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Aleshea Harris’ 'Is God Is', a star-studded revenge thriller, is an emotional rollercoaster that cuts deep, but wraps up neatly.
'Mortal Kombat II' delivers more of the bloody same, but with a batch of fun new characters. Read Matt Konopka's…
Renny Harlin's 'Deep Water' is an intermittently fun — if oddly sentimental— killer-shark flick. Read our review here.
'Apex,' Charlize Theron's Netflix survival thriller, gives the impression of a movie without the high-octane gusto to actually be one.
'Stranger Things: Tales from '85' just dropped on Netflix, but is it worth the watch or a nostalgia grab? Matt…
'Buffet Infinity' is innovative horror cinema that uses public-access channel-surfing to convey a cosmic apocalypse.
Lee Cronin’s 'The Mummy' delivers campy brutality, but its emotional core never lands, leaving the violence feeling gross but never…
Big Baby's meta-riff on tortured artists and big, uh, killer babies packs a mean and uncharacteristically mature punch.
David Lowery’s 'Mother Mary' blends pop spectacle with Gothic horror, anchored by stunning performances from Anne Hathaway and Michaela Coel.
'Frogman Returns' is a riotous masterclass of cryptid horror. All hail the Frogman. Read our Panic Fest review here.
'The Barn: Part III' is all carnage, little story. With gore this exceptional, Justin M. Seaman’s trilogy-capper succeeds nonetheless.
'Hunting Matthew Nichols' is a terrifying love letter to the early-oughts found-footage horror craze. It's seriously scary.
'Thrash' has the makings of an exploitative good time, but its incongruous goodwill never bloodies the waters quite as well…
John Valley's 'American Dollhouse' is gruesome Christmas carnage candy well worth unwrapping. A true slasher gift.
Faces of Death is a sick and satisfying reboot exposing the ubiquitous stench of voyeuristic violence we’ve become so desensitized…