YOU🫵'RE 🫵 NE->XT.!! moTHERFUCKER!!!!
GET LOVED!!!!!!!!!!

YOU🫵'RE 🫵 NE->XT.!! moTHERFUCKER!!!!
GET LOVED!!!!!!!!!!
I want all of my mutuals to thrive and be happy
You can only reblog this today! Next time Thursday 20 will follow Wednesday 19 will be in 2439!
liar happy august 19th 2026
Heres all the art I’ve done for art fight so far, I’m actually having a lot of fun doing this!
Some of the people I attacked don’t have tumblr accounts, so I’ll be listing their art fight account usernames in order of images shown instead because the art fight account links won’t paste for some reason
Willows
Peachyytown
A_Random_Artist_lol
Lemonpies24
I can’t believe I forgot to share the last few attacks I did for art fight hdhdndneheheje I’m sorry
Names of creators who these attacks are for are listed in order of images
Fih129
dude 😢😢😢😢if😢😢😢😢😢you😢😢😢😢guys😢keep😢😢😢fighting😢😢😢about😢😢😢shadowvanilla😢😢😢and😢😢pureliky😢😢im😢😢making😢😢😢😢them😢😢😢😢all😢😢😢kiss
I’m so freaking obsessed with @bug-molarz Eternal Sugar design, I absolutely adore it and I loved making this art of her cause she’s so pretty
the dastardly curve has harmed me once more
if we're mutuals i will like almost anything you post like oh you're moving house? YAY ❤️ oh fit check? YAY ❤️ oh fanart of a character i dont know? YAY ❤️ oh OC lore? YAY ❤️oh you went to the beach today? YAY ❤️oh your parents are being mean to you? NOT YAY ☹️ BUT I WILL LEAVE A HEART IN SOLIDARITY!!!!!!❤️
EVERYONE STOP WHAT YOU’RE DOING AND LOOK AT HER
SHE IS SO PRETTY
RAAAAAAAAAAAA IM GONNA CRY AND THANK ANY AND EVERY GOD FOR LETTING ME BE ALIVE LONG ENOUGH TO SEE HER
I LOVE LOVE LOVE LOVE LOVE HEEEEEEEEEER SHE IS SO PRETTY
So
This might seem like a stupid question, but, y’all ever put rules only on yourself that feel absolutely horrible or wrong to break? It feels like if you break a rule you have on yourself, you feel like you did a bad wrong thing and you messed up?
To give an example of what I mean:
If I wanted to show off something I’ve been thinking of or working on, like an oc, I HAVE to make a reference sheet first, and introduce them with it before I can share anything else, and everything needs to be absolutely finalized, I can’t just suddenly ramble about ideas only in text, and I have to slowly tell the story. Stuff like that.

I miss them 😭😔
”I have this artistic idea but not the skills to achieve it to the standard I want.”
congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!
Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmother’s house? Two books trying to unravel the complexities of familial relationships?
Don’t let the fear of it not being perfect on the first try stop you from being Weird About It!
Please view Hokusai's gradual working towards The Great Wave Off Kanagawa, over a period of 39 years.
An early exploration of the themes Hokusai would keep coming back to is Spring in Enoshima, done in 1793 when he was 33. The wave is small and there are no boats, but Mt Fuji is clear in the background, and Enoshima is in Kanagawa, so we are clearly beginning to work towards something here.
A second pass, eleven years later in 1803 when he was 44. The title of this one begins to get more familiar: The View of Honmoku Off Kanazawa. It has a towering wave over a smaller boat, but Mt Fuji is not present, and the boat is considerably larger and has a sail. But the feeling of danger in the wave and the smallness of the boat are here, and of course the general composition is definitely recognizable.
This is A View Of Express Delivery Boats, done in 1805, merely two years later at age 46. Here we find the wave and the boats almost exactly as we'll find them in The Great Wave Off Kanagawa, though Mt Fuji isn't present, and the location is uncertain. And it's a good picture! The wave is threatening, the boats are small -- but the feeling of "ocean" isn't really there yet, is it? It's unlikely this picture would have become a classic for the ages. But that's okay, there's still time.
And here we have it, a full 26 years later, done by Hokusai in 1831 at the age of 72. The Great Wave Off Kanagawa, one of the most recognizable pieces of art in the world. The boats are there, the mountain is there, the wave is there, and the FEELING is there. He did it! He reached the apex of his ongoing motif and theme!
Or did he? Because the whole point of a motif is not that you're striving to get to the perfect version of it, the one idealized image you carried in your head all along, and when it is done, you are also done. Hokusai is on record at the age of 73 saying he'd only just begun to feel like he was learning how to draw things properly, and that "if I keep up my efforts, I will have even a better understanding when I was 80 and by 90 will have penetrated to the heart of things. At 100, I may reach a level of divine understanding, and if I live decades beyond that, everything I paint — dot and line — will be alive." He had drawn The Great Wave, but he didn't believe he was finished -- he thought that he was still just beginning to get started.
And he wasn't finished with his ocean motif, either. Please check out his Mt Fuji At Sea, done in 1834 at the age of 75.
It's all there; Mt Fuji, the ocean, the wave. The boats are gone, but replaced with birds, flying with the wave instead of fighting against it. It's not as famous as The Great Wave Off Kanagawa, but that's not what motifs are for -- each successive work does not have to surpass the previous in terms of success, especially in terms of external success. They're there for you to keep playing with, keep remixing and re-experiencing, for as long as you think you have something to say.
CRASHOUTS
Oh my god Bug these are so freaking good, peak crashouts
Cookie hand studies cus I realized all my hands lowkey look the same and I was embarrassed