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Quillology With Haya

@hayatheauthor / hayatheauthor.tumblr.com

A writing advice blog for authors, by authors ✍️ Find me on TikTok and Insta: @hayatheauthor WIP: The Traitor's Throne | YA fantasy 🪄
Published: Cremated Chains | Thriller
Who Is The Author?

I am Haya; by day a mechatronic engineering student, by night a fantasy & thriller author. I wrote my first novel, Cremated Chains, when I was 15 and am currently querying my second book.

I am an active member of the Booktok and Bookstagram communities where I post engaging content about my writing journey and WIPs (@hayatheauthor) and the author of 'Quillology' where I pen writing advice blogs to help my fellow writers out.

I am also very vocal about my opinions on a lot of different issues in the world (feel free to block 'haya: talks politics & religion') and use this blog as a melting pot for writing advice, author updates, personal updates, and everything in between.

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PS: if you do ever repurpose my blogs/content on another platform please reach out to let me know & tag me on the posts! ❣️

~Hello~ Do you think you can provide tips on how to naturally write a character with mental health issues/disabilities for your story.

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20 Tips for Writing a Character With Mental Health Issues or a Disability

I have previously written a thorough guide on how to write and research mental illnesses but if you want a quicker dos-and-don'ts list here you go:

1. Research the Illness Thoroughly: Not a five-minute skim. Actual research, symptoms, variation, how it's diagnosed, how it's treated, what myths surround it. When I had to write PTSD for a character I made a whole google docs on: the illness itself, the illness in regards to my character’s situation, the symptoms/side effects my character would likely have, ways to incorporate them in my writing, etc.

2. Talk to People Who Actually Have It: If you don't know anyone in real life, spaces like Reddit and Quora can be genuinely useful. Nothing replaces hearing it directly from someone living with the illness.

3. Find Media Praised for Depicting It Accurately: Don’t just look for movies/shows with characters who have that mental illness, specifically research media praised for their accurate depiction of it. It's usually more instructive than any single article on the condition itself.

4. Find Media Criticized for Depicting It Inaccurately, and Figure Out Why: This is just as valuable as the praised examples. Knowing exactly what to avoid, and why it landed wrong, saves you from repeating the same mistake.

5. Remember No Two People Experience It Identically: Research gives you the general shape, but your character still needs their own specific relationship with their condition.

6. Don't Make the Condition Their Entire Personality: They still need hobbies, opinions, a sense of humor, flaws unrelated to the condition entirely. A diagnosis isn't a whole character.

7. Show It in Small, Unglamorous Moments Too: Not just the dramatic crisis scenes like panic attacks or hallucinations. The mundane, everyday impact is often more honest and more overlooked in fiction. 

8. Avoid the "Cured by Love" Narrative: Unless you're specifically critiquing that trope, a romantic partner isn't a treatment plan. This one shows up constantly and it's worth actively avoiding.

9. Give Them Agency Over Their Own Condition: They shouldn't exist purely as a burden on other characters or a lesson for someone else's growth. Let them make their own decisions about their own life. Also, if this is someone who’s lived with the condition their entire life, avoid using the typical ‘they don’t know what to do when symptoms kick in and a side character has to help’ scene. 

10. Research Realistic Coping Mechanisms or Treatment: Not just the symptoms. How someone actually manages day to day medication, therapy, routines, matters just as much as how the condition presents.

11. Be Careful Using the Condition as Shorthand for "Dangerous": Unless you're deliberately examining that stigma, this is one of the more damaging tropes in fiction and it's worth actively working against. This also applies for portraying a character as “damaged” or “unstable” solely because they have a mental illness.

12. Give Them Flaws That Have Nothing to Do With the Condition: A character can be stubborn, petty, or messy in ways completely unrelated to their diagnosis. That separation matters.

13. Consider How It Intersects With the Rest of Their Identity: Culture, family, access to healthcare, and financial situation all change how a condition is experienced and treated.

14. Read Own-Voices Essays and Memoirs, Not Just Clinical Descriptions: Clinical sources tell you the facts. Personal accounts tell you what it actually feels like to live inside them.

15. Avoid Writing It as a Checklist of Symptoms: Show it through behavior, internal narration, and small decisions instead of naming every symptom like a diagnostic manual.

16. Be Mindful of Language: Terms people use to describe themselves and outdated or clinical terms aren't always the same thing. Follow the community's own language where you can.

17. Think About Their Support System: Do they have one? How do they feel about needing help, and how do they navigate asking for it, or refusing to?

18. Don't Rush an Unrealistic "Fix" by the End: Some conditions aren't cured, they're managed. A tidy resolution can undercut everything honest you built earlier in the story.

19. Get a Sensitivity Reader Before Publishing, If You Can: Someone who actually lives with the condition will catch things research alone won't.

20. Write for the People Who Actually Live It First: Not for how "relatable" or "palatable" it feels to readers who don't share the experience. Accuracy matters more than universal comfort.

21. Don’t Make Their Story Revolve Around The Mental Illness: Please remember that there are millions of people around the globe with thousands of different mental illnesses who live with those illnesses day in and day out. It doesn’t define them, it doesn’t become their entire life, and it shouldn’t be the main aspect of your character’s storyline. 

This isn't a list you follow rigidly, it's a starting point for actually caring enough to get it right. Happy writing! :)

Looking For More Writing Tips And Tricks?

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

I genuinely think literature NEEDS more of 'spoiled but not rotten' characters! I love them so much and there's something so sweet and refreshing about seeing characters like that (because yes not everyone who is rich/popular is necessarily evil and mean)

And they don't have to always be rich! Some people are just 'spoiled' because they are pampered/sheltered in life or generally loved by everyone.

20 Small Flaws That Make Your Characters Feel More Real

No real person is cool and composed 100% of the time. Everyone's a little awkward sometimes, gets too excited about something dumb, or has a fear that makes zero logical sense.

Being a bit of a loser is basically part of the human condition, and leaning into that is what makes a character feel like a person instead of a concept. Here's 20 small flaws to work in.

1. Being Bad at Something They're "Supposed" to Be Good At: A great cook who can't bake. A doctor who faints at the sight of their own blood. The mismatch is more memorable than if they were just good at everything.

2. A Genuinely Silly, Specific Fear: Not spiders, something weirder and more specific, the texture of wet paper, a particular sound, mannequins. Specificity is what sells it.

3. Laughing at Their Own Jokes: Before anyone else does, sometimes before the joke's even finished. It's a small thing, and it makes a character feel instantly more human.

4. Being Weirdly Competitive Over Something That Doesn't Matter: Board games, trivia, who can parallel park better. The stakes being embarrassingly low is exactly what makes it funny and real.

5. Holding a Grudge Over Something Petty: Still annoyed about a comment from three years ago that nobody else remembers. It says something honest about how their brain actually works.

6. Being Terrible at Taking a Compliment: Deflecting, downplaying, immediately changing the subject. Tip: this one's a great way to show insecurity without ever having the character say they're insecure out loud.

7. A Guilty Pleasure They're Embarrassed About: A trashy show, a boy band, a food combination nobody else understands. The embarrassment matters more than the thing itself.

8. Getting Overly Attached to an Object: A specific mug, a childhood blanket, a pen that "just writes better." Irrational, a little silly, and completely believable.

9. Chronic Procrastination: Not because they're lazy, because starting feels harder than it should. They'll do genuinely anything else first, and somehow it still gets done at 2am.

10. Talking Too Much When They're Nervous: Rambling, over-explaining, filling silence that didn't need filling. It's the opposite of the composed, quippy character, and it's usually more endearing.

11. Being Chronically Late: Not out of disrespect, just a genuinely broken internal clock. Great for a character who means well and still somehow makes everyone wait every single time.

12. Interrupting People Without Meaning To: Excitement gets ahead of them before they can stop it. It's a flaw that reads as enthusiasm more than rudeness, if you write it right.

13. Overpacking or Over-Preparing for Everything: Bringing five contingency plans to a simple errand. Usually rooted in a deeper need for control that the character probably hasn't examined too closely.

14. Struggling to Apologize Properly: "I'm sorry you feel that way" instead of an actual apology. Not malicious, just genuinely bad at the specific skill of admitting fault out loud.

15. A Weirdly Specific Food Aversion: Won't eat anything that touches on the plate. Refuses a food purely because of the texture. Small, harmless, and instantly humanizing.

16. Being Nosy: Can't help asking questions that aren't really their business, and can't quite explain why they need to know either.

17. Hoarding Things They Don't Need: Receipts, old birthday cards, a drawer of cables to nothing. A small, physical way to show a character who struggles to let go of things in general.

18. Being Bad With Names: Meets someone five times and still blanks. Endearing on a stranger, mortifying when it happens to someone they're supposed to know well.

19. Overthinking Simple Decisions: Standing in front of a menu for ten minutes over what to order. The stakes are nonexistent and the anxiety is real anyway.

20. A Terrible Sense of Direction: Gets lost in buildings they've been in a hundred times. Small, low-stakes, and a nice way to let other characters tease them without it turning mean.

Looking For More Writing Tips And Tricks?

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

protect em dashes.

protect “not x, not y, but z” format.

protect short sentence stacking as a stylistic choice.

protect fanfic writers—who are kind enough to share their works with people to read for free—from ai witch hunts, speculations and accusations.

“don’t like don’t read” also applies to any fic that is ai-generated and any fic you think is ai-generated by the way. if you don’t like what you’re reading for any reason, you can always stop reading and exit the fic at any point. but harassment is never ever justified. no matter if you think you’ve found a noble excuse to do it. and also…

witch hunts, speculations and accusations harm the writing community as much as ai does. if not more. I don’t want to see another innocent writer get driven away from the community because someone decides to harass and accuse them for using ai just because their fic happens to have “ai telltales” — the same telltales ai got from having been trained on millions of human-made works to mimic how real humans actually write.

This is so important and occurs outside of the fanfic space as well. I've seen authors get rejected because their book sounded 'too AI' when they're just the type of writer who knows how to use em dashes. I've seen content writers and copywriters spend hours on assignments they submit for job applications that reject them for 'using AI' that they never used to begin with! All while those jobs hire writers who did in fact use AI and prompt it NOT to 'sound like AI' (because yes that is something you can very easily do), and publishers work with authors who have openly mentioned using AI for 'editing and brainstorming' while receiving little to no backlash for it.

Also, no you're not some holier than thou smartass for presuming everyone who does not have em dashes/'not x, not y, but z' writing is writing without AI and vice versa. I especially hate when people in power like publishers, employers, and professors use this presumption to make life miserable for writers who genuinely love writing

10 Non-Verbal Cues for Anxiety and Nervousness

Anxious characters don't need to say "I'm nervous" for readers to feel it. The body gives it away first, usually in small, easy-to-miss ways. Here's what to actually put on the page.

1. Fidgeting With Something in Their Hands A ring, a pen, the hem of a sleeve, doesn't matter what, as long as their hands need somewhere to put the energy. The specific object can say a lot about the character too.

2. Avoiding Eye Contact Not dramatic, just consistently looking anywhere else, the floor, a door, their own hands. It reads as smaller and more honest than a character announcing they're anxious ever could.

3. A Bouncing Knee or Leg Restless, repetitive, and usually something the character isn't even aware they're doing until someone points it out or puts a hand on their knee to stop it.

4. Picking at Skin, Nails, or Cuticles A little self-destructive, very believable. Great for a character whose anxiety runs deeper than the immediate moment, since this reads as a habit, not just a reaction.

5. Shallow or Held Breathing Breath that's too quick, too controlled, or just stops for a beat too long. Tip: this one works especially well right before a character has to speak or act, since the pause itself builds tension.

6. Repetitive Small Movements Tapping a foot, drumming fingers, clicking a pen. None of it does anything, and that's the point, it's energy with nowhere else to go.

7. Making Themselves Physically Smaller Crossed arms, hunched shoulders, pulling a jacket tighter. The body trying to take up less space says more than dialogue would about how exposed a character feels.

8. Touching Their Face, Neck, or Hair Self-soothing gestures that show up without the character clocking them, rubbing the back of their neck, tucking hair behind an ear over and over.

9. Scanning the Room or Standing Near an Exit A character who keeps track of every door in a room, or who angles themselves toward one without meaning to, is telling you they don't feel safe here, even if nothing's actually wrong yet.

10. Freezing or Going Rigid Not fidgeting, the opposite. Some characters go completely still when they're anxious, like moving might make things worse. This one's underused compared to the fidgety version and hits just as hard.

The best anxiety tells are the ones the character doesn't notice themselves doing. Let other characters clock it before your character does, and it'll read as real instead of performed. Happy writing! :)

Looking For More Writing Tips And Tricks?

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!