2024 was the year of the fake-woke movie. Anora pretends to support sex workers but shows them as naive and childlike. The Brutalist opens as a gritty immigrant story but then takes a 180 and becomes a justification for Zionism. Emilia Perez promises innovative Trans musical but dives into trans-stereotyping and Mexican fetishization.
The Oscars nominating them all shows either 1 of 2 things. 1. That the Academy enjoys the hard right turn or 2. How truly incapable it is of ethical judgement, in that it assumes the identities portrayed in a film speak to its moral quality. Eitherway? Pathetic.