maybe we can find a way

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna

Hi! Thought I’d put together an intro post that’s mobile-friendly.

I’m V and this is my personal. I spend a lot of my free time watching and reading stuff, hence this being mainly a fandom blog. I also like languages.

I’m really into Utena, Chihayafuru, ROTE and The Bear at the moment, so you might see me being intense about those.

This is my tag index for other media. I make stuff sometimes, you can check my gifs here.

Important to note that this blog is also feminism and lgbt+ friendly, if you’re against any of that you probably won’t be having a fun time here.

I don’t tend to post NSFW stuff but I do try to tag everything, feel free to reach out if you need anything tagged!

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neo--queen--serenity
neo--queen--serenity

It’s heartbreaking to know that when Anshi looks back on her first encounter with the late emperor—the man who sexually abused her for years—she can only describe her 10-year old self as ambitious.

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In the light novel, Anshi is far less aware of why she was sent to the rear palace, and it’s clear in the books that she did not intend to grab the emperor’s attention.

But in the manga—now the anime—she says she knew, that she understood what she was getting into, and that she reached out to him deliberately.

This is very likely a lie she told herself to cope with the trauma of the abuse she endured, abuse that dictated the course of the rest of her life, for better or for worse.

Because, even if Anshi knew, on paper, what her father intended by sending her to the rear palace, what 10-year old would understand, truly, the implications of winning the emperor’s favor? What prepubescent child fully understands sexual grooming or abuse for what it is, understands how it will hurt them?

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Anshi falls for the oldest lie children of sexual abuse tell themselves: that they brought this upon themselves, that they were somehow responsible for what happened.

Telling herself that she put herself in his path out of ambition gives her the illusion of agency. It allows her to ignore the glaring, obvious signs that she could not have refused him if she’d wanted to. It is also a manifestation of her own self-loathing, the all too common misplaced guilt that rape survivors feel in the wake of their assault.

This particular coping mechanism is what drove her to assault the late emperor right back when she was in her late 20’s.

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That helplessness, that rage, that unresolved trauma, led to her repeating the cycle of abuse, led her to forcing herself onto him as an adult to reclaim that agency she knows she never had.

And this assault brought about her second pregnancy—the birth of the moon prince, the current emperor’s younger brother.

And even though Anshi knows Jinshi is Ah-Duo’s son, not hers, Anshi was still the woman who raised him. She feels this guilt and revulsion every time she looks at Jinshi, especially since he resembles the late emperor so strongly.

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And even though Anshi loves Jinshi deeply, she is constantly haunted by the self-loathing she associates with him. She calls his very existence immoral, a living embodiment of her sins. And it’s so heart-wrenching, so tragic that she blames herself for everything, that she believes all of this happened due to her own, selfish sense of ambition.

the apothecary diaries csa cw
everythingranma
coraltinyrose

Merry Kisses!

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Me: Tired of green and red holiday art. Looks for palettes in multiple options.
Also me: Makes tests and ends up using green and red anyway.
Oh well... them pretty or whatever.

This is technically a redraw (?) of my own fanart for 15 Minutes to Save Him illustrated fanfic. It's called being efficient.

A.k.a - I was pissed that in the original sketch-like art I made Akane look too big and wanted to improve it and also see it more detailed. So holidays approached and I wanted to do special art for an account that's been supporting me (mundofanficsIyR on X) and then beta (Rankane4Ever on X) gave me the idea to add a mistletoe on top of this kiss-art and then ended up going overboard cleaning it up. But we'll still call this smart because I reutilized the structure of and old art why are you still reading thank you very much if you like it let me know it makes me very happy.

so lovelyyy ranma 1/2
neo--queen--serenity
neo--queen--serenity

On the surface, I don’t think the viewer expects Jinshi to—without any pushback, follow-up questions, or even much of a reaction—promptly drop the subject when he finds out why Maomao gave away his hair stick.

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Of course his initial reaction is shocked (or not so shocked) anger that she would pawn off his gift, but the very second she admits she’d given it to Loulan—to Shisui—he backs down immediately. He doesn’t linger on the topic, and in fact redirects the conversation before she can feel pressed to say more.

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If anything, I think he switches tactics almost too quickly to be casual. Because I think he inferred, by this admission alone, how much Loulan actually meant to Maomao.

He’d only ever asked her how she felt about Loulan once before, and she’d answered honestly, albeit through the haze of shock.

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This answer, by itself, may not give Jinshi much to go on, but emotional intelligence is one of his greatest strengths. After Maomao admits she gave Loulan his hair stick—the token of his affection that he outright asked her to wear for others to see—I think Jinshi accurately read between the lines.

We know how much he cares for her, but I think this is the first time he’s ever seen her mourn someone. And instead of forcing her to elaborate, to possibly expose her grief before she’s ready, he changes the subject to spare her the pain that the topic clearly evokes in her.

the apothecary diaries