Ran (乱) (1985)
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''Are there no gods... no Buddha?''
An elderly lord abdicates to his three sons, and the two corrupt ones turn against him.
Tatsuya Nakadai: Lord Hidetora Ichimonji
Born in 1910 Japan, Akira Kurosawa first studied painting before moving into film in the late 1930s. A well-known director in Japan throughout the 1940s, his 1950 produc... read more
Akira Kurosawa's crowning achievement...
To movie aficionados and cinema enthusiasts, Akira Kurosawa's name is synonymous with the title of 'cinematic god'. It's irrefutable that throughout Kurosawa's career (spanning over several decades) the director has created wonderful narratives and absolutely magnificent visual delights. To some people Kurosawa is the greatest... read more
Ran (also known as 'Chaos')
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UPC: 720917503424
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"Before movies like Crouching Tiger/ Hidden Dragon and Hero came along and added the artistically flair fantasy elements to these types of epic movies, there was Ran. Some of the most beautiful and grand visuals ever in an Akira Kurosawa film. The fact that his name was associated with this project guaranteed this film's sweeping quality. And, the added high budget seemed to compromise his vision not in the slightest. Instead, it seemed to open up the potentiality that Mr. Kurosawa had holding in"
"FORMAT: 35mm CONDITION: ★★★ NOTES: Original UK release print repaired and cleaned for the 40th anniversary, that still bears prominent signs of wear, damage and frame losses, and this is the rare occasion where I could hear the splices in the projection booth. That said, the sound left a tremendous impact in Central’s main screen, which is partially why I skipped the small screen runs at the PCC. DATE: July 28th 2025 CINEMA: Picturehouse Central LOCATION: West End"
"SCREENING: 35mm, Re-release DATE: July 28th CINEMA: Picturehouse Central LOCATION: West End"
" With Ran, legendary director Akira Kurosawa reimagines Shakespeare’s King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa’s late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power. Released on June 1, 1985, it was modestly successful financially in Japan. It earned ¥2.51 billion ($12 million) in Japan, just enoug"
" With Ran, legendary director Akira Kurosawa reimagines Shakespeare’s King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa’s late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power. Released on June 1, 1985, it was modestly successful financially in Japan. It earned ¥2.51 billion ($12 million) in Japan, just enoug"
" Directed By Akira Kurosawa Cinematography By Takao Saito, Masaharu Ueda and Asakazu Nakai"
" "Why stay with this mad old man? If the rock you stay on starts to roll, jump clean. Or you'll go with it and be squashed. Only a fool stays aboard." Directed by Akira Kurosawa Written by Akira Kurosawa, Hideo Oguni and Masato Ide Music by Tôru Takemitsu Cinematography by Asakazu Nakai, Takao Saitô and Shôji Ueda Editing by Akira Kurosawa "
Akira Kurasawa's take on King Lear
“I loved Kurasawa's Throne of Blood, and heard this was even better. And indeed it was, for me second only to Seven Samurai as his best film and one of the finest movies ever made. As with any Kurasawa film, it is superbly made with the camera work in look and technique masterly and the colour and period detail really sumptuous. The battle sequences are even more epic in scope and emotional impact than Seven Samurai, aided by the spectacle and camera work. The music is rousing and haunting, almost sometimes paying homage to Mahler, the script is literate and thoughtful and the story intensely moving. Add to that Kurasawa's ever immaculate direction and the truly remarkable lead performance Tatsuya Nakadai and you have an even more brilliant film. Rounding off is the truly Machiavellian perf” read more
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