Steve Rogers (
droptheshield) wrote in
deerington2021-01-19 04:30 pm
To everything (turn, turn, turn) | OTA
Who: Steve Rogers
droptheshield and You!
What: January Catch-all
When: January 10th-ish and onward
Where: Grady Hotel et al
Content Warnings: - time dilation/lack of time/time blindness, abnormal perspective on location and passage of time, unexpected intoxication; death and funeral trauma, as well as war-related guilt
HOTEL GRADY
BURNT OUT
CAN'T YOU SEE ME - cw: medical mentions, death and loss, parental death mention, trauma responses and mention of war/war crimes
What: January Catch-all
When: January 10th-ish and onward
Where: Grady Hotel et al
Content Warnings: - time dilation/lack of time/time blindness, abnormal perspective on location and passage of time, unexpected intoxication; death and funeral trauma, as well as war-related guilt
HOTEL GRADY
r o o m s
When he first wakes up, he thinks for a moment that it's that same narrow bed and that same strange, sightless room from that nightmare of the first few moments he was here. It isn't. And it isn't that he feels like he's been transported again, but rather that things have settled, that that other room was the dream, and this is more of a reality.
So much for a reality.
Steve investigates the room at length, and then, when there's nothing else to do, he leaves it. The hallways are long and the hotel seems to go on forever, but it shouldn't be hard to find his way back.
At least, that's what he tells himself.
b u i l d i n g
It's been a while since Steve's stayed at a hotel, but this has gotta be one of the ritzier ones he's ever been to. Sure, there's something surreal about being snowed into the place, but at least there's plenty to do, and he's hardly complaining about that.
It gives him a chance to get used to the place, at least. And maybe he'll meet some people, too. There seem to be plenty of them here.
So once he's left his room, he makes a point of trying to learn the layout of the hotel. The strange oddities, the curious corners. The photographs of bygone years with strangely familiar faces.
So many strangely familiar faces...
BURNT OUT
d a y t i m e
It's almost like Coney Island, but back in the day. Not the new version of it, which he went to once before he moved from New York to D.C. like that would solve anything about his feelings about the new, modern world. The boardwalk, the smell of greasy food and the noise of people on the beach, all of that is very much what he remembers. He can almost hear carnival rides, even though there are none. It's the memory, more than anything.
Steve is more than happy to just see what everything about.
He does end up finding a curious little trove of washed up items, though, and that piques his interest almost as much as the excitement everyone seems to be feeling. It's quiet over on that corner of the beach, so he can spend his time looking though the things that have washed up slowly.
e v e n i n g
"Oh. Whoa, okay."
Steve can't remember the last time he felt drunk. It's not a bad feeling, he thinks? More strange. He's holding a bottle of beer because he enjoys the act of social drinking, and the evening's festivities just make that better. But by halfway through, he has a heady little buzz and a grinning sort of enjoyment of the whole thing.
Is it only half way through the first one? Maybe he's on his third.
Either way, Steve Rogers hasn't been tipsy in seventy years. He was a bit of a lightweight before, and it seems he's still a bit of a lightweight.
CAN'T YOU SEE ME - cw: medical mentions, death and loss, parental death mention, trauma responses and mention of war/war crimes
g h o s t
Half of the people in the viewing gallery are dead, but so is he. He is. He has to be.
Steve knows this because many of them died before him. While he was alive and before the war; men, so many men, during the war; while he was on ice and after the war; after the war; so much after the war.
Many of them died because of him, in some way or another. Because of negligence and hubris. Because of it was war. Because it's been war since 1942 and he thought they stopped, but they never really did, did they? He just slept through some of it and then, then they brought him back and pointed him in the direction they needed him to go and he went.
He doesn't want to go anywhere near that coffin. He hates these flowers. What are they all even doing here? There's no sense in mourning someone like him--something.
The first vase doesn't come up off the floor.
But the second one does.
Not a single head turns when Steve throws it, or when he screams in frustration and anguish. Why won't they just leave?
v i s i t o r
Steve has never dealt well with death.
His father died when he was young, before he ever really knew him. His mother died slowly, over the course of his life, a combination of poor conditions and exhaustion and poverty, of her own health, and finally of the agony of tuberculosis that lived not only in her lungs but in other organs as well. They never tell you that, that it can get into your other organs. That so many things can.
And then there's Bucky, and then there's all the Howling Commandos, and then there's Peggy. It's one after another, really. So Steve's never dealt well with death.
Still, here he is.

Hotel - Building
And yet didn't.
Ariadne was simple and straightforward about clothing. Tunics and leathers and anything that could move and keep up with her. But it was fun to play dress-up. And it seemed that she had the time to do it.
Her absolute favorite was a peacock-colored gown that made her feel like one of the river nymphs from back home. Of course, Ariadne didn't have far to go to look like a nymph. She was ninety pounds soaking wet and had a voice like silver. But the dress just sealed the deal.
She was exploring one of the seemingly endless hallways, padding barefoot across the carpet. One moment, she was about to break into a run. The next she came skidding to a stop when she saw a stranger in her path. "Hello?" she said, catching her palm on the wall.
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Steve doesn't know Jane Foster except through the gentle, kind ways that Thor has spoken of her, but he's seen interviews of her and her experiences with interdimensional cosmic travel and all sorts of other things.
It's somehow a blessing and a curse to see someone familiar. He'd talked to Natasha on the weird phone a little, texting back and forth, getting a lay of the land; and Daisy had known him even though he hadn't known her. Even Peter hadn't been really familiar, just sort of two steps away from being familiar. But this--this face is Jane, this voice is the one he's heard in the interviews, this has to be...right?
"Jane?"
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She looked like Jane, all right. But didn't sound much like her, most likely. Ariadne had a gentle timber in her tone. Songlike.
Birdlike.
It seemed like all of her was waging war against gravity. As if any moment, she might spread wings and fly away.
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"Oh, jeez ma'am, uh. No--not 'my lord', please, it--just Steve. It's just Steve. Sorry, you look a little like someone I sort of know back home. I'm sorry."
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Burnt Out - Evening
He takes a drink of his own beer when he sees Steve and in better-than-usual-spirits, he actually bothers to ask: "You okay there?"
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Steve looks over at the guy that just talked to him and he smiles, a little lopsided, a lot easy. He feels like an idiot. That's perfectly fine and he sort of likes it.
"I think I might be a little drunk?"
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"Something's got to be strong in this, 'cause I'm feeling it, too." He holds up his beer bottle in a toasting motion and takes a sip.
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He sips his beer, almost to the bottom of it. He's having such a good time, he might get himself another one.
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can't you see me, ghost
Or, more accurately, just in time to catch the last few shards clattering onto the ground, and more importantly, notice that nobody at all is paying attention to that.
It's a funeral. He knows that. He's here to—to help, he remembers after a moment, although the why is hazy. The door falls shut with a quiet thud, and for a moment there is only silence and the rustle of fabric. A coffin, of course, decked in flowers. Their scent hangs heavy in the air, over the sound of silence.
But the vase. No one looks like they could have thrown it, huddled and sad as they were. Frowning, Mako picks his way between the mourners, heading for the vase to go pick up a shard of it, shattered into a jagged point.
He picks it up, and stands. Turns, looks at the coffin, and unknowingly, right at Steve.
no subject
He watches the stranger approach the shattered vase and all he can do is sob in the agony of it. At least someone saw the vase. That's something, isn't it?
He picks up one of the bouquets laid on the coffin and scatters it in frustration. "Come on," he bemoans, wailing from a mouth no longer fit to speak. "Come on. I'm right here...!"
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Something echoes. A voice, maybe, and Mako moves slowly toward the bouquet to pick that up, too, tugging at some of the bent stems.
"You shouldn't mess with a funeral," he says to the air, narrowing his eyes at something he can't see. "This guy deserves peace. Whatever you're doing—" some rogue spirit, he thinks, he's seen it before: a lot of them have no care at all for human customs. One took up residence under his desk for a few weeks until Mako managed to first see it and then convince it there were better accomodations.
But this is a solemn occasion, and a sad one, and he doesn't want this man—Steve, who from the pamphlet Mako can see seems so accomplished—to have to deal with this even in death.
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Steve sinks behind the coffin, a lurking shadow, scowling out at the mourners like some sort of foul, ghastly creature out of a nightmare or legend, some thing that might haunt the edges of a battlefield.
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burnt out - evening
Or maybe get wasted with him.
"Had a little too much?"
Harvey hasn't consumed too much alcohol yet, but that road is definitely open to him still. He feels like he should be responsible in some manner, especially since Deerington is supposed to be really dangerous, but heck, he's been feeling too relaxed to put much thought into it. And right now, that's perfectly fine to him.
Honestly, with being the DA of Gotham, he really hasn't had the chance to feel this at ease in a while.
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Steve rubs the back of his neck self-consciously, all lazy smile and easy, bashful sheepishness in the face of someone calling out his behavior. The breeze shifts slightly and a small gust of aromatic smoke wafts across them, and the next little chuckle that leaves Steve is light and easy and practically a sigh.
It's just weird, the whole thing. "It's been a...a long, long time since I could, is all. Think I'm a light weight all over again."
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And maybe because it's the alcohol running through his system or just the general atmosphere with the night sky hanging above them, but Harvey definitely feels more talkative. Even with topics that he normally doesn't discuss too much, he finds himself more open.
Plus, if it's really been a long time for this other guy, Harvey wants to be an amicable stranger. There's also just something really... easygoing about the other man. It's almost hard not to smile with him.
"I work as a prosecutor at home. District attorney, actually, and sometimes when I wanna hit the alcohol hard, I find myself falling asleep on the couch instead."
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But it's working, right now, and Steve finds himself smiling a little bit. Last time he drank, he was probably eighteen or something, a little tipple at the Barnes's for Easter or Christmas maybe?
But he nods a little bit. "Tough job. Noble one, though. Glad you've got a little time to relax out here, though."
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Can't you see me
He couldn't remember, which frustrated him enough to keep him from thinking too hard about certain subjects.
He was staring ahead, at the coffin, when he heard a crash. Jerking in his seat, he looked toward the sound, confusion causing his expression to slip when he saw the bits of vase on the floor. Then he heard a scream, not Noah, but it made him think of his best friend. Another ghost? Scanning the crowd, he tried to find whoever had upset the vase.
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Who are these people?
There's a feeling like slipping, like sloughing, and Steve tears at himself and the flowers covering the coffin in equal measure.
burnt out - daytime
"Finding anything interesting?"
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"Not yet," he said. "I mean, yes, but mostly trinkets and stuff. The sort of things you always seem to find on a beach?"
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He climbs down from the boardwalk onto the sand, moving a little closer to where the man is set up. "Sorry. I'm trying to be more social when I go out. Say hello to strangers sometimes. You're my victim today."
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Steve leans back in the sand a little bit, giving up rifling for a moment just to enjoy the sun on his face.
He smiles slightly, looking at the young man. "Well, your victim's name is Steve."
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hotel grady
"Hey, look who it is!"
Always something you want to hear when you wake up in a weird hotel, huh? But Peter Parker looks absolutely pleased to see poor Steve wandering the building. It absolutely occurs to him that Steve's been MIA for a while, and that this poor dude could be suffering the same fate as Clara — same person, no memory, and Peter just looks like a weirdo.
A friendly weirdo, though. He offers a small wave, one freshly-made hotdog that would make a New York vendor weep with joy in his other hand. He exudes friendliness, so hopefully that helps ease some of Steve's anxiety.
"When did you get here?"
('... And do you even know where 'here' is?')
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That hot dog looks delicious, though.
He hums a little bit. Time has been weird since he woke up in his room and he's not sure how much he likes that. Maybe he ought to be asking Peter how long he's been here.
"A couple weeks? Less?" He shrugged. "It, uh. It's...wobbly, isn't it?"
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"Couple weeks isn't too long, but also way too long to be here. You alright?"
Maybe he should be checking on the state of Captain America's headspace, right about now. Lord knows he's had a lot of bad days in Deerington himself... and that's not even including the times he's been supernaturally influenced.
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