My Flying Lizard Circus

I updated my sticky post with: PSA: if you get an email out of the blue that is supposedly from me, offering to help you with marketing or other publisher services, or asking for money, it is not me, it is a scammer. Also, if you see me on Facebook or Threads or XTwitter, that's not me either.

This is a very common scam now, one of the many scams aimed at aspiring and new writers.


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I'm still sick, ugh


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Nice article on Queen Demon on the Daily KOS:

https://www.dailykos.com/stories/2026/1/5/2361356/-The-Language-of-the-Night-Martha-Wells-takes-on-colonization

One of Wells’ most compelling gifts as a writer is the way she interrogates trauma, and trauma is very much in evidence in her recent works, especially in both Murderbot and The Rising World. Where the Murderbot stories form an enslavement narrative as personal journey and healing, the Rising World series applies a wider cultural lens to trauma and loss.

Kai has seen his world ripped apart twice: the way to the underneath, the world of his birth, is shut off; the world of his above existence, the world of the Saredi, is also gone, both of them murdered by the Hierarchs. (You could argue that the third traumatizing loss-of-world is losing Bashasa, but that lies in the gap between past and present narratives.) In the past narrative, a vanquished Kai himself is imprisoned in the Summer Halls until Bashasa frees him and he joins the ad hoc rebellion.