musesfool: orange slices (we've come to hug)
I posted a story last night for [personal profile] angelgazing's birthday:

Or Perish Together as Fools
Supernatural; Sam/Dean; pg; spoilers through 5.04; 1,000 words
If they fail, at least they'll fail together.

It's a coda for 5.04 that features snuggling boys, as requested. As generally happens to me when I plan to write Wincest that doesn't actually have explicit sex in it, it came out gen, except for one small moment that could be interpreted as a kiss. Or not.

When I posted it, I originally labeled it "Sam and Dean; gen" and then at the last minute I switched it to "Sam/Dean; pg" - mostly because my original intention was Wincest, even though it didn't end up going there, and there wasn't anyone around for me to harass into making the decision for me. Much like with Han, where I had the same dilemma, but ended up labeling it gen (after conferring with [profile] luzdeestrellas, [personal profile] mousapelli, [personal profile] angelgazing and [personal profile] amberlynne), even though, in my head, "Han" is a much more Wincesty story than "Or Perish Together as Fools."

I really don't like it when people label their stories "gen, but [X pairing] if you squint!" It feels like cheating to me, even though I completely understand the dilemma of labeling as a writer. My feeling is mostly that if a reader wants to see X pairing in your story, she will whether you label it that way or not, whereas putting that pairing label (or the "if you squint" business) on it may keep someone who only reads gen or who dislikes that pairing from reading it at all, when it's entirely possible they might like the story and never even see the pairing. But I also sometimes get caught up in authorial intent - as a writer, I think, "Well, I intended this to be Wincest when I started, so clearly even though there is no actual sexual touching of any sort, I should label it Wincest, because in my head that's what I mean." But if what's in my head isn't what's on the page, then that's not really correctly representing the story.

As I've said before, with Wincest, my general read on things is they could be sleeping together, or not, at any given time. If I don't specify, it's because to me it doesn't really have an impact on this particular story.

What makes these two stories different is that even though there is no explicit way to tell one way or the other, I think it does make a difference in how you read them. In "Han," Sam wants to climb into bed with Dean for comfort, and Dean says no. In "Or Perish Together as Fools," Sam just does it and Dean lets him. Is the meaning of those acts changed by whether or not they've had (or want to have, or are having) a sexual relationship? And does it matter if the sex is not actually in the story? Does my labeling one gen and one Sam/Dean change the way you see the story (aside from enticing you to or repelling you from reading it)?

I keep running into this problem, and sometimes it's easy - when I'm writing for someone who ships Sam/Dean or who is squicked by Wincest, I'm pretty clear on how I'm going to go (though again, I often have the problem of having them refuse to even touch each other when I want to write Wincest, and having to hose them down when I intend to write gen) - but sometimes I just don't even know. It would be far less difficult if it weren't incest, I think, because I'd care less about accidentally squicking people by choosing the "wrong" label.

Anyway, work keeps interrupting, so that was a really long introduction to this short and highly skientific poll:

the poll on LJ.

***
musesfool: darth vader saying "He said what about his sister? Gross." (he said what about his sister?)
*yawns*

Good lord, I'm sleepy today. Unfortunately, I have to go to the dentist this afternoon, so even though I'm getting out of work at 2:30, I can't go home, because I'd just have to turn around and come back downtown to make my 4pm appt. Sigh.

***

Even though I would be a terrible vidder, I vid songs in my head sometimes, and this morning, I found myself thinking about a Sam and Dean vid to "Your Misfortune" with Dean as the POV character. *facepalm* I don't think I'm OTP about them (I'm not against being OTP about them, but it is kind of sad when I think about it too much. And also, I like when they have sex with women!), but it's a pretty ridiculous song for a non-pairing vid. I mean, I can be the air you drink / Every single thought you think / I can be the right notion in the meantime / Warm you like the sunshine. And I thought, "seriously, vic? Seriously?" But it really would be an awesome Sam and Dean (or, I guess, Sam/Dean) vid.

I'm just saying.

Which leads me to this essay [livejournal.com profile] hummingwolf linked me to yesterday: Innocent Libertinism by Kit Whitfield. It's mostly a discussion of Twilight and how Edward/Bella can be read as a subtextual, consensual D/s relationship, but she also talks a lot about Flowers in the Attic, which is probably why CB thought it was relevant to my interests.

This is the part that struck me:

Family, on the other hand, is fate. You're tied together by blood. You don't choose your siblings: they're there by birth, a law of nature, inevitably present and, through childhood, the world in microcosm. They're supposed to protect you, to shape your ideas of people, to be loyal to you. You can swap one boyfriend for another, but you can't swap brothers and sisters: nobody else can replace them. As an adult you have to choose who to start your new family with, but the family you're born into is your destiny.

Which is why, despite its wild taboo-breaking, there's something curiously cosy about Flowers In The Attic. Cathy and Chris don't have to look far to find a destined partner: they have each other. They don't have to look far for high drama, either: there's plenty of that in their family background. Break with normality just enough that incest seems an option, and it's melodrama that can happen without having to leave your safe space. They don't have to step outside the microcosm to get a world of experiences.

If I were less brainfried, I'd probably have more to say about this, but I found it really interesting reading.

***

In other, not exactly related news, [livejournal.com profile] little_missmimi did a dvd commentary for my Firefly story Nine Voices, and the Search for a Tenth, which is basically River musing on each of her shipmates.

I love when people do commentaries on my stories! *hearts*

***
musesfool: darth vader saying "He said what about his sister? Gross." (he said what about his sister?)
Guys, I know this may be shocking, but when you have two guys in a threesome with a girl, and they're getting off on the other one being there and on watching each other have sex and stuff, even if they're not touching each other, they are engaging in homoerotic behavior. You can claim it's not boyslash (and technically maybe it's not, since girl parts are involved), but it is definitely homoerotic. And that's okay! You should embrace it, even if your characters are in denial!

And if those two guys happen to be brothers, you are really stretching the bounds of credulity by claiming that it's not an incestuous situation, even if there is technically no actual brother-on-brother sexual contact.

Own your words, people. Seriously.

***

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i did it all for the robins

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