Thank you for writing for me! It's been a few years since I last did Yuletide, and I'm looking forward to getting back into it.
If you want to know more about my likes and dislikes, there's a catch-all post
here.
The Red ShoesReally my OTP here is Vicki/ballet. That scene where she wakes up in the night and Julian is doing his music and she gets her shoes out...
So, how about... an AU where she doesn't marry Julian, but keeps dancing instead? Or one where somebody talks Lermontov into being a bit more flexible about the whole question?
Other possibilities could be backstory for Vicki. I love the scene where she goes back to her previous company - show me more of her time with them? Or go further back still and explore what led her to ballet. Was there hostility from her family, and if so how did she talk them round? Was she promising as a child, or did she have to fight to prove her worth?
Alternatively, I love all the hustle and bustle of the company and I'd be very happy with a closer look at a rehearsal or performance within canon.
Finally, if you wanted to enter the wacky world of the Red Shoes ballet, I would willingly follow you through all those nightmare landscapes. Feel free to draw on the fairy tale if you like.
Feel free to refer to real life ballet of the period or include crossovers with other relevant fandoms. I'm familiar with Sadler's Wells (I think Sebastian talks about this film at one point, but never mind) and many of the Noel Streatfeild books (the
Ballet Shoes continuity - apparently Moira Shearer played Posy in a publicity shot at one point -
The Bell Family, etc) - or if you wanted to focus on Vicki's family background then possibly the Lord Peter Wimsey books might be relevant. And so on.
The King of a Rainy CountryI loved this book. Nothing turned out the way I wanted it to, but I loved it anyway.
I'd love an AU where Susan decides to go away with Helena after all, or where Helena isn't as ill. Perhaps something happens slightly differently in that delightful scene at the photographer's.
What does Susan do after the end of the book?
I'd also love Helena's backstory - to see her as a very young singer, for example, making her debut in her first solo role. Or something that explores her friendship with Philip.
Cynthia's point of view on the whole series of events could be interesting. She's seen so much through Susan's eyes that it's difficult to get a sense of who she really is, but the trajectory that took her from school to Venice must have been a fascinating one. Even just the other side of that scene under the stage would be lovely.
Alternatively, I think Gill is a brilliant character, and if you wanted to ignore everybody else in favour of giving me the backstory of that letter she sends Susan, I'd be just as happy.
I'm not massively interested in Neale, though if you wanted to show me how his relationship with Cynthia works out that could be intriguing.
I think this would work fantastically well as a crossover with Marlows fandom. Other mid twentieth century book fandoms might also work.
The Comfortable CourtesanI've requested 'Any'. I like this universe a lot, and would be happy with a story featuring any of the available characters, or, indeed, any combination of them. (Some combinations seem more plausible than others - but if you have an idea for, I don't know, Lalage Fenster helps Matt Johnson solve a mystery, then that's absolutely fine by me!) All the canonical sexual (or presumed sexual) relationships are fair game here, and possibly non-canonical ones if you can make them work. Feel free to bring in unrequested characters, too. I'm particularly fond of Lady J- and Miss A-, and of Docket and Tibby, and later Sophy, and in fact Clorinda's staff in general.
Here are a few prompts:
Emily and Lalage working out what to tell the Merrett siblings
Matt, Sandy and Clorinda on a case
A private moment between Gervase and Sandy
Clorinda enlightening Em and Lalage on the possibilities of sex between women (maybe even demonstrating them?)
Eliza's take on one of the episodes we've already seen from Clorinda's and Josiah's point of view
A glimpse of the friendship between Clorinda and Milord before Sandy comes on the scene
Matt putting his feet up at Dolly Mutton's
Eliza distracting Clorinda from her latest novel (or maybe reading the manuscript in bed?)
Em falls for somebody impossible again
Le Comte de Monte Cristo/The Count of Monte CristoI've requested this in almost every Yuletide I've participated in, loved every story I've received in it, and still keep coming back for more.
On this occasion I've requested Eugénie, Louise, and Valentine. Please feel free to treat this as an 'or' match if you've got an idea that will only work with one or two of them present.
I find the class tensions (I originally wrote 'subtle class tensions', but there's very little in tCoMC that's subtle, and that's why I love it) very interesting. There's Valentine, the post-Revolution aristocrat who's willing to give up the whole lot to become a nun or to marry a shipping merchant's son; there's Eugénie, the nouveau-riche intellectual; there's Louise, who can be alone with Eugénie at home but can't be seen with her at the opera.
Eugénie/Louise is my OTP, but I'd also be interested in the 'opposites attract' aspect of Eugénie/Valentine. Gen is also good. Perhaps Eugénie comes up with some scheme to go to the opera with Louise without scandalising society. Or she and Valentine somehow end up discovering each other's elopement plans. I don't think Valentine and Louise ever actually meet in canon, but an AU where Louise is giving Valentine singing lessons could be quite fun. Or perhaps she just meets her at the Danglars'.
Die Lustige Witwe/The Merry WidowHanna! I think she's great. I love her political nous and her independent spirit. Again, there's some really interesting class stuff going on here. (I once saw a production in which the soprano played the character with a noticeable cockney accent, and it transformed the show from naughty-by-nineteen-hundred standards to searing satire.) I particularly enjoy the way she sets up Act II and presents herself as the simple (millionnaire, expat, hostess) peasant girl. (If you wanted to explore the practical challenges of replicating a world-famous nightclub in a Parisian back garden, I'd be up for that!)
I'd be interested to see how her marriage to Danilo works out. Alternatively, take a look backwards to their original romance. Or show me what her marriage with the millionnaire was like. Tell me more about her childhood in Pontevedro - maybe even build on 'Vilja' to expand the folklore a little. I love a bit of Ruritanian worldbuilding.
(I like the huge hat from the original production, too.)