The Opera Portal

Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

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Selected article

Christoph Willibald Gluck
Orfeo ed Euridice (French version: Orphée et Eurydice; English translation: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck based on the myth of Orpheus, set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at Vienna in 1762. Orfeo ed Euridice is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a "noble simplicity" in both the music and the drama. Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes. The opera is the most popular of Gluck's works.
Giacomo Puccini in 1924, shortly before his death.
Giacomo Puccini in 1924, shortly before his death.
Credit: Attilio Bododi, restored by Adam Cuerden
Giacomo Puccini (22 December 1858 – 29 November 1924) photographed in 1924. Called "the greatest composer of Italian opera after Verdi", his works include standards of the operatic repertoire such as La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924, premiered 1926).

Puccini's early work was rooted in traditional late-19th-century romantic Italian opera, but he later successfully developed his work in the realistic verismo style, of which he became one of the leading exponents.

He died of smoking-related lung cancer shortly before finishing his last opera, Turandot, which was finished based on his sketches.

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Pietro Mascagni

Selected biography

Ernst II in an 1848 portrait by Frederick Richard Say
Ernest II, Duke of Saxe-Coburg and Gotha (21 June 1818 – 22 August 1893) was the sovereign duke of the Duchy of Saxe-Coburg and Gotha from 29 January 1844 to his death. A supporter of a unified Germany, Ernest watched the various political movements with great interest. While he initially was a great and outspoken proponent of German liberalism, he surprised many by switching sides and supporting the more conservative (and eventually victorious) Prussians during the Austro-Prussian and Franco-Prussian Wars and subsequent unification of Germany. An excellent musician and amateur composer all his life, Ernest was a great patron of the arts and sciences in Coburg. He composed songs, hymns, and cantatas, as well as musical works for opera and the stage which met with success in Germany, including Die Gräberinsel (1842), Tony, oder die Vergeltung (1849), Casilda (1851), Santa Chiara (1854), and Diana von Solange (1858). Diana von Solange prompted Franz Liszt to compose an orchestral festival march based on the opera's musical motifs.

Selected quote

Amelita Galli-Curci
The old Italian composers knew well how to write for the voice. Their music has beauty, it has melody, and melodic beauty will always make its appeal. And the older Italian music is built up not only of melody and fioriture, but is also dramatic. For these qualities can combine, and do so in the last act of Traviata, which is so full of deep feeling and pathos.

Selected audio

From Giacomo Puccini's Madama Butterfly, sung by Frances Alda in 1913.

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