i'm SO goddamn tired of seeing people rabidly demand that other people produce fanworks (fic, art, etc) for shit they want to see, while also framing it as some weird Big Fandom conspiracy against them specifically, and not, like, understanding that behind every fanwork are other real actual people writing or drawing the shit they want to write or draw and simply having fun with it.

"there really should be more content where—" like come ON, dude. if you so desperately want to see something: make it yourself; cheerlead others; cultivate an atmosphere that builds community and encourages whatever you want to see or what the fuck ever. stop being a tar pit and stop demanding shit of others like fanworks are content to be consumed and there's no one else behind the other screen.

i am begging people to remember that fandom isn't a goddamn content mill for your entertainment. it's real actual people participating in a community. maybe try being part of that community, instead of screaming demands at it.

maybe you'll even have more fun that way. who knows!

did you know theres a xfiles episode where scully shows up at the lone gunmen and they say Oh we were getting ready for Bed. and she walks in and theyre all in their jammies and langly is brushing his teeth. byers should've been holding a stuffed animal but he wasbt WHATEVER. anyways they probably all sleep lined up in one big bed with sleep caps on and they blow out the candles and say Goodnight! Good Night! Good night! to eachother and snuggle under the big quilt and you can see a big yellow cresent moon through the window

btw rpf isn’t about thinking those guys had sex in real life. it’s about recognizing the beautiful magical chemistry and potential between two famous strangers. except sometimes it’s like well ok i think those guys really did have sex in real life.

Give Lilly Wachowski Her 10 Fucking Million Dollars To Make A Movie What The Fuck Is Wrong With You You Stupid Cunts Like Hello She Made The Matrix Are You Dumb? Do You Not Like Good Shit?

Watching any movie before 2000 reminds you that people in movies used to be hot but like in a normal way

they sell items at tjmaxx that even God is not aware of

12th August 2026

The light from the eclipse, projecting through the gaps in a tall tree, was quite the spectacle

Bureaucratics is a project consisting of a book (ISBN 978-1-59005-232-7, now sold out) and a traveling exhibition that has so far been shown in museums and galleries in some twenty countries on five continents. The book and the exhibition contain 50 photographs and are the product of an anarchist’s heart, a historian’s mind and an artist’s eye. Bureaucratics is a comparative photographic study of the culture, rituals and symbols of state civil administrations and its servants in eight countries on five continents, selected on the basis of political, historical and cultural considerations: Bolivia, China, France, India, Liberia, Russia, the United States, and Yemen. In each country, I visited up to hundreds of offices of members of the executive in different services and at different levels. The visits were unannounced and the accompanying writer, Will Tinnemans, by interviewing kept the employees from tidying up or clearing the office. That way, the photos show what a local citizen would be confronted with when entering.

The photography has a conceptual, typological approach reminding of August Sander’s ‘Menschen des 20 Jahrhunderts’ (‘People of the Twentieth Century’). Each subject is posed behind his or her desk. The photos all have a square format (fitting the subject), are shot from the same height (that of the client), with the desk – its front or side photographed parallel to the horizontal edges of the frame – serving as a bulwark protecting the representative of rule and regulation against the individual citizen, the warm-blooded exception. They are full of telling details that sometimes reveal the way the state proclaims its power or the bureaucrat’s rank and function, sometimes of a more private character and are accompanied by information such as name, age, function and salary. Though there is a high degree of humour and absurdity in these photos, they also show compassion with the inhabitants of the state’s paper labyrinth.