Sasha / Emerson* – Scorchio
Label: | Deconstruction – 74321 78822 1 |
|---|---|
Format: | Vinyl, 12", 33 ⅓ RPM |
Country: | UK |
Released: | |
Genre: | Electronic |
Style: | Progressive House, Progressive Trance |
Tracklist
| A | Scorchio (Full Length Version) | 9:43 | |
| B | Scorchio (Emerson's Late Nite Dub) | 9:27 |
Companies, etc.
- Published By – EMI Music
- Published By – Sherlock Holmes Music
- Published By – Warner/Chappell
- Copyright © – Deconstruction Ltd.
- Recorded At – Sarm West Studios
- Phonographic Copyright ℗ – Deconstruction Ltd.
- Distributed By – BMG
- Record Company – BMG Entertainment
Credits
- Engineer – Ollie Jay
- Photography By [Photographs] – Andy Earl, Farrow Design
- Plated By – MA*
- Producer – Charlie May, Darren Emerson, Sasha
- Programmed By [Additional Programming And Twickery] – Flipper (3)
- Written-By – A. Coe*, C. May*, D. Emerson*
Notes
On back of sleeve and labels:
Distributed by the local BMG company. A unit of BMG Entertainment.
℗ 2000 Deconstruction Ltd.
The copyright in this sound recording is owned by Deconstruction Ltd.
© 2000 Deconstruction Ltd.
Manufactured in the E.U.
Issued with a printed picture inner sleeve.
www.sasha.co.uk
Distributed by the local BMG company. A unit of BMG Entertainment.
℗ 2000 Deconstruction Ltd.
The copyright in this sound recording is owned by Deconstruction Ltd.
© 2000 Deconstruction Ltd.
Manufactured in the E.U.
Issued with a printed picture inner sleeve.
www.sasha.co.uk
Barcode and Other Identifiers
- Barcode (Scanned): 743217882211
- Barcode (Text): 7 43217 88221 1
- Rights Society: Biem/Gema
- Label Code: LC 08280
- Matrix / Runout (A-side etching, variant 1): EXE-001
- Matrix / Runout (B-side etching, variant 1): EXE-002
- Matrix / Runout (A-side etching, variant 2): EXE-001-1 ma
- Matrix / Runout (B-side etching, variant 2): EXE-002-B-1
Other Versions (5 of 17)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Scorchio (CD, Single) | Excession, BMG | 74321 78822 2 | UK | 2000 | ||
Recently Edited | Scorchio (12", Promo) | Excession | EXE 002 | UK | 2000 | ||
| Scorccio (12", Unofficial Release, Single Sided, White Label) | Not On Label (Sasha), Not On Label (Darren Emerson) | SCORCCIO1 | UK | 2000 | |||
Recently Edited | Scorchio (12") | Plus Recordings | PLMX 08 | Spain | 2000 | ||
| Scorchio (CDr, Maxi-Single, Promo) | Deconstruction | none | UK | 2000 |
Recommendations
1999 UKVinyl —12", 33 ⅓ RPM, EP
1998 UKVinyl —12", 33 ⅓ RPM
Touch MeRui Da Silva Featuring Cassandra2001 UKVinyl —12", 33 ⅓ RPM, 45 RPM
1998 FranceVinyl —12", 33 ⅓ RPM, Single Sided, Single, Etched, Repress
SaltwaterChicane Featuring Maire Brennan1999 UKVinyl —12", 33 ⅓ RPM
1999 UKVinyl —12", 45 RPM
2000 UKVinyl —12", 33 ⅓ RPM, Single, Stereo
2001 UKVinyl —12", 33 ⅓ RPM
2001 UKVinyl —12", 33 ⅓ RPM, 45 RPM, Single
1998 UKVinyl —12", 33 ⅓ RPM
Reviews
- This isnt just a song it is a experience still timeless
Edited 8 months agoFloating Points and Palms Trax rinsed this at Dekmantel in 2025 year of our lord. If that doesn't say this is a timeless track, idk what will.- One of the most memorable records I've come across, this is a Ibiza anthem classic.
Might get shot for saying this, but I think this is better than Xpander...
Think Sasha was trying to emulate the heights of xpander with this one but slightly fell short, good job we have Emersons late night dub to fall back on ;)- this amazing progressive trance tune is one of my favorites songs of all times!
works for any time of the year and for any ambient in which you wanna hear it,
highly recomended 5/5 
The latenight dub is so good!- Edited 19 years agoThis is definitely one of my favourite tunes from Sasha. The best mix of Scorchio is the Full Length Version, it starts off with a drum loop that continues into a small breakdown that introduces more and more elements of the tune. Also the tranzy melody fits very well on this one.
A great progressive floorfiller! - Calling "Scorchio" trance is the biggest mistake you could make, (I'm not one of those label-hungry trainspotters that must catagory every single style, but come on). Emerson's tech-y style shines in with the beat and bass while sasha's progressive atmospheric style adds a wonderfull twist.... just call it progressive, hows that?
