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More If I Love Boosters seemed excessive at its start, then in its last half hour it transforms into a perpetual motion machine. Odd as it is, Riley’s whirligig explicates its strangest conceits, if only for the sake of underlining its social criticism with a Sharpie. Through it all, the director revels in the lessons implied in his outré images, especially in the film’s orgy of garish colors. He imagines a future where radical change is not only essential to building a more just world, but also, once repression has lifted, a source of eye-popping joy.
Full review here: artsfuse.org/329270/film-review-i-love-boosters-stealing-style-seizing-power/
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More Curry Barker thinks he remade AUDITION, but he's just a much hackier clone of the Philippou brothers. OBSESSION will do anything to get a rise out of the audience. Jump scares! A thunderously loud score! The sight of a woman's face bashed in! It would like to pretend it has something to say about young men's sexism, but it's only interested in women's pain as a way to push the spectator's buttons. For every bit of critique, there are several…
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The popular idea that comedy needs to “punch up” is too simplistic. It’s not always easy to figure out who has real power – the small army of cis male comics who think transphobia is the height of free thought are rather confused about it – or how to use humor to criticize Karens roaming Wal-Mart screaming at anyone with a mask on or empty female Instagram influencers without buying into sexist attitudes. (Look at how badly jokes about Britney…
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