Musicians Steve Winwood (lead and backing vocals, acoustic piano, Hammond organ, Fairlight CMI, bass, drums), Mike Lawler (keyboards) The Memphis Horns Wayne Jackson (trombone and trumpet), Andrew Love (tenor saxophonej Tessa Niles (backing vocals), Mark Williamson (backing vocals) Music & lyrics by: Steve Winwood, Will Jennings, Jim Capaldi, Lamont Dozier, Brian Holland & Eddie Holland. Released: June 20, 1988 Recorded: Autumn 1987–Spring 1988 Release by: Virgin Records Studios: Windmill Lane Studios (Dublin, Ireland), McClear Place Studio (Toronto, Canada) Length: 44:27 Produced by: Steve Winwood Produced by: Tom Lord-Alge Executive producer: John Clarke Cover photography: Herb Ritts Art Direction & Design: Jeffrey Kent Ayeroff & Mick Haggerty Review: “Yet the album is in many ways an artistic step back from BITHL, favoring synthetic white soul over the exotic and uplifting music of his last record. Strip away the gloss provided by the hired studio hands and this is Talking Back to the Night part two.” “Of course, Virgin wasn’t paying him $12-$13 million to make an artistic statement; they wanted hits and they got what they paid for here.” Jim Capaldi, Progrography

Musicians James Hetfield (rhythm guitar, vocals), Lars Ulrich – (drums), Cliff Burton (bass guitar) & Kirk Hammett – (lead guitar) Music & lyrics: Cliff Burton, Kirk Hammett, James Hetfield, and Lars Ulrich Production Paul Curcio (production), Jon Zazula (executive producer), Chris Bubacz (engineer, (Anesthesia) Assistant engineer: Andy Wroblewski Front and back cover design: Gary L. Heard Inner sleeve photos: Kevin Hodapp – inner sleeve photos Graphic design and layout: Shari & Harold Risch – Review: “It would be seriously stretching the truth to say that, on their debut album, Metallica sounded like no-one else, Diamond Head and Motörhead in particular are owed a debut of thanks, but in early ’80s Los Angeles, the quartet’s filth, fury and ferocity marked them out as downright weird.” “Yes, the production is a bit ropey – famously, early in the session, producer Paul Curcio halted a James Hetfield guitar take, telling the band’s frontman that the sound being committed to tape didn’t sound normal, only to receive the reply, “It’s not meant to sound normal”. “Out the sheer force and speed of Metallica’s earliest songs is utterly compelling.” Paul Brannigan, Kerrang!, August 12, 2019

Musicians: Juice Newton (acoustic guitar, lead vocals, backing vocals), Chuck Martin, George Doering, Mitch Holder, Otha Young, Tim May (electric guitar), Billy Joe Walker Jr., Dennis Budimir, Fred Tackett (acoustic guitar) Dan Dugmore, Doug Livingston, Jay Dee Maness (pedal steel guitar), Philip Aaberg (keyboards) Neil Stubenhaus, Scott Chambers (bass guitar), Rick Shlosser (drums), Steve Forman (percussion) Brad Felton (banjo), Andrew Gold, Brock Walsh, Harry Stinson, Jim Haas, Jon Joyce, Kenny Edwards, Lewis Morford, Stan Farber (backing vocals) Music and lyrics by: Chip Taylor, Otha Young, Hank DeVito, Boudleaux Bryant, Felice Bryant, Bruce McDill, Paul Davis, Byron Hill, Keith Stegall, Chris Waters, Elton John & Bernie Taupin Produced by: Richard Landis Associate producer: Otha Young Engineered by: Joe Chiccarelli Assistant engineers: David Cole, Hugh Davies, Mitch Gibson, Karen Siegel Cover art by:Charles Bush Art direction by: Henry Marquez and Roy Kohara. Released: February 1981 Recorded: September – November 1980 Released by: Capital Records Studios: Capitol Studios, Hollywood, CA, SoundCastle & Village Recorders, Los Angeles, CA Length: 34:42 Review “Throughout Juice, Newton straddles the line between country and pop, playing to both sides of the market. As it happened, she appealed to both. As an album, Juice has its weak moments, but she sings well throughout the record, and when she has the right material as on the hit singles the results are highly entertaining.” Stephen Thomas Erlewine, AllMusic

Musicians Roger Daltrey (lead and backing vocals), Pete Townshend (acoustic and electric guitars, backing vocals, lead vocals, piano), John Entwhistle (bass guitar, horns, lead vocals, backing vocals), and Keith Moon (drums, lead vocals), Al Kooper (organ), Speedy Keen (co lead vocals) Production Produced and engineered by: Kit Lambert Produced by: Chris Stamp Engineer: Damon Lyon-Shaw Cover photography: David Montgomery, Sleeve design: David King and Roger Law Psychedelic album design: Adrian George Cover model: Jill Langham Released December 15, 1967 Recorded by: May–November 1967 Released by: Track (UK), Decca (US) Studios: IBC, Pye, De Lane Lea Studios and CBS, London, and Mirasound, New York City, Bradley's Barn, Nashville and Gold Star, Los Angeles Length: Length 39:22 “The album is as perfect a balance between melodic mod pop and powerful instrumentation as the Who (or any other group) would achieve; psychedelic pop was never as jubilant, not to say funny (the fake commercials and jingles interspersed between the songs are a hoot).l Richie Unterberger, AllMusic

Musicians: Taylor Swift  (heartbeat, claps, shouts, acoustic guitar, lead vocals, background vocals), Max Martin  (keyboard, piano, claps, shouts, background vocals), Shellback (acoustic guitar, electric guitar, bass, keyboard, percussion, shouts, stomps, additional guitars, guitar, knees, noise, claps, drums, background vocals) Imogen Heap  (vibraphone, drums, mbira, percussion, keyboards, background vocals), Jack Antonoff  (acoustic guitar, electric guitar, keyboards, bass, drums, background vocals) Ryan Tedder  (piano, Juno, acoustic guitar, electric guitar, drum programming, additional synth, background vocals) Niklas Ljungfelt  (guitar), Jonas Thander (saxaphone), Jonas Lindeborg (trombone), Magnus Wiklund (trombone) Ali Payami (keyboards) Production Produced and executive producer: Taylor Swift Produced by: Jack Antanoff Produced by: Shellback, Ryan Tedder, Noel Zancanella, Ali Payami, Nathan Chapman, Imogen Heap & Mattman & Robin Creative director: Taylor Swift Produced by: Sarah Barlow Photography: Stephen Schofield Art direction: Josh & Bethany Newman Designed by: Austin Hale & Amy Pucci Released: October 27, 2014 Recorded: 2013–2014 Released by: Big Machine Length: 48:41 Studios: Conway Recording (Los Angeles), Jungle City (New York City), Lamby's House (Brooklyn), MXM (Stockholm), Pain in the Art (Nashville) & Elevator Nobody (Gothenburg) & The Hideaway (London) Review: “Undoubtedly, she has the charisma and chops to be convincing on both bubblegum and ballads, but 1989 is something else entirely: a cold, somewhat distant celebration of all the transient transparencies of modern pop, undercut by its own desperate desire to be nothing but a sparkling soundtrack to an aspirational lifestyle.” Stephen Thomas Erlewine, AllMusic