For those of us who live at the shoreline standing upon the constant edges of decision crucial and alone for those of us who cannot indulge the passing dreams of choice who love in doorways coming and going in the hours between dawns looking inward and outward at once before and after seeking a now that can breed futures like bread in our children's mouths so their dreams will not reflect the death of ours:
For those of us who were imprinted with fear like a faint line in the center of our foreheads learning to be afraid with our mother's milk for by this weapon this illusion of some safety to be found the heavy-footed hoped to silence us For all of us this instant and this triumph We were never meant to survive.
And when the sun rises we are afraid it might not remain when the sun sets we are afraid it might not rise in the morning when our stomachs are full we are afraid of indigestion when our stomachs are empty we are afraid we may never eat again when we are loved we are afraid love will vanish when we are alone we are afraid love will never return and when we speak we are afraid our words will not be heard nor welcomed but when we are silent we are still afraid
So it is better to speak remembering we were never meant to survive.
-- Pindar, OCT Fragment 116, otherwise Fragment 131(b)
translation by Sandys ...
"The body of every man goes to meet mighty Death, but there remains still alive an image of his life. For it alone comes from the gods. It sleeps when our arms and legs act; but when men are asleep, it often reveals to them in their dreams the coming judgment of joys and pains."
"Every one of us is losing something precious to us," he says after the phone stops ringing. "Lost opportunities, lost possibilities, feelings we can never get back again. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you'll live for ever in your own private library."
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
I started carrying blank books like this one around, which I would fill with all of the things I couldn't say, that's how it started, if I wanted two rolls of bread from the baker, I would write, "I want two rolls" on the next blank page and show it to him, and if I needed help from someone, I'd write "Help," and if something made me want to laugh, I'd write "Ha ha ha!" and instead of singing in the shower I would write out the lyrics of my favorite songs, the ink would turn the water blue or red or green, and the music would run down my legs, at the end of each day I would take the book to bed with me and read through the pages of my life.
"An ambulance drove down the street between us, and I imagined who it was carrying, and what had happened to him. Did he break an ankle attempting a hard trick on his skateboard? Or maybe he was dying from third-degree burns on ninety percent of his body? Was there any chance that I knew him? Did anyone see the ambulance and wonder if it was me inside?
What about a device that knew everyone you knew? So when an ambulance went down the street, a big sign on the roof would flash
DON'T WORRY! DON'T WORRY!
if the sick person's device didn't detect the device of someone he knew nearby. And if the device did detect the device of someone he knew, the ambulance could flash the name of the person in the ambulance, and either
IT'S NOTHING MAJOR! IT'S NOTHING MAJOR!
or, if it was something major,
IT'S MAJOR! IT'S MAJOR!
And maybe you could rate the person you knew by how much you loved them, so if the device of the person in the ambulance detected the device of the person he loved the most, or the person who loved him the most, and the person in the ambulance was really badly hurt, and might even die, the ambulance could flash
GOODBYE! I LOVE YOU! GOODBYE! I LOVE YOU!
One thing that's nice to think about is someone who was the first person on lots of people's lists, so that when he was dying, and his ambulance went down the streets to the hospital, the whole time it would flash
GOODBYE! I LOVE YOU! GOODBYE! I LOVE YOU!
I asked my schoolmate Mary to write a letter to me. She was funny and full of life. She liked to run around her empty house without any clothes on, even once she was too old for that. Nothing embarrassed her. I admired that so much, because everything embarrassed me, and that hurt me. She loved to jump on her bed. She jumped on her bed for so many years that one afternoon, while I watched her jump, the seams burst. Feathers filled the small room. Our laughter kept the feathers in the air. I thought about birds. Could they fly if there wasn't someone, somewhere, laughing?
She had fallen in love so many times that she began to suspect she was not falling in love at all, but doing something much more ordinary. I learned that she never learned to swim, and for that reason she always loved rivers and lakes. She asked her father, my great-grandfather, your great-great-great-grandfather, to buy her a dove. Instead, he bought her a silk scarf. So she thought of the scarf as a dove. She even convinced herself that it contained flight, but did not fly, because it did not want to show anyone what it really was. That was how much she loved her father.
I used to ride the bus here at the end of every week, to take the magazines and newspapers that people left behind when they got on their planes, your mother reads and reads and reads, she wants English, as much as she can get her hands on, is that a rule? I'd come late Friday afternoon, it used to be that I would go home with a magazine or two and maybe a paper, but she wanted more, more slang, more figures of speech, the bee's knees, the cat's pajamas, horse of a different color, dog-tired, she wanted to talk like she was born here, like she never came from anywhere else, so I started bringing a knapsack, which I would stuff with as much as would fit, it got heavy, my shoulders burned with English, she wanted more English, so I brought a suitcase, I filled it until I could barely zip the zipper, the suitcase sagged with English, my arms burned with English, my hands did, my knuckles, people must have thought that I was actually going somewhere, the next morning my back ached with English, I found myself sticking around, spending more time than was necessary, watching the planes bring people and take people away, I started coming twice a week and staying for several hours, when it was time to go home I didn't want to leave, and when I wasn't here, I wanted to be here, now I come every morning before we open the store, and every evening after dinner, so what is it, am I hoping to see someone I know get off one of the planes, am I waiting for a relative who never will come, do I expect Anna? No, that's not it, it's not about my joy, the relief of my burden. I like to see people reunited, maybe that's a silly thing, but what can I say, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone, I sit on the side with a coffee and write in my daybook, I examine the flight schedules that I've already memorized, I observe, I write I try not to remember the life that I didn't want to lose but lost and have to remember, being here fills my heart with so much joy, even if the joy isn't mine, and at the end of the day I fill the suitcase with old news.
I wondered will there come a time when we won't be joking? And what would that look like? And how would that feel? When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calendar that showed the wrong month. I could have cried over it. I did. Where the smoke from a chimney ended. How an overturned bottle rested at the edge of a table. I spent my life learning to feel less. Every day I felt less. Is that growing old? Or is it something worse? You cannot protect yourself from sadness without protecting yourself from happiness.
I put my hand on him. Touching him was always so important to me. It was something I lived for. I never could explain why. Little, nothing touches. My fingers against his shoulder. The outsides of our thighs touching as we squeezed together on the bus. I couldn't explain it, but I needed it. Sometimes I imagined stitching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love? Why does anyone ever make love?
It's the tragedy of loving, you can't love anything more than something you miss.
Excerpts from Extremely Loud and Incredibly Close by Jonathan Safran Foer.
" remember the day, because this is what dreams should always be, I just want to stay. I just want to keep this dream in me.. your losing you memory now "
"One great part of every human existence is passed in a state which cannot be rendered sensible by the use of wideawake language, cutanddry grammar and goahead plot." -James Joyce
Annie: You shouldn't have done it if you didn't think it was right.
Henry: You think it's right. I can't cope with more than one moral system at a time. Mine is that what you think is right is right. What you do is right. What you want is right. There was a tribe, wasn't there, which worshipped Charlie Chaplin. It worked just as well as any other theology, apparently. They loved Charlie Chaplain. I love you. (106)
Above us, stars. Beneath us, constellations. Five billion miles away, a galaxy dies like a snowflake falling on water. Below us, some farmer, feeling the chill of that distant death, snaps on his yard light, drawing his sheds and barn back into the little system of his care. All night, the cities, like shimmering novas, tug with bright streets at lonely lights like his.