My Flying Lizard Circus

Great interview about Murderbot:

Bifurcating Character with Incisive and Witty Inner Monologue: a Masterclass with ‘Murderbot’ Co-Showrunners Paul Weitz and Spirit Awards Winner Chris Weitz


Since SecUnits issued by the Corporation Rim ­(a group of mega-corporations ruling the galaxy in the distant future) are sentient, complete obedience to human orders is guaranteed by the “governor module” in each unit. However, Murderbot (Alexander Skarsgård, who nabbed an Emmy for his intricate and chilling performance in the HBO series, Big Little Lies), figures out how to disable its module to gain autonomy. “Murderbot is sentient from the get-go — it’s basically a slavery narrative. It’s important to Martha that Murderbot was always sentient,” Chris says of the close collaboration with consulting producer, Wells. “All the SecUnits are under human control. They can think for themselves but can’t act for themselves. So, they experience this torture of being at the disposal of others.” In addition to exploring themes of humanity and free will, the series also calls into question the issue of personhood, as Paul notes: “To what degree are we going to grant personhood to non-human intelligence?”

https://www.filmindependent.org/blog/bifurcating-character-with-incisive-and-witty-inner-monologue-a-masterclass-with-murderbot-co-showrunners-paul-weitz-and-spirit-awards-winner-chris-weitz/


***


I'm trying to get back into the swing of things after basically three weeks of travel in October, catching up on household stuff, trying to get ready for the holidays, getting back into working on the current book. I think I was more mentally exhausted than physically, but it was still a lot.

I didn't stay more than a day in any one city (except for two nights in Allentown, PA, which was lovely) and I was mostly leaving before most of the hotels started to serve breakfast, so I was living on a lot of airplane food. I did get to ride the train for the first time in the US (the Acela Amtrack) which was fun. I've ridden trains in Sweden, the Netherlands, and Scotland, but never here.

There was a lot of emotional overwhelm, seeing so many people, but also it felt really good, because they were all people who cared about books and art and creativity. The smallest crowd was in New York, about 40-50 people, the largest was in Seattle with around 300. The Texas Book Festival in Austin was like an encapsulation of the whole trip, being in a giant crowd of people (the largest in the festival's 30 year history) who were all "books, books, books!" I've heard that people seemed to be going to more arts-related events lately, and that was what I saw on my trip.

A really thoughtful essay on Murderbot: ‘Even If They Are My Favourite Human’: Murderbot Just Explained Boundaries

https://countercurrents.org/2025/07/even-if-they-are-my-favourite-human-murderbot-just-explained-boundaries/

“I Don’t Know What I Want”: The Line That Changed Everything

In the final moments of the season, Murderbot says: “I don’t know what I want. But I know I don’t want anyone to tell me what I want or to make decisions for me. Even if they are my favourite human.”

This is not a dramatic declaration. It is confusion wrapped in clarity. A sentence that holds discomfort and self-awareness in equal measure. It reflects a truth often ignored in stories about intelligence and emotion: that it is okay to not know, as long as that unknowing belongs to the self. In a world that constantly demands certainty, this line opens up space for uncertainty without shame.


* And a great interview with Alexander Skarsgård!

https://collider.com/murderbot-finale-alexander-skarsgard/

So, it just wants to start fresh and get away, and figure out who it is and what it wants. It doesn't really know that. I quite enjoyed that Murderbot didn't end up having answers to all the questions or knowing exactly what it wants. It's more messy and complicated than that. But it definitely knows that it needs to find its own path and make its own decisions, to make its own mistakes, and not have the Corporation or anyone tell it who it is or what it wants.

In Psychopomp, with me, Wole Talabi and Alix E. Harrow:

https://psychopomp.com/fantasy/issue97/interview-with-world-fantasy-finalists-part-one/


And in Scientific American:

https://www.scientificamerican.com/article/were-light-years-away-from-true-artificial-intelligence-says-murderbot/

Great interview with Murderbot executive producer Andrew Miano:

https://www.nexuspointnews.com/post/interview-murderbot-ep-andrew-miano

First and foremost, my partner Paul Weitz read the book for pleasure, not with any eye towards adaptation, and came in with it and said, "this would make an amazing TV show." We all read it and really sparked to it and thought it was unique and special and funny, which is not something that you always get in a lot of sci-fi. [It is] also very meaningful and emotional. It was the whole package so it was very exciting and we went about it. We met Martha... One of the biggest things to focus on is how do you honor the book? How do you translate that to the screen? It's not easy, but I'm very fortunate to have Paul Weitz and Chris Weitz — two smart, talented partners — creating and running the show with their guidance and Martha's support and involvement to sort of capture and stay true to the books.

* Interview with Sue Chan, the production designer:

https://filmstories.co.uk/news/murderbot-designing-a-future-world-that-doesnt-look-like-alien/

“I started out by taking the most ancient societies on each continent – Etruscans, Asian, European, and African cultures,” Chan tells us. “I looked at the most fundamental motifs and gathered them into a bible, then asked my team to imagine 100 generations from now, when the diaspora of Earth have chosen to live together in society. How would they evolve a unified set of symbols? A language that really honours where they came from.”

This informed the alphabet that can be seen in the decoration painted across the otherwise grey, corporate habitat the PresAux crew are leasing. At the same time, acknowledging how much of the crew is queer and polyamorous, the colours of the rainbow are also entwined into their decorations.

“All of that is mashed up but it has a fundamental logic to it,” says Chan.



* Interview with Akshay Khanna (Ratthi):

https://squaremile.com/style/akshay-khanna-murderbot-actor-interview/

I’m incredibly excited for people to watch Murderbot on Apple TV+. Sci-fi has been my favourite genre by a country mile forever, and being on a show like this has always been a career goal of mine. Frankly, I had too much fun filming that show, and getting paid to do it constantly felt like I was getting away with something on set.

And the show is just so good. I can confidently say it’s fantastic – and if you don’t like it, then I would gently tell you that it’s OK to be wrong sometimes.


* Interview with Sabrina Wu (Pin-Lee):

https://www.autostraddle.com/sabrina-wu-interview-murderbot/

And then once I got the role, I read the books and I was legit just blown away at how funny the books were. I just haven’t seen such a dry sarcastic sensibility with this kind of hero sci-fi stories. And then I also just really liked that it was in the tradition of I felt like Octavia Butler, where it’s like, “oh, this is a queer imagining of the future.” So I don’t know. I just thought it was a really sweet, funny, different world. I also, obviously every comedian who becomes an actor, their dream is to get to work on something with action to move beyond an It’s Always Sunny kind of comedy. I believe there was already an opportunity for me to be in a spaceship and shoot guns, and it just made me happy that it was genuinely funny source material.



* Video interview with Tattiawna Jones (Arada) and Tamara Podemski (Bharadwaj):

https://www.youtube.com/watch?v=NllgfEekw9s



* And a video interview with Noma Dumezweni (Mensah)

https://www.youtube.com/watch?v=_ZpigqUqZXQ



* and a video interview with Noma and David Dastmalchian (Gurathin)

https://www.youtube.com/watch?v=361cKOujISE



* And a video interview (with a transcript) with Alexander Skarsgard, Jack McBrayer, and Paul and Chris Weitz:

https://collider.com/murderbot-alexander-skarsgard-jack-mcbrayer-creators-paul-weitz-chris-weitz/


* And there is a profile of me in The New Yorker (!!)

https://www.newyorker.com/culture/persons-of-interest/do-androids-dream-of-anything-at-all


* ETA: In ‘Murderbot,’ an anxious scientist and an autonomous robot develop a workplace-trauma bond

https://www.latimes.com/entertainment-arts/tv/story/2025-06-13/murderbot-episode-6-alexander-skarsgard-noma-dumezweni


Leading a TV series is a first for Dumezweni, who has previously been cast in smaller roles. She wasn’t convinced by the initial pitch at first because sci-fi hasn’t traditionally had a lot of major roles for actors of color.

“Usually I’d come in and play the receptionist,” she says. “I love to watch sci-fi. But I wondered: Who am I going to be in this sci-fi world?”

However, once she learned more about the world and the character, the actor changed her mind.

“It was an absolute joy to discover that there was nothing that Chris and Paul had to change to make it representational,” Dumezweni says. “It’s lovely not to have to fight for people’s positions in the world based on their skin color.”



*
ETA: Wanted to add this one real quick from BlueSky:

Vestal Magazine: Noma Dumezweni -- Off Canvas

https://www.vestalmag.com/noma-dumezweni


Set in a near future where the line between machine and human is increasingly blurred, Murderbot explores themes of identity, autonomy, and what it truly means to be alive through the eyes of a self-aware security android. Adapted from Martha Wells’s beloved The Murderbot Diaries novels, the series blends gripping sci-fi action with sharp, witty humor. At the heart of the story is Noma Dumezweni’s portrayal of Dr. Ayda Mensah, the thoughtful leader of a pacifist civilization struggling to uphold her community’s ideals amid a universe dominated by corporate greed and political tensions. Noma brings to the role a grounded strength, embodying the delicate balance between idealism and pragmatism as her character wrestles with the burdens of leadership and moral compromise. The parallels between Noma and Ayda run deep: both choose to lead with heart, courage, and conviction. “Your head will try to talk you out of that feeling of expansion. It will tell you, ‘You can’t do this,’” Noma says. “Trust your body, trust your instinct. Your body knows the truth.” That instinct and bravery have guided her career, from becoming the first Black actress to portray Hermione Granger on stage, a landmark moment for representation in theater, to winning two Laurence Olivier Awards and becoming a beacon of inspiration for a new generation of actors. Like Ayda, Noma has forged a path not only of leadership, but of quiet, transformative power.

Lovely photos in this!


* ETA:

Great interview with Murderbot executive producer Andrew Miano:

https://www.nexuspointnews.com/post/interview-murderbot-ep-andrew-miano

First and foremost, my partner Paul Weitz read the book for pleasure, not with any eye towards adaptation, and came in with it and said, "this would make an amazing TV show." We all read it and really sparked to it and thought it was unique and special and funny, which is not something that you always get in a lot of sci-fi. [It is] also very meaningful and emotional. It was the whole package so it was very exciting and we went about it. We met Martha... One of the biggest things to focus on is how do you honor the book? How do you translate that to the screen? It's not easy, but I'm very fortunate to have Paul Weitz and Chris Weitz — two smart, talented partners — creating and running the show with their guidance and Martha's support and involvement to sort of capture and stay true to the books.


* ETA:


A great interview with DeWanda Wise, about playing NavigationBot in The Rise and Fall of Sanctuary Moon:

https://www.nexuspointnews.com/post/interview-dewanda-wise

I had worked with Paul on Fatherhood. He literally texted me and was like, "do you want to play a murderous robot?"


* ETA


Here's a gift link for the New York Times interview with Paul and Chris Weitz, who wrote, directed, and produced Murderbot:

https://www.nytimes.com/2025/07/11/arts/television/murderbot-season-finale-chris-paul-weitz.html?unlocked_article_code=1.V08.exvw.M_qE37ROOT58&smid=url-share


* ETA


An interview with me in Scientific American:

https://www.scientificamerican.com/article/were-light-years-away-from-true-artificial-intelligence-says-murderbot/


* ETA

Roseanne Liang, one of the directors for Murderbot, has posted some great photos on her Instagram: https://www.instagram.com/roseanneliang/


* ETA

A great interview with Alexander Skarsgård!

https://collider.com/murderbot-finale-alexander-skarsgard/

New video interview with me up at New Scientist:

https://www.newscientist.com/video/2436358-martha-wells-i-didnt-know-how-non-neurotypical-i-was-until-murderbot/

And on YouTube: https://www.youtube.com/watch?v=lZ0wIHRXq0Y

There's an interview here with me about Murderbot etc. from Audiofile Magazine:

https://www.audiofilemagazine.com/articles/talking-with-author-martha-wells/

The Locus interview with me is now online. Talking about writing, cancer, a little about the Murderbot TV series, etc.

https://locusmag.com/2024/02/martha-wells-system-rebuild/

ETA: sorry, it's an excerpt of the interview, I didn't realize that wasn't the whole thing.

I got interviewed in IO9 about Witch King and etc: https://gizmodo.com/martha-wells-author-interview-murderbot-witch-king-1850871706

Let’s start here: Martha Wells doesn’t have to prove anything. Her storied career, and her novels’ many, many deserved accolades, speak for themselves. Her first book, The Element of Fire, 1993, kickstarted her Ile-Rien series, the first two books of which will get repackaged and republished in 2024. If you don’t recognize her from her various prolific fantasy series, you might recognize her name from The Murderbot Diaries. Yes, the far-future novella series might be a far cry from Ile-Rien, but Wells has the range, and is ready to get back to making people second-guess what her next move is.

We sat down with Wells to chat about Witch King, what it was like returning to epic fantasy, and, of course, Murderbot. In May, Witch King was released. This novel marks Wells’ return to fantasy after nearly a decade. The main character, Kai, a demon and a witch, was trapped in a water prison for over a year. When he wakes up the politics of his world have shifted, and not in the way he likes. Both a travelog and a recollection of a rise to power, Witch King is remarkable for many reasons, and not just because of Wells’ reputation. More on this later.