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robert robertson ruined my life

@mechabae / mechabae.tumblr.com

renais, he/him, 25+
this is a (mostly) sfw personal blog

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hi, gamers. i'm ren. i'm a millennial (and thus sadly qualified to write about robert and flambae) and welcome to my personal blog.

in here u will find—

me cryinf [sic] about dispatch, pretty fanart of my massive unfinished backlog, my inane shitposts, me tacking pseudo-drabbles onto posts that unfortunately inspired me

u can find me on ao3 or ask for my bsky and discord (but pls be 25+ if u want those, unless u want unsolicited life advice sorry in advance, it's the can't shut up disease)

current projects

  • falling embers zine
  • mechabae oneshot for pookie's bday
  • decent folk
  • a random bloodymary oneshot probably
  • [never] add water to acid

Forcing people to pay heroes to save them is such an unfair and fucked-up concept. In Dispatch, you have to pay a subscription to get a hero to help or save you in certain situations because if you don't then you're left to rely on yourself, the authorities, or other citizens to help out.

Episode 2 could've shown how wrong it is to make people pay for hero service by having Invisigal intervene in the Granny’s Donuts robbery despite Granny not being a subscriber. That would’ve also helped her character by showing that she'll disobey orders if it means helping others regardless of the occupational consequences. For Robert, AdHoc could've given him options to voice support for Visi’s decision, to condemn it, or to express uncertainty about whether it was the right call. As Dispatch progresses, we see more flaws in SDN’s subscription system, with the Z-team voicing their own issues and occasionally going off-route to help people regardless of subscription status.

In episode 8 of Dispatch, when Shroud and the Red Ring are destroying Torrance, AdHoc could've given Robert the choice of whether to have Z-team aid civilians regardless of subscription or to stick to helping only subscribers. We would have to choose between defying SDN and its subscription system or following it.

oh

this comment came through when i needed it most

i think i might cry SNEEF

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Reblogged nipunii

its unfortunate that artists get talked out of their rare perspectives so often. ‘its just not done that way’ someone says and artist goes ‘oh okay guess ill sand that part off.’ bud that is your SPARK. so much of my success is from holding firm on the things i do that were called ridiculous

this timeline CRAVES your rare perspective. it CRAVES the thing that speaks from your heart but ‘isn’t the way things are done.’ when i talk about ‘what is your story OUTSIDE of the text?’ i am speaking of this. your personal tap into the cosmic is your rare perspective

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Reblogged nipunii

The Man on the Train

This is an illustration I did for my friend, Dai’s, PhD thesis. A part of his thesis involved a study around how some gay men (particularly those of a minority status) negotiate being gay outside of mainstream gay culture. One story that really stood out to me as being quite unique and touching involved a middle-aged fellow who has never been intimate with another man, doesn’t necessarily identify as being gay, but spends his days knitting baby socks on park benches and on the train as a way to perform his ‘gayness’. As he still lives at home with an extremely conservative family this is essentially the only way he knows to express his sexuality.

Kojima, D. (2014). Migrant intimacies: Mobilities-in-difference and basue tactics in queer Asian diasporas. Anthropologica 56(1), pp.33-44.

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