Transcontinental Union
Thomas P. Rohrer (transcribed by the composer)
General Info
Year: 2005
Duration: c. 6:05
Difficulty: IV (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Murphy Music Press
Cost: Score and Parts (print) - $125.00 | Score Only (print) - $30.00
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II
Bass Trombone
Euphonium
Tuba (div.)
Timpani
Percussion I-II-III-IV, including:
- Anvil
- Bass Drum
- Castanets
- Crash Cymbals
- Glockenspiel
- Snare Drum
- Suspended Cymbal
- Temple Blocks (2)
- Triangle
- Vibraphone
- Whip
- Wood Block, small
- Xylophone
Errata
None discovered thus far.
Program Notes
Transcontinental Union for Symphony Orchestra was written for the Utah Division of Business and Economic Development's International Business Development Office. The wind ensemble version was written for and premiered by the Utah State University Wind Orchestra on March 4, 2005. The work serves as a musical tribute to the laborers that constructed the Transcontinental Railroad from 1863 to 1869. Thus, the work contains stereotypical “Western” themes -- derived from Western European heritage -- along with quotes of train whistles, hammering, horses, and even a cavalry call. The extended slower section is based on the Chinese folk song Mowli Wha, as a symbolic musical juxtaposition of their culture in this, the greatest man-made wonder of its time.
The “Golden Spike” area near Promontory, Utah, is one of the most undisturbed historical sites I have visited. One can stand in the tracks of nineteenth-century photographers and see the same landscape that they documented in the spring of 1869.
In addition to a landmark engineering feat, the Transcontinental Railroad project was collaboration on the logistical and cultural levels, as the Union Pacific Railroad Company (originating in Omaha) employed mostly Europeans and the Central Pacific Railroad Company (beginning in Sacramento) hired mainly Chinese immigrants.
The two companies -- although in fierce competition to lay the most track -- finally came together on May 10, 1869, after five years of labor across the mountains and plains.
The grand ceremony marking the union of the two sides was marked by the driving of the final spikes into a California laurel tie, which was immediately taken up, returned to California, and replaced by a standard pine tie with common spikes by Chinese workers. Subsequent events of the day were documented by a reporter from the Sacramento Daily Bee:
That [replaced tie] was immediately attacked by hundreds of jack knives and soon reduced to a mere stick. The ever-watchful Chinese then took the remains, sawed into small pieces and distributed to the spectators. The Chinese really laid the last tie and drove the last spike. When we last saw the spot, soldiers were hammering away at the flanges of the rails and carried off all the pieces they could break, so that a new rail would soon be necessary. Six ties and two rails were demolished before the juncture was left in peace to the slower inroads of time.
J.H. Strobridge [superintendent of the Central Pacific], when the work was all over, invited the Chinese who had been brought over from Victory [base camp] for that purpose, to dine at his boarding car. When they entered, all the guests and officers present cheered them as the chosen representatives of the race which have greatly helped to build the road ... a tribute they well deserved and which evidently gave them much pleasure.
- Program Note by composer
Rohrer said the composition was meant to tribute the workers who built the Transcontinental Railroad. The railroad was the first to connection between the eastern and western United States. It turned a four-month trek into a six-day journey. Two companies worked six years in its construction. Irish, Chinese and many other nationalities were involved.
The cultural cooperation that helped build the railroad was evident in the music. A typical western European theme was throughout. Mowli Wha, a Chinese folk song, represented the Chinese effort in construction. Clopping of hooves, train whistles and hammering added other cultural pictures. The piece was originally written for the Utah Division of Business and Economic Development’s International Business Development Office.
- Program Note by Jeremiah Miner for The Utah Statesman
Media
None discovered thus far.
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- Utah State University (Logan) Wind Orchestra (Thomas Rohrer, conductor) - 1 November 2024
- Salt Lake Symphonic Winds (Salt Lake City, Utah) (Thomas P. Rohrer, conductor) – 15 October 2019
- Utah State University (Salt Lake City) Wind Orchestra - 4 March 2005 *Premiere Performance*
Works for Winds by This Composer
- The Black Swamp
- Excessive Force
- Molecula
- Symphonic Manifold (2019)
- Synergy (2004)
- Transcontinental Union (2005)
Resources
- Miner, Jeremiah. "120 musicians team up to tell the story of building the Transcontinental Railroad." The Utah Statesman, 7 March 2005. Web. Accessed 14 October 2019
- Perusal score
- Thomas Rorher, personal correspondence, October 2019