I keep trying to post here, but I have too much to cover and it has been daunting to start! First some random pictures of the day I met
drummerwench at the Morgan Library. Photos were banned within the exhibit, but not the entire museum.
Getting there (and getting home) car, bus, subway/car, subway, bus. It was a trek from deep in the heart of Brooklyn and the subway stairs nearly killed me. Why can't we have escalators and lifts everywhere like the London Underground? NYC can be such a dump sometimes. Truly is the belly of the beast. I did try to find stations with elevators to help a little--too little. (I got blisters on my feet from the stairs--not to mention what it did to my worst knee. Anyway, nevermind. All my fault--the condition comes from a long life of self-abuse--from cheerleading, to mountain climbing, to tromping around the world in bad shoes. We won't even mention the weight question.)
The requisite picture out of a cab window in downtown Manhattan (somewhere in Soho, I think)--on my way to a subway stop to go back home.
Various pictures in and around the museum below. Only the library picture is not mine. And, no I did not get a photo of that outstanding example of a Gutenberg Bible (best I had ever seen). Wow! I did get to see--from a distance, with my bad eyes, a handwritten 900-page tiny copy of one of George Sands' novels (forget which one). Amazing original scores of great music--not pictured. DrummerWench and I fell in love with, among other things, cuneiform script on clay tablets. A lot of terrific tiny Babylonia and Assyrian ancient seals. Those followed nicely and serendipitously immediately after going over all of Tolkien scripts in his different languages.
(I'd recommend taking the time to go through other parts of the library/museum. We were time-limited and I was crippled--so sorry about that, DrummerWench! Sob! I felt like we did make good use of our time despite my limping.)


These next two are of the entrance into the building which is through the new section.


Below is part of the original section (the old Morgan's personal library) and some of the exhibits there. (The Tolkien exhibit is on the second floor in the new section.)

Not mine, obviously--too well set up and no people!! His Study next to it is really interesting also. The Library is quite big, which does not show in this photo, but you get a sense of the color and opulence.
That tapestry behind the fireplace is called The Triumph of Avarice. So overwhelmingly appropriate--lest we should forget this is the palace and private museum of the Morgans, pre-eminent among the robber barons and capitalists of America's Gilded Age (inadvertent? or conscious choice of the tapestry?). The entire thing is a temple to greed! Imagine this was private? Not made public until after the death of the man who built it. It's been open to the public since then.
I told DrummerWench that the place both horrifies and fascinates me. You gotta see it to believe it. It's like they went around the Old World with a shopping cart filling it up with whatever appealed (of course, they had quite knowledgeable "personal shoppers' to help them.
The hallways and entrance to the original wing are reminiscent of a cathedral--a gaudy one. The place is a mixture of commissioned decorative artwork and priceless world treasures, an example of the over-the-top architecture of the ascendancy of American Capitalism--rightly called the Gilded Age. Over-the-top Fantastic as it is, it is one of my least favorite NYC Museums--I guess it triggers my moral outrage. I'll go back though, as soon as my knee and feet are a little better!!
THE TOLKIEN EXHIBIT ITSELF
Exquisite! I came away thinking he is a much better artist than I had realized from viewing only online pics and poor reprints in books. (Speaking of that, the companion book to the exhibit published by the Morgan is amazing--the most wonderful reproductions of so much of the art and calligraphy and family photos presented throughout the galleries. Really worth the price.)
Bring your magnifying glass. Almost all of it is tiny. Although there are some wall-sized reproductions which are gorgeous--notably Smaug and his treasure! I used my reading glasses with their huge magnification to hold up in front of a lot of the smallest pieces or larger items (maps and tables) made up of tiny components. Fortunately, I did not suffer from being unable to read a lot of the excellent descriptions since I already knew what they said--I could skim and get by. Although, finally, my eyes did ache and I almost felt dizzy. (I do have serious vision issues.)
His art is amazing, the colors are vivid (after all of these years!), his calligraphy is stunning beyond what I expected and I had high expectations, his handwriting tiny, and the details mind-bogglingly meticulous. Both of us learned a lot and our prior knowledge of what we were looking at was not too shabby, to say the least!
I loved the family photos and there were a number I do not recall seeing anywhere before. Seeing all the pieces together and arranged so well was truly a memorable experience--once in a lifetime--I do not exaggerate. I could have spent much longer going over and over it (if my feet did not hurt and DrummerWench did not have a plane to catch). On a weekday, it was busy, but not unbearably crowded. They do limit how many people who are allowed into the exhibit at any one time. We did not have wait though and I felt no pressure to move on as one often does in special exhibitions.
I learned that Rumil's script is usually written vertically in columns from top to bottom. Did you know that Elves are ambidextrous? I didn't but I am not surprised.
I cannot recommend this exhibition highly enough. I will definitely try to go back again before it closes--maybe take Laura and Alex.
Thank you so much again, DrummerWench, for inviting me to meet you there. You were a wonderful companion.
If any of you plan to be there, check with me and I may try to meet you.
This entry was originally posted at Dreamwidth
.