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TROP Rewatch: Reforged

@troprewatch

Rings of Power Rewatch Event

Rewatch: Reforged

What is it?

Reforged is a Rings of Power centric fanworks event running concurrently with the TROP Rewatch.

Each episode has a prompt to inspire you. All types of fanworks are welcome, from fanfic to art to gifs, edits, moodboards and more!

The prompts are entirely optional— feel free to mix, match, or ignore entirely if your rewatch inspires a different idea.

There is no deadline for sharing your works. Post at any time with the tags TROPRewatch and TROPReforged on Tumblr. Feel free to tag us as well; we’ll be reblogging along the way!

You can also post works to the AO3 collection.

Rules

Please do not submit anything AI-generated. We want to see your creativity!

All ships, characters, kinks, etc. are welcome.

Be kind to one another: no hate speech or discrimination will be tolerated.

Please label any NSFW/18+ work accordingly.

HAVE FUN!

Pre-Season Three Rewatch

Who’s excited for Season Three coming November 11th?! (115 days away but who’s counting?)

We’d like to invite you to another TROP Rewatch, starting this Friday, July 24th, in the lead up to season three. Feel free to use the Reforged prompts listed on our blog to create as you watch, or just follow along and enjoy getting back into the world of Middle Earth.

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And that's a wrap on this series 🥺💙✍🏻✨

Process logs of Mirdania and Celebrimbor ⚒️🔥💍📜

Isildur made Estrid a promise ~ later she remembered and reflected 🌖🗡️💋⛵❤️‍🔥🕯️

Thank you so much for the prompts @troprewatch!! Months late, but I did something with them! ✨✍🏻🤓🫶🏻

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Two new chs of my current series are live!

Theo and a certain sword a certain Elven commander gave him, found months later🗡️💪🏼

Isildur escaping a burning, collapsing hut to find himself underground...and fiiiind...something else 😱🕷️

🙏🏻✍🏻✨🤓

Ty again to @troprewatch for the prompts!

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TROP Rewatch: S2E1 "Shadow and Flame" for the @troprewatch

Final episode! Rewatching and jotting down my thoughts!

  • Disa looks so heartbroken and fearful as Prince Durin goes after the king. Someone give her a hug.
  • "It's not our mountain." I like this idea - that they do not own the mountain but rather are its caretakers, the ones it allows to live within it. Again, it shows that respect to nature that is integral to Tolkien's works.
  • The slow-mo shot of King Durin attacking the balrog is pretty spectacular.
  • I notice the Dark Wizard very pointedly did not answer Gandalf's comment about hearing that he wished to ally with Sauron.
  • "Pity will not defeat Sauron." Utterly brilliant line, considering that in the end it is literally pity that defeats Sauron.
  • The Dark Wizard is so smarmy. I'm so glad Gandalf didn't buy it for a minute.
  • The shot of the white petals falling as the music swells sorrowfully gives me chills every time.
  • The cloak that Elendil gives Miriel is so pretty, and it looks so comfy and warm.
  • The long continuous unbroken shot of the orcs pouring into Eregion is very fun to watch, especially the bit where the camera follows the arrow.
  • I'm really glad they didn't make the torture scene more graphic and gratuitous. The torture itself doesn't take away from the emotion happnening in the scene and the battle of wills taking place, which I think very likely would have happened if they had made the torture the focal point of the scene.
  • Sauron, my man, giving Celebrimbor the innocent puppy eyes WHILE YOU ARE ACTIVELY TORTURING HIM might not be the best approach here.
  • Celebrimbanner! I know some people were disappointed that they didn't go all the way, but I was personally completely satisfied by the clear Celebrimbanner imagery.
  • "You are their prisoner." I love how this reflects what Tolkien himself said about Sauron in his letter to Milton Waldman, that Sauron himself was as much a slave to the One Ring as anyone else. And I love how Celebrimbor turns the title "Lord of the Rings" into a mockery and a curse in his literal final breath.
  • Sauron sounds so deeply bitter when he says "I have many names" to Glug. He's definitely feels some deep self-hatred over his less-flattering names right now.
  • Theo and Isildur's little heart-to-heart is going to be all the more heartbreaking if they go where I think they are going with that plotline (that Theo is the King of the Dead who Isildur is going to curse).
  • If Kemen doesn't get solidly beaten up at least once in Season 3, I will be disappointed.
  • Kemen's face when he sees Isildur is absolutely exquisite. The panic, the horror, the "oh crap oh crap oh crap", the "what am I going to do?!?!" It makes me crack up.
  • "After all they're only trees." Congrats Kemen, you have achieved the ultimate standard of Tolkienian evil - disregard for trees.
  • Ultimately, I think Adar's character arc and the framing of this season with Sauron's death in the first episode and Adar's almost identical death in the final episode work very well. At the same time, it would have been very interesting to see him live one more season so that we could have seen what happened with his treaty with Galadriel and the elves. But I also think the fact that he had just come to peace with both Galadriel and himself makes his death immediately afterwards all the more gutting. I will definitely miss him enormously next season, and I hope we get some flashbacks. He was a truly great character from the moment he first appeared to his last moment.
  • Ugh, the way Sauron's eyes light up and his little smile when he sees Galadriel vs the absolute horror in Galadriel's face when she realizes he's standing behind her - I feel feral.
  • Adar still calling the uruks his children and reaching out for them even as he dies. He truly, truly loved them, which makes it all the more heartbreaking.
  • As a librarian, I can say that I totally get Elrond's crash out.
  • The whole bit with Sauron saying "Surely you of all elves must understand that to find the light we must first touch the darkness" and shoving Galadriel back against the wall did not need to be half that seductive.
  • Sauron literally falling head over heels over that little wall will always be funny though.
  • Oh Glambrand. That moment is devastatingly effective though - I remember the way I gasped even when I suspected that something like that was coming. The contrast of his smug little smile and Galadriel's shock, horror, and her little lip wobble is amazing.
  • I love that you can tell that Morfydd and Charles Edwards were having an absolute ball getting to play Sauron shapeshifting as their characters. And they both nailed it.
  • "I see you." I LOVE how they incorporated Sauron's most iconic line from the LOTR movies and gave it more meaning. Just as Adar told Galadriel in their scene a few episodes ago, it is that he sees the heart of you, your desires, your dreams, your fears. That's what makes him such an intimidating villain.
  • The warmth that creeps back into Sauron's face and the relief in his eyes when he smiles at her in the moment when he thinks she's actually giving in is both so creepy and so tragic.
  • Glug learning the hard way that he can't talk to Sauron the way he talked to Adar. It's sad seeing him learn in real time just how much he had taken for granted with Adar.
  • I love the montage during Poppy's speech. The music is so beautiful, and I love the weight that the scene gives to the whole season, allowing the realization to truly sink in that things will never go back to the way we saw it in Season 1. The weight of the loss and "what's broke is broke" feels very true to the heart of Tolkien.
  • "We're not so different at all if you ask me." Another very Tolkien moment. This little mortal halfling saying this to a literal angelic demigod. But in the end, they are all part of the same world and the same fight against evil. Each of the free races recognizing that they are all in this together is what knits the Fellowship together and what ultimately defeats evil.
  • I love the way Gandalf's eyes positively sparkle when he says the name "Gandalf" for the first time. I'm looking forward to watching him grow into the Gandalf we all know and love over the rest of the show.
  • The way Durin, Disa, and Narvi all look over at the rings at the end of their scene is very concerning. I'm not 100% sure who it will be, but I'm certain one of those three is going to end up using a ring and being corrupted by it. (I'm afraid it's going to be Disa.)
  • I never fail to choke up when Galadriel says "I would remember the council of our dear friend Celebrimbor" as the music swells so sweetly and sorrowfully. I'm going to miss Celebrimbor so freaking much. I can't even properly describe the haunting, poignant feeling I get when Galadriel says that line. It's like it really sinks in that he's gone and the full tragedy of what we watched him go through this season finally hits.
  • I love the credit music for this episode. It's one of my favorite tracks from the season that I listen to on repeat.
  • There were some things I wish had been different this season, but overall, watching this season is an exhilarating rush and a dream come true in many ways. I am eagerly awaiting Season 3!

Thank you @troprewatch for organizing this rewatch. It's been fun!

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Trop rewatch. 2x08 – "Shadow and Flame"

We have reached the end, and this is the last scene analysis I will write on Adar (perhaps not, as I may revisit scenes later, but for now, at least). Thanks to anyone who read or shared. It has been challenging and fun, and it has given me new realizations along the way. I will continue doing these, focusing on Uruks once the show returns. And thanks to @troprewatch for hosting a lovely event that kept the conversations and excitement for the show going during the hiatus, prompting me to write these posts.

I’m not going to lie, writing about Adar’s final moments in detail was really hard and brought tears to my eyes. In my opinion, Adar is the best show invented character (and there are plenty of good ones!) and I will forever miss his character. The addition of Adar has changed how many of us view the orcs and their history throughout the ages, and he will forever be a beloved addition to Tolkien adaptations.

No more flames, no more darkness

In the season finale, Galadriel is brought to Adar in the woods, kneeling down and turning his back with Nenya on his finger. We find him in a tender and emotional moment, and before having even seen his face, we notice something different about him. It’s almost like a spiritual moment of prayer; we can only imagine what the ring is making him see in this moment, showing him a  moment of clarity within himself. Maybe he saw flashbacks to his life, visions of what was to come, or simply just giving his mind clarity and epiphany. We can imagine it might have been an overwhelming moment, too, reliving parts of his past. Perhaps frightening too.

He reveals his healed face, and Galadriel is shocked to see that all his scars are gone, and he appears as his old elven self.

“It would seem, even wounds that have endured an age, can sometimes yet be healed. When last I looked like this, I was known by another name. A meaningless name. A name I was given. Adar is the name I earned. Help me earn it back.”

This is such an important line in order to understand Adar, as it shows his belief in hard work and not being given something for granted. I believe this is essential to understand his belief system, and it shows a philosophy within orc culture, too. He often speaks of what they have endured as Uruks, and he is right to point out that nothing came easily for them. Being created in mockery, they had to work so hard for their self-assurance and resilience. Even his name, something many take for granted, he had to earn and fight for.

He understands that his actions towards his children have deprived his right to the name. He needs to earn it back again, and he asks Galadriel to help him do just that. I think this idea of self-worth through achievement shows how Adar doesn’t know unconditional love; how could he? We can assume he has never known that kind of pure, unqualified love, and if he did, it was such a long time ago that he does not remember what that felt like or even what it is. Even if he loves his children, that love is much different from the one to elves and men. It would be rooted in suffering, dark and utilitarian, as a reflection of their corrupted nature.  This i why others races of ME can never truly comprehend it.

Even though the ring heals Adar, he chooses to give back the ring to Galadriel (he chooses the light in embracing his own darkness). There is the possibility that he knew what was going to happen to him – the ring had previously given Galadriel foresight – so perhaps Adar was aware of what was going to happen to him. And if not, maybe just that it was crucial for Galadriel to have the ring in her possession; he might have known something about the future that informed his decision. It could also be that he simply returned it because he had seen the light, and being healed, he did what was right.

As discussed by Sam Hazeldine himself in the Nerdist interview, I also like the idea that Adar was not prepared for what Nenya would actually entail. He saw the ring as a weapon and means of destroying Sauron, but once he put it on he experienced something unexpected. Reliving things that had been long lost to him, perhaps traumatically restored to his eleven form. As he points out there too, Adar didn’t want the Uruks to see him in his elven form as they would have become more skeptical of his motives (more than they already were), and it becomes clear that is why his back is turned when he asks them to leave him and Galadriel alone.

His face changes back to his Uruk form once he returns it, but his mind is forever changed by the healing powers of Nenya. He promises to never make war on Middle-earth again which is a admirable idea in theory – but I wonder what his children would have thought of it had they not been under the influence of Sauron and ruined those plans so quickly.

Adar forgives Galadriel, and she forgives him. He knows he has done horrible deeds, and that is why he does not even have to think about forgiving her.

I like how, yet again, light and darkness are such prominent themes in this scene. Galadriel will remember Celebrombor’s words from the previous episode later, but I think it is applicable here too. Strength is not what defeats darkness; it is light.

“It’s never too late, not even for me”

They are interrupted by Uruks arriving with an injured Glûg. Adar tells Glûg it’s never too late. He is talking about both of them here, but really, it’s already too late, because Sauron has already influenced his children and turned them against him, and this entire exchange is a scheme on their behalf. You can see in their eyes and the way they speak how they have changed, even before Glûg takes the first stab. Amazing acting by the supporting orctors once again!

When Adar realizes he has been betrayed, there is a pain in his eyes you can only notice in a second, but it is there. They stab him many times, more times than necessary which makes the betrayal even more heartbreaking. This scene is a good parallel to what we saw back in the season premiere, when their roles were exchanged.

Sauron appears, standing over Adar, telling him they are not children anymore. It’s an obvious reference to his influence, but more than that, I believe it’s a promise of what he will make them into. Disposable soldiers in his war (already in this episode, he shows that his way to lead them will be much different).

At this moment, I believe that Adar only felt regretful that he had failed his children. Failed to protect them from Sauron. Not sure he ever could, but the important thing here is that he never blamed them or felt betrayed; he most likely more so felt that he had betrayed them.

Even if Adar’s life ended here, you have to wonder how these events prior to his death impacted whatever comes after. Perhaps Adar’s afterlife would look different than the other orcs', but we can ponder on the different possibilities from what we know of him.

Tolkien never decided fully on the nature of Uruks, and therefore, the details of their afterlife would be vague too. It gets even more complicated with an original orc like Adar, who was once an elf and in this case also was healed by Nenya in his last moments. In the case of Adar, because he was healed, it is possible he was judged in the Halls of Mandos as an elf – but he also had done many evil deeds as a Uruk created by Morgoth so naturally it would be more complicated. There are also possibilities that their death could mean complete erasure of existence. A third option that might be even more devastating is that he would reject the summons and become "houseless". Perhaps a more likely scenario for Adar if he had not been healed, as his nature was more stubborn and evil by default.

I personally like the idea of him going the Halls of Mandos in Valinor, for a very long period of judgment and maybe even healing.

TROP Rewatch 2.8: Shadow and Flame

We have come to our last week of the TROP Rewatch! Season two, episode eight: “Shadow and Flame.”

This week’s optional Reforged prompt is Fire & Light.

We have had such a lovely time and loved seeing all of your creations. Please continue posting with the hashtags TROPRewatch and TROPReforged or tag us in your post as we will still be monitoring and reblogging over the next few months for anyone who wants to use the prompts.

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TROP Rewatch: S2E7 "Doomed to Die" for the @troprewatch

Rewatching each episode and jotting down my thoughts along the way!

  • In the opening sequence of Celebrimbor working on the Nine, the foreshadowing with the metal cutter is excellent. The way it lingers on it just a little longer than necessary and the way the music gets subtly darker and sharper.
  • The Mr Mouse moment is still so cute. It really highlights how gentle and pure Celebrimbor is underneath the flaws of his pride and ambition.
  • Annatar's "please" and smile after Celebrimbor compliments him almost looks genuine.
  • I'm struck by how absolutely hollow and empty Annatar's expression is as he's walking through Eregion with the fire blazing all around him. He almost doesn't look alive.
  • Nice moment of acting when Narvi looks slowly down at King Durin's ring then back up at him and you can see the resignation and slight hardening in his eyes as he decides that he's going to have to stand against the king.
  • I still wish we had gotten to see the moment of Elrond telling Prince Durin that Annatar is Sauron. It would have been such a delightful "I just knew it!" moment for Durin. In fact, if anyone knows if there's a fanfic showing this moment, I'd love the rec :)
  • Love the disbelief in Durin's voice and face when he says "I'm about to overthrow my father" as if even he can't believe it.
  • Annatar's "captivating" still cracks me up. I will miss you sarcastic Annatar.
  • Cool detail that you can see Celebrimbor break through the barrier of Annatar's illusion with a little grey shimmer across the screen.
  • Celebrimbor's choked sob right as he falls against the table and the "mithril" bottle is so heartbreaking.
  • Love Annatar's smug smirk as he reveals himself to Celebrimbor, but it's also so creepy. He's absolutely getting a high out of Celebrimbor's fear and horror.
  • The way Mirdania recoils away from Celebrimbor when he tries to touch her is heartbreaking. Even worse in light of what's about to happen and that she dies thinking Celebrimbor killed her.
  • Oh gosh, Annatar's innocent little face when he shows his red blood is so punchable.
  • I remember feeling downright sick the first time I watched this episode when Annatar kills Mirdania. It was the first moment I truly loathed Charlie's Sauron. I fully expected him to kill her at some point, but I didn't expect it to be so off-handeded/casual/callous.
  • Love the music and the imagery of the elven cavalry charge, especially how they play with light and dark in the shot from above.
  • "Dwarven loyalty is stronger than any sorcery!" Great line, and one of my favorite "motivational speeches" from the show so far. I think it captures the heart of who Tolkien's dwarves are.
  • Elrond's sorrow and anger for his horse feels very Tolkien (the man who included a side note paragraph to specifically let his readers know that Bill the Pony was OK.)
  • Glug saying "You told us you loved us" in such a heartbroken voice and Adar's answer is so poignant. Possibly one of my favorite uruk moments.
  • Love the mournful horn in the music that almost sounds like a wailing voice in the overhead shot of the uruk pyres.
  • Galadriel's graceful parkour out of the uruk trenches is so satisfying to watch.
  • Galadriel and Arondir having their "there's some good in this world and it's worth fighting for" moment :)
  • Still forever screaming over Sauron talking about Morgoth and using almost the exact same phrasing I used in my own fic about them years and years ago.
  • Brilliant acting from both the Charlies in this scene, especially in the "you can deceive even yourself" moment. The way Sauron's face gets so hard and cruel when Celebrimbor says that is exquisite.
  • I really, really, really like that they didn't focus on the gruesomeness of Celebrimbor chopping off his finger, but they rather focused on his defiance and emotional agony. His "who has the stronger will?" line goes so hard.
  • The scene between Celebrimbor and Galadriel is exquisitely beautiful and exquisitely Tolkien. It's scenes like this that make me disgusted even more with the whole "ROP is an insult to Tolkien's legacy" crowd. Like, how do you get more Tolkien than this? (Other than the Winterbloom scene in Episode 4.) "It is not strength that defeats darkness but light" - that is quite literally the whole theme of LOTR and Tolkien's works. You don't win by having the bigger army or being the bigger, stronger person - you win by friendship, hope, and love. It's such a beautiful scene - the tenderness between the two of them, the shared understanding, horror, and grief, and also the shared strength of will to keep fighting even to the bitter end.
  • Sauron screaming from the tower is weirdly funny though.
  • Yeah for my girl Rian and her badass Borormir moment!
  • The building distrust of Glug in the episode feels very organic. The dark look he gives Adar as Adar orders Damrod to be sent out onto the battlefield and also later when Damrod is killing orcs is chilling.
  • And now, perhaps my favorite Sauron scene in ROP to date! No more Halbrand. No more Annatar. This is just pure, unadulterated Sauron. That smirk as he's wielding his magic undoes me every single time. This is what I've dreamed about since I was a teenager newly infatuated with the Sauron I'd just read about in the Silmarillion for the first time. Finally getting to see my Sauron on the screen.
  • A good job was done with how just...gleefully cruel...Damrod is, especially that completely unnecessary bit with him tossing the uruk in the air and then batting him away like a baseball with his club.
  • Wish we had gotten to see more of Gil-galad fighting with Aiglos, but maybe we'll get that in Season 3 and 5. I love glaives, such beautiful weapons.
  • I love you chef uruk who has to make sure his roasting chicken is properly tended to before grabbing his weapon and rushing out onto the battle field.
  • Adar sure looks fine leading the uruk army out on the field. Also catching Arondir's arrow in midair was very hot of him.
  • Can't believe there's only one episode to go!
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TRoP Reforged 5: Songs and Tales

The Harfoots had a song for everything. They sang walking songs and resting songs, foraging songs and cooking songs, wake-up songs and bedtime songs. Songs about where they were going, and songs about where they had been.

*

The people of the Southlands had their own stories, told in whispers late at night, about what had happened long ago when a dark god had walked among them—about what had been lost, sacrificed, taken. About how their ancestors had survived. But the tower, always present, always looming, told its own story: You are bad. You are untrustworthy. You are the enemy. The darkness is in your blood.

*

People said that Númenor was built on the sea, but truly Númenor was built on a story: the foundation myth of Elros Tar-Minyatur—somehow both a boy and a warrior, both an Elf and a Man—who followed a star to an island as far across the Western Sea as any mortal could go. 

*

As the herald recounted the tale at his High King’s command, a subtle change came over his countenance, so that by the end, there was something in his eyes that looked like yearning. A desire to believe.

Such was the power of the Silmarils. Even as a story, they enticed the mind, the imagination, the heart.

Perspectives from Gandalf, Bronwyn, Pharazôn, and Gil-Galad.