Friendship is supposed to be reciprocal…isn’t it?

I have this friend.  Really, I think everybody has this friend, and probably multiple versions of this friend.  I have three of them, who are more or less “this friend” to various degrees.

This friend, though, I’ve known for many years, off and on, and she’s one of those friends that I can go years without seeing her, drop in for a visit, and it’ll be like no time has passed.

Of course, part of the reason that happens is because her life is largely unchanging.  She’s been living in the same place for years, married to the same guy, in a situation that would drive me to drink (or at least to work hard to change it).

I always have fun when I go to visit her, but I don’t really miss her during the times when we’re not in contact, and it always boils down to the same sorts of problems that lead me to wander off again.

The problem is, she’s not a reciprocal friend.  I went over there, and we hung out, and we talked, and she told me about the trip she took for her daughter’s wedding, which included a detour to Disneyland, and she showed me the things she bought there.  It was a fine conversation… except that it was all about her.  Really, every conversation that we’ve ever had is all about her, and even when I talk about myself, she’s one of those people who has to tell competing stories, because nobody can ever have gone through anything that’s harder than what she has to put up with.

I hadn’t seen her in five or six years, because of Hurricane Isabel, and when she messaged me the other day (because her dog, who I knew, had died) I told her that we’d split up.  I mentioned that Isabel had been controlling and abusive.

At no point did she ever ask me what I meant, either online or in person.

With anybody else, I would assume that it was because she was uncomfortable with the idea of abuse, but she had been a childhood victim of abuse herself.  We’d talked about it at length over the years.

I said, offhandedly, that I’d have to have her over to see my apartment.  I wasn’t really expecting much from the offer; she rarely visited me even when we were in regular contact, even though I had more space.  It was up to me to drive 40 minutes across town or make the two+ hour trek by bus if I didn’t have a car available.

She said it would take time, because she’d have to convince her husband that I was “safe.”  He was nervous about her talking to me, and another friend of hers (someone I hadn’t spoken to since I moved out to be with Isabel) was also nervous.  As far as I can tell, they were nervous because my behavior had been somewhat erratic when a) I was having a nervous breakdown and b) when I was in an abusive relationship.

Now, her husband has never liked me, and my allegedly erratic behavior was just a new manifestation of the same old story, but why would you say that to someone?  She could’ve made a noncommittal response and that would’ve been the end of it.

She made me uncomfortable, repeatedly and at length, and she never seemed to notice when I wasn’t engaged in the conversation.

And now I don’t know how to call her on it.

I mentioned earlier that I have more than one friend who wants me to give to them without feeling like they need to give back.  The other two aren’t as blatantly self-centered about it, but I think my willingness to just stand back and let them do it is a result of years of emotional abuse, not only from Isabel but from my father.  My feelings aren’t as important as other peoples’ feelings, and my experiences are only valuable when I can leverage them to give advice to other people.

This blog wouldn’t even exist if it hadn’t been for my wanting to share my experiences to help someone else identify abusive behavior.

But I’m feeling awkward and irritable and I don’t know what to do with it.  I had fun at the time, but the more I think about it, the more uncomfortable I become with the whole situation.

I hope your Monday is going better than mine.

Friday Gauge Check: Branching Out

For those of you who don’t know, Peter the Rat proved to have pneumonia, and the vet advised that we put him down.  So that was the beginning of my week, making the hardest decision a pet owner has to make.

The experience at the vet’s office was otherwise very nice.  The exotics vet was very kind, but also quite frank in her assessment, and she explained what had happened without making me feel like a terrible person or a bad pet parent.  The rest of the staff was also super nice, and everybody kept telling me that they were sorry for my loss, and…. Well, I hope I never have to, but I wouldn’t hesitate to go back with another pet.  Yesterday I even got a sympathy card from them, which I thought was a really  nice touch.

Let’s move on to happier things, shall we?

I finished the first Nutkin sock, and if I’d managed to keep all my knitting, I’d be halfway done with the second one too. Not only did I have to rip back the leg, as I talked about last week, I also had to do the heel twice, because I did something strange while picking up stitches and ended up with a lot more stitches than I should, and it was all very odd.  I ripped back and did the Eye of Partridge Heel instead, which looked phenomenal in the yarn I was using, and Jack was thrilled with it, so I’m actually very glad that I did it.  Lesson: the second time is probably better, anyway.  I improvised the toe, because the pattern called for coming to the end of a repeat and doing the toe in stockinette, and it wouldn’t have looked right on Jack’s foot, so I fiddled around with it and I’m very pleased with my results.

Nutkin is a very simple openwork pattern (it’s not lace, okay? because it’s for A MAN) made with one yarn over (which adds a stitch) and one SSK (slip, slip, knit – it turns two stitches into one) per row, so for the toe, I omitted the yarn overs and let the SSKs be the decreases, and when I came to the end of the pattern, I had three or four rows in stockinette, and it looks great.

I cast on the second one and I’ve done the cuff ribbing and one complete pattern repeat – no Second Sock Syndrome for me!  It helps that Jack is really excited about these socks, and can’t wait to wear them.

The yarn, too – guys, this yarn is great.  It’s just Knit Picks Stroll Tonal in Canopy, it came with the Flash Dance sock kit I picked up.  The other Stroll I’d worked with the Hand Paint in Tree Fort, pooled quite a lot, and while Jack loved the way it worked up, I would’ve done something else if they were my socks.  But this stuff is really nice to work with – it’s very lofty for a fingering weight, and it’s incredibly soft for a superwash wool/nylon blend, with none of the scratchiness that I got working with, for example, Poems Sock.  It’s not particularly splitty, and when I do manage to split it, it goes back together very readily. Now, the Nutkin pattern specified that it was good for variegated yarn with subtle color changes, and it was absolutely right.  The striping is gorgeous.

Okay, enough about Nutkin. I do have another project to talk about, because I cast on something else last night!  The trouble is, I can’t really talk about it, because it’s a test knit.  It’s a shawlette, and my first major Serious Lace Project, and I’m having a ball.  I’m using a variegated yarn I picked up on sale at JoAnn’s (I know! But it’s actually a wool/nylon blend and it was really pretty), and I started out one needle size up from the pattern, as I always do, but I didn’t like the fabric I was getting, so I switched back to a size 6, and it’s just lovely.  I’m about ten rows in, and I found a mistake, so I’m probably just going to rip back and start over, but it’s bottom-up, so I’ve got maybe 30 stitches on the needles.  This is going to be a learning experience – I’ve never actually worked with a lace chart before, because I could never quite figure them out (lace charts are different from any other kind of chart), but she has both written and charted directions, so I was able to sit there with the chart and the written directions side-by-side last night, and figure out what the chart was doing until I could actually read the chart unaided.  I feel like I leveled up in knitting, there, and after this project is finished, it will definitely count as a major success.

I’ve been spinning for a few minutes pretty much every evening. I’m still working through my undyed Corriedale cross roving that I got from Webs, and it’s still very enjoyable. It’s spinning up light, lofty, and fuzzy, much bulkier than I normally get, but I also haven’t had any problems with breakage and very little issue with overspin.  I have a feeling that all the overspin will be taken care of when I ply, which is perfect.

Tour de Fleece is coming up very soon, and I’m excited!  Tour de Fleece is an activity on Ravelry that parallels the Tour de France, and you set spinning goals, and there are prizes.  I think my goal is going to be very simple – I’m committing to spinning every night during the Tour for fifteen minutes – but I’ve never had a spinning goal before, and it promises to be fun. I just need to finish working through my Corriedale bump before it starts, so I have two empty bobbins.

I reconnected with my oldest friend this week, and I’m actually going to pay her a visit this afternoon. She and I have been friends since childhood, and though we go long stretches without seeing each other, we can always pick back up as if no time had passed.

That’s about everything that’s worth talking about in my week. How’s everybody doing?

Friday Gauge Check: Monogamy Edition

My gauge is a little wonky this week.

Well, that’s not entirely true. In some areas of my life, my gauge is spot-on; in others, it’s all out of whack.

I had a stomach ache on Tuesday and a migraine on Wednesday that carried on as a low-level headache into Thursday, and I have that feeling that a headache might be triggered at any moment today. Does that happen to you? It’s like distant stormclouds, and I have no way of knowing whether they’re going to blow away or come in and provide another torrential headache.

My oldest rat, Peter, is sick, and apparently Malfoy decided that he was going to be incredibly aggressive (male rats will occasionally do that without warning or provocation) and seriously bit Peter in a couple of places, which isn’t helping his recovery process.  Neither is the fact that Peter is pushing three years old, which makes him quite a senior rat indeed. He has an appointment with the vet tomorrow afternoon. I’m very worried about him.

It seems like the entire state’s on fire, to the point where we were making jokes about someone summoning salamanders last night. It’s not just the huge wildfires, which we frequently get during the summers, particularly when a rainy winter is followed by a dry spring, but also house fires in the city here.

Everything just feels sort of…off.

Which is too bad, because I had a spectacularly good Saturday.  We went down to Tucson, to Grandma’s Spinning Wheel, a shop that I plan to write a review on, because it was an amazing experience.

One of the great things about the shop is that they keep an incredibly wide variety of wheels in stock, and when I said I was interested in one, she led me over to the wheels, grabbed me some fiber, and then let me play. I spent well over an hour trying out wheels, and she even brought over the wheel that she was spinning on to let me try it.

I spun on a double-treadle Lendrum, Ashford’s Traveler, Kromski’s Minstrel and Sonata, and Schacht’s Ladybug. I ended up really liking the Traveler (not really surprising, since I love the Joy), not caring for the Minstrel or the Ladybug, and developing an intense crush on the Lendrum. I couldn’t get the Sonata to behave, something I mentioned when she came over to check on me.  I was raving about the Lendrum, which made her happy, because apparently she has two of them, but she immediately went over to look at the Sonata. She wanted me to have an optimal testing experience, even though I was pretty sure I was sold.

I’m glad she did.

I’d tried the Sonata at TYF, and I’d liked it quite a bit, though not as much as the Joy. This Sonata, though, was an absolute pleasure to spin on. She was also finished, in the walnut stain, so she was a gorgeous dark color and looked quite elegant.

My experience of the Sonatas is that they’re slightly fussy. It’s a travel wheel, and the mother-of-all (the part where you actually make yarn?) lifts off, and the whole thing folds flat. It even comes with a padded bag, which most spinning wheel companies charge upwards of $100 extra for. But if the mother-of-all isn’t put on perfectly straight, the wheel complains a little. With that in mind, if you’re having any problems at all, the first thing to try is shifting the mother-of-all, and that’ll usually fix your issue. Anyway, once she got it set up, I was spinning away immediately.

When it came time to make the decision, I was still torn between the Sonata and the Lendrum.  There was a slight price difference, less than the price of a bag, but I was fairly convinced I could make a bag myself, or recruit one of my friends who sews to make one for me.  Or wrap it in a blanket when I travel.

Fate ended up making the decision for me – they didn’t have a Lendrum in stock. Or, rather, they had one in stock, but it was on layaway for someone. They didn’t have an additional Kromski in stock, but they gave me a nice discount on the floor model – the one I’d already spun on and loved – and let me take her home.

Alvida, the Kromski SonataMeet Princess Alvida the Pirate Queen.  She is named for a Swedish princess-turned-pirate-turned Queen of Denmark. (I couldn’t make this up.)

I’ve been spinning nearly every day, and have (thanks to the wonder of the internets) taught myself how to Navajo ply and to spin semi-woolen.  I’ve tried a couple of fibers, discovered that Corriedale is easier to spin than Merino, and that being able to sit down at my wheel for five or ten minutes at a stretch is calming in a way that not even knitting can touch.  (Knitting is close. But spinning is mediation.)

I did a little weaving, too, adding a few inches to the Neverending Gold Warp. Fortunately the wrong-size brown looks gorgeous, so working on it is at least not depressing.

Knitting is the reason this post is the “Monogamy Edition.”  This week, except for two rows on my December Little Shawl, which hardly count, I have been a totally monogamous knitter. The Nutkin Sock is eating my brain and all my knitting time. Today I finished the leg (eight pattern repeats) and got ready to start on the heel. I determined that I didn’t particularly care for the heel called for in the pattern (mostly because the number of stitches I had didn’t match the number of stitches the pattern talked about, because of that additional motif). I also didn’t like the heel in the sock book I had in my bag (don’t you carry a sock book in your bag all the time? Yeah, me neither) and I couldn’t get the numbers to work for the Knitmore Girls’ Plain Vanilla Sock Pattern. What I ended up doing was swinging by the library to (re-)borrow Stephanie Pearl-McPhee’s Knitting Rules! because her sock recipe (rather than pattern) was exactly what I was looking for. I’m now merrily knitting away at the heel flap.

I haven’t been a mentally monogamous knitter; I’ve been doing research for some gift knitting I’m planning, and I hunted up a mitten recipe with a gusseted thumb that I think I can work into the Celtic Moonrise Mittens, which really deserve to be finished.  When you knit all the way to the end of something, and discover that, while it may be pretty, it isn’t really designed to fit a human being, it’s admittedly very depressing. I think, however, that it’s sat in time-out long enough, and hopefully will behave now.  I even threw the yarn and needle into my bag so I could try it again… but then I didn’t, because all I wanted to work on was the Nutkin Sock.

I also stopped by TYF tonight and picked up some more fiber. Now that I have a wheel, I’m working through my (admittedly very small) fiber stash with distressing speed, and the Tour de Fleece is coming up.

So how’s your week been? Let me know in the comments, because I have to get back to work on the Nutkin Sock. Maybe if I finish it, it’ll let me work on something else.

Ripping Back to Move Forward

Cuff and a couple of inches of knitted sock-in-progress. I finished the Personal Footprint sock. Jack says it fits better than any sock he’s ever owned, so there’s the best kind of recommendation for Cat Bordhi’s technique: it works.

Flush with success, but on my way to work, I grabbed a cake of sock yarn (Knit Picks Stroll Tonal in the colorway Canopy), my favorite sock needle (also Knit Picks, a 2.75 mm 40″ fixed circular in Harmony wood), and my copy of Wendy Johnson’s Toe-Up Socks for Every Body, where lived the next sock pattern I was going to do, the beautifully cable-rich Manly Aran Socks.

As I’ve probably mentioned before, I’m an extremely tight knitter, and I make it a habit to automatically go up a needle size when I work from a pattern. (Despite all the threats about gauge, and my incredible lack of swatching, this tends to work beautifully.)

Of course, when I got into work, I realized that pretty much all of the socks in this book call for two needle sizes, a smaller one for the foot and the next size up for the leg. Which would be fine… if the smaller size, the one I would need right away, wasn’t a size 0, 2.0 mm. I do have a 2.5 mm needle, the next size up, but I didn’t have it with me (of course) and there aren’t any yarn shops near my workplace, so I couldn’t even make a frantic lunchtime pilgrimage to get one. Sighing, I pulled out my little December shawl and worked on that for awhile.

The problem that I’m having with that shawl (this is the pattern that finally hit the What Do I Do With That Gorgeous Handspun From the Ren Faire jackpot, remember?) is that whatever wool it was spun out of was extremely short-staple, which means it sheds little fibers when I work with it. I don’t mind being covered with fiber; I am A Fiber Artist after all, and fuzziness comes with the territory. What I do mind is that those short fibers seem to like going up my nose, and so when I knit on that shawl, I tend to end up with an allergy attack. Unattractive, impractical for work, and anyway what I want to knit right now are SOCKS.

Of course, the answer to almost any knitting problem, particularly “What do I knit next?” is always Ravelry. What I settled on was Beth LePensee’s Nutkin Socks, which not only called for a 2.5 mm needle, but said it worked well with subtle striping yarns, which I suspected that the Stroll Tonal would be.

Now, let me disclaim: there is nothing wrong with this pattern. It’s beautiful, it’s well-written, and it knits up gorgeously. The first picture, up above, is the sock knitted to pattern. It has a strange cuff – you knit six rows in stockinette, knit a purl row, then knit six more stockinette rows. At that point, you fold the cuff at the purl row, and pick up and knit together the cast-on row with the live row, creating a…folded-over cuff. I was uncertain, but I did it anyway, and even managed to pick up the stitches without twisting so the pattern would come out straight. Then I knitted. The pattern is simple enough that I had it memorized within a row or two. Technically a lace pattern, as the cable-looking design is created with one YO and one SSK per motif, it’s a brilliant little traveling row (i.e, in the first row, for each motif you purl 1, yarnover, knit 3, slip-slip-knit, knit 9, and purl 1 and in the second row, you p1, k1, yo, k3, ssk, k8, and so on), it’s meditative and extremely addictive, to the point where I was halfway down the leg, four pattern repeats in, by the end of the night.

And that’s where I ran into problems. The pattern, you see, was for a woman with an 8″ foot circumference. I was knitting for a man, a man with serious calves. I pointed out to myself that I was using a larger needle than the pattern called for, never mind that I always use a larger needle than the pattern calls for, because I’m a very tight knitter. I pointed out that it looked exactly like the picture, never mind that the picture was of a woman, presumably with an 8″ foot circumference. I denied and I knit and I knit and I denied. I was, after all, at work, so it wasn’t like I could try it on him. I clung so hard to my denial that I didn’t even try it on myself. The cuff and the first repeat looked pretty stretchy, but by the time I got to the fourth one, I was eyeing the cuff and his leg with something vastly approaching dismay…and acceptance. There is no way that’s going to fit, I thought to myself.

But then, my dear readers, I did something smart. By this time, I was home, so I handed it to him and had him try it on. In good news – it fit. That was the extent of the good news, because the way it fit suggested that I should immediately be starting on the heel, and I really didn’t like the way the pattern looked when it was stretched.

I looked at the sock and I looked at him and I looked at the yarn and I looked at the sock, and I admit, my friends, that I was weak. This beautiful, beautiful sock, and this delightfully fun pattern, and I bet it would fit me, I thought but did not say. And then I looked at the yarn, in his favorite color, the yarn that he’d raved over when it arrived and again as he saw the progress I’d made on the sock, and I looked at this man I’m going to marry, that I love more than anyone…and I pulled out the needles. And I frogged the entire thing. All the way back. It was very sad, but this man is deserving of my time and of socks that fit, and if I was going to knit socks for myself, I was going to knit the laciest, girliest socks ever designed by woman, and I was going to do it in purple yarn. There was no point in hijacking his yarn and his pattern so I could save myself some work.

I went back to perusing Ravelry, but eventually I gave up and looked at the Nutkin pattern again. It was only written in one size, but she does mention that you can adjust the size by adding additional motifs, or using larger needles or yarn. Well, I had the yarn, and I loved the needle, and I loved the fabric that the two together were producing. It was thick and solid and would make good socks. But

an additional motif would add 16 stitches, and 16 stitches should be enough to go around my man’s serious calves.

So I cast on again. This time, I made the cuff a 2X2 Nutkin Sock, Take 2rib, and I actually like the way it looks better. I worked on it all day yesterday, and I got through three pattern repeats. I have almost knitted through the frogged yarn, so I’m nearly back to my starting place.

And here we go with “knitting is like life,” because it’s okay to make mistakes, it’s okay to admit that you’ve made one, and it’s okay to go backwards in order to go forwards more correctly. This is particularly true in the healing process. Some days I really feel like I’ve regressed, and I’ll never be as together as I was before I met Isabel… but that’s okay. I’ve definitely grown, just in directions that aren’t as evident, and I need to give myself permission to struggle with things, even if they were easy before. If it was a physical injury, it would be more evident, but I’m not any less injured because the damage isn’t immediately obvious.

What have you frogged lately, metaphorically or literally? How soon did you give yourself permission to admit that you’d made a mistake? If you could do it again, what would you do differently?

Friday Gauge Check: Making Progress

Personal Footprint Sock #2

That, ladies and gentlemen, is the completed foot of the second Personal Footprint Sock.  I’m actively working on this partially because I finished the red-and-white dishcloth that had been my work knitting, and mostly because Jack is a wonderful man who deserves hand-knit socks.

As I’ve mentioned before, this is based off of Cat Bordhi’s Personal Footprints for Insouciant Sock Knitters (partially obscured in the picture by the sock).  Now, this is a really interesting way to knit socks, and it claims to make socks that fit better than any sock you’ve ever owned.  I have two minor problems with it, both of which are very… personal.  Now, I’d recommend this book to a beginning sock knitter without hesitation.  Also, if you or someone you knit socks for has weirdly shaped feet, particularly if you’ve had problems either buying or knitting socks that fit right.  If commercial socks slide down, but you can’t seem to knit to a pattern and produce good socks either, buy this book.

The socks in this book are incredibly and fundamentally customizable, and she has suggestions for fit issues every step of the way, from toe length to instep height to heel length, and they go together in a truly novel sort of way unlike any other sock you’ve ever knit.  Her instructions are clear, and I believe there are helper YouTube videos linked on her website if you get stuck.

My problems are two, and very minor.  First, the sock is based around a template that you make of your recipient’s foot.  You knit to a certain point in the template, then you do the next step.  That means carrying around the template, which is… well, it’s a piece of heavy cardboard the size of an adult male foot.  While Jack doesn’t have super-big feet, it’s still sort of awkward fitting it in my purse.  I’m sure I could fold it in half or something… there are ways around this (again, very minor) issue.

The other problem, and this is much more difficult to solve for, is that the way the pattern is written, there’s no heel turn.

 That’s why I’d recommend this for beginner sock knitters – heel turns are scary for a lot of people.  A heel turn is finicky and complicated and really easy to screw up. I banished the Ribbed Socks to the UFO bin for several months because I was having problems with the heel turn, and I’m sure I’m not the only person who’s done this.  They’re a major pain in the butt for sock knitters… and they’re also my favorite part of sock knitting.  Not the heel turn itself, but the moment when you finish, and you’ve turned this sort of shapeless tube into something that is obviously a sock.  It’s like magic.

With Bordhi’s method, on the other hand, you knit to a certain point (where the sock hits the ankle bone, I believe), and you slide in a lifeline, knit two rows, and then slide in another lifeline.  Then you take a small piece of waste yarn and tie it around the midpoint stitch of that middle row.  After that, you knit the heel decreases, which are exactly like the toe increases, only backwards, close off the heel, and then slide your needles into the stitches where the lifelines are.

You pick up that single stitch you tied off… and cut the stitch.  I KNOW, RIGHT? You unravel the row, and that creates the leg opening.  So it’s sort of like steeking in Fair Isle, only with less scissor action, and it’s admittedly a little scary.

So I just did that, and I’m about to head into leg knitting, which is pretty much my least favorite part of sock knitting, because it’s just around and around until you get tired of it.  On this sock, anyway, which is a completely plain-vanilla sock.

I’ve able to make this much headway on my knitting because work has slowed down a lot.  I won’t have to work overtime after this week, which is sad because it’s less money, but it’s also less stressful and exhausting, and I’ll have more time to do fun things, like spend time with Jack, and knit.

Speaking of knitting, the neverending shawl search is over!  I decided to hunt for patterns specifically recommended for handspun, and after trying several others, I finally discovered Lucia Tedesco’s December Little Shawl.  It didn’t require casting on 300 stitches – which, considering how many times I’ve tried that and discovered that I didn’t like the pattern with the yarn, was a plus – it’s simple enough to work on in company, and it’s an easily memorable pattern.  I’m at about kerchief size, making good progress, and the only problem that I’ve run into is that the yarn is spun out of some sort of short-staple wool and it makes me sneeze.  So I may have to knit wearing a surgical mask.  Either that, or sneeze a lot.

I wove a little bit this week, and determined that the brown Wool of the Andes that didn’t work for the Skull Isle hat looks fantastic with the gold yarn of the warp.  I’m happy, Jack is happy, the loom is less neglected, and I won’t have to re-warp it to get a project that I enjoy working on, which makes me even happier.

Plus! A super-secret project for my boss that’s got me doing amigurumi design!  It’s exciting and I’m having fun with it (if not with the rather splitty yarn I’m trying to use, yuck).

My local JoAnn Fabrics had some rosewood cable needles on clearance, and I scored 29″ needles in sizes 6, 7, and 8 for about $5 apiece, which is awesome.  I think 29″ is a good small-shawl length, which leads neatly to what I plan to do with my next week.

I’m definitely going to be casting on another (more interesting) pair of socks, probably the Manly Aran Socks out of Wendy Johnson’s Toe-Up Socks for Every Body.  The rosewood cable needles mean that I can finally start the Citron shawl (or maybe the Forest Ridge) with my languishing Malabrigo lace!  Then, if I have time, maybe a colorwork project – I need a June project for my 11 Fingerless Gloves in ’11 challenge, and there are some beautiful ones in my queue – and more weaving.

Also I am taking a Secret Excursion this weekend (okay, I’m going to Tucson to do a yarn crawl and see Harry and the Potters) and might come back with something super-special.

Party in the comments!  Check your own gauge, leave recommendations for wacky wizard music, tell me what super secret projects you’re up to.