Blues

From the fashion label Dior being accused of cultural appropriation after using American Indian imagery in an ad campaign for its “Sauvage” fragrance, to the backlash against Kendall Jenner’s afro-esque hairstyle in Vogue, debates about cultural appropriation have reached a fever pitch. In this much-needed analysis of the phenomenon Aurélia Bardon and Jennifer Page step back and ask: when is cultural appropriation wrong and when are we right to criticize it? Their analysis of wrongful cultural appropriation centers on three questions: (...) whether appropriation involves theft; whether it communicates disrespect; and whether it disregards requests made by marginalized groups about their cultural practices. Sometimes, they argue, it is structural injustice rather than individual wrongdoing that is at stake. They examine cultural appropriation’s political dimensions, asking whether the state should be neutral between appropriative and non-appropriative artistic expression. They contrast bans on wrongful cultural appropriation and the state’s using its expressive power as a speaker, spender, and educator to discourage it. They also consider the ethical questions that arise when cultural appropriation debates spur further debates about online shaming and cancel culture. Using cases from music, fashion and the arts, Cultural Appropriation: Wrongs and Rights will be of great interest to students and researchers in philosophy, politics and related subjects, such as race and ethnic studies, sociology, and cultural studies. (shrink)

Ethical issues arise when musicians perform and record “cover” versions of songs. In this paper I discuss performances of Blues music by professional musicians who do not have strong cultural ties to this material. I begin with a discussion of musical authenticity and appropriation, and then discuss some of the surrounding ethical issues, drawing on James O. Young’s defense of profound cultural offense. Could harm arise from cross-cultural musical covers, and if so, is this harm always a relevant consideration for (...) musicians? What do musicians owe to people who came before them and upon whose cultural traditions they are building? (shrink)

En este texto se ofrece una interpretación del blues a la luz de la teoría del arte de Walter Benjamin y la teoría de la cultura de Bolívar Echeverría. El texto hace consideraciones sobre el blues, la música, la cultura y la reproducción social en general, a partir de lo cual se realiza un estudio de caso sobre la relación entre Junior Kimbrough y Robert Palmer y se sacan conclusiones respecto a la cultura del blues como fenómeno social.