A Quokka Dreeds its Weird

A journalist recovering from the death of her husband is sent to a small town to investigate the claim that A HORSE GAVE BIRTH TO A HUMAN BABY.

I strongly dislike reading about normal human pregnancy and birth, but I love stories about bizarre births. I also love folk horror. So a story about a small town where a horse gives birth to a human baby sounded like just my jam.

Sadly, I really disliked this book. In fact the more I think about it, the more I dislike it.

My main beef with it is that very little of interest happens until about the last ten pages. The parts about the horse-human birth are cool! Ten pages of cool. Would've been a good short story.

There are eleven or twelve POV characters, but only one is actually necessary (the journalist) and only one is at all interesting (the teenage boy who is raising and claims to be the father of the horse baby). The rest are townspeople whose POVs don't add anything to the story, plus "The Horses," which ought to be interesting but wasn't because half of it was explaining what humans thought about the horses. I don't care what humans think about horses! When I'm in supposed horse POV, I want to be immersed in HORSE POV!

The setting is incredibly vague. I couldn't figure out if it was even in America or England until it mentioned the opioid crisis.

Aggravated spoilers. ( Read more... )

The premise is better than the book and the cover is also better than the book. I was in it for the horse baby but that's only about 10% of the book.

This impressively weird dark fantasy/timeslip novel has three storylines. One follows Lee, a white American college student in the modern day. He too is impressively weird. He can tell when people are lying, he can hear other people's heartbeats, he sees bloodstains that no one else does, and he's addicted to over the counter sedatives like Benadryl to muffle his perceptions which are normally painfully acute. He's also very emo and obsessed with death. For a while I was convinced that he was a vampire.

When we meet Lee, he's fled to Kagoshima, Japan, where his father is living with his latest Japanese girlfriend in a historic samurai house. (Lee's mother disappeared in Cambodia under mysterious circumstances long enough ago to be legally dead; the official story is that she was taken by human traffickers.) The reason Lee fled is that he murdered his college roommate for reasons he can't recall, and also can't recall where he hid the body!

The second main storyline follows Sen, a girl Lee's age from a samurai family a hundred years ago, after the samurai were essentially outlawed. Her father took part in a failed rebellion in which everyone else was killed, and has fled with his family to the same house Lee is living in now. Her father, a traumatized abusive asshole, is plotting another rebellion, and so has very reluctantly agreed to let her study the sword as her brothers are too young. Sen is extremely devoted to the idea of dying nobly to impress her father.

The third storyline, which only gets a couple of interspersed chapters, is a retelling of the legend of Urashima Taro, a Japanese fairytale about a fisherman who rescues a turtle who is actually a princess, and visits her castle under the sea.

Sen and Lee both begin to see each other, initially believing the other is a ghost. The book really picks up once they start talking to each other. Lee thinks that since Sen is dead in his time, maybe she can help put him in touch with his dead mother. Sen is reluctantly willing to oblige once she repeatedly fails to kill the creepy foreign ghost, mostly because he's someone her own age who will talk to her. Their relationship is intensely romantic but not sexual, or possibly extremely intensely platonic. But the more Lee presses Sen to try to contact his mother, and the more involved Lee gets with the idea of saving Sen from her rapidly approaching glorious death in battle, the more weird and surreal things get.

Japanese Gothic was a working title that stuck, and the book is indeed extremely gothic. I enjoyed how unabashedly overheated, strange, and surreal it was. It feels like Baker had a great time writing it. There's a number of mysteries and I figured out some in advance, but I never, not in a million years, would have figured out how they all fit together. In fact, almost everything does fit together quite neatly by the end. That aspect and others reminded me a bit of Catriona Ward.

I really enjoyed this book. It's Baker's second novel. Her first is Bat-Eater and Other Names for Cora Zhang, which I am excited to read.

Content notes: Gore. Inventive methods of child abuse (very reminiscent of Catriona Ward). Cruelty to animals (wild hares) (ditto).

This novel has one of the most off-the-wall premises I've come across. In a near-future world much like our own, women who get pregnant also conceive a "fetal mother." When they give birth to their baby, they also deliver the fetal mother, then fall into a coma-like sleep. The fetal mother rapidly grows into an identical clone of the original mother, then EATS HER. This process is called rebirth. The new mother has the original mother's memories and personality, but is also endowed with superpowers for the first five years of her child's life: she needs almost no sleep, has super strength and fast reflexes, is filled with energy, and finds all child care and domestic tasks endlessly fascinating and enjoyable. In short, the new mother is the woman that mothers are supposed to be.

The main character, Vivi, is terrified of rebirth, and sees it as death. This view is very stigmatized, but might be more widespread than society lets on. She's reluctant to get pregnant because of it. When she finally does, something goes wrong with her rebirth. She didn't get new mother powers. Instead she slogs along, depressed and alienated, trying to care for her infant while she's still physically impaired from the pregnancy and actually needs sleep. She and her husband end up breaking up over this, and Vivi moves to Australia to live with her uncle, who runs a hobbling business.

Remember I mentioned this is near-future? The world has actually decided to do something about climate change, and so drastically regulated energy consumption. Hobbling is altering old machines to make them low emitters. The low-emissions world is less lavish: planes are rarely used, long-distance calls are brief, and only the very rich have unlimited internet. It's an interesting take on a world whose future seems much brighter than ours, but whose present is more similar to our recent past.

Vivi and her family are Indonesian-Chinese, and their cultures (including Australian) play into the book much as the near-future setting does: it's pervasive and interesting and very specific, which makes a nice grounded base for the incredibly weird rebirth stuff.

But Won't I Miss Me is a weird, fascinating, ambitious book with a weird, fascinating, ambitious premise. Great social commentary and issues of identity. I didn't quite love the ending - it felt like it needed either more setup or more payoff - but the book is still excellent and very original.

This spooky ghost story has a central pairing that I feel like I may have requested as an original work: Widow/Female Fake Psychic/Ghost of a Female Bog Body.

My Darling Dreadful Thing is set in the Netherlands in the 1950s, which is a selling point all by itself as I love unusual settings. Roos is a young woman whose abusive fake psychic mother forces her to participate in her fake seances. But though Roos does not communicate with the spirits sought by the desperate, grieving customers, she actually does have a spirit companion, a bog body whom Roos has bound to her and named Ruth.

Roos is delighted when Agnes, a biracial (Indonesian/Dutch) widow, takes her as a companion and spirits her away to her neglected Gothic mansion in the middle of nowhere. The mansion is otherwise occupied only by Agnes's sister-in-law, Willamine, who is dying of tuberculosis, and has a marvellously bizarre Gothic history. Roos falls hard in love with Agnes, with whom she has a surprising amount in common.

But this whole story is being told in retrospect, as a series of interviews Roos is having with a psychiatrist who is trying to determine whether she's mentally fit to stand trial for murder. Something very bad happened at the mansion...

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Very enjoyable, very gothic, very atmospheric. I'm excited to read van Veen's other two books. I looked her up to see if she's actually from the Netherlands (yes) and learned that she's one of a set of non-identical triplet sisters! I don't think I've ever read a book by a triplet before.

Excellent dark fantasy about three women trapped in a medieval castle under siege. It reminded me a bit of Tanith Lee - it's very lush and decadent in parts - and a bit of The Everlasting. Fantastic female characters with really interesting relationships. The language is not strictly medieval-accurate but a lot of the characters' mindsets are, which is fun.

All I knew going in was that it was medieval, female-centric, and involved cannibalism. This gave me a completely wrong impression, which was that it was a sort of female-centric medieval Lord of the Flies in which everyone turns on each other under pressure and starts killing and eating each other. This is very nearly the opposite of what it's actually about, though there is some survival-oriented eating of the already-dead.

The three main characters are Phosyne, an ex-nun and mad alchemist with some very unusual pets that even she has no idea what they are; Ser Voyne, a female knight whose rigid loyalty gets tested to hell and back; and Treila, a noblewoman fallen on hard times and desperate to escape. The three of them have deliciously complicated relationships with each other, fully of shifting boundaries, loyalties, trust, sexuality, and love.

At the start, everyone is absolutely desperate. They've been trapped in the castle under siege for six months, the last food will run out in two weeks, and help does not seem to be on the way. Treila is catching rats and plotting her escape via a secret tunnel, but some mysterious connection to Ser Voyne is keeping her from making a break for it. Phosyne has previously enacted a "miracle" to purify the water, and the king is pressuring her to miraculously produce food; unfortunately, she has no idea how she did the first miracle, let alone how to conjure food out of nothing. Ser Voyne, who wants to charge out and fight, has been assigned to stand over Phosyne and make her do a miracle.

And then everything changes.

The setting is a somewhat alternate medieval Europe; it's hard to tell exactly how alternate because we're very tightly in the POV of the three main characters, and we only know what they're directly observing or thinking about. The religion we see focuses on the Constant Lady and her saints. She might be some version of the Virgin Mary, but though the language around her is Christian-derived, there doesn't seem to be a Jesus analogue. The nuns (no priests are ever mentioned) keep bees and give a kind of Communion with honey. Some of them are alchemists and engineers. There is a female knight who is treated differently than the male knights by the king and there's only one of her, but it's not clear whether this is specific to their relationship or whether women are usually not allowed to be knights or whether they are allowed but it's unusual.

This level of uncertainty about the background doesn't feel like the author didn't bother to think it out, but rather adds to the overall themes of the book, which heavily focus on how different people experience/perceive things differently. It also adds to the claustrophobic feeling: everyone is trapped in a very small space and additionally limited by what they can perceive. The magic in the book does have some level of rules, but is generally not well understood or beyond human comprehension. There's a pervasive sense of living in a world that isn't or cannot be understood, but which can only be survived by achieving some level of comprehension.

And that's all you should know before you start. The actual premise doesn't happen until about a fourth of the way into the book, and while it's spoiled in all descriptions I didn't know it and really enjoyed finding out.

Spoilers for the premise. ( Read more... )

Spoilers for later in the book: ( Read more... )

Probably the last third could have been trimmed a bit, but overall this book is fantastic. I was impressed enough that I bought all of Starling's other books for my shop. I previously only had The Luminous Dead, which I'm reading now.

Content notes: Cannibalism. Physical injury/mutilation. Mind control. A dubcon kiss. Extremely vivid descriptions of the physical sensations of hunger and starvation. Phosyne's pets do NOT die!

Feel free to put spoilers for the whole book in comments.

An Icelandic horror novella translated by Mary Robinette Kowal! I had no idea she's fluent in Icelandic.

Iðunn experiences unexplained fatigue and injuries when she wakes up, but is gaslit by doctors and offered idiotic remedies by co-workers. (Very relatable!) Meanwhile, she's being semi-stalked by her ex-boyfriend/co-worker, her parents refuse to accept that she's a vegetarian and keep serving her chicken, and the only living beings she actually likes are the neighborhood cats that she's allergic to.

After what feels like an extremely long time, it finally occurs to her that she might be sleepwalking, and some time after that, it finally occurs to her to video herself as she sleeps. At that point some genuinely scary/creepy/unsettling things happen, and I was very gripped by the story and its central mystery.

Is Iðunn going out at night and committing all the acts she's normally too beaten down or scared to do while sleepwalking or dissociating? Is she having a psychotic break? Is she a vampire? Is she possessed? Does it have something to do with a traumatic past event that's revealed about a third of the way in?

Other than the last question, I have no idea! The ending was so confusing that I have no idea what it was meant to convey, and it did not provide any answers to basically anything. I'm also not sure what all the thematic/political elements about the oppression of women had to do with anything, because they didn't clearly relate to anything that actually happened.

Spoilers!

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This was a miss for me. But I was impressed by the very fluent and natural-sounding translation.

Content note: A very large number of cats are murdered. Can horror writers please knock it off with the dead cats? At this point it would count as a shocking twist if the cat doesn't die.

This book is very hard to describe without spoilers, so I'll just cover the setup. Aspiring actress/current waitress Jess is having a bad night that gets much worse when she finds a scared little boy who's run away from his father. Things get extremely strange from there. This book is a wild ride.

I read it in a single sitting, so it's very propulsive. It's also very dark/bleak, despite some absurdist humor arising from the premise. I enjoyed it a lot while I read it, but it's now months later and it hasn't quite stuck with me the way some other books have. Nestlings is still my favorite of his.

Content notes: Child abuse/harm is central to the story. So is an accidental needle-stick with a possibly contaminated needle.

Spoilers! Also contains some light spoilers for Stephen King's Firestarter.

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This novel appears to be a well-written and enjoyable but conventional haunted house story; it turns out to have a twist on that theme which I've never encountered before. I very much enjoyed discovering that for myself, so if you think you might too, don't read the spoilers.

A young couple, Emily and Freddie, move from London to Larkin Lodge, an old house in Dartmoor, while Emily's recovering from a serious accident. After she fell off a cliff, her heart stopped and one leg was permanently damaged. Doctors warned her and Freddie that she might suffer from post-sepsis mental complications, so when she starts perceiving weird things involving Larkin Lodge, both she and Freddie think it's probably her, not the house. Emily and Freddie's marriage is not the greatest, but is that something that was previously going on, or is it cracking under stress, or is the house having a bad effect on them?

Emily and Freddie are not the best people, but that really works for the story. I thought it was a lot of fun.

Spoilers! ( Read more... )

Content notes: Not even slightly gory or gross. Mention of a miscarriage (off-page, not described). Some violence, not graphic. No on-page animal harm, but the body of a dead raven is found.

Recent DNFs (Did Not Finish)

Wake Up and Open Your Eyes, by Clay McLeod Chapman



A horror novel about - I think - how a Q-Anon analogue turns people into literal zombies. I couldn't get into this book. I don't think it was bad, it just wasn't my thing. I didn't vibe with the prose style at all.

The Baby Dragon Cafe, by A. T. Qureshi



A woman opens a cafe that's also a baby dragon rescue. I adored the idea of this book, not to mention the extremely charming cover, but the execution left a lot to be desired. It was just plain dull. I dragged myself through two chapters, both of which felt eternal, then gave up. Too bad! I really wanted to like it, because the idea is delightful.

In the Path of Destruction: Eyewitness Chronicles of Mount St. Helens, by Richard Waitt



This ought to have been exactly my jam, except for the author's absolutely bizarre prose style, which is a combination of Pittman shorthand and Chuck Tingle's Twitter minus the sense of humor, with an allergy to articles and very strange syntax. I literally had no idea what some of his sentences meant. This weirdness extends to direct quotes from multiple people, making me suspect how direct they are. And yes, this was traditionally published.

Here are some quotes, none of which make more sense in context:

It contrasts the chance jungle violence with lava flows off Kilauea - so Hollywood but predictable.

"The state's closure seems yours. Have I missed something?"

[And here's a bunch of Tinglers.]

Heart attack took Eddie in 1975.

These years since wife Eddie died Truman's fire has cooled.

Since wife Eddie died, Rob is the closest he has to a friend.

Since wife Eddie died, Truman has been a bleak recluse, the winters especially lonely.

Interesting, unusual debut novel about a town where Black girls go missing. Liz, who was from one of the few Black families living on the white side of town, returns reluctantly for her white best friend's wedding. Liz is incredibly abrasive and judgmental, especially early on, but you can see how she got that way. Unsurprisingly, she gets involved in a search for another missing Black girl - this time, one she's very close to. You don't find out until almost the climax whether the book is a mainstream thriller about a serial killer or a novel of supernatural horror.

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Overall I liked this. The middle drags a bit but it's such an ambitious, weird story. I'd definitely be interested to read more from Adams.