Invocation
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General Info
Year: 2018
Duration: c. 5:50
Difficulty: (see Ratings for explanation)
Publisher: Vittorio R. Damiano
Cost: Score and Parts - Unknown
Instrumentation
Full Score
Flute I-II-III-IV
Oboe I-II
English Horn
Bassoon I-II-III
Contrabassoon
B-flat Soprano Clarinet I-II-III-IV
B-flat Bass Clarinet
E-flat Contra Alto Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Bass Trombone
Euphonium I-II
Tuba I-II
Percussion I-II-III-IV
(percussion detail desired)
Errata
None discovered thus far.
Program Notes
Invocation began as an experimentation with white noise and spectralism. The electronic component was created from the singular source material of white noise, turning something that is seemingly inorganic into something that is very much alive. All structural, harmonic and motivic choices were then derived from the electronic component of this piece.
- Program Note from compoer
Media
None discovered thus far.
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- University of California, Los Angeles, (UCLA) Wind Ensemble (David Blumenthal, conductor) – 30 May 2018 *Premiere Performance*
Works for Winds by This Composer
- Invocation (2018)
Resources
- Vittorio R. Damiano, personal correspondence, June 2018