In all honestly, The Spell of the Sorcerer’s Skull isn’t one of my very favorite Bellairs’ novels, but it does set up one of my favorites, so it seemed only fair to lead off with it. Here, though, is The Revenge of the Wizard’s Ghost (1985), the only direct sequel Bellairs wrote (to my knowledge).
Warren Windrow is back and this time he’s aiming to take out his anger on young Johnny Dixon, who foiled Windrow’s deadly curse on Professor Childermas in the previous book. He possesses Johnny and seems to be wasting him away. Fergie and the Professor have to find a way to save him, which takes them to the Windrow estate, where Warren’s impressively competent sorcerer patriarch Zebulon once lived. Zeb’s ghost is a problem, but more pressing is his familiar, a hooded figure with an alarming, flesh-eating tentacle in place of its arm (astute readers will recognize this creature as a direct lift from M.R. James’ story “Count Magnus” — Bellairs was clearly a fan). The brooding, ruined estate is some peak Bellairs; the man loved a gothic edifice. And the familiar is terrifying, one of the few instances of a genuine monster in his novels. The result is probably the second-best Johnny Dixon mystery, which is pretty impressive considering Johnny spends most of it in a hospital bed.
Top shelf art from Gorey for this one. Strong WTF vibes from the cover (the scene has Johnny encounter what he thinks is a paper plate blowing on the wind but winds up being Windrow’s face, so the WTF energy is pulled directly from the text). The back cover is the stained-glass window, full of visual clues about the plot, that shows up in Johnny’s recurring nightmares. There is also a cut-away map of the estate which is pretty great and will certainly show up in some form in my unauthorized John Bellairs-inspired horror investigation RPG (forthcoming 2035). The frontispiece is the best, though, a view of the gate to the Windrow estate, featuring the familiar. Those stick pins are the Urim and the Thumim, obscure relics of significance to the ancient priests of Judaism that figure prominently in the plot. As I said, Bellairs loved an abandoned, menacing estate, which makes Gorey’s presence all the more perfect. That little W flag!
Fun fact: in fourth or fifth grade, I made a diorama for a class project loosely based on this scene.