i understand the appeal of this and i think it’s a decent subversion of the slasher genre, however it also proves that subversions arent always necessary. putting the film in the perspective of “the killer” - a nameless, faceless, mindless killing machine, renders the film inert and in parts quite tedious to get through. nice kills tho

this film explains so much about british culture.

does a gregg araki movie need to be good? can't it just be weird and gay?

an ungodly mashup of Parasite and The Talented Mr Ripley that’s not as good, insightful or interesting as either film.. Emerald Fennel chooses aesthetics and bold twists over attempting to tell a coherent story. not the psychosexual thriller i was expecting, or the revenge thriller it desperately wants to be, but a third, less interesting thing.