Andy Weir, novelist, is the 2026 winner of the Robert A. Heinlein Award. The award is bestowed for outstanding published works in science fiction and technical writings that inspire the human exploration of space. This award is in recognition of Weir’s novels which have blended the best elements of science fact with the aspirations of traditional science fiction with a flare for engaging a new generation of readers.
The award will be formally presented during opening ceremonies on Friday, May 22 at 8:00 p.m. during Balticon 60, the 60th Maryland Regional Science Fiction Convention. Balticon will take place at the Renaissance Baltimore Harborplace Hotel in Baltimore Maryland. Weir will appear at the opening ceremonies by remote live video due to a prior commitment preventing in-person attendance.
Balticon and the Robert A. Heinlein Award are both managed and sponsored by The Baltimore Science Fiction Society, Inc. BSFS thanks The Heinlein Society and the family of Dr. Yoji Kondo for providing funding for this award.
The Robert A. Heinlein Award is a sterling silver medallion bearing the image of Robert A. Heinlein, as depicted by artist Arlin Robins. The medallion is matched with a red-white-blue lanyard. In addition, the winner receives two lapel pins for use when a large medallion is impractical, and a plaque describing the award for home or office wall display.
The Robert A. Heinlein Award selection committee consists of science fiction writers and was founded by Dr. Yoji Kondo, a long-time friend of Robert and Virginia Heinlein. Members of the original committee were approved by Virginia Heinlein.
Virginia Heinlein authorized multiple awards in memory of her husband. Other awards include the Heinlein Prize, which is fully funded by Virginia Heinlein’s estate, and a National Space Society award for volunteer projects.
More information on the Robert A. Heinlein Award, including past winners, can be found on this page.
(2) FAIR PAY. Steve Davidson urges sff readers to commit to pay a fair price for short fiction in a post on Facebook. Davidson begins by telling what the market rates of the Thirties would translate to after factoring in 90 years’ worth of inflation. Then he makes this appeal —
…Authors need to LIVE in order to be able to write and, I’d venture to guess, authors who are not stressing over whether or not they’ll be living in their cars next month will write more and better than those who have no such concerns.
To put a finer point on it: magazines would have to pay a word rate of 67 cents per word if the sale of that one short story is to have the same economic power today as $150 bucks did back in 1930.
On the other hand….
I’m betting that readers actually DO value authors and their works (well, at least those readers who read anyways). And I’m betting that they are willing to step up IF they’re given the opportunity. Oh, maybe not quite yet to covering sixty-seven cents per word, but certainly more than 8 cents per word.
I think the evidence is all around us that they are. I mean – go look at what a paperback costs these days! Me, I choke whenever I see the cover price because my baseline is what it cost me to buy those first Heinlein novels from the Bookmobile back in 1968 – 45 cents to 60 cents. Those same books now go for $13 – or more!
Anyway, the point is this:
We KNOW you all are willing to pay something close to what modern science fiction is actually worth, because you’re already doing it everyday when you plunk down ten bucks for an ebook or fifteen bucks for a paperback (or forty+ bucks for a hardback).
Now all you have to do is extend that same calculus, that same perceptual handwavium when it comes to magazine issues and their close cousin companions, theme anthologies….
(3) LOCUS FUNDRAISER LOOKS TO FINISH STRONG. The “Locus Mag: Science Fiction, Fantasy, Horror 2025” appeal at Indiegogo has four days to go. It had raised $44,671 when I checked this afternoon. Among reasons for you to click over, the Indiegogo paid includes links to videos of Connie Willis, Daniel Abraham, and Tobi Ogundrian reading from their work.
We are incredibly grateful for every penny donated and we’ll put it all to good use, but this is a moment to be honest about the urgency of our fundraiser. We’re just 4 days from the close of this fundraiser and we haven’t raised even half of the money we need to keep Locus running.
Being an indie non-profit press, we’ve been running on a skeleton crew for years. A larger budget means paying writers and artists a better rate, adding more short fiction and long form reviewers to cover all the amazing stories that are being written, and enough budget to cover all the amazing events out there and to stay connected with the community. Please help keep Locus alive, as the independent voice of the field and the guide to the world’s imagination!
If we don’t reach our funding goals, we will have to contract even further – you’ve seen your favorite magazines and newspapers shrink or disappear… There’s no part of what Locus does that we can imagine giving it up, reviews, interviews, cons, obits, the Locus Awards, the recommended lists – remembering people, pushing the news out, evening out the playing field. We don’t want to give any of it up. And we want to get back to a full schedule of writing workshops, reach more people on different platforms about our amazing genre, host readings… so much more.
We’re particularly concerned about the loss of short fiction reviews. Locus is one of the only venues that reviews short stories and makes a concerted effort to cover the small and independent press. Locus wants to help level the playing field for emerging writers and everyone in general. Without those efforts it feels like the only SFF writers getting attention out there are NYT bestsellers…
A full en banc ruling from the Fifth Circuit Court of Appeals has overturned both a lower-court decision and a Court of Appeals ruling that had found a Texas library’s removal of books was a violation of the First Amendment, in a 10-7 decision.
Last year, a regular three-person Court of Appeals panel ruled that the Llano County Library could not remove books based on their content, writing that, “Government actors may not remove books from a public library with the intent to deprive patrons of access to ideas with which they disagree.” The titles at issue included books about sexuality and racism, and “butt and fart books.” Eight of the original 17 removed titles were returned to the library.
Now, the court reversed that preliminary injunction and dismissed the free speech claims of the plaintiffs—seven library patrons.
In the decision, Judge Stuart Kyle Duncan writes that the right to receive information from “tax-payer funded library books” is not protected by the First Amendment.
“That is a relief, because trying to apply it would be a nightmare,” the decision continues. “How would judges decide when removing a book is forbidden? No one in this case—not plaintiffs, nor the district court, nor the panel—can agree on a standard. May a library remove a book because it dislikes its ideas? Because it finds the book vulgar? Sexist? Inaccurate? Outdated? Poorly written? Heaven knows.”
The decision also states that “a library’s collection decisions are government speech and therefore not subject to Free Speech challenge.” Judge Duncan asserts that libraries have always made decisions about what books to shelve, just as government-funded museums decide on which paintings to include.
“That is what it means to be a library—to make judgments about which books are worth reading and which are not, which ideas belong on the shelves and which do not.
“If you doubt that, next time you visit the library ask the librarian to direct you to the Holocaust Denial Section.”…
(5) LETTING THE DOGS IN. [Item by Daniel Dern.] In chatting with one of the (local) librarians about some catalog quirks (mentioning my not-yet-replicated search within WorldCat/OCLC showing a library/book location of “outer space”), they noted that the CountWay library in the (Harvard) medical center area had a dog in their catalog — a “library” dog, e.g., for “Read with a Dog,” “schedule cuddle time”…
The Short: I read Invasion from Mars: Interplanetary Stories, Orson Welles “editor”, 1949 Dell (there is controversy about the actual editor). Including the 1938 “Invasion from Mars: A Radio Adaption” radio play adaptation, it includes ten stories and an Introduction. My favorite story is the well reprinted and superlative Ray Bradbury story “The Million Year Picnic“, a Martian Chronicles short story, Planet Stories Summer 1946. My overall average rating of the stories was 3.76/5, or “Very good”. I have mixed feelings about recommending it, see below. You can find links to the stories here.
(7) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
May 27, 1911 — Vincent Price. (Died 1993.)
By Paul Weimer: Vincent Price. My first voice and face of horror. But especially, his voice.
I’ve mentioned WPIX many times in these birthday reminiscences and in comments at File 770. And so it was on NY’s movie station that I first encountered the work of Vincent Price. It was one of the Dr. Phibes movies, gory, weird and a lot of fun. That voice was unmistakable. Imagine my surprise when the very different looking Dr. Egghead (played by Price) showed up in an episode of the 60’s Batman cartoon. Although Egghead and Phibes couldn’t be more different, the voice was what keyed me, even with my amusia, that the same actor was at work here. That oily, horror fueled voice. He was the voice of terror, of nightmares, of the dark descent.
And that’s kind of how I kept running into him, by accident, again and again. For a while it seemed I could not escape the Master of Horror. Oh, here he is in a movie based on the “Pit and the Pendulum”. How very droll. Oh, and here he has shown up randomly on an episode of Columbo. Oops, here he is again in a Roger Corman horror film. All with That Voice. Although I still think the Jeff Goldblum version is better, the haunting image of his version of The Fly, where a part of him is trapped in a fly’s body, caught in a web, with a spider coming to eat him, is enough to give me the chills.
Even with all of his other work, again and again, what Price comes down to is the voice of horror. And so I ask you, who else could have been the narrator voice for the music video Thriller?
Vincent Price
(8) TODAY’S BIRTHDAY, TOO.
[Written by Paul Weimer.]
May 27, 1934 — Harlan Ellison. (Died 2018.)
By Paul Weimer: Harlan Ellison. No trademark symbols, if he wants to come back from the dead and harangue me, he’s welcome to do so.
To talk about him as a broken step will be taken as read, it turns out he did behave very badly indeed, and that mars his reputation. Not being ever to finish the Last Dangerous Visions is another stain on his record, too. He seems to have forgotten his own maxims and advice on that one. He was a writer’s writer and an editor’s editor, and while he had the juice for the first Last Dangerous Visions, he never could see through to the last.
My older brother had plenty of collections of his stories, so his stories, both genre and only near-SF was an early part of my reading. Included in those collections were both volumes of The Glass Teat, so along with lots of Ellison stories, I also got a healthy dose of his film and television criticism, and his unyielding personality. I may have never gotten to meet him personally, but his ferocious reputation by his writing was enough. When Heinlein has him show up in the end of The Number of the Beast as simply “Harlan”, I had read enough to know what Heinlein meant with that one word.
Three stories of his always come to my mind and you can guess them. “’Repent, Harlequin!’ Said the Ticktockman” which for even though the titular Harlequin is captured and his rebellion ended, is still a story of hope, because his spirit of chaos cannot and will not be permanently stilled. “I Have No Mouth and I Must Scream”, one of the most ultimate horror stories, with four people and a deranged computer at the end of the world. And, “Paladin of the Lost Hour” which is the best “Rage against the dying of the light” story I’ve ever read. When he wasn’t a raging a-hole, Harlan Ellison could and did write.
(10) DEADPOOL/BATMAN CROSSOVER. Wade Wilson has been hired for a job in Gotham City, but will the World’s Greatest Detective help him or destroy him? Entertainment Weekly today revealed Marvel’s Merc with a Mouth will meet DC’s Dark Knight this September in Marvel/DC: Deadpool/Batman #1, the first of two crossovers between Marvel and DC more than twenty years in the making. It will be followed by DC’s Batman/Deadpool #1 in November.
Deadpool/Batman #1 will be written by prolific Spider-Man comics writer and co-writer for Marvel Studios’ Deadpool & Wolverine Zeb Wells and drawn by industry superstar Greg Capullo, an artist with an incredible legacy at both legendary comic book companies, with influential work on Batman and X-Men titles.
“After writing Amazing Spider-Man for 60 issues, I told Marvel I needed a break. Marvel told me I could do that or I could write a comic starring Deadpool and Batman with the best Batman artist of our generation. I no longer needed a break,” Wells shared with EW. “In Batman we’ve found someone who has even less time for Deadpool’s antics than Wolverine, but a city-wide threat from the Joker makes strange bedfellows (literally, if Deadpool had his way). It’s been a blast letting Deadpool loose in Gotham City and watching what happens.”
“Am I dreaming? This crossover is likely to be the high point of my career…and, I’ve had a great career,” Capullo added. “Some of my earliest work (many years ago) was on X-Force, so Deadpool and I go way back. More recently, I spent 10-plus years drawing Batman at DC. The idea that I get to do a crossover event with Deadpool and Batman…If I am dreaming, please don’t wake me!”
Check out Capullo’s main cover and stay tuned for more news about Deadpool/Batman #1 in the weeks ahead.
The fabled Schumacher cut of Batman Foreverhas hit a major snag as Warner Bros. has decided to scrap a planned screening of the hotly anticipated film.
A screening of the Schumacher cut was supposed to take place at Cinefile Video in Santa Monica, California. But according to The AV Club, the event was canceled following a legal request from Warner Bros. “Our planned screening of Batman Forever has been canceled,” the store said in an email to its members. “This follows a legal request from Warner Bros. regarding the rights to the version of the film we intended to show. While this was a free, members-only event meant to celebrate a unique piece of film history, we respect the rights of studios and creators, and have chosen to withdraw the event accordingly.”
The news came as a major blow for Batman fans as the Schumacher cut has long been considered a Holy Grail of sorts….
The year was 2013, and the release of a hotly anticipated zombie-apocalypse video game was on the horizon.
The game, called The Last of Us, invited players to explore what then seemed a fanciful scenario: a world devastated by a pandemic in which a pathogen kills millions of people.
Unlike in many apocalypse fictions, the pathogen responsible wasn’t a bacterium or a virus, but a fungus called Cordyceps that infects humans and takes over their brains.
The writers at game studio Naughty Dog, based in Santa Monica, California, were inspired by real fungi — particularly Ophiocordyceps unilateralis, known as the zombie-ant fungus. The fungus infects insects and releases chemicals into the animals’ brains to change their behaviour. Ahead of the game’s release, Naughty Dog turned to scientists, including behavioural ecologist David Hughes, a specialist in zombie-ant fungi (he named one after his wife), to field questions from the media about the fungal and pandemic science that inspired the story. Hughes, who is at the Pennsylvania State University in University Park, has since moved to studying climate change and food security….
(13) BALTICON SUNDAY SHORT SCIENCE FICTION FILM FESTIVAL 2025 WINNERS. [Report by lance oszko.] Audience scores were from 0 to 5, with sum of values divided by number of votes.
Best Live Action
Stephen King’s The Reach (2024) Italy Luca Caserta 167 points in 41 votes cast = 4.0731 *
Best Animation
Dad in the Echo (2023) China Jacky Heng SUN 315 points in 82 votes cast = 3.8414 *
Scores of all entries:
An Old Friend 2024 USA Nuk Suwanchote 198 Points in 57 Votes cast = 3.4736.
Akashic Spheres 2021 USA James Scott 150 points in 69 votes cast =2.1739
Researchers at a university in Taiwan believe a Neptune-sized object could be wandering roughly 46.5 to 65.1 billion miles from the sun.
Their fresh findings are based on two deep infrared surveys taken more than two decades apart, with equipment sensitive enough to detect a faint planetary glow.
Infrared data from 1983 and 2006 offered a rare chance to see if something moved slightly between observations.
A possible candidate popped up, and the group thinks it might take 10,000 to 20,000 years to orbit the sun….
…Researchers estimate that if this object exists, it could weigh between seven and seventeen times as much as Earth. That puts it in the ice giant category, similar to Uranus or Neptune, rather than a rocky planet like Earth or Mars….
(15) 48 CHALLENGE 2025. [Item by SF Concatenation’s Jonathan Cowie.] Sci-Fi London Film Fest has just posted its latest 48-hour film challenge’s 10 finalists for 2025.
This challenge is where amateur film makers are given a line of script and told to include a particular prop (it could be anything from a top hat to a candle stick) and then they are given two days to complete a short SF film.
Meanwhile, this year’s Fest runs June 19– 22, 2025 at the Picture House in Finsbury Park (just north of central London).
(16) ESA BLUE DANUBE BROADCAST TO SPACE, [Item by SF Concatenation’s Jonathan Cowie.] To mark ESA’s 50th anniversary, ESA’s Cebreros station will broadcast “The Blue Danube” to space on Saturday, May 31, 2025.
The Cebreros station has been used to communicate with deep space missions including: BepiColombo, Euclid, Juice, Hera, Rosetta, Mars Express and NASA’s Perseverance rover.
The Blue Danube was famously (for us SF buffs) in 2001: A Space Odyssey.
The Cebreros station can, in theory, communicate with current-technology deep-space probes up to 1/3 light years away. However, it could communicate further with bigger dishes than those aboard current deep space probes and so in theory anyone listening around nearby stars should pick the microwave (S-band) broadcast up.
The European Space Agency is planning to beam Johann Strauss’s ‘Blue Danube’ waltz out into the cosmos to celebrate a series of key anniversaries in the history of spaceflight.
2025 marks the 50th anniversary of the European Space Agency and its ‘Estrack’ satellite tracking network.
It also marks the 20th anniversary of its ‘Cebreros’ space antenna and, coincidentally, the 200th birthday of Johann Strauss II himself, composer of the Blue Danube.
[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Daniel Dern, lance oszko, Paul Weimer, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mark Roth-Whitworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) A DISCWORLD TOUR. Olivia Waite picks “The Essential Terry Pratchett” for New York Times readers (link bypasses the NYT paywall.)
…Book by book, Discworld expands and deepens, pulling in elements from our world that Pratchett tempers in surprising ways: Shakespeare, vampires, police procedurals, musicals, Australia, high finance. Then come even bigger ideas: war, revolution, justice.
By the time we reach Book 29, “Night Watch,” Pratchett is writing comic fantasy the way Martin Luther offered theological critique to the Catholic Church: sharp and tough as nails, with a hammering moral force….
… Discworld is not about how to be good, but about how to do good, and why even the smallest acts of kindness matter. Empathy — like humor or creativity or hope — is a muscle. You don’t train for a marathon by running around the world: You start with small distances and work your way up….
Waite recommend this book as the place to start:
…If you find the flow charts daunting — and who could blame you? — “Monstrous Regiment” (2003) is your best bet for a stand-alone, as it happens far away from Ankh-Morpork or the witchy Ramtop Mountains. We meet young Polly Perks, from a small country forever at war with its neighbors, as she cuts her hair, dons trousers and joins the army in hopes of finding her missing brother. The troops are untrained, the fields are barren, and the government insists it’s treasonous to even ask which side is winning the war. The only authority is Sgt. Jack Jackrum, a jovial nightmare in a coat “the red of dying stars and dying soldiers” — as if Falstaff were reborn as a god of war.
Polly soon discovers she’s not the only soldier in disguise. Everyone has their reasons for fighting, and they’re being tracked by more enemies than they know. It’s trench humor at its blackest, and burns like a wound being cauterized…
The Short: I recently read Atomsk: A Novel of Suspense by Cordwainer Smith, 1949 Duell, Sloan and Pearce. It’s not SF, but today it would be called a techno-thriller, with an engaging story of USSR atomic bomb program spying and espionage. I enjoyed it and thought it was very good. It’s available in e-book format at a very reasonable price….
(3) SKILLS FOR MODERATING PANELS. Frank Catalano tells how to navigate the hardest easy job in public speaking in “A call for moderation (of panels)” at Franksplaining. He has 10 tips.
… I’ve moderated, conservatively, more than two hundred panels (I started as a teen at science-fiction conventions). Since those early nerdy gatherings, I’ve hosted professional panel discussions at events ranging from technology trade shows and summits to book and education industry conferences over several decades.
But being a good moderator requires a different skill set than being a good public speaker. Overlap? Yes. With a major difference: the audience’s attention should be focused on the entirety of the panel, not only the moderator….
… So, for the sake of a perky panel and a rapt audience, here are 10 things I’ve learned about being a good moderator (if you’re ever called to serve, for reasons personal or professional):
1) You’re the glue. Your mission as moderator is to create a coherent whole out of disparate, and sometimes feuding, parts. As a result, you should be the panel’s audience surrogate — even asking for definitions of terms and clarification of statements which a panelist may state as though everyone already knows. Many times, people attend panels to learn, so they may not….
(4) TEN YEARS LATER. The Daily Dot takes us back to “The 11 most important fandoms of 2015”. You were probably a fan of more than one of these. The list includes Star Wars, Max Max: Fury Road, and Back To The Future. Yet the most irresistible is the number one entry –
1) Hamilton
If you’d told us while we were writing last year’s top 10 list that another fandom—much less one for a Broadway musical—would unseat Star Wars in 2015, we’d have probably sent for the doctor to see if you were feeling OK. But if last year in fandom was the year of diversity powered by feminism and social justice activism, then it only makes sense that this year, the fandom that took everyone by shock and storm was one that took all those conversations to the next level—and several levels beyond.
Put simply, Hamilton is the story of a single founding father, retold through a modern lens with a cast mainly composed of black actors. Nothing about Hamilton is simple, though—starting with the music, a stunning, stirring hip-hop language that crams three times more text into its run time than the average Broadway musical. In addition to being inherently modern, Hamilton is also an inherently fannish text—a kind of AU (Alternate Universe) fanfic that also serves to critique its canon, which in this case is the historical narrative we’re all taught. That narrative all too frequently leaves out marginalized voices, and evades the messy politics of a revolution carried out by white men, many of whom distrusted urban industry and had no intention of freeing their slaves. Composer Lin-Manuel Miranda inserts his own viewpoint as a hip-hop fan born to Washington Height’s immigrant Latino community into that of Alexander Hamilton, who immigrated to New York in poverty from St. Croix. Hamilton typified the revolutionary spirit Miranda reclaims on behalf of #BlackLivesMatter and other current political movements.
Rarely has theatre seemed to loom as large over the cultural landscape as Hamilton does, but rarely has theatre managed to intersect so neatly with both the immediacy of current political issues and the constant cries for representation from fans who expect more from the media they consume. Hamilton began a season-long siege on social media upon the release of the long-awaited cast recording, taking over Tumblr and Twitter and ultimately winning a stint as the bestselling rap album in the country.
Fans responded in legion forces, annotating hundreds of thousands of words on the show’s category on the lyrics website Genius, and churning out fanworks and critical analysis in droves. Renewed interest in Alexander Hamilton was so intense that the Treasury is now delaying his removal from the $10 bill. Additionally, Miranda’s social media savvy, his genius #Ham4Ham pre-shows, and his appearances all over pop culture from Colbert to Star Wars, have all made him an instant celebrity. And the fandom just keeps growing. History is still happening in Manhattan—all you have to do is look around, look around at the Hamilton movement to see it.
…How did a trilogy of novels about wizards and elves and furry-footed hobbits become a touchstone for right-wing power brokers? How did books that evince nostalgia for a pastoral, preindustrial past win an ardent following among the people who are shaping our digital future? Why do so many of today’s high-profile fans of “The Lord of the Rings” and other fantasy and sci-fi classics insist on turning these cautionary tales into aspirational road maps for mastering the universe?…
… A similar taste for kingly power has taken hold in Silicon Valley.In a guest essay in The Times last year, the former Apple and Google executive Kim Scott pointed to “a creeping attraction to one-man rule in some corners of tech.” This management style known as “founder mode,” she explained, “embraces the notion that a company’s founder must make decisions unilaterally rather than partner with direct reports or frontline employees.”
The new mood of autocratic certainty in Silicon Valley is summed up in a 2023 manifesto written by the venture capitalist Marc Andreessen, who describes himself and his fellow travelers as “Undertaking the Hero’s Journey, rebelling against the status quo, mapping uncharted territory, conquering dragons and bringing home the spoils for our community.”
Andreessen, along with Musk and Thiel, helped muster support for Trump in Silicon Valley, and he depicts the tech entrepreneur as a conqueror who achieves “virtuous things” through brazen aggression, and villainizes anything that might slow growth and innovation — like government regulation and demoralizing concepts like “tech ethics” and “risk management.”
“We believe in nature, but we also believe in overcoming nature,” Andreesen writes. “We are not primitives, cowering in fear of the lightning bolt. We are the apex predator; the lightning works for us.”…
(7) PETER DAVID (1956-2025). Acclaimed comics writer Peter David died May 24 after a long illness.
Peter David is best known in the comics world for his legendary 12-year run on Incredible Hulk in the 1980s that fundamentally transformed the character. He is also synonymous with Spider-Man, and has penned other major heroes for both Marvel and DC, including Captain Marvel and Aquaman. Most recently, David wrote Symbiote Spider-Man.…
… David is survived by his wife, Kathleen O’Shea David, and his daughters Ariel, Shana, Gwen, and Caroline.
… A prolific and versatile writer, David’s career began not in comics, but in prose and journalism. His keen wit and sharp storytelling earned him a position in Marvel’s sales department during the 1980s, a foot in the door that led to his first published comic story in The Spectacular Spider-Man #103 (1985). From there, his voice became unmistakable: funny, humane, and layered with deep characterization….
…His 12-year tenure on The Incredible Hulk is legendary, turning what could have been a simple monster book into a psychological epic exploring identity, trauma, and redemption. That run, frequently cited as one of the best in Hulk’s history, cemented PAD’s status as a master craftsman of serialized storytelling.
But his legacy didn’t stop with the Hulk. PAD’s fingerprints are on some of the most enduring titles and characters of the late 20th and early 21st centuries…
…David also ventured beyond comics, contributing to television, video games, and an extensive bibliography of novels—both original works and media tie-ins, including memorable Star Trek stories that made him a fan favorite across fandoms….
(8) MEMORY LANE.
[Written by Paul Weimer.]
May 25, 1983 — Return of the Jedi
By Paul Weimer: As I have said before, Return of the Jedi is the first Star Wars movie I ever saw in a theater, and the second movie I ever saw in a theater, period. I don’t quite remember if it was opening weekend or a couple of weeks later that my brothers and I went to go see my first Star Wars film. I had only seen commercials, had some shared Star Wars Toys (I *still* have a stormtrooper bobblehead, I’m looking at it right now, the thing must be over 40 years old). But Return of the Jedi was my first time seeing a Star Wars film, in theaters or otherwise.
It was an interesting place to begin. I had vague ideas on what had happened in the first two movies (from cultural appropriation, such as it was, and my older brother). So having an opening crawl…and then having the droids go to Jabba’s Palace…that was the first moments of Star Wars on a screen for me. For a long time, it held pride of place, even when I saw Star Wars and Empire Strikes Back on video, mainly because I had seen it first. It was “my Star Wars movie” for a very long time. Boba Fett, introduced, and thrown into a pilot. An imperial shuttle (I later had a toy). A whistle stop tour to see this Yoda person I had no idea what his deal really was. The terrifyingly incomplete and dangerous Death Star. My first exposure to Vader, to the Emperor, to our heroes of the Rebellion.
And of course the Ewoks. Yes, the Ewoks are for kids. But the Ewoks are terrifying. Sure their defeat of imperial forces en masse makes no sense (I immediately got a defensive like of AT-STs that would finally pay off when I saw Rogue One. But notice just how dangerous the Ewoks are to individual storm troopers, it’s clear they have been fighting them for years…and, well, yes, eating them. Those cute Ewoks are carnivorous and merciless. I couldn’t buy them defeating an entire garrison with rebel help, but bushwhacking lone soldiers for a meal? Yeah, that definitely was plausible.
Also, of course, Return of the Jedi was my first intro to Lando Calrissian and I had no idea the Falcon used to be his. So yes, the first Star Wars film I saw was Lando flying the Falcon. Go figure. And, also, I saw the Han-Leia romance at its culmination. So when I did see Star Wars, and saw Luke Kiss Leia, having seen it in Return of The Jedi…boy was I confused. But the dogfight into the superstructure is rather satisfying.
And of course the big space battle. If not for the Death Star, the Imperial fleet was clearly on the ropes. I took it to mean the Empire was vastly underestimating the rebellion. With their smaller and more nimble fleet, and better fighters, the Empire was a dinosaur compared to the Rebellion. Maybe had I seen Star Wars I would have felt differently, but I started watching Star Wars when the Empire was ready to fall, not at its height.
I am not a fan of the retconning that has Hayden Christensen’s force ghost appear in newer versions of Return of the Jedi. It also goes to the whole problem of timelines and timeframes in the Star Wars universe. But the movie itself? Solid still.
(9) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
May 25, 1939 — Sir Ian McKellen, 86.
By Paul Weimer: Sir Ian McKellen came to my consciousness in his twin roles in the late 90’s: Magneto, and Gandalf. It was quite the coup for both Peter Jackson and for Sony to land an actor of McKellen’s magnitude and make it work so that I could watch him chew scenery with Patrick Stewart (each one of them the other’s equal) and then the ensemble cast of the best adaptation of Middle-Earth I will likely get in my lifetime. The idea that he was doing these two iconic roles, basically, at once, is amazing.
Also, McKellen makes the Hobbit movies almost watchable for me. Almost.
And yes, while we have seen Magneto and Gandalf with other portrayals, other actors, other media, they feel like they stand as reaction, or preparation, to McKellen’s performances. That’s his power as an actor. People half a century now will study his takes, if only to do it differently.
He doesn’t quite rescue the 2009 Prisoner remake from utter oblivion, although he does try. It is when he is so brilliantly affably evil. “Of course it’s a trap” that he really gets the role of Number Two right. But he’s saddled with a script and a setup that just doesn’t jell together. A pity.
I think his best genre piece outside of Magneto and Gandalf is one that is only mildly genre, and this is his adaptation of Richard III. It counts as genre because it takes place in a 1930’s version of Richard III, with the Wars of the Roses taking place as a conflict much more like the Spanish Civil War, between Royalists and Fascists. McKellen plays the title character, addresses the audience throughout, and is absolutely captivating in it.
Not content with simply being Ken again after his guest appearance in the Barbie movie coincided with the news that he would be Doctor Who‘s latest Doctor, Ncuti Gatwa is going full circle with his very own 15th Doctor Barbie doll.
Revealed by the BBC this morning, Mattel Creations will release new Barbie dolls of the 15th Doctor and his first companion, Ruby Sunday. He’s Ken no more!…
… Gatwa isn’t the first Time Lord to be Barbie-fied–Jodie Whittaker’s 13th Doctor had that honor back in 2018–but Millie Gibson’s Ruby Sunday will mark the first time a Doctor Who companion has entered the Barbie world….
Time mirrors sounds like a concept straight out of a sci-fi film. But physicists confirm that time mirrors exist—and it’s not as mind-boggling as it sounds.
Instead of a regular mirror that bounces light back at the person looking in, letting them see their reflection, a time mirror is caused by waves reversing their flow in time. In other words, this reaction causes a signal to reverse, Earth.com reports.
To demonstrate, physicists attach a metal strip to an “electronic component” to create a “metamaterial.”
Then, by carefully adjusting the electronic component, a burst of energy flips the direction of the wave in time.
While it sounds complex to the layman, scientists anticipate that time mirrors could have tangible applications. No, not just for time machines.
According to Earth.com, this discovery may create new ways to transmit data or create advanced computers. However, the scientists note that further research and experiments are needed to figure out the limits of time mirrors….
A massive streak of white, aurora-like light recently appeared in the night sky above several U.S. states after a Chinese rocket released half a dozen satellites into orbit. The light show was triggered when the rocket dumped a new type of fuel into space before reentering the atmosphere, experts say.
The luminous streak appeared at around 1:24 a.m. ET on Saturday (May 17), hanging in the air for around 10 minutes before eventually fading away. It was photographed in at least seven states — Colorado, Idaho, Utah, Missouri, Nebraska, Washington and New Mexico — but may have been visible even further afield, according to Spaceweather.com.
Photographer Mike Lewinski snapped stunning shots of the streak from Crestone, Colorado (see above) and also managed to capture timelapse footage of the entire event….
…In 2021, [prison inmate] Johnson filed a lawsuit against Alabama prison officials for failing to keep him safe, rampant violence, understaffing, overcrowding and pervasive corruption in Alabama prisons. To defend the case, the Alabama attorney general’s office turned to a law firm that for years has been paid millions of dollars by the state to defend its troubled prison system: Butler Snow.
State officials have praised Butler Snow for its experience in defending prison cases – and specifically William Lunsford, head of the constitutional and civil rights litigation practice group at the firm. But now the firm is facing sanctions by the federal judge overseeing Johnson’s case after an attorney at the firm, working with Lunsford, cited cases generated by artificial intelligence – which turned out not to exist.
It is one of a growing number of instances in which attorneys around the country have faced consequences for including false, AI-generated information in official legal filings. A database attempting to track the prevalence of the cases has identified 106 instances around the globe in which courts have found “AI hallucinations” in court documents.
Last year, an attorney was suspended for one year from practicing law in the federal middle district of Florida, after a committee found he had cited fabricated AI-generated cases. In California earlier this month, a federal judge ordered a firm to pay more than $30,000 in legal fees after it included false AI-generated research in a brief.
At a hearing in Birmingham on Wednesday in Johnson’s case, the US district judge Anna Manasco said that she was considering a wide range of sanctions – including fines, mandated continuing legal education, referrals to licensing organizations and temporary suspensions – against Butler Snow, after the attorney, Matthew Reeves, used ChatGPT to add false citations to filings related to ongoing deposition and discovery disputes in the case.
She suggested that, so far, the disciplinary actions that have been meted out around the country have not gone far enough. The current case is “proof positive that those sanctions were insufficient”, she told the lawyers. “If they were, we wouldn’t be here.”…
[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Paul Weimer, Frank Catalano, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]
Sharon Lee, novelist, is the 2025 winner of the Robert A. Heinlein Award. The award is bestowed for outstanding published works in science fiction and technical writings that inspire the human exploration of space. This award is in recognition of her body of work of over 38 novels and short stories. A majority of her space themed work is in the Liaden Universe, written with her late husband Steve Miller, and features merchant families trading across the galaxy. The next Liaden Universe novel, Diviner’s Row, is forthcoming from Baen Books in April 2025.
The award will be formally presented during Balticon 59 opening ceremonies on Friday, May 23 at 8:00 p.m. Balticon, the 59th Maryland Regional Science Fiction Convention, will take place at the Renaissance Baltimore Harborplace Hotel in Baltimore Maryland. Lee will participate in the Balticon program across Memorial Day Weekend.
Balticon and the Robert A. Heinlein Award are both managed and sponsored by The Baltimore Science Fiction Society, Inc. BSFS thanks The Heinlein Society and the family of Dr. Yoji Kondo for providing funding for this award.
Sharon Lee and Steve Miller in 2017.
The Robert A. Heinlein Award is a sterling silver medallion bearing the image of Robert A. Heinlein, as depicted by artist Arlin Robins. The medallion is matched with a red-white-blue lanyard. In addition, the winner receives two lapel pins for use when a large medallion is impractical, and a plaque describing the award for home or office wall display.
The Robert A. Heinlein Award selection committee consists of science fiction writers and was founded by Dr. Yoji Kondo, a long-time friend of Robert and Virginia Heinlein. Members of the original committee were approved by Virginia Heinlein.
Virginia Heinlein authorized multiple awards in memory of her husband. Other awards include the Heinlein Prize, which is fully funded by Virginia Heinlein’s estate, and a National Space Society award for volunteer projects.
More information on the Robert A. Heinlein Award, including past winners, can be found here.
Sharon Lee, who lives in Waterville, Maine, Lee maintains an official website.
More information on Balticon can be found at Balticon.org.
Tom Doherty, founder of TOR Books and Chair of Tor Publishing Group, publishing under the Tor, Forge, Bramble, Tordotcom, Starscape, Tor Teen, and Nightfire imprints, is the 2024 winner of the Robert A. Heinlein Award. The award is bestowed for outstanding published works in science fiction and technical writings that inspire the human exploration of space. This award is in recognition of Mr. Doherty’s work in bringing the inspiring books of hundreds of authors writing about our future in Space to public awareness.
The award will be formally presented during opening ceremonies on Friday, May 24, 2024, 8:00 PM, for Balticon 58, the 58th Maryland Regional Science Fiction Convention. Balticon will take place at the Renaissance Baltimore Harborplace Hotel in Baltimore Maryland. Mr. Doherty will participate in the Balticon program across Memorial Day Weekend.
Balticon and the Robert A. Heinlein Award are both managed and sponsored by The Baltimore Science Fiction Society, Inc. BSFS thanks The Heinlein Society and the family of Dr. Yoji Kondo for providing funding for this award.
The Robert A. Heinlein Award is a sterling silver medallion bearing the image of Robert A. Heinlein, as depicted by artist Arlin Robins. The medallion is matched with a red-white-blue lanyard. In addition, the winner receives two lapel pins for use when a large medallion is impractical, and a plaque describing the award for home or office wall display.
The Robert A. Heinlein Award selection committee consists of science fiction writers and was founded by Dr. Yoji Kondo, a long-time friend of Robert and Virginia Heinlein. Members of the original committee were approved by Virginia Heinlein.
Virginia Heinlein authorized multiple awards in memory of her husband. Other awards include the Heinlein Prize, which is fully funded by Virginia Heinlein’s estate, and a National Space Society award for volunteer projects.
A biography of Tom Doherty provided by Tor Books can be found here. More information about Tom Doherty can be found at here.
John Scalzi, novelist and internet personality, is the 2023 winner of the Robert A. Heinlein Award. The award is given by the Baltimore Science Fiction Society for outstanding published works in science fiction and technical writings that inspire the human exploration of space. The award recognizes Scalzi’s body of work of 16 novels and numerous short stories. A majority of his work features a future in space for humanity including his groundbreaking novels in the Old Man’s War series and the Interdependency series. John Scalzi lives in Bradford, Ohio.
The award will be formally presented during opening ceremonies on Friday, May 26, 2023, 8:00 PM, for Balticon 57, the 57th Maryland Regional Science Fiction Convention. Balticon will take place at the Renaissance Baltimore Harborplace Hotel in Baltimore Maryland. Scalzi will participate in the Balticon program across Memorial Day Weekend.
Balticon and the Robert A. Heinlein Award are both managed and sponsored by The Baltimore Science Fiction Society, Inc. BSFS thanks The Heinlein Society and the family of Dr. Yoji Kondo for providing funding for this award.
The Robert A. Heinlein Award is a sterling silver medallion bearing the image of Robert A. Heinlein, as depicted by artist Arlin Robins. The medallion is matched with a red-white-blue lanyard. In addition, the winner receives two lapel pins for use when a large medallion is impractical, and a plaque describing the award for home or office wall display.
The Robert A. Heinlein Award selection committee consists of science fiction writers and was founded by Dr. Yoji Kondo, a long-time friend of Robert and Virginia Heinlein. Members of the original committee were approved by Virginia Heinlein.
Virginia Heinlein authorized multiple awards in memory of her husband. Other awards include the Heinlein Prize, which is fully funded by Virginia Heinlein’s estate, and a National Space Society award for volunteer projects.
More information on the Robert A. Heinlein Award, including past winners, can be found at BSFS.org. John Scalzi maintains an official website at Whatever.scalzi.com. More information on Balticon can be found here.
(1) MARCHING WITH SHERMAN. [Item by Martin Morse Wooster.] I listened to this podcast Leonard and Jessie Maltin did with songwriter Richard Sherman, which they did in 2016 but recently reposted because Richard Sherman turned 92. Maltin on Movies: “Revisiting Richard Sherman”.
Leonard Maltin knows a lot about all aspects of cinema but what he really knows a great deal about is the history of animation and Disney films. Much of this podcast is devoted to the idea that Walt Disney really was as nice as he presented himself on Sunday nights on “The Wonderful World of Disney.” Sherman says Disney liked being called “Walt” and if he liked an idea said, “That’ll work!” He also said that P.L. Travers, author of the Mary Poppins novels, was as fiercely protective of her intellectual property as portrayed in Saving Mr. Banks, and he has 16 hours of tapes with Travers to prove it. She insisted the tapes be made as a record of her conversations.
Most of the conversation here is about Mary Poppins, which earned Sherman and his brother Robert Sherman two Oscars. He only briefly mentions Chitty-Chitty Bang Bang, which had songs by Sherman and his brother and was in effect the James Bond people trying to do a Disney musical. He does mention that he was working on an album containing songs for two unmade fantasy films: Sir Puss-N-Boots and The 13 Clocks, based on the James Thurber novel. These songs were released in 2016 by castalbums.org.
Fun fact: Voice actor Paul Winchell not only voiced Tigger, but also invented an artificial heart valve.
We’re beyond excited for part 2 of Stranger Thingsseason 4. To get into the spirit, Team Delish traveled to the new Stranger Things: TheExperience in Brooklyn. With locations in New York, San Francisco, and London, the hour-long immersive adventure transports visitors straight to Hawkins, Indiana.
As much as we loved fighting Demogorgons with Eleven and the gang, our favorite part was obviously the food! Once you finish the experience, you enter Mix-Tape, an ’80s-themed area with some of the show’s iconic locations. Guests can play vintage arcade games, sit in the Byers’ living room, and snack on the character’s favorite treats.
… If you need a drink to wash everything down, head to the Upside Bar for some cocktails inspired by the show. Our favorite is the Demogorgon, which Agbuya describes as “smoky-sweet version of an Old Fashioned with a twist.” The drink is made with bourbon, maple syrup, and Angostura Bitters, but the main attraction is when the bartender uses a flavor blaster gun to blow a giant bubble. Then you puncture it with a stroopwafel and it releases citrus-scented smoke over the drink.
(3) MEDALIST. At The Heinlein Society blog (where “Right click is disabled!”) you can read a “Balticon 56 Report” that’s focused on personally presenting David Gerrold with his Heinlein Award.
(4) AFTER-SCHOOL ACTIVITIES. Bill sends along a clipping of something by Robert A. Heinlein’s second wife, Leslyn. This was after she had divorced Robert and remarried, but refers to the place they had lived on Lookout Mountain Ave. It’s from the July 1956 issue of Ladies Home Journal.
(5) THE SMITHSONIAN RECOMMENDS OCTAVIA BUTLER.[Item by Darrah Chavey.] In the June issue of the Smithsonian, in the column “Ask Smithsonian”, a reader asked “Who is a science fiction writer you hold in high esteem?” Their answer:
Octavia Butler was an Afrofuturist author who was born in 1947 and died in 2006. In her “Patternist” novels, published during the 1970s and ’80s, she foresaw many aspects of our current era–climate change, pandemics, ethical questions about genetic engineering, struggles for racial justice–yet she struck a chord of hopefulness, especially for Black and women readers, her body of work, which is featured in Smithsonian’s current FUTURES exhibit, grapples deeply with what it means to be human and inspires us to build a more equitable future, no matter what obstacles lie in the way.”
Even when your job is to dream up the interplanetary adventures of a Norse god, you might still want to run off and play pirates.
So during the weeks he was editing “Thor: Love and Thunder,” the Marvel movie that opens on July 8, Taika Waititi, its director and co-writer, would occasionally take weekends off for a different journey.
He would get outfitted in a flowing gray wig, matching facial hair and temporary tattoos, and don deliciously fetishistic leather gear to portray Blackbeard, the swashbuckling, loin-kindling buccaneer of the HBO Max comedy series “Our Flag Means Death.”
This is admittedly not a bad way to spend your spare time, though Waititi did occasionally fret over the trade-offs. As he explained recently, “Sometimes you’re pissed off at life and you’re like, ‘Why did I say yes to everything? I don’t have a social life — I’m just working.’ But then the thing comes out, you see where the hard work goes and it’s really worth it.”
Waititi is also editing “Next Goal Wins,” a soccer comedy-drama that he co-wrote and directed for Searchlight. He’s writing a new “Star Wars” movie for Lucasfilm, a “Time Bandits” series for Apple TV+. He’s preparing two Roald Dahl projects for Netflix and adapting a graphic novel by Alejandro Jodorowsky and Moebius for a feature film.
Let me tell you, YA really shines in this category of book beauty. While many adult hardcovers had wonderful color combinations, I was looking for them to have a design under the dust jacket that stood out. The science fiction and fantasy section did a bit better with their designs under the dust jacket, but proportionally, did not hold a candle to the sheer number of books in YA with interesting reveals. I wanted to cast a broad net and hoped to reel in a fine set of books across genres. These are the final 15 books.
Three main categories drew my eye when it came to the design under the dust jacket. First, we have the embossed stamp design, where designers created a clever design pressed into the hardcover and perhaps added some foil to enhance the contrast. Next, we have the flat graphic design, where the cover has some kind of drawn, painted, or printed image that lays flat on an almost silky cover underneath the dust jacket. Finally, we have a small but visually impressive group, the repeating print design, with a pattern that creates a textile-like pattern.
One example is the cover of this novel by the redoubtable T. Kingfisher.
When you wait long enough for someone to save you and no one comes, you learn how to save yourself. Marra, the third-born daughter, has seen the way the prince abuses her older sisters and is determined to kill him, once and for all. A series of legendary companions help her perform the three tasks that will free everyone from a prince too cruel to live. The golden embossed skeleton creature pops against the vibrant green cover, daring you to read the first page.
(8) MEMORY LANE.
1956 – [By Cat Eldridge.]“Presumably I’m the condemned man and obviously you’re the hearty breakfast.” —from Diamonds are Forever
Let’s us talk about Fleming’s Diamonds are Forever novel whose first part was published in the Daily Express on April 12, 1956 and heralded by an article by Ian Fleming on how he wrote the novel and that readers were invited to “meet James Bond, secret agent, meet M, his boss, and get ready to meet the girl you won’t forget”. It was the first novel that the Daily Express did but hardly the last as they would go to do all of them.
Fleming wrote the story at his Goldeneye estate in Jamaica, inspired by a Sunday Times article on diamond smuggling.
The book was first published by Jonathan Cape in the United Kingdom on March 26, 1956. It was the fourth novel featuring Bond.
The Daily Express publication was in abridged firm, and interestingly, they followed it, by adapting into as a graphic comic series.
As you all know, it would be adapted into the seventh Bond film which was the last Eon Productions film to star Sean Connery as Bond. Both the novel and the film were considered to be very good. That is not that all British critics loved it as Julian Symons of The Times Literary Supplement thought it was the “weakest book so far”. On the other hand, Raymond Chandler, yes that writer, said for the Sunday Times said “Mr. Fleming writes a journalistic style, neat, clean, spare and never pretentious”.
It has, like all Bond novels, been in-print ever since it was first published.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 3, 1898 — E. Hoffmann Price. He’s most readily remembered as being a Weird Tales writer, one of a group that included Lovecraft, Robert E. Howard, and Clark Ashton Smith. He did a few collaborations, one of which was with H. P. Lovecraft, “Through the Gates of the Silver Key”. Another work, “The Infidel’s Daughter”, a satire on the Ku Klux Klan, angered many Southern readers. (Died 1988.)
Born July 3, 1926 — William Rotsler. An artist, cartoonist, pornographer and SF author. Well that is his bio. Rotsler was a many time Hugo Award winner for Best Fan Artist and one-time Nebula Award nominee. He also won a Retro Hugo for Best Fan Artist for 1946 and was runner-up for 1951. He is responsible for giving Uhura her first name. He wrote “Rotsler’s Rules for Costuming”. (Died 1997.)
Born July 3, 1927 — Tim O’Connor. He was Dr. Elias Huer in Buck Rogers in the 25th Century for much of its run. (I really, really liked that series.) Other genre appearances were on The Six Million Dollar Man, The Twilight Zone, The Outer Limits, Wonder Woman, Knight Rider,Next Gen and The Burning Zone. (Died 2018.)
Born July 3, 1927 — Ken Russell. Film director whose Altered States based off of Paddy Chayefsky’s screenplay is certainly his best remembered film. Though let’s not overlook The Lair of the White Worm which he did off Bram Stoker’s novel, or The Devils, based at least in part off The Devils of Loudun by Aldous Huxley. (Died 2011.)
Born July 3, 1937 — Tom Stoppard, 85. Playwright of Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil (with Terry Gilliam) and Shakespeare in Love (with Marc Norman). He’s uncredited but openly acknowledged by Spielberg for his work on Indiana Jones and the Last Crusade.
Born July 3, 1943 — Kurtwood Smith, 79. Clarence Boddicker in Robocop which was nominated for a Hugo atNolacon II, Federation President in Star Trek VI: The Undiscovered Country, and voiced Kanjar Ro in the most excellent Green Lantern: First Flight. He’s got series appearances on Blue Thunder, The Terrible Thunderlizards (no, I’ve no idea what it is), The X-Files, Star Trek: Deep Space Nine, Star Trek: Voyager, Men in Black: The Series which I got wrote up, 3rd Rock from the Sun, Todd McFarlane’s Spawn, Justice League, Batman Beyond, Green Lantern, Beware the Batman, Agent Carter and Star Trek: Lower Decks. His last genre role is Dr. Joseph Wanless on the Netflix remake of Firestarter.
(10) COMICS SECTION.
Junk Drawer shows that when it comes to alien abduction, many are called but few are chosen.
Bizarro shows an exasperated jury foreman who can’t deliver a verdict.
(11) BACK IN THE USSR. From the Sidewise Award-winning author of the acclaimed Clash of Eagles trilogy comes an alternate 1979 where the US and the Soviets have permanent Moon bases, orbiting space stations, and crewed spy satellites supported by frequent rocket launches. Hot Moon: Apollo Rising Book One by Alan Smale will be released July 26.
Apollo 32, commanded by career astronaut Vivian Carter, docks at NASA’s Columbia space station en route to its main mission: exploring the volcanic Marius Hills region of the Moon. Vivian is caught in the crossfire as four Soviet Soyuz craft appear without warning to assault the orbiting station. In an unplanned and desperate move, Vivian spacewalks through hard vacuum back to her Lunar Module and crew and escapes right before the station falls into Soviet hands.
Their original mission scrubbed, Vivian and her crew are redirected to land at Hadley Base, a NASA scientific outpost with a crew of eighteen. But soon Hadley, too, will come under Soviet attack, forcing its unarmed astronauts to daring acts of ingenuity and improvisation.
With multiple viewpoints, shifting from American to Soviet perspective, from occupied space station to American Moon base under siege, to a covert and blistering US Air Force military response, Hot Moon tells the gripping story of a war in space that very nearly might have been.
Larry Niven says, “I loved it. Great ‘hard’ science fiction with convincing space battles.” Robert J. Sawyer declared, “Alan Smale is one of the brightest stars in the hard-SF firmament, and Hot Moon is his best novel yet. Enjoy!”
Alan Smale writes alternate and twisted history, and hard SF. His novella of a Roman invasion of ancient America, A Clash of Eagles, won the Sidewise Award. Alan grew up in Yorkshire, England, and earned degrees in Physics and Astrophysics from Oxford University. By day he performs astronomical research into black holes and neutron stars at NASA’s Goddard Space Flight Center, with over a hundred published academic papers; by night he sings bass with high-energy vocal band The Chromatics.
…The sci-fi-fantasy thriller, which takes place after the collapse of the earth’s eco-system and centers on a 13-year-old girl caring for her paralyzed father, who must use her wits and bio-hacking abilities to fight for survival and the possibility of a future, has proved a popular item for sales agent Anton. They have announced distribution deals in the U.S. (IFC Films), UK (Signature Entertainment), Germany (Koch Media), Italy (Leone Film) and Japan (Klockworx). IFC plans to release the film in U.S. theaters and VOD on Sept. 30….
The live-action scenes were shot in natural locations, mainly around Vilnius. Finding the fairytale forest that they wanted took nearly a year. But shooting outdoors came with its own set of problems. Samper confesses that one of the most challenging elements of the shoot was the spring weather in Lithuania. He says, “One day we had snow, storm, rain, hail and finally sunshine in the same shooting day.”…
A Florida man who said he applied for a security job at Walt Disney World in Florida wanted to impress his would-be bosses.
So, to highlight what he said was the company’s lax oversight, the man, David Proudfoot, donned the gray T-shirt, beige pants and Disney name tag worn by employees of a Disney resort, the Swan Reserve, and removed an R2-D2 “Star Wars” droid as well as an unidentified game machine, the authorities said.
R2-D2 might have been the droid he was looking for, but Mr. Proudfoot’s test of Disney’s security backfired: He was charged with grand theft and obstruction by false information, according to an arrest report dated May 31.
Mr. Proudfoot, 44, of Kissimmee, Fla., admitted to investigators that he moved the droid, which was valued up to $10,000, and the game machine, Deputy Christopher Wrzesien of the Orange County Sheriff’s Office wrote in the report.
Deputy Wrzesien wrote that Mr. Proudfoot had “temporarily moved” the droid from the third floor of the hotel to an unknown location. As for the game machine, Mr. Proudfoot told deputies that he had no intention of moving it off the property, according to the report.
He told investigators “he had an application for Walt Disney World Security pending and was moving the items to show weaknesses in the security of the resorts in the hope of securing a better-paying job at WDW,” the report said….
Resident Alien fans don’t have long to wait for the return of the science fiction comedy-drama series. Season two kicked off on Syfy in January and ran for eight episodes before going on hiatus. The remaining eight installments of the season will begin airing on August 10th.
Based on the Dark Horse comics, the Resident Alien series stars Alan Tudyk, Sara Tomko, Corey Reynolds, Elizabeth Bowen, Alice Wetterlund, Levi Fiehler, and Judah Prehn. The story follows an alien (Tudyk) who has come to Earth with a mission to kill humans, but he finds life on this planet is more than he planned.
(15) CURIOSITY. BBC knows you can’t resist watching video of the “World’s smallest cat”.
A rusty spotted cat, the world’s smallest cat, explores his forest home in Sri Lanka, but his natural curiosity is destined to get him into a spot of trouble.
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Bill, Darrah Chavey, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]
David Gerrold, novelist and screenwriter, is the 2022 winner of the Robert A. Heinlein Award. The award is bestowed for outstanding published works in science fiction and technical writings that inspire the human exploration of space. This award is in recognition of Gerrold’s body of work, including his emphasis on young adult space travel novels and inspired creation during Star Trek screenwriting. Hella (2020) is his most recent YA novel about space colonization.
The award will be formally presented during the opening ceremonies of Balticon 56 on Friday, May 27. Balticon will take place at the Renaissance Baltimore Harborplace Hotel (virus situation allowing). Gerrold will participate in the Balticon program across Memorial Day Weekend.
Balticon and the Robert A. Heinlein Award are both managed and sponsored by The Baltimore Science Fiction Society, Inc. A grant from the Heinlein Society funds half of the costs associated with the award, and the family of the late author Dr. Yoji Kondo provides additional funding.
The Robert A. Heinlein Award is a sterling silver medallion bearing the image of Robert A. Heinlein, as depicted by artist Arlin Robins. The medallion is matched with a red-white-blue lanyard. In addition, the winner receives two lapel pins for use when a large medallion is impractical, and a plaque describing the award for home or office wall display.
The Robert A. Heinlein Award selection committee consists of science fiction writers and was founded by Dr. Yoji Kondo, a long-time friend of Robert and Virginia Heinlein. Members of the original committee were approved by Virginia Heinlein.
Virginia Heinlein authorized multiple awards in memory of her husband. Other awards include the Heinlein Prize, which is fully funded by Virginia Heinlein’s estate, and a National Space Society award for volunteer projects.
More information on the Robert A. Heinlein Award, including past winners, can be found here.
C. J. Cherryh is the 2021 winner of the Robert A. Heinlein Award. The award is bestowed for outstanding published works in science fiction and technical writings that inspire the human exploration of space. This award is in recognition of Cherryh’s body of work, with emphasis on her detailed social science and commercial-relationship-based stories set in the space station rich Alliance–Union universe. She is currently working with Jane S. Fancher on a sequel to their 2019 novel Alliance Rising set in the Alliance–Union universe.
The award will be formally announced on the evening of Friday, May 28, 2021, 8:00 PM at opening ceremonies during Virtual Balticon 55, the 55th Maryland Regional Science Fiction Convention. Cherryh will participate on program at Virtual Balticon across Memorial Day Weekend. Virtual Balticon will be a free online event for the second year in a row because of the pandemic. (Donations will be appreciated to defray costs)
Balticon and the Robert A. Heinlein Award are both managed and sponsored by The Baltimore Science Fiction Society. A grant from the Heinlein Society funds half of the costs associated with the award and the family of the late author Dr. Yoji Kondo provides additional funding for the award.
The Robert A. Heinlein Award is a sterling silver medallion bearing the image of Robert A. Heinlein, as depicted by artist Arlin Robbins. The medallion is matched with a red-white-blue lanyard. In addition, the winner receives two lapel pins for use when a large medallion is impractical, and a plaque describing the award for home or office wall display.
The Robert A. Heinlein Award selection committee consists of science fiction writers and was founded by Dr. Yoji Kondo, a long-time friend of Robert and Virginia Heinlein. Members of the original committee were approved by Virginia Heinlein.
Virginia Heinlein authorized multiple awards in memory of her husband, other awards include the Heinlein Prize, which is fully funded by Virginia Heinlein’s estate, and a National Space Society award for volunteer projects.
More information on the Robert A. Heinlein Award, including past winners, can be found here.
Carolyn Janice Cherry, known to readers as C. J. Cherryh, maintains an official website here. She lives in Spokane, Washington.
[Based on a press release.]
C.J. Cherryh at NorWesCon in 2006. Photo taken by Sharon Reynolds
Vernor S. Vinge, a four-time Hugo Award-winning science fiction author and retired mathematics and computer science professor, is the 2020 winner of the Robert A. Heinlein Award. The award is bestowed for outstanding published works in science fiction and technical writings that inspire the human exploration of space. This award is in recognition of Vinge’s body of work, including his nine novels, more than two dozen short stories, and many non-fiction articles.
The award will be formally announced on the evening of Friday, May 22, 2020, 8:00 p.m. at opening ceremonies during Balticon 54, the 54th Maryland Regional Science Fiction Convention. Balticon and the Robert A. Heinlein Award are both managed and sponsored by The Baltimore Science Fiction Society. A grant from the Heinlein Society funds half of the costs associated with the award and the family of the late author Dr. Yoji Kondo provides additional funding for the award.
The Robert A. Heinlein Award is a sterling silver medallion bearing the image of Robert A. Heinlein, as depicted by artist Arlin Robbins. The medallion is matched with a red-white-blue lanyard. In addition, the winner receives two lapel pins for use when a large medallion is impractical, and a plaque describing the award for home or office wall display.
The Robert A. Heinlein Award selection committee consists of science fiction writers and was founded by Dr. Yoji Kondo, a long-time friend of Robert and Virginia Heinlein. Members of the original committee were approved by Virginia Heinlein. The current Chairman of the Selection Committee is Michael F. Flynn.
Virginia Heinlein authorized multiple awards in memory of her husband, other awards include the Heinlein Prize, which is fully funded by Virginia Heinlein’s estate, and a National Space Society award for volunteer projects.
More information on the Robert A. Heinlein Award, including past winners, can be found here. More information on Balticon can be found at www.balticon.org.
Vernor Vinge at the 16th Annual Conference on Computers, Freedom and Privacy in 2006.
