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09.19.2017

documenta 14, April 8–September 17, 2017, in Athens, Kassel, and beyond, has reached more people than ever before

documenta 14 is not owned by anyone in particular. It is shared among its visitors and artists, readers and writers, as well as all those whose work made it happen.

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News

David Perlov: Retrospective

A documenta 14 film program and exhibition
June 7–September 17, Grosses BALi, daily

When Israeli filmmaker David Perlov died, he left behind dozens of Hefte (Notebooks), filled with epigrams, texts for…

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Notes

Ashley Hans Scheirl

Oversized Storyboard for Reproductive Derangement:

Ovaries in Motion Pictures Present: Turmoil in the Angry Womb
In_efficient Ejaculation Management
Anal Baby Bat Sperm
Corporate Castration Content.

Libidinal…

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Artists

Signals from Another World: Proletarian Theater as a Site for Education
Texts by Asja Lācis and Walter Benjamin, with an introduction by Andris Brinkmanis

What are the forms of culture still capable of assuming the shape of a chorus, an assembly? Which cultural forms might help build communities in which a multitude of diversities might be expressed as a…

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South Issue #9 [documenta 14 #4]

Piraeus Port as Entry Point of Global Capitalism

with Sandro Mezzadra, Brett Neilson, and Pavlos Hatzopoulos

The Apatride Society of the Political Others invites you to an evening of talks and discussions with Sandro Mezzadra, Brett Neilson and Pavlos Hatzopoulos about the impact of financial capitalism and logistics within the movement of goods and human bodies in the Mediterranean…

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Calendar
New York
Athens
New York
Kassel

The documenta 14 Reader

The main book of documenta 14 takes the form of a Reader, evoking the various meanings associated with the term…

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Publications

Isadora & Raymond Duncan Dance Research Center

In 1903 Isadora Duncan and her family arrived in Athens, where they resolved to remain and establish a place for dance to be experienced in a fluid relationship with everyday living. Designed according…

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Venues

Louis Gurlitt

The Gurlitt family saga—one thread among many running throughout this venue—begins with Louis Gurlitt, a prolific landscape painter born in Hamburg in 1812, whose mastery of the genre contributed to…

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Historical Positions

Filmladen Kassel e. V.

The Filmladen Kassel opened in the converted interior of a former storage building in Goethestrasse in the summer of 1981. Its programming offers a counterpoint to mainstream cinema, focusing since its…

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Venues

Negative Moment: Political Geology in the Twenty-First Century

by Nabil Ahmed, with images by Gauri Gill and Rajesh Chaitya Vangad

Peter Sloterdijk famously wrote that modernity began on the northern fronts of World War I, when imperial Germany first deployed poisonous chemicals, which they dug into their trenches, against French…

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South Issue #8 [documenta 14 #3]

Keimena #27: He Who Eats Children, Atlantis, and TRYPPS #7 (Badlands)

by Ben Russell

Ben Russell—the director of Trypps #7 (Badlands), Atlantis, and He Who Eats Children—is an itinerant filmmaker. From Vanuatu to Rhode Island, he reaffirms and interrogates the affinities between cinema and travel that have existed since the medium’s earliest years. No matter where he shoots, at stake is a reckoning with otherness—with other psychic states, other ways of living, other cultures—and with the cinema itself…

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Public TV

Draupadi

by Mahasweta Devi

1
Name Dopdi Mejhen, age 27, husband Dulna Majhi (deceased), domicile Cherakhan, Bankrahjarh, information whether dead or alive and/or assistance in arrest, one hundred rupees …
    An exchange between…

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South Issue #7 [documenta 14 #2]

#20 Transgressive Listening

by Stathis Gourgouris

Stathis Gourgouris is professor at the Institute for Comparative Literature and Society at Columbia University, New York. He is the author of Synaesthetics of the Polity (forthcoming, 2018); The Perils…

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Calendar

Material Matters Library

The “Material Matters” library is a collection of objects and sounds that have been entrusted to aneducation by documenta 14 artists…

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Public Education

The Invisible Collection

by Stefan Zweig

Two stations after Dresden an elderly gentleman got into our compartment, passed the time of day civilly and then, looking up, expressly nodded to me as if I were an old acquaintance. At first I couldn’t…

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South Issue #6 [documenta 14 #1]