Conflicts and Confluences

From Wind Repertory Project

Henk Badings

Henk Badings


Subtitle: Symphonie No. XV


General Info

Year: 1983 / 1986
Duration: c. 15:00
Difficulty: VI (see Ratings for explanation)
Publisher: Molenaar Edition
Cost: Score and Parts - €220.54   |   Score Only - €33.31


Movements

1. Comincière - 4:30
2. Adagio molto - 7:10
3. Scherzo finale - 3:20


Instrumentation

Full Score
Piccolo
Flute I-II
Oboe I-II
Bassoon
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II-III
B-flat Trumpet I-II
Horn in F I-II-III-IV
Tenorhorn I-II
Trombone I-II-III-IV
Euphonium I-II
Tuba I-II
String Bass
Timpani
Percussion (3 players), including:

  • Bass Drum
  • Bongo (4)
  • Crash Cymbal
  • Gong
  • Glockenspiel
  • Marimba
  • Snare Drum
  • Suspended Cymbal (2)
  • Tam-tam
  • Triangle
  • Woodblock
  • Xylophone


Errata

None discovered thus far.


Program Notes

Comincière begins with somber and deep sonorities, in a dense and mysterious atmosphere. The texture becomes more complex and leads us to the first allegro. A first thematic idea is presented by the brass, in the form of a fanfare. This material will dialogue in a recurrent way with the woodwinds, who interact on the material presented in the introduction. After an abrupt break, a calmer moment, “Tranquillo”, contrasts with the initial atmosphere, although Badings very quickly returns to the first tempo, to conclude the movement with an imposing orchestral tutti.

Adagio molto, the second movement, begins with the first clarinets in soli, presenting a theme, indicated “molto espressivo”, based on open and augmented fourths, and minor seconds, producing an atmosphere of apparent calm, very expressive and dramatic. The conflict with the brass, based on thematic elements of the first movement, will not take long to appear, marked “pesante” in the text. After a moment of great sonorous intensity, the movement returns to the initial calm, culminating quietly with an atmosphere like that of the beginning, with a floating flute line culminating on an unresolved major 9th.

The symphony concludes with a light scherzo presented by the percussion section. The melodic material is entrusted to the timpani, then taken over by a suggestive bassoon solo. In an alternation of dazzling motifs in the brass and rapid bursts in the woodwinds, a concept presented from the beginning of the work, the movement concludes in an imposing tutti, resolving on a perfect chord of B flat major tenuto in the brass, almost reminiscent of Holst and especially Hindemith.

- Program Note from WASBE


Media


State Ratings

None discovered thus far.


Performances

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Works for Winds by This Composer


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