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my mixed feelings on the drama, which i largely enjoyed but have trouble fully committing to, for gq: https://www.gq.com/story/the-real-twist-in-the-drama
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More for the digital cover of i-D, i interviewed kristen stewart and imogen poots about collaborating on stewart’s directorial debut, the chronology of water, out today in NY/LA before its wide release on 1/9. we talked cinematic inspirations, shooting on 16mm, and feminine rage—and olivier assayas told me why he always knew k-stew was destined to direct: https://i-d.co/article/kristen-stewart-director-interview-the-chronology-of-water-movie-imogen-poots
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More i’m not totally sure gus van sant understands what “the revolution will not be televised” is about
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i do not think this movie works unfortunately but i do think kane parsons, unlike most if not all of the other directors spawned from the youtube-to-horror-movie pipeline in recent years, is actually an artist and has the juice to become a good filmmaker if his talents are nurtured right.
parson’s background as a precocious diy animator/filmmaker/composer is as compelling to me as the lore of the backrooms itself: a brainy teenager pirates a bunch of 3d imaging software and…
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More never get in the way of a crazy ass white boy trying to go to japan
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they are simply going to have to create an oscar for dogs
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