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SLANT

Zayed National Museum, Abu Dhabi, December 21, 2025. Photo: Ludovic Marin/AFP via Getty Images.
On institution building in the Gulf
Painting of Revolutionary War soldiers aiming muskets from behind trees and rocks in a wooded landscape with a stream and distant hills.
On Sunday painting in the age of evangelical expressionism
A white gallery space with wooden floors, featuring a photo of a person wearing a saddle, scattered pink petals, a cinder block with flowers, and various objects.
On the cancellation and rebirth of “Nature’s Wild with Andil Gosine”
Still from And Just Like That . . . [Three people stand in an art gallery with a polished floor, viewing colorful wall art, including a vibrant wave painting and a stylized portrait.]
On portrayals of the art world on-screen
Louise Lawler
Louise Lawler’s doubling and the search for an archetype
Camille Norment, Untitled (Bellhorn), 2022, brass, sine waves, autonomous feedback system, archival radio static recordings, dimensions variable.
The sonic sculpture of Camille Norment
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