and I have a great movie to recommend (besides the standards we watch every year: PLANES, TRAINS, AND AUTOMOBILES and DEAR GOD.) The movie is MIRACLE ON 34TH STREET (the original black and white with Edmund Gwenn, Natalie Wood, Maureen O’Hara, and John Payne).

“But that’s a Christmas movie!” I can hear you saying. True, but it actually begins at Thanksgiving, with the Macy’s Thanksgiving parade, and, even better, the parade in the movie is the real deal. Yes, the actual Macy’s Thanksgiving Day Parade from the year the movie was made, 1946. They filmed the opening sequences with the majorette and the clown and the drunken Santa–“It’s cold! A man’s gotta do SOMETHING to keep warm!”–at the beginning of the parade….

(3) LOCUS FUNDRAISER MAKING PROGRESS. With 23 days left, the Indiegogo for “Locus Magazine: Science Fiction, Fantasy, Horror” has raised $45,169 of the $75,000 goal with the help of 473 backers. There’s a variety of perks available, such as this one for $30 donors.

(4) WILL IT MAKE A BIG SPLASH? A new trailer for Avatar: The Way of Water – in theaters December 16.

Set more than a decade after the events of the first film, “Avatar: The Way of Water” begins to tell the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.

(5) IT’S REALLY AND SINCERELY DEAD. The Department of Justice put out a press release about Penguin Random House and Simon & Schuster’s decision to not appeal the district court’s verdict barring their merger deal.

The district court’s decision is a victory for authors, the marketplace of ideas, consumers, and competitive markets. It reinforces the important principle that antitrust laws apply to transactions that harm content creators and workers. The Department is pleased that Penguin Random House and Simon & Schuster have opted not to appeal.

(6) RECOMMENDED READING FOR ELON MUSK. Norman Spinrad, for reasons unexplained, wants to place a copy of his forthcoming novella Up and Out in the hands of Elon Musk. He calls on everyone to use their connections and get back to him at [email protected]

ELON MUSK WHERE ARE YOU?

It has often been said that no one on the planet is more than 6 steps from anyone else, and I have been trying contact Elon Musk fruitlessly, not surprising, given that he is the richest and maybe one of the most famous people on Earth. I did not want to ask him for money or anything else. I simply wanted to give him something that I know he would enjoy, a novella called UP AND OUT, but of course, impossible to get the rtf to him personally.

And this is a very personal gift and now it will be published December 13th in the formally January/February issue of Asimov’s SF Magazine. So he will be able to buy the issue if he knows about it, and I think he can probably afford it.

So what I am asking y’all is only to help me tell him. Given that there are about 200 people getting this, the math would seem to say that the odds are good. I’m not asking for an email address, or anything else, so this would seem to be possible.

(7) A CLASSIC RESUMES. “’Willow’ Resurrected: The Hard-Fought Story of an Epic Comeback” – Vanity Fair tells that story, how it came to pass that Willow will roll again on Disney+ beginning November 30.

Jonathan Kasdan was in the middle of making a Star Wars movie, but his mind kept venturing to an entirely different universe.

This happened in 2017, when the screenwriter of Solo stood on the Canary Islands set of the movie, watching as one of his idols dropped in for a cameo. Warwick Davis, who was there to play a member of a galactic biker gang, had a long history of playing Star Wars characters, but he was also the star of one of Kasdan’s favorite movies from childhood, the 1988 sword-and-sorcery adventure Willow.

“I asked to be introduced to him,” Kasdan recalls. “I had one of the ADs walk me over, and he was sitting in his foldout chair. I said, ‘I’m Jon Kasdan. I’m one of the writers.’ And he was very nice.” But Kasdan had a not-so-secret agenda. “I said, ‘Listen, I love Willow, and I really think there’s something to be done here. I’m beating the drum loudly with Kathy [Kennedy, Lucasfilm’s president] and with the company.’” Davis lit up. “He immediately was like, ‘Have a seat! Let’s talk more!’” Kasdan says. “We started talking that very minute about what it could be and have never stopped.”

Five years later, Willow—the new Disney+ series —will debut on November 30. But the journey between that first conversation and the completion of the show was a fraught adventure of its own, sometimes harrowing, sometimes comical, sometimes just awkward. Still, it was driven by a sincere love of this fantasy realm and the unlikely hero at its center.

Today, Kasdan is part of the Lucasfilm brain trust, consulting on multiple projects with his own office at their Disney headquarters, (complete with a sweeping view of Kennedy’s parking space, he jokes). But back in 2017, when he first broached the subject of reviving Willow with Davis on the set of Solo, his credits included writing stints on Dawson’s Creek and Freaks and Geeks, and directing the indie films The First Time and In the Land of Women. Kasdan had leveled up to epics for the first time with Solo, which he had cowritten with his father (Star Wars veteran and Oscar-nominated screenwriter Lawrence Kasdan). He had the experience and the enthusiasm to take on a return to Willow, if not the actual pull at Lucasfilm to make it a reality….

(8) PARADOX LAUNCH EVENT. [Item by SF Concatenation’s Jonathan Cowie.] I previously sent an image of the cover of Romania’s H. G. Wells SF Society of Timisoara 50 year anniversary edition of Paradox (Pixel Scroll 11/17/22 item #12).

The zine’s launch took place at the Theresien Bastion (the main section of the former Austrian fortifications that defended Timisoara in 1700s) and it attracted a number of old sci-fi fans and members of the H.G. Wells association.

I have pictures of the launch courtesy of Silviu Genescu (himself an award-winning author – the Romanian equivalent of the Booker for D is for ‘End’)

(9) MEMORY LANE.

1986 — [By Cat Eldridge.] Nutcracker: The Motion Picture

Christmas long ago was the memory of a dream that seemed never to end. But somewhere in the middle of that dream, I always did wake up, just in time to attend the Christmas party. — Opening lines as said by the adult Clara.

So let’s talk about a most unusual Nutcracker that had the blessing to get filmed. Nutcracker: The Motion Picture, also known as Pacific Northwest Ballet’s Nutcracker or simply Nutcracker, is was produced thirty-six years ago by the Pacific Northwest Ballet.

So what makes this one worth knowing about? Two words that form a name: Maurice Sendak.

Choreographer Kent Stowell who the artistic director of the Pacific Northwest Ballet had invited the author-illustrator Maurice Sendak to collaborate on a Nutcracker production in 1979 after his wife and another colleague had seen a Sendak design for a performance of Mozart’s The Magic Flute.

Sendak initially rejected Stowell’s invitation, later explaining why he did so:

The Nutcrackers I’ve seen have all been dull. You have a simpering little girl, a Christmas party, a tree that gets big. Then you have a variety of people who do dances that seem to go on and on ad nauseam. Technically it’s a mess, too; Acts I and II have practically nothing to do with each other. … What you don’t have is plot. No logic. You have lots of very pretty music, but I don’t enjoy it because I’m a very pedantic, logical person. I want to know why things happen.

He later accepted provided that he could write it so it was in tune with the themes in Hoffmann’s original story. It was extremely popular and it was the annual Christmas show for thirty-one years.

For reasons too complicated to explain here, I got invited on a personal tour of the backstage area of the Pacific Northwest Ballet building where the scenery and other materials that Sendak had designed for this were stored. To say these were magical is an understatement. And just a tad scary up close.

Two Disney executives attended the premiere and suggested it’d make a splendid film. Sendak and the Director of the Ballet resisted at first preferring to just film the ballet. But both finally decided to adapt it to a film. That meant Clara’s dream had to be clarified; large portions of the choreography were changed; some of some the original designs underwent revision, and Sendak created additional ones from scratch.

It was shot in ten days on the cheap and critics weren’t particularly kind about the result as they could see the necessary shortcuts taken. Ballard, the Director here as well, responded to criticism about the editing in a later The New York Times interview, noting that the editing was not what he had initially planned, but was because of the tight filming schedule.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born November 22, 1932 — Robert Vaughn. His best-known genre work was as Napoleon Solo in The Man from U.N.C.L.E. with other genre work being in Teenage Caveman, Starship Invasions, The Lucifer Complex, Virus, Hangar 18, Battle Beyond the Stars, Superman III, C.H.U.D. II: Bud the C.H.U.D. (seriously who penned that awful title?), Transylvania Twist and Witch Academy. Oh, and he wrote the introduction to The Man from U.N.C.L.E. series companion that came out a generation after the series aired. (Died 2016.)
Born November 22, 1940 — Terry Gilliam, 82. He’s directed many films of which the vast majority are firmly genre. I think I’ve seen most of them though I though I’ve not seen The Man Who Killed Don Quixote, Tideland, The Zero Theorem or The Imaginarium of Doctor Parnassus. I’ve seen everything else. Yes, I skipped past his start as the animator for Monty Python’s Flying Circus which grew out of his work for the children’s series Do Not Adjust Your Set which had the staff of Eric Idle, Terry Jones, and Michael Palin. Though he largely was the animator in the series and the films, he did occasionally take acting roles according to his autobiography, particularly roles no one else wanted such those requiring extensive makeup. He also co-directed a number of scenes. Awards? Of course. Twelve Monkeys is the most decorated with six followed by Brazil with two and Time Bandits and The Fisher King which each have but one. He’s not won any Hugos though he has been nominated for four — Monty Python and the Holy Grail, Time Bandits, Brazil and Twelve Monkeys. My favorite films by him? Oh, the one I’ve watched the most is The Adventures of Baron Munchausen followed by Time Bandits. He’s co-directing and writing the forthcoming Time Bandits series Apple is financing and showing. I’ll subscribe when it’s out.
Born November 22, 1943 — William Kotzwinkle, 79. Fata Morgana might be in my opinion his best novel though Doctor Rat which he won the World Fantasy Award for is in the running for that honor as well. And his short stories of which there are many are quite excellent too. Did you know Kotzwinkle wrote the novelization of the screenplay for E.T. the Extra-Terrestrial? The usual digital suspects are well stocked with his books.
Born November 22, 1949 — John Grant. He’d make the Birthday list solely for being involved in the stellar Encyclopedia of Fantasy which won a Hugo at BucConeer. And he did win another well-deserved Hugo at Noreascon 4 for Best Related Work for The Chesley Awards for Science Fiction and Fantasy Art: A Retrospective. Most of His short fiction has been set in the Lone Wolf universe though I see that he did a Judge Dredd novel too. (Died 2020.)
Born November 22, 1957 — Kim Yale. Married to John Ostrander until 1993 when she died of breast cancer, she was a writer whose first work was in the New America series, a spin-off of Truman’s Scout series. With Truman, she developed the Barbara Gordon Oracle character, created the Manhunter series, worked on Suicide Squad, and was an editor at D.C. where she oversaw such licenses as Star Trek: The Next Generation. For First Comics, she co-wrote much of the amazing Grimjack with her husband.
Born November 22, 1958 — Jamie Lee Curtis, 64. Can we agree that she was the best Scream Queen for her film debut in the 1978 Halloween film in which she played the role of Laurie Strode? No? Well, that’s my claim. Spoilers follow. She followed up with yet more horror films, The Fog and Prom Night. In all, she’s the only character that survives. She would reprise the role of Laurie in six sequels, including Halloween H20, Halloween: Resurrection, Halloween II and Halloween III: Season of the Witch, Halloween (a direct sequel to the first Halloween) and Halloween Kills. She shows up in one of my fave SF films, The Adventures of Buckaroo Banzai Across the 8th Dimension as Sandra Banzai but you’ll need to see the director’s extended version as she’s only there in that version. Is True Lies genre? Probably not, but for her performance, Curtis won the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and the Saturn Award for Best Actress. Damn impressive I’d say. No, I’m not listing all her films here as OGH would likely start growling. Suffice to say she’s had a very impressive career.
Born November 22, 1984 — Scarlett Johansson, 38. Best known perhaps for her role as the Black Widow in the MCU films including the present Black Widow film but she has other genre appearances including playing Motoko Kusanagi in Ghost in the Shell which was controversial for whitewashing the cast, particularly her character who was supposed to be Japanese.

(11) JMS WILL WORK WITH AWA. “AWA Studios Enlists Top Creatives to Shepherd Content Derived From Graphic Novels” reports Variety. J. Michael Straczynski is one of the six.

AWA Studios has enlisted Reginald Hudlin, Gregg Hurwitz, Laeta Kalogridis, Joseph Kosinski, Al Madrigal and J. Michael Straczynski to serve on the company’s Creative Council. The council’s charter is for those established players to use their experience and their connections to help AWA writer and graphic artists “unleash the full potential of their characters and stories, providing a diversity of contemporary storytelling perspectives and putting projects in the best position to be scaled across the entertainment ecosystem,” per AWA.

(12) YA THRILLER. At Nerds of a Feather, Elizabeth Fitzgerald reviews a book that won the Norma K. Hemming Award for Long Work: “Microreview [book]: Ghost Bird by Lisa Fuller”.

Ghost Bird belongs most comfortably in the genre of the YA thriller. A certain subsection of this genre likes to play coy about the presence of supernatural elements. Examples include Black by Fleur Ferris, Small Spaces by Sarah Epstein and Flight of the Fantail by Steph Matuku. By the end, each of these books definitively answers whether the speculative elements played with are considered real within the story’s world. Ghost Bird also has definitive answers, making it very at home in this subgenre. However, its identity as an Indigenous Australian Own Voices narrative makes it difficult to call the story a speculative one. After all, referring to what may be a part of a living Indigenous tradition as fantasy or speculative seems neither respectful nor accurate.

Cleverly, this tension between Western and Indigenous thought is one of the central themes of Ghost Bird. The story is written in first person present tense from the perspective of Stacey. She is intelligent, rational and takes her education very seriously — too seriously, according to some of her family, who feel she should be paying more heed to traditional ways…

(13) THE RAVELED SLEEVE OF CARE IS NOT KNITTED UP. Arturo Serrano reviews a disappointing film based on Winsor McCay’s visual innovations: “’Slumberland’ won’t spark your dreams, but it will put you to sleep” at Nerds of a Feather.

A girl loses her father and processes her grief by oversleeping. An emotionally stunted uncle tries to learn childrearing from Google. The complicated interplay of growth and decay makes the future uncertain and scary. If she wants to grow up and stop retreating into fantasies, she’ll have to accept the fact of death, but also help her uncle reconnect with his inner child and dream again.

This setup sounds like it should deliver a full emotional experience, bolstered by the metaphoric possibilities of dream language. Unfortunately, Netflix film Slumberland shows us a muted dreamscape that doesn’t dare embrace the protean qualities of the unconscious mind. When protagonist Nemo ventures into the land of dreams to look for her father, the place looks too rigid, too rational, built on an oppressively linear logic that makes it less Paprika and more Inception. This does not feel like the dream of a child; it feels like an adult’s self-serving memory of what goes on in a child’s mind….

(14) POPULATION CRISIS. Paul Weimer reviews a novel about a world ruled by women where girl children are no longer being born: “Microreview [book]: Scorpica by G.R. McAllister” at Nerds of a Feather.

…Humans are a species that can think in terms of years, decades and generations ahead and to come. Humans are a species that is very concerned with their posterity, as a way of preserving not only their legacy, but establishing the future for their children and their children’s children. And when that posterity is threatened, people, and the societies they inhabit, can come under stress, fracture, and break.

P D James’ novel The Children of Men (and its movie adaptation) explores the death of posterity for the human race by having had no children born in the last 17 years. Mankind is slowly and inexorably aging out to death, and the stresses on people, on society are like an inexorably tightening vise, a ticking clock for humanity. It’s not pretty, even (and perhaps especially) when there is a glimmer of hope that the doom can be averted.

We come to GR McAllister’s Scorpica, which takes a widescreen epic fantasy approach to this scenario. The Five Queendoms (which is also the name of the series that Scorpica starts) are a quintet of fantasy kingdoms which are not just matriarchies, kingdoms ruled by women, but out and out gynarchies. This is a woman’s world, from the fierce fighters of Scorpica to the potent magicians of Arca, the power, authority and social structures are all controlled by women.

So, when the Drought of Girls begins, and girls are no longer being born among any of the five kingdoms, there is indeed a slow moving, inexorably building crisis that strikes the inhabitants of the kingdoms, and the lives of those whom we meet in the book….

(15) GENRE JUSTICE. “Judge John Hodgman on Klingon Cat Names” in the New York Times.

Tyler writes: My partner, who is also named Tyler, wants a second cat. I’m not a fan of cats, so he takes full responsibility for ours. I told him if he adopts another cat, I would get to name it. He agreed. But he doesn’t like the name I’ve chosen — Gowron, after the Chancellor of the Klingon High Council — and insists I choose another.

This one hurts. First, because you presumed I didn’t know who Gowron is. He’s the son of M’Rel, for Kahless’s sake! Second, I suspect you’re just trying to annoy Tyler as punishment for this second cat. Third, it’s obvious this cat should be named Tyler. But a deal is a deal: Gowron it is. At least you did not get clever and suggest “Meowron,” which I’m sure has been done one million times. Readers, let me know how many of you have cats named Chancellor Meowron. Also email me if your dog is named Lieutenant Woof.

(16) VIDEO OF THE DAY. From The Late Show with Stephen Colbert on October 26: “Will Our New Writer George R.R. Martin Finish The Monologue On Time?”

[Thanks to Mike Kennedy, JJ, John King Tarpinian, Cat Rambo, ja, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Locus Launches Fundraiser

Posted on November 16, 2022 by Mike Glyer

Here is the press release for Locus Magazine’s Indiegogo appeal.

Locus‘s first annual fundraiser is live! Help raise $75,000+ to ensure the future of Locus.

Locus is an enthusiastic community of readers, writers, fans, and industry professionals, and it’s part of the glue that holds SFFH together. Without Locus, the landscape of the field would be forever diminished.

The Locus Indiegogo Campaign has some great donor swag with more being added daily, including author chats, crits, signed books, Locus coffee mugs and tees, acts of whimsy, personalized letters from bestselling authors, and more. Please take a moment to go support Locus today: https://igg.me/at/locusmag

“I’ve been part of the Locus community for over three decades, and I believe it is incredibly important to the speculative fiction community.”

—Neil Gaiman

When Locus Magazine first went to print as a one-page ‘zine in 1968, no one could have guessed it would become such a fixture of the science fiction, fantasy, and horror genres, guiding its readers through worlds of imagination.

Over the past 54 years, it has published more than 740 issues, keeping readers, authors, artists, book buyers, industry professionals, and fans up to date on what’s happening in the field – the Publishers Weekly of SFFH. Decades ago, Locus launched a website whose archive holds thousands of reviews, news posts, and articles covering fiction, craft, art, conventions, international events, and more, chronicling the field.

Beyond the magazine, they started the Locus Awards in 1971, celebrating writers, editors, and artists of SFFH; proud to include an award specifically for debut authors as well as an award for community development, historically given to those who boost marginalized voices.

Locus started a writing workshop series tapping our immense community of master writers. They offer internships and have seen many move on to establish publishing careers.

A lot has changed at Locus over the years. Most recently, the way advertisers and readers interact with the magazine has shifted drastically. While the paid subscribership is modest but steady, the online readership—which engages with the free content—is orders of magnitude larger, over 100,000 per month.

At the same time, as costs rise across the board, one of the traditional revenue streams has almost entirely collapsed. Print advertising revenue is down across all print media, and Locus is no exception.

As a 501(c)(3) non-profit, they’ve been shifting to a donor-supported model to meet our needs. But Locus is at risk of not surviving this current recession.

“Locus Magazine is the spit and baling wire that holds the entire, bizarre, wondrous enterprise of publishing together. We’re all seriously f—ed if it ever stops working.”

—Cory Doctorow

If Locus ceased to exist, we’d stand to lose much more than the magazine, the website, and the awards. We’d lose a community gathering place where readers, fans, and pros come together to experience:

Interviews with up-and-coming and established writers, providing an in-depth look at their publishing journey, process, philosophy, experiences, and more.
Reviews of books and short fiction by award winning critics who pinpoint exciting new titles and writers to look out for.
Forthcoming Books Lists used worldwide by bookstores, librarians, collectors, and avid readers to make buying decisions.
News including international reports about what’s happening in the SFFH community around the world, to keep us all connected and informed.
The Locus Awards, the democratic, readers’ choice award that acknowledges, celebrates, and embraces authors and artists in the field.
And more, including recommended reading lists, convention and workshop news, workshops, internships, event calendars, and obituaries honoring the life and work of SFFH’s voices.

Thank you for your support! Donate today at https://igg.me/at/locusmag

File 770

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