Almost all of the content of this comic consists of newspaper strip reprints modified to fit comic book format. The dates of publication of these strips have, in practically all cases, been removed.
The usual next issue’s on sale date is missing from the “Let's Get into a Huddle” page in #24, but this issue (#25) contains the statement, “For two years now we have been coming to you in FAMOUS FUNNIES every month - on the 15th of every month.”
| Script: | John Hix (credited) |
| Pencils: | John Hix (credited) |
| Inks: | John Hix (credited) |
| Colors: | ? |
| Letters: |
Inside front cover.
| Script: | Victor Pazmiño (signed as VEP) |
| Pencils: | Victor Pazmiño (signed as VEP) |
| Inks: | Victor Pazmiño (signed as VEP) |
| Colors: | ? |
| Letters: |
Four unrelated gag panels.
The top tier of the "Our Boarding House" Sunday page, by the same creator.
The top tier is "The Nut Brothers", by the same creator.
| Script: | Frank Godwin (credited, signed) |
| Pencils: | Frank Godwin (credited, signed) |
| Inks: | Frank Godwin (credited, signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | Roy Crane (credited, signed) |
| Pencils: | Roy Crane (credited, signed) |
| Inks: | Roy Crane (credited, signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | V. T. Hamlin (signed) |
| Pencils: | V. T. Hamlin (signed) |
| Inks: | V. T. Hamlin (signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | Walt Munson (credited, signed) |
| Pencils: | Walt Munson (credited, signed) |
| Inks: | Walt Munson (credited, signed) |
| Colors: | ? |
| Letters: | ? |
A single daily gag panel.
| Script: | Gar Schmitt ? (signed as GAR) |
| Pencils: | Gar Schmitt ? (signed as GAR) |
| Inks: | Gar Schmitt ? (signed as GAR) |
| Colors: | ? |
| Letters: | ? |
Two daily gag panels.
A previous indexer identified Charles J. Dunn as the creator, but evidence elsewhere suggests it may have been Gar Schmitt.
| Script: | Milton Caniff (signed) |
| Pencils: | Milton Caniff (signed) |
| Inks: | Milton Caniff (signed) |
| Colors: | ? |
| Letters: | ? |
First comic-book appearance. Begins "Dickie Dare and the Pirate Sub" several weeks into the continuity.
| Script: | Abe Martin (credited as Edgar Martin) |
| Pencils: | Abe Martin (credited as Edgar Martin) |
| Inks: | Abe Martin (credited as Edgar Martin) |
| Colors: | ? |
| Letters: | ? |
The actual name of the strip was “Boots and Her Buddies”, but some newspapers presented the strip under the shortened title “Boots”, as here. The final panel on each Sunday page is one of fashion, named "Boots cut outs".
| Script: | F. O. Alexander (credited) |
| Pencils: | F. O. Alexander (credited) |
| Inks: | F. O. Alexander (credited) |
| Colors: | ? |
| Letters: | ? |
The bottom tier is "High-Gear Homer", by the same creator.
| Script: | F. O. Alexander (credited) |
| Pencils: | F. O. Alexander (credited) |
| Inks: | F. O. Alexander (credited) |
| Colors: | ? |
| Letters: | ? |
The bottom tier of the "Hairbreadth Harry" Sunday page, by the same creator.
| Script: | |
| Pencils: | Rick Yager (signed as Dick Calkins) |
| Inks: | Rick Yager (signed as Dick Calkins) |
| Colors: | ? |
| Letters: | ? |
| Script: | Pop Momand (credited) |
| Pencils: | Pop Momand (credited) |
| Inks: | Pop Momand (credited) |
| Colors: | ? |
| Letters: | ? |
The top tier of the "Keeping Up With the Joneses" Sunday page, by the same creator.
| Script: | Pop Momand (credited, signed) |
| Pencils: | Pop Momand (credited, signed) |
| Inks: | Pop Momand (credited, signed) |
| Colors: | ? |
| Letters: | ? |
The top tier is "Holly of Hollywood", by the same creator.
| Script: | John Welch (credited) |
| Pencils: | Russell Ross (credited) |
| Inks: | Russell Ross (credited) |
| Colors: | ? |
| Letters: | ? |
| Script: | Noel Sickles (signed) |
| Pencils: | Noel Sickles (signed) |
| Inks: | Noel Sickles (signed) |
| Colors: | ? |
| Letters: |
First comic-book appearance.
| Script: | Clare Victor Dwiggins (credited as Dwig) |
| Pencils: | Clare Victor Dwiggins (credited as Dwig) |
| Inks: | Clare Victor Dwiggins (credited as Dwig) |
| Colors: | ? |
| Letters: | ? |
The bottom tier is "Footprints on the Sands of Time", by the same creator.
| Script: | Clare Victor Dwiggins (signed as Dwig) |
| Pencils: | Clare Victor Dwiggins (signed as Dwig) |
| Inks: | Clare Victor Dwiggins (signed as Dwig) |
| Colors: | ? |
| Letters: | ? |
The bottom tier of the “Nipper” Sunday page, by the same creator.
| Script: | Norman Marsh (credited) |
| Pencils: | Norman Marsh (credited) |
| Inks: | Norman Marsh (credited) |
| Colors: | ? |
| Letters: | ? |
| Script: | Clyde Lewis (credited) |
| Pencils: | Clyde Lewis (credited) |
| Inks: | Clyde Lewis (credited) |
| Colors: | ? |
| Letters: | ? |
| Script: | J. Carroll Mansfield (credited, signed) |
| Pencils: | J. Carroll Mansfield (credited, signed) |
| Inks: | J. Carroll Mansfield (credited, signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | Clifford McBride (credited, signed) |
| Pencils: | Clifford McBride (credited, signed) |
| Inks: | Clifford McBride (credited, signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | Sol Hess (credited) |
| Pencils: | Wallace Carlson (signed as W. A. Carlson) |
| Inks: | Wallace Carlson (signed as W. A. Carlson) |
| Colors: | ? |
| Letters: | ? |
The Sunday page is shared equally between "The Nebbs" and "Simp O'Dill", both by the same creators.
| Script: | Sol Hess (credited) |
| Pencils: | Wallace Carlson (signed as W. A. Carlson) |
| Inks: | Wallace Carlson (signed as W. A. Carlson) |
| Colors: | ? |
| Letters: | ? |
The Sunday page is shared equally between "The Nebbs" and "Simp O'Dill", both by the same creators.
| Script: | |
| Pencils: | Al Capp (ghosted for Ham Fisher) |
| Inks: | Al Capp (ghosted for Ham Fisher) |
| Colors: | ? |
| Letters: | ? |
The top tier of the "Joe Palooka" Sunday page, by the same creators.
| Script: | |
| Pencils: | Al Capp (ghosted for Ham Fisher) |
| Inks: | Al Capp (ghosted for Ham Fisher) |
| Colors: | ? |
| Letters: | ? |
The top tier is "Fisher's History of Boxing", by the same creators.
| Script: | S. M. Iger (credited as Sam Iger) (signed as Sam Iger) |
| Pencils: | S. M. Iger (credited as Sam Iger) (signed as Sam Iger) |
| Inks: | S. M. Iger (credited as Sam Iger) (signed as Sam Iger) |
| Colors: | ? |
| Letters: | ? |
| Script: | S. M. Iger (credited as Sam Iger) (signed as Sam Iger) |
| Pencils: | S. M. Iger (credited as Sam Iger) (signed as Sam Iger) |
| Inks: | S. M. Iger (credited as Sam Iger) (signed as Sam Iger) |
| Colors: | ? |
| Letters: | ? |
| Script: | S. M. Iger (credited as Bob Bliss) (signed) |
| Pencils: | S. M. Iger (credited as Bob Bliss) (signed) |
| Inks: | S. M. Iger (credited as Bob Bliss) (signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | Bob Zuppke (credited) |
| Pencils: | Walt Depew (signed) |
| Inks: | Walt Depew (signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | Fred Locher (signed) |
| Pencils: | Fred Locher (signed) |
| Inks: | Fred Locher (signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | Tom Carlisle (signed as Carlisle) |
| Pencils: | Tom Carlisle (signed as Carlisle) |
| Inks: | Tom Carlisle (signed as Carlisle) |
| Colors: | ? |
| Letters: | ? |
pantomime; wordless comic
| Script: | Jimmy George (credited as George) |
| Pencils: | Merle Mulholland (credited as Mulholland) (signed as Mulholland) |
| Inks: | Merle Mulholland (credited as Mulholland) (signed as Mulholland) |
| Colors: | ? |
| Letters: | ? |
| Script: | |
| Pencils: | Ralph Briggs Fuller (signed as R B Fuller) |
| Inks: | Ralph Briggs Fuller (signed as R B Fuller) |
| Colors: | ? |
| Letters: | ? |
First comic-book appearance.
Script previously credited to Ralph Briggs Fuller, but McCleery was the author for forty years.
| Script: | Robert Hyatt (credited as Robert M. Hyatt) |
| Pencils: | ? (2 spot illustrations) |
| Inks: | ? (2 spot illustrations) |
| Colors: | ? (2 spot illustrations) |
| Letters: | typeset |
| Script: | Roy L. Williams (credited) (signed as Williams) |
| Pencils: | Roy L. Williams (credited) (signed as Williams) |
| Inks: | Roy L. Williams (credited) (signed as Williams) |
| Colors: | ? |
| Letters: | ? |
| Script: | Julian Ollendorff (credited) (signed as Ollendorff) |
| Pencils: | Julian Ollendorff (credited) (signed as Ollendorff) |
| Inks: | Julian Ollendorff (credited) (signed as Ollendorff) |
| Colors: | ? |
| Letters: | ? |
This strip ran between 1934-01-22 and 1938, so these reprints fall within that period.
| Script: | Victor Pazmiño (signed as VEP) |
| Pencils: | Victor Pazmiño (signed as VEP) |
| Inks: | Victor Pazmiño (signed as VEP) |
| Colors: | ? |
| Letters: | ? |
| Script: | Walt Munson (credited, signed) |
| Pencils: | Walt Munson (credited, signed) |
| Inks: | Walt Munson (credited, signed) |
| Colors: | ? |
| Letters: | ? |
A one panel daily gag.
Three daily gag panels.
Charles J. Dunn has generally been credited as the creator, but evidence elsewhere suggests it may have been Gar Schmitt.
Three Sunday pages, each one featuring a sequential "Jane Arden" storyline (0.5), a self-contained "Lena Pry" story (0.33), and a fashion panel "Jane Arden's Wardrobe" (0.17).
| Script: | |
| Pencils: | Ben Thompson (signed as Thompson) |
| Inks: | Ben Thompson (signed as Thompson) |
| Colors: | ? |
| Letters: | ? |
| Script: | S. M. Iger (credited, signed) |
| Pencils: | S. M. Iger (credited, signed) |
| Inks: | S. M. Iger (credited, signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | Martha Orr (credited, signed) |
| Pencils: | Martha Orr (credited, signed) |
| Inks: | Martha Orr (credited, signed) |
| Colors: | ? |
| Letters: | ? |
| Script: | Gladys Parker (credited) |
| Pencils: | Gladys Parker (credited) |
| Inks: | Gladys Parker (credited) |
| Colors: | ? |
| Letters: | ? |
| Script: | C. D. Small (credited as Small) (signed as Small) |
| Pencils: | C. D. Small (credited as Small) (signed as Small) |
| Inks: | C. D. Small (credited as Small) (signed as Small) |
| Colors: | ? |
| Letters: | ? |
The top tier of "The Bungle Family" Sunday page, by the same creator.
| Script: | H. J. Tuthill (credited) (signed as Tuthill) |
| Pencils: | H. J. Tuthill (credited) (signed as Tuthill) |
| Inks: | H. J. Tuthill (credited) (signed as Tuthill) |
| Colors: | ? |
| Letters: | ? |
The top tier is "Little Brother", by the same creator.
| Script: | Bill Zaboly (signed as Bela Zaboly) |
| Pencils: | Bill Zaboly (signed as Bela Zaboly) |
| Inks: | Bill Zaboly (signed as Bela Zaboly) |
| Colors: | ? |
| Letters: | ? |
The top tier of the "Out Our Way" Sunday page. The strip was discontinued in 1936.
| Script: | J. R. Williams (credited as Williams) (signed) |
| Pencils: | J. R. Williams (credited as Williams) (signed) |
| Inks: | J. R. Williams (credited as Williams) (signed) |
| Colors: | ? |
| Letters: | ? |
The top tier is "Otto Honk".
| Script: | J. P. McEvoy (credited) |
| Pencils: | John Striebel (credited as J. H. Striebel) |
| Inks: | John Striebel (credited as J. H. Striebel) |
| Colors: | ? |
| Letters: | ? |
The top tier of the "Dixie Dugan" Sunday page, by the same creators.
The top tier is "Good Deed" Dotty, by the same creators.