"One of the most profound and illuminating studies of this century to have been published in recent decades."--John Gray, New York Times Book Review Hailed as "a magisterial critique of top-down social planning" by the New York Times, this essential work analyzes disasters from Russia to Tanzania to uncover why states so often fail--sometimes catastrophically--in grand efforts to engineer their society or their environment, and uncovers the conditions common to all such planning disasters. "Beautifully written, this book calls into sharp (...) relief the nature of the world we now inhabit."--New Yorker "A tour de force."-- Charles Tilly, Columbia University. (shrink)

The use of "theory" in feminist analysis has been said to threaten feminism as a political force. This collection of work by leading feminist scholars engages with the question of the political status of poststructuralism theory within feminism. Against the view that the use of post-structuralism necessarily weakens feminism, 'Feminists Theorize the Political' affirms the contemporary debate over theory as politically rich and consequential. In laying the theoretical groundwork for the volume, Butler and Scott posed a number of questions to (...) prominent legal scholars, literary critics, philosophers, political theorists, historians, and cultural theorists. The essays do not settle the questions but generate new and productive directions for them. The volume as a whole valorizes the unsettling power and politics of theory. The essays in 'Feminists Theorize the Political' speak to the questions that emerge from the convergence of feminism and poststructuralism: What happens to feminist critique when traditional foundations--experience, history, universal norms--are called into question? Can feminist theory problematize the notion of the subject without losing its political effectivity? Which version of the subject is to questioned, and how does that questioning open up possibilities for reformulating agency, power, and sites of political resistance? What are the consequences of a specifically feminist reformulation of difference? What are the uses and limits of a poststructuralist critique of binary logic for the theorization of racial and class differences, the position of the subaltern? This anthology represents a diverse array of theoretical work within feminist theory with strong political stakes. Although not all of the authors subscribe to poststructuralism, (and few would concede post-structuralism is a monolithic enterprise), each offers an innovative feminist analysis that is in some way motivated in and by the poststructuralist challenge. 'Feminists Theorize The Political' addresses a range of feminist concerns, including productive freedom, anti-discrimination law, rape, and formulating power in terms of exclusion, difference and hierarchy. (shrink)

This essay examines the collapse of traditional narrative structure within realist painting and positions Structural Omission as a framework for making that collapse visible. For centuries, storytelling — in literature, visual art, and culture — has relied on the arc Aristotle defined: beginnings, middles, and ends. Roland Barthes disrupted the author’s control by exposing the “hermeneutic code,” while Joan Didion chronicled the fragility of narrative as a way to contain lived experience. My work builds on this intellectual lineage but departs (...) from the idea that wholeness could ever be restored. Structural Omission is a framework originated by Deborah Scott that structures representational painting around omissions as compositional architecture — load-bearing absences that reveal the limits of perception, narrative, and knowing. It names a deliberate design strategy: paintings planned with intentional voids that disable the expectation of resolution, confronting the limits of both maker and viewer. In a cultural moment dominated by AI-generated completeness and seamless digital storytelling, this framework challenges realism to remain honest about what cannot be seen or known. It offers a post-certainty realism: precise, perceptually rigorous, yet built around absence as structure rather than accident. (shrink)

There is a section in Samuel Delany’s magnificent autobiographical meditation, The Motion of Light in Water, that dramatically raises the problem of writing the history of difference, the history, that is, of the designation of “other,” of the attribution of characteristics that distinguish categories of people from some presumed norm.1 Delany recounts his reaction to his first visit to the St. Marks bathhouse in 1963. He remembers standing on the threshold of a “gym-sized room” dimly lit by blue bulbs. The (...) room was full of people, some standing, the rest an undulating mass of naked, male bodies, spread wall to wall. My first response was a kind of heart-thudding astonishment very close to fear. I have written of a space at certain libidinal saturation before. That was not what frightened me. It was rather that the saturation was not only kinesthetic but visible.2Watching the scene establishes for Delany a “fact that flew in the face” of the prevailing representation of homosexuals in the 1950s as “isolated perverts,” as subjects “gone awry.” The “apprehension of massed bodies” gave him a “sense of political power”:what this experience said was that there was a population—not of individual homosexuals … not of hundreds, not of thousands, but rather of millions of gay men, and that history had, actively and already, created for us whole galleries of institutions, good and bad, to accommodate our sex. [M, p. 174] 2. Samuel R. Delany, The Motion of Light in Water: Sex and Science Fiction Writing in the East Village, 1957-1965 , p. 173; hereafter abbreviated M. Joan W. Scott is professor of social science at the Institute for Advanced Study in Princeton, New Jersey. She is the author, most recently, of Gender and the Politics of History and is currently at work on a history of feminist claims for political rights in France during the period 1789-1945 as a way of exploring arguments about equality and difference. (shrink)

Moral injury emerged in the healthcare discussion quite recently because of the difficulties and challenges healthcare workers and healthcare systems face in the context of the COVID-19 pandemic. Moral injury involves a deep emotional wound and is unique to those who bear witness to intense human suffering and cruelty. This article aims to synthesise the very limited evidence from empirical studies on moral injury and to discuss a better understanding of the concept of moral injury, its importance in the healthcare (...) context and its relation to the well-known concept of moral distress. A scoping literature review design was used to support the discussion. Systematic literature searches conducted in April 2020 in two electronic databases, PubMed/Medline and PsychInfo, produced 2044 hits but only a handful of empirical papers, from which seven well-focused articles were identified. The concept of moral injury was considered under other concepts as well such as stress of conscience, regrets for ethical situation, moral distress and ethical suffering, guilt without fault, and existential suffering with inflicting pain. Nurses had witnessed these difficult ethical situations when faced with unnecessary patient suffering and a feeling of not doing enough. Some cases of moral distress may turn into moral residue and end in moral injury with time, and in certain circumstances and contexts. The association between these concepts needs further investigation and confirmation through empirical studies; in particular, where to draw the line as to when moral distress turns into moral injury, leading to severe consequences. Given the very limited research on moral injury, discussion of moral injury in the context of the duty to care, for example, in this pandemic settings and similar situations warrants some consideration. (shrink)

In this book the authors reconcile two different viewpoints of the foundations of mathematics, namely mathematical logic and category theory. In Part I, they show that typed lambda-calculi, a formulation of higher order logic, and cartesian closed categories are essentially the same. In Part II, it is demonstrated that another formulation of higher order logic is closely related to topos theory. Part III is devoted to recursive functions. Numerous applications of the close relationship between traditional logic and the algebraic language (...) of category theory are given. The authors have included an introduction to category theory and develop the necessary logic as required, making the book essentially self-contained. Detailed historical references are provided throughout, and each section concludes with a set of exercises. Thus it is well-suited for graduate courses and research in mathematics and logic. Researchers in theoretical computer science, artificial intelligence and mathematical linguistics will also find this an accessible introduction to a subject of increasing application to these disciplines. (shrink)

Argumentation as the public exchange of reasons is widely thought to enhance deliberative interactions that generate and justify reasonable public policies. Adopting an argumentation-theoretic perspective, we survey the norms that should govern public argumentation and address some of the complexities that scholarly treatments have identified. Our focus is on norms associated with the ideals of correctness and participation as sources of a politically legitimate deliberative outcome. In principle, both ideals are mutually coherent. If the information needed for a correct deliberative (...) outcome is distributed among agents, then maximising participation increases information diversity. But both ideals can also be in tension. If participants lack competence or are prone to biases, a correct deliberative outcome requires limiting participation. The central question for public argumentation, therefore, is how to strike a balance between both ideals. Rather than advocating a preferred normative framework, our main purpose is to illustrate the complexity of this theme. (shrink)

Personal racism used to be widely considered a kind of cognitive defect, with racists being people with biased, irrational racial attitudes. This kind of epistemic “racism-in-the-head” view has fallen largely out of favor in recent decades. Few philosophers have defended it, with many turning toward moral or socio-political rival accounts. This paper offers a robust defense of the epistemic view. It advances a new, broader version, claiming: Personal racism is determined solely by the number and significance of one's biasing attitudes (...) about racial groups. This bias centered view of racism avoids key problems with previous epistemic views. It also improves upon dominant moral and socio-political views in accounting for a broader range of racist attitudes. (shrink)

Most people have a clear sense of what they mean by disability, and have little trouble identifying conditions they consider disabling. Yet providing a clear and consistent definition of disability is far from straightforward. Standardly, disability is understood as the restriction in our abilities to perform tasks, as a result of an impairment of normal physical or cognitive human functioning. However, which inabilities matter? We are all restricted by our bodies, and are all incapable of performing some tasks, but most (...) of these inabilities are not considered disabilities. If, then, we are to avoid the category of disability becoming overly broad—and thus politically and practically useless—we need some way of picking out the specific inabilities that are disabling. I argue that our answer should be informed by an account of the opportunities individuals are entitled to be able to perform as a matter of justice. Thus, to be disabled is to have these opportunities restricted, and not to deviate from the species norm or lack any ability that might improve our well-being. (shrink)

In this essay, painter Deborah Scott examines how generative AI is changing representational painting in a screen-first visual culture. She argues that photography challenged painting at the level of recording, while AI challenges painting at the level of authorship, meaning, and provenance. As digital reproduction becomes the primary way viewers encounter art, traditional signals of human origin and image authenticity are weakened. Scott presents Structural Omission as a framework in contemporary painting built around perceptual limits, where partial seeing is treated (...) as load-bearing architecture rather than stylistic effect. She further argues that artist writing now functions as part of artistic practice: not secondary commentary, but evidence of human inquiry embedded in the work. The essay positions painting and writing together as a response to post-certainty conditions in contemporary visual culture. -/- . (shrink)

Structural Omission is a framework for realist painting developed for the post-certainty era of generative AI, when images can be produced at scale with a surface of total certainty. This essay argues that realism remains viable only by abandoning completion as its premise. Traditional realism, even at its best, carried an old promise: that completion was available in principle, and that the artist could deliver wholeness if they chose. Generative AI systems now manufacture that kind of closure faster, cheaper, and (...) more convincingly than any human hand. Structural Omission rebuilds realism on a different ground rooted in perception itself: perceptual limits are not an error in representation. They are the condition of representation. The framework formalizes planned, load-bearing incompleteness through three criteria—Ground (perceptual limits), Structure (structural incompleteness), and Consequence (narrative without resolution). Completion-biased image systems can imitate the look of omissions, but they usually treat gaps as a visual effect rather than structural absence. Rather than competing with algorithmic finish, Structural Omission treats partial visibility as the architecture holding the painting together. The result is realism that is accountable to human perception. (shrink)

Some truths are not hidden; they are simply beyond reach. No matter how long you look or how fully you render, the whole story will not appear because it was never fully there. This essay examines that epistemological limit and its implications for representational painting. Structural Omission is a framework I originated that structures representational painting around omissions as compositional architecture. These are load-bearing absences that reveal the limits of perception, narrative, and knowing. Rather than disguising uncertainty, the work builds (...) from it. Drawing on Maurice Merleau-Ponty’s embodied perception, Ludwig Wittgenstein’s unsayable, and contemporary painter Megan Rooney’s resistance to finality, I argue that painting can acknowledge what cannot be known without surrendering rigor or depth. Structural Omission does not conceal truth; it asserts that some truth is inaccessible and refuses to offer false wholeness or narrative closure. This position reframes realism for a post-certainty era, resisting the polished, algorithmic completeness of contemporary image culture and restoring honesty about the limits of seeing and knowing. Deborah Scott is the originator of Structural Omission, a framework designed for the Post-Certainty Era— a cultural condition where image-saturation has eroded the credibility of visual and narrative closure. Her representational paintings and essays investigate load-bearing absences as a necessary record of perception in an age of algorithmic completion. By formalizing the limits of seeing and knowing, Scott’s practice restores human uncertainty to the architectural foundation of the representational image. (shrink)

Faith occupies an important place in human lives in both religious and secular contexts: faith may be directed towards God, friends, governments, political systems and football teams. It is said to help people through crises and motivate people to achieve life goals. But what is faith? Philosophers and theologians have for centuries been concerned with questions about the rationality of faith, but more recently, have focussed on what kind of psychological attitude faith is. We bring together, for the first time, (...) the different elements of this recent debate, staking out the different positions and arguments, and defend a novel 'true grit' theory of faith, from which we assess questions about the rationality of faith from a fresh perspective. The book engages with a range of questions about the nature of faith, including: Does faith require belief? How is faith expressed in language? Is faith motivational? What is the relationship between faith and cognate attitudes, such as trust and hope? What is the role of faith in our long-term plans? And, in what sense is faith steadfast, resilient or constant, as is commonly supposed? This last issue leads us to additional literature from the social sciences, and we defend a distinctive conception of faith as resistance to practical, psychological and epistemic challenges, that forms the basis of the true grit theory defended in the book. (shrink)

Structural Omission, originated by Deborah Scott, is a framework in contemporary realist painting that addresses the limits of observation, perception, and knowing. It is not an abstract theory but a practice formalized through three principles—Ground (Perceptual Limits), Structure (Structural Incompleteness), and Consequence (Narrative Without Resolution). It organizes painting around what can be seen and what remains beyond reach, holding the known and the unknowable together. This paper defines Structural Omission as an epistemological framework that repositions realism after the collapse of (...) certainty. By connecting art practice to the philosophical problem of incomplete knowledge, it proposes that absence within representation can operate as load-bearing structure rather than deficiency. Drawing on thinkers such as Michael Fried, Jacques Rancière, Roland Barthes, Maurice Merleau-Ponty, and Ludwig Wittgenstein, the text argues that Structural Omission offers realism a conceptual survival strategy in an era of algorithmic completion and digital closure. (shrink)

LLMs have been shown to induce representations akin to real-world information structures. According to the standard account, this is because LLMs model the human mind, and minds model the world. Thus, LLMs and minds share properties that ultimately converge upon similar structures. We contribute to this discourse in two ways: a) We argue for an alternative account: LLMs model minds, and minds model worlds, but minds also model LLMs, which in turn extend the capacities of minds. In sum, the world-mind-LLM (...) system constitutes a three-player game, which b) we show does not necessarily converge. We explore the epistemological consequences of non-convergence for world-mind-model systems, introducing the concept of epistemic drift. We offer a new explanatory account of epistemic drift as a social phenomenon, and explore the potential safety concerns of epistemic drift with the introduction of LLMs. Finally, we contribute to existing discourse surrounding LLM agency, arguing that agency is not found in the content of LLM output, but in the way they functionally interact with minds. (shrink)

Given their large number of adherents, and the land and property they own, religious communities have been identified as groups that could have an influence on achieving carbon net-zero. The theological views held by religious communities relating to ecological matters – their “ecotheological values” – play an important role in motivating their environmental concern and action. But which ecotheological ideas are most, and which are least, efficacious in this respect? This paper presents findings salient to this question from a recent (...) survey (n = 319) conducted amongst Christian activists and advocates concerned with climate change. It reports on which ecotheological ideas are most widely and firmly held amongst samples from six Christian environmental activist and advocacy groups in the UK, and discusses the extent to which these ideas are either continuous with mainstream Christian theology, or indicate innovative theological thinking. We find examples of both: some mainstream views are popular, and some are unpopular, amongst our sample, whilst some innovative and newer ideas are becoming more popular, whilst others are resisted. These results will be useful in seeking to promote a greater pro-environmental stance within Christian communities more widely. (shrink)

This three-part paper presents Gordon Pask’s conversation theory (CT) and interaction of actors theory (IA) and outlines ways to apply these cybernetic approaches to designing technologies and scenarios for both formal and informal learning. The first part of the paper covers concepts central to CT and IA, explaining the relationship between conceptual and mechanical operators, and machines mediating informal and formal learning. The second part of the paper applies visual representations of CT and IA to understanding the use of Pask’s (...) course assembly systems (CASTE and THOUGHTSTICKER), created between the late 1960s and the 1980s, and the ThoughtShuffler search interface, created in the 2010s. The third part proposes two pathways for design based on CT and IA: firstly, the potential for designers and observers to reformulate the qualities of tools and learning scenarios to augment human thinking and collective action; and secondly, the possibility to create tools with malleable interfaces that allow users to become intermediaries rather than consumers of knowledge. (shrink)

This essay examines how realist painting operates in the Post-Certainty Era, a moment shaped by accelerated information systems, automated processes, and the collapse of stable origin online. I position Structural Omission as an epistemic framework that exposes the points where meaning refuses to stabilize and where representation breaks down at the limits of knowing. Drawing on the conditions of algorithmic recursion, the loss of authorship on the contemporary web, and the embodied act of painting, the essay argues that realism now (...) functions as a record of perception rather than an attempt at resolution. The essay proposes that in the Post-Certainty condition, the role of realism shifts from rendering the seen to revealing where perception cannot complete the image. Structural Omission maps where perception holds and where it gives way, offering a structural approach to understanding realism when certainty no longer governs the image. (shrink)

Venetian Red, an iron-oxide earth pigment long used as an invisible ground in Western painting, has underpinned realist image-making for more than five centuries. Technical literature documents its permanence and tonal stability, but its conceptual potential has been overlooked. This essay traces Venetian Red’s role from Renaissance Venice through Rembrandt, Chardin, Turner, and Robert Henri, showing how the pigment served illusion by disappearing. It then repositions Venetian Red as a contemporary strategy of Structural Omission: the deliberate construction of images that (...) build realism only to reveal its limits in the post-certainty era. By reactivating a material once trusted to stabilize representation, Structural Omission makes incompleteness structural rather than stylistic, countering today’s algorithmic drive toward seamless visual closure. -/- Author’s note: This essay approaches Venetian Red from the perspective of an artist rather than a technical pigment historian. It references well-documented historical uses of iron-oxide grounds to support a conceptual argument about Structural Omission, not to provide exhaustive conservation scholarship. (shrink)

DIVUses C.L.R. James’sThe Black Jacobins as a jumping-off point for a reconsideration of colonial and postcolonial concepts of history, politics, and agency./div.

Religious fictionalism is the theory that it is morally and intellectually legitimate to affirm religious sentences and to engage in public and private religious practices, without believing the content of religious claims. This article discusses the main features of fictionalism, contrasts hermeneutic, and revolutionary kinds of fictionalism and explores possible historical and recent examples of religious fictionalism. Such examples are found in recent theories of faith, pragmatic approaches to religion, and mystical traditions in religious theology.

One of the most innovative and brilliant philosophers of his generation, but largely neglected until he was brought to public attention by Gilles Deleuze, Gilbert Simondon presents a challenge to nearly every category and method of traditional philosophy. Psychic and Collective Individuation is undoubtedly Simondon's most important work and its influence, clearly felt in Stiegler and DeLanda, has continued to grow. David Scott provides the first full introduction to this work, which will inspire as well as instruct philosophers working in (...) Continental thought, philosophy of science, social theory and political philosophy. (shrink)

Most contemporary accounts of the nature of faith explicitly defend what we call ‘the positivity theory of faith’ – the theory that faith must be accompanied by a favourable evaluative belief, or a desire towards the object of faith. This paper examines the different varieties of the positivity theory and the arguments used to support it. Whilst initially plausible, we find that the theory faces numerous problematic counterexamples, and show that weaker versions of the positivity theory are ultimately implausible. We (...) discuss a distinct property of faith that we call ‘true grit’, such that faith requires one to be resilient toward the evidential, practical, and psychological challenges that it faces. We show how true grit is necessary for faith, and provides a simpler and less problematic explanation of the evidence used to support the positivity theory. (shrink)

Epistemic instrumentalism is often thought to face an insurmountable barrier, the ‘too few reasons’ problem. This has prompted some epistemologists to turn to a rival social kind of epistemic instrumentalism that claims epistemic normativity is instrumental to the goals of communities rather than individuals. This paper argues that this is a mistake as regular epistemic instrumentalism is better able to address the too few reasons problem than its social counterpart. In Sect. 2, I outline the two few reasons objection, highlighting (...) that it contains two separate problems: The problem of indifference and the problem of avoidance. I offer a dual strategy for the instrumentalist that appeals to doxastic non-voluntarism, and show how this improves upon standard instrumentalist defences. In Sect. 3, I argue that social instrumentalism does not improve upon the regular kind. It fails to capture instrumentalist motivations, and also fails to offer a compelling solution to the too few reasons problem. Insights from social epistemology can, however, be used to strengthen regular instrumentalism. I conclude that epistemic instrumentalists should not be motivated to take the social turn. (shrink)

Given its brevity, Plato's Meno covers an astonishingly wide array of topics: politics, education, virtue, definition, philosophical method, mathematics, the nature and acquisition of knowledge and immortality. Its treatment of these, though profound, is tantalisingly short, leaving the reader with many unresolved questions. This book confronts the dialogue's many enigmas and attempts to solve them in a way that is both lucid and sympathetic to Plato's philosophy. Reading the dialogue as a whole, it explains how different arguments are related to (...) one another and how the interplay between characters is connected to the philosophical content of the work. In a new departure, this book's exploration focuses primarily on the content and coherence of the dialogue in its own right and not merely in the context of other dialogues, making it required reading for all students of Plato, be they from the world of classics or philosophy. (shrink)

This volume presents essays and seminars by Myles Burnyeat and Michael Frede, two of the most eminent scholars of ancient philosophy in recent decades, on the fascinating and much-debated Seventh Platonic Letter. They question the authenticity of the letter by showing how its philosophical content conflicts with the Platonic dialogues.

A consideration of the work of Talcott Parsons sets the scene for subsequent debates on neofunctionalist, symbolic interactionist, rational choice, and conflict theories, together with recent developments in structuralism and post-structuralism. This second editon has been re-cast and updated to give a fuller discussion of the syntheses produced by Anthony Giddens and Jürgen Habermas, tracing their lineage back to Parsons's framework. It considers the various views of modern society depicted in these syntheses and it reviews the wider debates on modernity (...) and post-modernity. The central argument of the book is that advances in sociological understanding arise from the synthesis of rival ideas, and it concludes with an exploration of those areas in which sociological theory is in need of further development."--pub. desc. (shrink)

This research explores the design-to-production computational framework of a Timber Dowel System, emphasizing an integrated computational workflow informed by fabrication and assembly feedback. This workflow incorporates contextual and fabricability parameters, enabling a parametric framework optimized for performance, adaptability, and scalability. The initial design process utilized a modular plug-and-play approach, employing manually controlled surfaces and poly-surfaces to explore flexible geometries and structural configurations. Two full-scale prototypes were developed using AR-guided assembly and robotic milling, addressing production challenges such as dowel placement precision, (...) material limitations, and assembly feasibility. Feedback from these prototypes informed refinements in the computational framework, translating into practical parameters to improve structural integrity and procedural efficiency. A horizontal orientation was prioritized due to its standalone stability, while multiple extensions of the initial basket prototype were analysed to evaluate and study the system performance under varied geometric configurations. By integrating community-driven requirements and contextual considerations, this research lays the groundwork for a multi-criteria framework that supports informed design variation and facilitates collaborative co-production workflows. (shrink)

This essay challenges the expectation that painting should provide catharsis or narrative closure. It argues that resolution does not guarantee truth and that representational art can hold its power without offering emotional payoff or moral clarity. Structural Omission is a framework I originated that structures representational painting around omissions as compositional architecture — load-bearing absences that reveal the limits of perception, narrative, and knowing. Drawing on Lauren Berlant’s idea of cruel optimism and Jacques Rancière’s view of art as a reconfiguration (...) of the visible and the sayable, I position painting as an active structure that makes limits visible rather than compensating for them. In a culture fatigued by spectacle and meaning overload, this approach resists false wholeness and builds a different kind of stability: form without resolution. (shrink)

Dominic Scott compares the Republic and Nicomachean Ethics from a methodological perspective. He argues that Plato and Aristotle distinguish similar levels of argument in the defence of justice, and that they both follow the same approach: Plato because he thinks it will suffice, Aristotle because he thinks there is no need to go beyond it.

Examines and evaluates Socrates' role as an educator in Plato's dialogues.

"... stimulating and insightful... a thoroughly researched and timely contribution to the secondary literature of ethics... " —Library Journal "His important new work establishes Scott... as one of the foremost interpreters of the Continental philosophical tradition of the US.... Necessary for anyone working in ethics or the Continental tradition." —Choice "... a provocative discourse on the consequences of the ethical in the thought of Nietzsche, Foucault, and Heidegger." —The Journal of Religion Charles E. Scott's challenging book advances the broad claim (...) that ethics as a way of judging and thinking has come into question as philosophers have confronted suffering and conflicts that arise from our traditional systems of value. (shrink)

In this paper, I offer an original interpretation of Marx's conception of unalienated labor, which I frame as a response to Aristotle's view of work, or technē. Both Aristotle and Marx share a particular conception of freedom as “normative self-determination,” according to which an activity is free insofar as it does not depend for its value on externally valuable things. For instance, when my activity is a mere means for satisfying some need separate from it, it comes to depend for (...) its value on the externally valuable effect—the “needs-meeting”—it achieves. Or, when my activity is only causally—but not normatively—enabled by the cooperative contributions of others, it comes to depend for its value on those externally valuable contributions. On Aristotle's view, work is unleisurely (ascholos) and servile (doulos) because it is normatively dependent in both of these ways. For Marx, by contrast, work possesses the capacity to “internalize” these external determinants of its value. Unalienated work does this, first, by satisfying “internal” needs, or needs whose satisfaction does not constitute a normatively external effect of the work that satisfies them. The satisfaction of internal needs is valuable because of the manner or way in which they are satisfied. Second, unalienated work would not only be causally, but also normatively, enabled by the contributions of others, in that those contributions would help to make it the distinctively valuable act that it is. Unalienated work would be valuable because, and not despite, its cooperative character. In both of these respects, then, cooperation is essential to make work fully free. (shrink)

A common presupposition in the concepts literature is that concepts constitute a sin- gular natural kind. If, on the contrary, concepts split into more than one kind, this literature needs to be recast in terms of other kinds of mental representation. We offer two new arguments that concepts, in fact, divide into different kinds: (a) concepts split because different kinds of mental representation, processed independently, must be posited to explain different sets of relevant phenomena; (b) concepts split because different kinds (...) of mental representation, processed independently, must be posited to explain responses to different kinds of category. Whether these arguments are sound remains an open empirical question, to be resolved by future empirical and theoretical work. (shrink)

The book is aimed at general readers with an interest in the mind and neuroscience, as well as a wide range of scientists whose work is related to the rapidly...

Who were the true forerunners of the seventeenth-century theorists of innate ideas? Credit should go, not to Plato, despite the common label Platonist, but to the Stoics—or so this challenging new study claims. Plato’s celebrated doctrine of knowledge as recollection differed from these others’ theories not merely in its extravagant postulate of a prenatal knowing state but in many hitherto unrecognized ways, Scott argues. Among those who shared the belief that all men are endowed at birth with considerable epistemological resources, (...) Plato alone is a pessimist both about how few of us make any use of these—only those who make philosophical progress—and about the difficulty of unearthing these resources. Contrary to a prevalent view, Scott holds that Plato invokes recollection to explain not “ordinary learning,” the acquisition or application of everyday concepts such as equality or beauty, but “higher learning”—the province of the philosopher. (shrink)

In this book, he also demonstrates a skill shared by the greatest radical thinkers: to reveal positions we've been taught to think of as extremism to be emanations of simple human decency and common sense.

In this international and interdisciplinary collection of critical essays, distinguished contributors examine a crucial premise of traditional readings of Plato's dialogues: that Plato's own doctrines and arguments can be read off the statements made in the dialogues by Socrates and other leading characters. The authors argue in general and with reference to specific dialogues, that no character should be taken to be Plato's mouthpiece. This is essential reading for students and scholars of Plato.