mr. anderson,

THIS PUSSY DON’T POP FOR YOU.

my main issue with paul thomas anderson this time is his writing. the trust devices and their intro, the latter being a rare moment of subtlety from pta, are delightful. his physical manifestation of clinging to the hope that two strangers can trust each other and literally harmonize if they are vulnerable is so lovely!? it’s disappointing how an idea like that can be obscured by tonal inconsistency between screenplay and direction.…