| Pencils: | David Finch (signed) |
| Inks: | Scott Williams (signed) |
| Colors: | Peter Steigerwald (signed) |
| Letters: | typographie |
Batman #682-683, 700-702, Batman #452-454: Dark Knight, Dark City, et des épisodes de Batman: The Black Casebook
| Pencils: | Tony S. Daniel (signed) |
| Inks: | Tony S. Daniel (signed) |
| Colors: | ? |
| Letters: | ? |
This is a Final Crisis tie-in issue.
This is a Final Crisis tie-in issue.
Illustration setting up the main story.
| Script: | |
| Pencils: | Tony S. Daniel (pages 1-8) Frank Quitely (pages 9-13) Scott Kolins (pages 14-16) Andy Kubert (pages 17-25) David Finch (pages 26-31) |
| Inks: | Tony S. Daniel (pages 1-8) Frank Quitely (pages 9-13) Scott Kolins (pages 14-16) Andy Kubert (pages 17-25) Richard Friend (pages 26-31) |
| Colors: | Ian Hannin (pages 1-8) Alex Sinclair (pages 9-13) Tony Aviña (pages 14-16) Peter Steigerwald (pages 26-31) Brad Anderson (pp. 17-25) |
| Letters: | ? |
Sequel to "The Batmen of All Nations" from Detective Comics (DC, 1937 series) #215; Klein/Reed incorrectly lists Paris inks.
Script and letterer credits from Martin O'Hearn. Both art credits verified by Sprang.
Origin re-cap in this issue.
Story told in two chapters. Writer credit by Martin O'Hearn and inker credit verified by Paris.
Story continues in Batman #453.
Story continues in Batman #454.