recs, posts by tag: gossip girl - LiveJournal

Gossip Girl, Chuck/Dan/Blair: "it's a matter of us or them this fight" by theviolonist (R) -- Because you're three tiny humans, queens and kings, and you only want love one way: undercooked, still bloody, almost raw. In your version of events, love only ends with destruction.

Gossip Girl, Blair/Nate: "Find Your Way Home" by nereid (R) -- "I love Chuck", one of them says. It doesn't matter which one it is..

Reign, Mary/Francis/Bash: "make a wish on our sorry little hearts" by jmanzel (R) -- It's a fine mess they've found themselves in, twisted into intricate knots of desire. Perhaps all they need is an extra pair of hands to untangle them.

Reign, Mary/Francis/Bash: "figured it out from black and white" by jmanzel (R) -- Married life seems to be missing one important piece.

Reign, Mary/Simon: "devotion" by kalypsobean (PG) -- One good turn deserves another, and Simon's in a position to pay his debt to Mary, but not because it's going to save lives if he does.

The Originals, Elijah/Hayley: "Every Time That We Meet (I Skip a Heartbeat)" by ihearttvsnark (PG-13) -- “Thanks for the chivalry.” Her words drip with sarcasm and she wants to take pleasure in that, but she can’t. It’s too soon. Her emotions are too raw. “I know you always like to be the gentleman, but I’m fine.” She just wants him to go away.

The Vampire Diaries, Elena/Klaus: "A Comma Indicates Possession" by magical_realism27 (R) -- It's in Chicago when they meet again, and how is that for symmetry.

Alias, Sark/Will: "Invisible Ink" by CherryIce (PG-13) -- Jonah settles, Will is restless, and Sark just doesn't remember.

American Gothic, Gail/Lucas: "Bad Guys" by Cousin Shelley (NC-17) -- Lucas rescues Gail and insists on caring for her during her recovery.

Bates Motel, Bradley, Bradley/Dylan: "pull my trigger" by FreshBrains (NC-17) -- Bradley’s sucked cock before, but it never felt quite as good as putting a bullet through a man’s head.

The Borgias, Micheletto, Lucrezia, Micheletto/Cesare: "Slow Match" by paperiuni (PG-13) -- Micheletto wanders, Cesare conquers, and Lucrezia offers a timely intervention. Some ties are not easily severed, but neither can they stay unchanged.

Gossip Girl, Dan/Blair: "and when you kiss me" by margottenenbaum (PG-13) -- I'm not good at giving in.

Graceland, Mike/Paul: "Not Paperwork" by leoandsnake (PG-13) -- Four times Johnny almost caught Mike and Briggs together, and one time he did.

Grimm, Nick/Monroe: "sing no songs except of restless blood" by Mistress Kat (PG-13) -- Nick wants to stay, he wants to, but maybe he needs a reason that isn’t pity or duty or some kind of twisted attempt at redemption for past sins.

Harry Potter, Ron/Draco: "Smug Pillocks and Why You Can't Help But Want to Shag Them" by calrissian18 (R) -- 1. The scruff 2. The arse. 3. The mouth. 4. The sass. Well. Maybe Ron could do without that last one.

Kings, Jack/David: "Get Up, and Go Forth" by Frostfire (PG-13) -- Jack is well acquainted with failure.

Ripper Street, Fred, Rose: "The One of Us To Survive" by cjmarlowe (PG) -- Fred has always been a little bit angry. One cannot be a man of his proclivities, in his position and coming from where he has, without possessing a righteous anger to drive his action, fire to help him rise.

Gossip Girl, Chuck/Jenny: "not with a bang" by jada_jasmine (R) -- everybody dies. every single person. so, style counts.

Gossip Girl, Dan/Blair: "All the Lights that Light the Way are Blinding" by bookglue (R) -- Blair, 25 and sparkling and starting over.

Gossip Girl, Dan/Blair: "came across it, lost it" by portions_forfox (PG) -- ten years later she looks exactly the same

Gossip Girl, Chuck/Eric: "I prefer the worst of you" by mywholecry (NC-17) -- "You turned momentarily evil," Chuck says, and Eric ducks his head, smiles at his hands. "I would say I was proud, but I must admit, I was fond of the innocent lamb thing you had going on."

Gossip Girl, Dan, Dan/Blair, Dan/Serena: "take me back to the start " by sing_song_sung (PG-13) -- And just one question before I pack, when you fuck it up later, do I get my money back?

Gossip Girl, Dan: "you went through me headfirst" by margottenenbaum (R) -- Dan wants to forget everything that came before Rome and everything that'll come after.

Justified, Raylan/Boyd: "Morse Code" by pprfaith (R) -- There are stories that get told and stories that don't. This is one of the one that don't.

Swimming RPF, Ryan Lochte/Michael Phelps: "The Place of That Desire" by yekoc (NC-17) -- Ryan doesn’t seem as concerned as Michael is about the baby sitting – sleeping, really, on its back with one arm flung up next to its head like it’s about to pump a fist in the air – in the middle of his totally gross, frat-star bedroom covered in a 50/50 split of swimming posters and pictures of disgustingly expensive cars. In fact, he’s looking at the baby with the kind of expression you usually only see on guys’ faces when they’re standing on the podium watching their own flag lifted toward the ceiling of the arena.

Swimming RPF, Ryan Lochte/Michael Phelps: "Lord Knows" by smellyleaf (NC-17) -- Ryan, in response to all of his new found fame and the pressures that go with it, locks himself in the bedroom of his old house. Michael comes to the rescue, in a way.

Blair, Dan/Blair: "And Some Vicious Whispering Voice Kept Saying You Have No Choice" by superkappa (PG-13) -- In the end, she doesn't choose either one of them.

Blair, Dan/Blair, Blaic/Chuck: "my heart is yours (it's you that i hold on to)" by shtiglitz (PG) -- Post 5x24. "You said you'd always be there for me," she says and now she knows she's crying. "I'm sorry about what happened but I need you and I love you and you...you said I'd always have you."

Blair, Dan/Blair, Blaic/Chuck: "I'm Not Calling You a Liar" by Lila (PG-13) -- Post 5x24. Blair can’t live her dream when she’s chasing someone else’s.

Dan/Blair: "waltz no. 2" by margottenenbaum (R) -- Blair doesn't know how she turns all of her relationships into this, brittle and violent.

Dan/Blair: "Half Agony, Half Hope" by doe-eyed-girly-evil (R) -- She's not sure what she was expecting. There's a part of her that entertained the idea that perhaps nothing had changed. Nothing would be different. She would waltz through his door like she always had. They would make amends like they always had. He would envelop her in his arms like he always had. Because he was good. Because he was Dan. Her Dan.

Dan/Blair: "we'll make it, I swear" by ficpants (R) -- You have to decide what’s most important to you. Keeping your pride and getting nothing or taking a risk and maybe, maybe having everything.

Dan/Blair: "Since I Still Tell You My Every Day" by stainofmylove (NC-17) -- Words have meaning. Especially for him—especially for him and her, wasn’t that the point? OR: Blair encourages Dan to write some more self-insert porn.

Dan/Blair: "I tell you all the time" by little_giddy (PG-13) -- Coda to 5x13. Dan and Blair: the retreat. ‘Oh God I’m in a spy film with Dan Humphrey.’

Nate/Dan, Nate/Carter: "some days are all mondays" by margottenenbaum (PG-13) -- Nate is on his hundredth spiritual journey.

Dan/Blair: "I Dialed Your Number Out of Habit" by honeyysuckle (NC-17) -- Blair returns to New York to find Dan has gone into hiding.

Dan/Blair: "Come, And Find Your Kind" by scienceforlove (NC-17) -- Dan writes about sex with Blair Waldorf, but slant, and without her participation. So, honestly, it’s no wonder that she isn't speaking to him. Set at some point after "Memoirs of An Invisible Dan"

Dan/Blair: "far from all the things that we are" by artemis_sparks and dysenchanted2 (PG) -- She doesn’t know why she’s in Brooklyn preparing to run off with Dan, or why she’s in Brooklyn at all. The more she thinks about it, the more uncertain she feels. It had been easy on the car ride over to decide to escape, but now that she’s here she can’t help wonder if she’s making a mistake.

Dan/Nate: "the story and its writer" by artemis_sparks (R) -- It's with some trepidation, the scene starts, that I touch his knee.

all Dan/Blair:

"can't find the words to write this song" by shtiglitz (PG-13) -- "Waldorf, what do you want? It's 4am over here.

"Exit Strategies" by stainofmylove (R) -- Kisses that don't mean anything don't count.

"this is way beyond my remote concern of being condescending" by sprnova_fixxx (NC-17) -- Blair had always known that the only way Jenny Humphrey could ever get mentioned in the society pages was by dying horrifically.

Gossip Girl, Dan/Blair: "Let the Right One In" by holycitygirl (PG) -- The longer she stays away, the more fond his tone becomes. She doesn't like it at all.

Gossip Girl, Dan/Blair: "You're hidden deep in my heart" by pampermousse (R) -- "She’s marrying another man." He says out loud to himself. He should really repeat that at least 10 times a day.

Glee, Kurt/Dave: "A Tiny Infinity " by supergrover24 (NC-17) -- Kurt and Karofsky might attend the same college, but that doesn't mean Kurt knows anything about Karofksy, including whether or not he's suddenly hot.

Glee, Kurt/Dave: "Accidentally In Love" by abusing_sarcasm (NC-17) -- What happens in Vegas... Really doesn't stay there.on.

Gossip Girl / The Hunger Games, Dan, ensemble: "your mouth is poison, your mouth is wine" by jada_jasmine (PG-13) -- Dan Humphrey wins the 17th Annual Hunger Games when he's 17 years old.

Justified, Winona, Boyd: "Really, Very Sorry" by norgbelulah (PG-13) -- Winona feels like she has reason to hate Boyd Crowder. Too bad the stars and Harlan's 24 hour Walmart have aligned for their ill-fated meeting.

Primeval, Abby/Matt: "Back Into Focus" by taricha (NC-17) -- It's been two months now, and Matt's wound so tightly she's afraid he'll snap his spine when he breaks.

Sanctuary, Helen/Nikola: "Life Begins Again" by shadadukal (NC-17) -- elen and Nikola make their way back to civilization, dealing with hunger pangs.