PORTRAIT OF A LADY ON FIRE
2019 | dir. Céline Sciamma
Mirroring Orpheus and Eurydice in the painting.
Portrait of a Lady on Fire / Portrait de la jeune fille en feu (2019) dir. Céline Sciamma
More you might like
“May I rest my weary head on your shoulder?” (insp.)
In the Mood for Love (2000), Rafiki (2018), Cold War (2018), Your Name Engraved Herein (2020), But I’m a Cheerleader (1999), Moonlight (2016), Portrait of a Lady on Fire (2019), And Then We Danced (2019), Eternal Sunshine of the Spotless Mind (2004), My Own Private Idaho (1991), Anatomy of a Fall (2023), Lovesong (2016), God’s Own Country (2017), The Handmaiden (2016), Notorious (1946)
you could never make blazing saddles today. movies take a really long time to film and it's already 11am on the west coast. also most actors and film staff would probably like to spend christmas eve with their families.
Sissy Spacek at the American Film Institute Life Achievement Award ceremony at the Beverly Hilton Hotel, 1977. Photos by Michael Ochs Archives/Getty Images
ELLE FANNING attends the "Affeksjonsverdi" (Sentimental Value) red carpet at the 78th annual Cannes Film Festival at Palais des Festivals on May 21, 2025 in Cannes, France.
Sabrina Carpenter wore a hot pink minidress by Vivienne Westwood reminiscent of Marilyn Monroe’s iconic look in the 1953 film Gentlemen Prefer Blondes. The look featured an off-the-shoulder neckline and a draped skirt that ruched around her waist and ended in a small train.
Colleen Moore’s fairy tale castle dolls’ house. Moore was one of the most successful silent film stars (famous for popularising the ‘Dutch boy’ bob), and she started creating this dolls’ house in 1928. She enlisted the help of professional planners and architects, such as
Horace Jackson, the set designer at First National Studios. The entire house can be broken down into individual pieces and
packed into specially designed shipping crates, and from 1935 to 1939 Moore took the dolls’ house on tour through the U.S. to help raise money for children’s charities, which proved hugely successful. Moore gave the dolls’ house to the Museum of Science and Industry in Chicago in 1949.