Vienna Teng: My 4th of July Post

Jul. 6th, 2026 08:16 am
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[personal profile] labingi
A bit belated, here's a repost of my Substack post extolling Vienna Teng:

I’ve been sinking into Vienna Teng’s song cycle, “We Got You,” and drawing daily strength from it. The cycle is made up of two core songs, “Spark” and “Comfort,” both centered on the theme “we got you.” In “Spark,” the words are used in the sense of “You inspire us. You are our ally.” In “Comfort,” the sense is “We’ll keep you from falling.” Together, the songs describe the two necessary faces of activism or any movement committed to transformation despite the risk: we need strength and we need refuge.

She, then, combines the two songs into one track, encapsulating the totality of this kind of struggle. I highly recommend listening to all three and, if you like them, buying them: Teng deeply deserves the financial recognition for what she’s given us.

(See the rest and links to videos of her songs on my Substack.)
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[personal profile] labingi
“Who in the world cares for you? or who will be injured by what you do?”

Every once in a while I need to write an essay on T. E. Lawrence, and while this is not a good historical moment to write about a “white savior” figure associated with the Middle-East, fear not: I’m going to write about his mother. (Spoilers for Jane Eyre, oddly enough.)

I was recently rereading some information about T. E. L.’s background, and I realized I’d never fully appreciated that powerhouse who was his mother. I think in studies of T. E., Sarah Lawrence usually surfaces as the religiously strict, domineering parent who beat him rather mercilessly as a child and, thus, probably had a hand in his growing up to be so ascetic and concerned with overcoming pain. And all this may be true enough, but it’s an incomplete picture.

What struck me most in my recent reread was how alike mother and son were. T. E. himself remarked on this in a letter to Charlotte Shaw, who apparently said she didn’t see the (psychological) resemblance. They were both incredibly forceful people, bold, courageous, and committed to getting their way. They were also both highly conscientious and turned much of their forcefulness on themselves with exacting moral strictness, which they failed to live up to. Both must have carried a great deal of guilt and spent much of their lives in what might be described as penance.

One anecdote from Mack’s biography illustrates these characteristics in Sarah. When she was in her nineties, she broke her leg and insisted on getting in and out of her wheelchair unassisted, reportedly saying, “It’s good for me!” (p. 9). Read more... )

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