Embodied knowledge in chronic illness and injury When people experience chronic illness or serious injury, changes occur not just within their physical bodies but also in their embodiments, that is, how they view the world through their bodies. For such patients, dualistic (mind–body) notions of the body as object and the mind as subject can devalue experiences that are necessary for healing and for managing everyday problems related to their illness or injury. Nurses need to be able to (...) guide people with illness or injury to new levels of wellness, but may lack appropriate theoretical conceptualizations. Philosophies that underlie embodied knowledge — in particular, philosophies of Merleau‐Ponty and Polanyi — were explored yielding two new ways to understand the body. The body as ‘silent partner’ fosters an appreciation of the body's own subjectivity that can be enhanced in nursing care through sensitivity, listening, and creative coaching. Nurses can assist their patients to identify new and positive understandings of what their bodies mean to them after bodily changes. The body as ‘informant’ holds much promise for solving some of the everyday problems that people with chronic illness or injury experience. By using phenomenological and other naturalistic methods, researchers and patients can find clues to solving such problems, clues that are known through daily living but hidden beneath conscious awareness. As a result, some of the practical know‐how of the body as ‘informant’ can be transformed into testable nursing interventions. (shrink)

ABSTRACT This essay defends a qualified version of Quine's thesis of universal revisability against Chalmers's recent conditionalization-based criticisms of it. It is argued that an embodied view of cognitive processing undermines Chalmers's account of nonrevisable a priori justification, which presupposes that concepts prefigure the confirmation-relations into which they enter, so as to make such relations rationally accessible to anyone who possesses those concepts. On the view developed here, bodily interaction with the world and the accompanying subconscious processing can change (...) subjects' dispositions to apply their concepts, in ways that are not rationally accessible to them, even given a complete description of that interaction, and do not constitute a change in the content of the concepts involved. Thus a subject who treats a proposition as indefeasibly justified a priori might nevertheless significantly lower her credence in that proposition, in ways that are not accessible to the subject on the basis of her grasp of the content of the relevant concepts. This discussion has further implications concerning the role of the a priori in the philosophical enterprise. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Embodied Knowledge in Ensemble Performance by J. Murphy McCalebEric C. Melley, D.M.A.J. Murphy McCaleb, Embodied Knowledge in Ensemble Performance (Surrey, England: Ashgate, 2014)J. Murphy McCaleb’s Embodied Knowledge in Ensemble Performance explores how musicians interact and share information while performing, specifically within unconducted chamber ensembles. The book is a direct outgrowth of the author’s doctoral dissertation and follows a similar format. Beginning with (...) a presentation of four essential research questions, McCaleb continues with an overview and justification for his methodology, followed by case studies, conclusions, and foundations for further research. The four questions McCaleb seeks to answer with this volume are: How do musicians interact and share information with each other while performing? What is the nature of the information being shared in ensemble performance? To what extent does the musical content being performed affect the ways it has to be physically created by musicians? How does the physical relationship between the performers and their instruments relate to communicative and interactive processes of ensemble performance? After an explanation of methodology, McCaleb devotes a chapter to each of the four questions. The substantial and excellent review of literature is distributed throughout the comprising six chapters, providing a natural connection between case studies, previous research, and resultant conclusions. While the author suggests the book [End Page 103] has value for both researchers and practitioners, the most prominent result of the discourse provides a new paradigm with which to study ensemble interaction, but contains few practical suggestions for performers, leaning heavily on previous research. McCaleb’s work will most directly benefit other researchers and music education theorists.The volume spans 140 pages, including an index and bibliography, as well as an accompanying DVD. The DVD includes video examples of rehearsals and performances for two ensembles that served as subjects of the research case studies: the Boult String Quartet, the premiere student quartet at the Birmingham Conservatoire (where the author was completing his doctorate), and The Supergroup, an ensemble that performs free group improvisations. The author is himself a member of The Supergroup and serves as “a reflective practitioner, assuming the roles of researcher and musician” (p.16). While his research methodology is pluralistic (though decidedly qualitative in nature), the employment of action research, wherein the “people being studied become part of the knowledge creation process,” is a prominent element in his method (p. 13). This is one area where McCaleb’s perspective is both powerful and open to debate. One of the central and strongest premises of McCaleb’s work is that music is a singular form of procedural knowledge. Because the nature of procedural knowledge at some level defies linguistic translation, the perspective of performing musicians is a critical element to any phenomenological study of musical performance. The author acknowledges that this raises questions of subjectivity and works to incorporate empirical methods such as “observation, interviews, literature review, and case studies” to counter the more subjective methodology (p.15). McCaleb’s multifaceted approach to research is for the most part highly effective, but at times the anecdotal tone of his first-hand descriptions of musical experiences can soften the force of his premise.Based on the concept that music is a form of procedural knowledge, McCaleb posits that communication among ensemble musicians is first and foremost musical. In order to illustrate this, the author explores other common models used to study interaction between musicians. In this review of other research studies, McCaleb is most effective in pointing out the inadequacies of applying other models to musical ensemble interaction. The linguistic model, which seeks to correlate physical gestures with speech patterns, remains inadequate to study communication between instrumental musicians. Previous research investigating the gestural model, while focusing on instrumental music, is preoccupied with emotional content, primarily between performer and audience, and does not approach the question of what and how communication occurs between performing musicians (pp. 27–28). Based on the inadequacies of other research [End Page 104] models, McCaleb seeks to establish a new paradigm of interaction entirely independent of social models and based solely in musical performance (p. 7).This points to an important area of research that McCaleb largely neglects: the neuroscience... (shrink)

Sociological propositions about the workings of cognition are rarely specified or tested, but are of central relevance to studies of culture, social judgment, and social movements. This paper draws out lessons of recent work from sociological theory, cognitive science, psychology, and neuroscience on the embodied nature of knowledge and thought, and develops implications of these lessons for cultural and cognitive sociology. Knowledge ought to be conceived of as fundamentally embodied, because sensory information is a fundamental component (...) of experience as it is stored in long-term memory, and because bodily responses and intuitions often precede reflexive or strategic thought. I argue that the challenge of embodied knowledge for cultural sociology is threefold: to develop cultural theories of motivation; to specify the ways in which the body structures discourses endogenously; and to specify how embodied motivations and embodied discourses interact. (shrink)

The essay “Ritual Competence as Embodied Knowledge” by Ute Hüsken points at the importance of questions concerning the body-mind distinction in a ritual tradition which is usually seen as text-dominated, and strictly rule-governed. The underlying case study is the initiation into priesthood in South Indian Vaiṣṇava traditions, on the basis of both field research among the priests and the analysis of the relevant mediaeval Sanskrit texts. Ritual knowledge, it is argued, is above all embodied knowledge. (...) Even in largely “textual” traditions the bearers ritual specialists have the authority not only to perform the ritual, but also to adapt it to contextual needs. (shrink)

ABSTRACT This article seeks to further the dialogue between aesthetic cognitivism and embodied cognition, two influential paradigms in the study of aesthetics. I first provide a discussion of the different ways the sense-perceptual has been theorized in relation to aesthetic cognitivism. Adopting Elisabeth Schellekens’s recent classification of how we may learn from art or aesthetic engagement, I distinguish between four models: the standard model, the autonomy model, the enabler model, and Schellekens’s own noetic model. Second, I draw on Mark (...) Johnson’s Deweyan-inspired approach to aesthetics to develop an embodied conception of aesthetic cognitivism that is much in favor of the noetic model, but that also stresses the significant role of the body and sensory experience in shaping the intellectual value of art. Third and last, Rudolf Arnheim’s work on visual dynamics in fixed images and my own work on image schemas in film will serve as case studies to illustrate the cognitive benefits of these patterns in art, particularly for perceptual learning, supporting Ted Nannicelli’s recent perceptual-cognitive model of aesthetic education. (shrink)

In this article, I examine the work of Ven. Longlian (1909–2006) to explore how women engage and can engage with Buddhist philosophy. Posthumously acclaimed as the most understanding Buddhist nun in modern China, Longlian is known as a significant reviver of monastic disciplines and Buddhist education. Building on existing research in social history and cultural anthropology, I present Longlian as an erudite philosopher. Taking lived experience seriously, I argue for reading her work as a Buddhist expression of performative phenomenology, which (...) enriches the Euro-American articulation of this theory with her conceptions of karma, embodied knowledge, and skilfulness. Engaging with Buddhism through performative phenomenology, Longlian has lived out a life that showcases a possibility of closing the rift between the “new women” and the “traditional women” in Chinese modernity, which further expresses a more process-oriented feminism. (shrink)

This article develops a model of informed consent for fresh oöcyte donation for stem cell research, during in vitro fertilisation (IVF), by building on the importance of patients’ embodied experience. Informed consent typically focuses on the disclosure of material information. Yet this approach does not incorporate the embodied knowledge that patients acquire through lived experience. Drawing on interview data from 35 patients and health professionals in an IVF clinic in Australia, our study demonstrates the uncertainty of IVF (...) treatment, and the tendency for patients to overestimate their chances of success prior to the experience of treatment. Once in active treatment, however, patients identify their oöcytes as both precious and precarious. We argue that it is necessary to formally include embodied experience as a source of knowledge in informed consent procedures, both for gratuitous donation and for egg-sharing regimes. We recommend that at least one full cycle of IVF be completed before approaching women to divert eggs away from their own fertility treatment. (shrink)

This paper strengthens the theoretical ground of feminist analyses of anger by explaining how the angers of the oppressed are ways of knowing. Relying on insights created through the juxtaposition of Latina feminism and Zen Buddhism, I argue that these angers are special kinds of embodied perceptions that surface when there is a profound lack of fit between a particular bodily orientation and its framing world of sense. As openings to alternative sensibilities, these angers are transformative, liberatory, and deeply (...) epistemohgical. (shrink)

The widely touted discovery of mirror neurons has generated intense scientific interest in the neurobiology of intersubjectivity. Social neuroscientists have claimed that mirror neurons, located in brain regions associated with motor action, facial recognition, and somatosensory processing, allow us to automatically grasp other people's intentions and emotions. Despite controversies, mirror neuron research is animating materialist, affective, and embodied accounts of intersubjectivity. My view is that mirror neurons raise issues that are directly relevant to feminism and cultural studies, but interventions (...) are needed for the work to be compatible with nonreductionist critical thought. In this article I critique the dominant neuroscientific account of mirror neurons, called embodied simulation theory. I draw from feminist epistemologies as well as alternative interpretations of mirror neurons in cognitive science and philosophy of mind to consider mirroring as situated, embodied perception. (shrink)

Taking up the body turn in sociology, this paper discusses scientific practices as embodied action from the perspective of Husserl’s phenomenological theory of the “Body”. Based on ethnographic data on a biology laboratory it will discuss the importance of the scientist’s Body for the performance of scientific activities. Successful researchers have to be skilled workers using their embodied knowledge for the process of tinkering towards the material transformation of their objects for data production. The researcher’s body then (...) is an instrument of measuring as well as a kind of archive of knowing. Their body becomes a disciplined instrument which has its own place and function inside the laboratory. Furthermore, the appresentational apperception of Bodies (Husserl) is being discussed as a basis for the emotional and ethical concerns towards laboratory-animals. Attitudes towards animals in the laboratory setting (as well as elsewhere) are highly emotional. Nevertheless, following the literature of the sociology of the body, those emotional reactions still follow certain cultural patterns which themselves can be understood as embodied ways of knowing “right” or “wrong”. Besides as an instrument, the scientist’s body can also be understood as a resource of emotional attachment towards animals. It is an instrument for performing transformation as well as one for caring. (shrink)

To investigate the unique kinds of mentality involved in skilled performance, this paper explores the performance ecology of the Māori haka, a ritual form of song and dance of the indigenous people of Aotearoa New Zealand. We respond to a recent proposal to program robots to perform a haka as ‘cultural preservationists’ for ‘intangible cultural heritage’. This ‘Robot Māori Haka’ proposal raises questions about the nature of skill and the transmission of embodied knowledge; about the cognitive and affective (...) experiences cultivated in indigenous practices like haka; and about the role of robots in the archival aspirations of human societies. Reproducing haka, we suggest, requires more than copying physical actions; preserving the ‘intangible’ entails more than programming postures and movements. To make this case, we discuss the history of European responses to the haka, and analyse its diverse performance features in cultural context. Arguing that indigenous movement practices incorporate genuinely embodied knowledge, we claim that skilled performance of haka is deeply mindful, embodying and transmitting dynamic, culturally shared understandings of the natural and social world. The indigenous psychologies incorporated in haka performance are animated by a shared history integrated with its environment. Examining haka performance through the lens of 4E cognitive skill theory for mutual benefit, we discuss the effects of synchrony in collective action, the social and environmental scaffolding of affect and emotion, and the multilayered relations between past and present. Culturally-embedded systems of skilled movement like the Māori haka may, we suggest, constitute specific ways of thinking and feeling. (shrink)

In this article, I examine the work of Ven. Longlian (1909–2006) to explore how women engage and can engage with Buddhist philosophy. Posthumously acclaimed as the most understanding Buddhist nun in modern China, Longlian is known as a significant reviver of monastic disciplines and Buddhist education. Building on existing research in social history and cultural anthropology, I present Longlian as an erudite philosopher. Taking lived experience seriously, I argue for reading her work as a Buddhist expression of performative phenomenology, which (...) enriches the Euro-American articulation of this theory with her conceptions of karma, embodied knowledge, and skilfulness. Engaging with Buddhism through performative phenomenology, Longlian has lived out a life that showcases a possibility of closing the rift between the “new women” and the “traditional women” in Chinese modernity, which further expresses a more process-oriented feminism. (shrink)

This chapter investigates the role of gestures in constructing an aesthetics of bodily relations and knowledge through creative interactions that are based on daily habits. Beginning with an outline around the significance of gesture in design and performance studies, I propose a theoretical framework discussing gesture as embodied knowledge, referencing foundational philosophers such as John Austin and Ludwig Wittgenstein. The Gesture Laboratory section provides an overview of the experimental environment co-directed with choreographer Mélanie Perrier, detailing the Living (...) Corpus Protocol, which nurtures consensus through collective activities. Following Yuriko Saito’s perspective on everyday aesthetics, this chapter emphasizes the importance of ordinary, often overlooked gestures in shaping our aesthetic sensibilities.The Living Corpus benefits also from Arnold Berleant’s concept of environmental aesthetics and Thomas Leddy’s concept of “neatness”—a quality that emerges when things are “just right.” Gestures influence not only the performing and the creative arts but also the aesthetics of everyday life; they contribute to the aesthetic perception of objects and activities encountered in daily routines. Because of this embedded approach, the chapter critiques traditional notions of truth and proposes that meaning arises from somatic awareness and plural experiences. It emphasizes the implications for performance studies and design practice, culminating in an aesthetic understanding of gestures as vital tools for research-creation.The investigation extends the possible meanings of the protocol to a few emblematic design concepts and theories such as Bruno Munari’s concept of “progettazione,” Victor Papanek’s low-impact design, Andrea Branzi’s idea of “weak and diffuse” design, and Tony Fry’s concepts of “defuturing” and “redirective practice.” This practice-based analysis allows for a comprehensive exploration of how gestures shape our understanding of art, knowledge, and everyday experiences. (shrink)

This paper explores foreign travel as an affective experience, embodied practice and form of learning. Drawing on ethnographic fieldwork on tourism and pilgrimage in the Himalayan region, the phenomenological notions of “home world” and “alien world” are employed to discuss how perceptions of strangeness and everyday practices are shaped by enculturation and socialisation processes. It is shown that travellers bring the habitus and doxa acquired in the home world to foreign situations, where these embodied knowledge schemes and (...) abilities for skilful coping can break down. In a home world, cultural patterns offer actors “trustworthy recipes for interpreting the social world” (Schütz, 1944, pp. 501–502) that allow everyday experience to go largely unnoticed and unquestioned. In alien worlds, however, travellers – as strangers – encounter differences and disturbances that disrupt experience and cause things normally overlooked to become “lit up”. Using Husserlian and Heideggerian notions of “light breaks” and Dewey's theory of challenge, the author argues that foreign travel generates a form of embodied learning. This occurs first on the level of the pre-reflexive body that is affected and solicited by the new and unfamiliar demands of an alien world. Ultimately, through continuous adjustment of habits and practices in foreign environments, an embodied cosmopolitanism is generated via accumulated travel experience. This calls attention to the role of the lived body in travel experience, as well as the role of place and environment in shaping human practices, perceptions and modes of dwelling. (shrink)

Steve Fuller's Social Epistemology offers a constructive program for integrating philosophy and sociology of science as normative knowledge policy, constrained by the linguistic, psychological, social, and political embodiment of knowledge. I endorse and elaborate upon Fuller's insistence that science studies should take seriously the embodiment of knowledge, but criticize his conception of knowledge policy on three grounds. Knowledge policy as Fuller conceives it seems committed to an untenable conception of a value‐free or politically neutral social (...) science. Knowledge policy studies are also self‐defeating, since they provide good reasons to ignore the recommendations of the knowledge‐policy expert, and to prevent the successful development of a predictively adequate policy science. Finally, knowledge‐policy studies cannot adequately respond to political conflict over knowledge production and dissemination. (shrink)

This chapter seeks to comprehend and problematize the metaphor of knowledge as weaving as an entrance to critically understand: mediations, inequalities and differences both within technoscientific knowledge production and in its encounters and dialogues with other knowledges. The starting point of the analysis is derived from the ethnographic component of an interdisciplinary project oriented towards the design of a computer interface inspired by calado, a Colombian embroidery craft; which, given the way in which it is performed, can be (...) understood as a form of weaving. The meeting between the knowhow of craft embroiderers, a knowledge situated in their hands, feminized and precarious, and engineering knowledge, with its codified and legitimate expertise, simultaneously entangles and unravels the practices that sustain epistemic and gendered hierarchies and binaries, embedded as they are in particular geopolitical settings, but also enables possibilities for creativity, reparation and the reinvention of these embodied orders, their temporalities and daily concreteness. (shrink)

This paper begins with a question: can concepts generated in the Chinese context in the sociocultural relations of the periphery contribute to the development of the social sciences in the field of Health and Physical Education (HPE) that have their roots in the metropole? Setting the scene in the Hong Kong Special Administrative Region (HKSAR), a postcolonial city reverted to the rule of the People’s Republic of China (PRC) in 1997, this paper aims to develop a critical sociology of HPE (...) by having a dialogue among Continental philosophies (e.g., Bourdieu) and Chinese philosophies around embodiment concepts. Although HKSAR is a complex meeting point of Eastern and Western ideologies, the current HPE field tends to focus on Western and ‘scientific’ ways of knowing, such as the measurement of health and physical fitness, and often at the expense of sociocultural perspectives, social justice and diversity and inclusion in HPE. In other words, the (post) positivistic research paradigm underpins the HPE field. This paper argues that in order to reap the benefits of a more holistic health education for academics and students in HPE, it is vital to de-imperialise the positivistic ways of teaching and being in HPE. In doing so, this paper creates a space for Bourdieu’s habitus to meet Chinese perspectives on embodiment to engage in a dialogue for knowledge production that extends the current knowledge base in HPE. (shrink)

We propose the SIMS model can be strengthened by detailing the dynamic interaction between sensorimotor activation and contextual conceptual information. Rapidly activated evaluations and contextual knowledge can guide and constrain embodied simulations. In addition, we stress the potential importance of extending the SIMS model to dynamic social interactions that go beyond the passive observer.

This paper develops and introduces the embodied Rilkean sport-specific knowledge into the current sports knowledge philosophical debate. This idea is based on my interpretation of Mark Rowlands’ Rilkean memory theory. Broadly speaking, Rowlands proposed that an embodied Rilkean memory is memory content that is then ‘woven into the body and its neural infrastructure’ resulting in new bodily or behavioral dispositions. I propose that elite-level sports knowledge may become contentless bodily and/or behavioral dispositions and take the (...) form of embodied Rilkean sport-specific knowledge. This version of sports knowledge enriches the current philosophy of sports debate that has centered on the analytical distinction between procedural knowledge and declarative knowledge. After presenting the embodied Rilkean sport-specific knowledge concept and providing empirical evidence that supports its existence, I argue that the current distinction between ‘knowing how’ and ‘knowing th... (shrink)

This essay is an introduction to the cluster on Latina feminism published in Hypatia (Spring 2016), Vo. 31 (2), which features essays on various areas of Latina feminisms as well as discussions on the intersection of Latina feminisms and the work of thinkers such as Mikhail Bakhtin, Simone de Beauvoir, Enrique Dussell, Immanuel Kant, Édouard Glissant, Walter Mignolo, and Friedrich Nietzsche. Contributors to the cluster include Stephanie Rivera Berruz, Cynthia M. Paccacerqua, Andrea J. Pitts, Monique Roelofs, Susan C. Méndez, Gabriela (...) Veronelli, and Elena Flores Ruiz. (shrink)

Self-knowledge is a permanent and necessary aim for man. By ‘self-knowledge’ I mean the knowledge of oneself as a human being; the understanding of what it is to be a human being; the grasp of human nature as such. There are many sides to this knowledge: the sciences and social sciences, the arts, history, reflexion on day-to-day experience. Philosophy has traditionally been seen as a road that can lead towards self-knowledge. What I propose here is (...) an essay in the philosophy of self-knowledge. It is a study of one aspect of human nature among others, namely human embodiment. (shrink)

I argue that the intellectualist account of knowledge-how, according to which agents have the knowledge-how to $$\upvarphi $$ φ in virtue of standing in an appropriate relation to a proposition, is only half right. On the composition view defended here, knowledge-how at least typically requires both propositional knowledge and motor representations. Motor representations are not mere dispositions to behavior (so the older dispositionalist view isn’t even half right) because they have representational content, and they play a (...) central role in realizing the intelligence in knowledge-how. But since motor representations are not propositional, propositional knowledge is not sufficient for knowledge-how. (shrink)

While many scholars join in the call for an experiential shift in thinking and living, it is not always clear how it could be done. Recent environmental philosophy has illuminated the significance of re-animating human–environment relations on an experiential level for endeavouring a new (or renewed) ethical, experiential, and, indeed, existential stance of the human as part of the environed embodiment. In relation to this call, I explore embodied critical thinking (ECT) as a tool for recognising, revitalising, and reflecting (...) embodied, enactive, and embedded thinking that comes from a felt sense. Thus, this chapter employs some of the TAE (Thinking at the Edge) steps for ECT research as a practical approach to facilitating and embracing a new way of thinking that is crucial for reconnecting humans with their lived environments, but also for emancipating research practices to enable research that goes out from such a renewed connectivity. In particular, the chapter traces the application of Eugene Gendlin’s move of instancing to showcase the use of embodied knowing and felt sense in environmental contexts. Thus, it showcases how, in fundamental ways that speak directly to and from our embodied embeddedness, ECT has an emancipatory impact in ways that resonate with lived experiences. (shrink)

Embodiment is a fact of human existence which philosophers should not ignore. They may differ to a great extent in what they have to say about our bodies, but they have to take into account that for each of us our body has a special status, it is not merely one amongst the physical objects, but a physical object to which we have a unique relation. While Descartes approached the issue of embodiment through consideration of sensation and imagination, it is (...) more directly reached by consideration of action and agency: whenever we act upon the world, we act by moving our bodies. So if we can understand what an immaterialist such as Berkeley thinks about agency, we will have gone a fair way to understanding what he thinks about embodiment. §1 discusses a recent flurry of articles on the subject of Berkeley’s account of action. I choose to present Berkeley as a causal-volitional theorist (realist) not because I think it is the uniquely correct interpretation of the texts, but because I find it more philosophically interesting as a version of immaterialism. In particular, it raises the possibility of a substantive account of human embodiment which is completely unavailable to the occasionalist. §2 articulates an apparent philosophical problem for Berkeley qua causal-volitional theorist and show that Locke was aware of a related problem and had a solution of which Berkeley would have known. §3 distinguishes two interpretations of Berkeley’s famous denial of blind agency – as the assertion of a weak representational condition or a strong epistemic one – and provide evidence that there was a well-established debate about blind powers in the seventeenth century which took the metaphor of blindness as indicating an epistemic rather than merely representational failing. What remains to do in §4 is to consider whether Berkeley, with his own peculiar commitments, could in fact accept this account of agency. (shrink)

Recent developments in the psychological and social sciences have seen a surge of attention to concepts of embodiment. The burgeoning field of embodied cognition, as well as the long-standing tradition of phenomenological philosophy, offer valuable insights for theorising how people come to understand the world around them. However, the implications of human embodiment have been largely neglected by one of the key frameworks for conceptualising the development of social knowledge: Social Representations Theory. This article seeks to spark a (...) dialogue between Social Representations Theory and embodiment research. It outlines the position the body occupies in the existing theoretical and empirical social representations literature, and argues that incorporating concepts gleaned from embodiment research may facilitate a more comprehensive account of the aetiology of social representations. The value of analytic attention to embodiment is illustrated with reference to a recent study of social representations of neuroscience, which suggested that embodied experience can shape the extent to which people engage with certain topics, the conditions under which they do so, and the conceptual and affective content of the ensuing representations. The article argues that expanding Social Representations Theory's methodological and conceptual toolkit, in order to illuminate the interplay between embodied experience and social communication in the development of common-sense knowledge, promises productive directions for empirical and theoretical advancement. (shrink)

This volume explores the early Jewish understanding of divine knowledge as divine presence, which is embodied in major biblical exemplars, such as Adam, Enoch, Jacob, and Moses. The study treats the concept of divine knowledge as the embodied divine presence in its full historical and interpretive complexity by tracing the theme through a broad variety of ancient Near Eastern and Jewish sources, including Mesopotamian traditions of cultic statues, creational narratives of the Hebrew Bible, and later Jewish (...) mystical testimonies. Orlov demonstrates that some biblical and pseudepigraphical accounts postulate that the theophany expresses the unique, corporeal nature of the deity that cannot be fully grasped or conveyed in some other non-corporeal symbolism, medium, or language. The divine presence requires another presence in order to be transmitted. To be communicated properly and in its full measure, the divine iconic knowledge must be "written" on a new living "body" which can hold the ineffable presence of God through a newly acquired ontology. Embodiment of Divine Knowledge in Early Judaism will provide an invaluable research to students and scholars in a wide range of areas within Jewish, Near Eastern, and Biblical Studies, as well as those studying religious elements of anthropology, philosophy, sociology, psychology, and gender studies. Through the study of Jewish mediatorial figures, this book also elucidates the roots of early Christological developments, making it attractive to Christian audiences. (shrink)

Theater rehearsals are (usually) confronted with the problem of having to transform a written text into an audio-visual, situated and temporal performance. Our contribution focuses on the emergence and stabilization of a gestural form as a solution for embodying a certain aesthetic concept which is derived from the script. This process involves instructions and negotiations, making the process of stabilization publicly and thus intersubjectively accessible. As scenes are repeatedly rehearsed, rehearsals are perspicuous settings for tracking interactional histories. Based on videotaped (...) professional theatre interactions in Germany, we focus on consecutive instances of rehearsing the same scene and trace the interactional history of a particular gesture. This gesture is used by the director to instruct the actors to play a particular aspect of a scene adopting a certain aesthetic concept. Stabilization requires the emergence of shared knowledge. We will show the practices by which shared knowledge is established over time during the rehearsal process and, in turn, how the accumulation of knowledge contributes to a change in the interactional practices themselves. Specifically, we show how a gesture emerges in the process of developing and embodying an aesthetic concept, and how this gesture eventually becomes a sign that refers to and evokes accumulated knowledge. At the same time, we show how this accumulated knowledge changes the instructional activities in the rehearsal process. Our study contributes to the overall understanding of knowledge accumulation in interaction in general and in theater rehearsals in particular. At the same time, it is devoted to the central importance of gestures in theater, which are both a means and a product of theatrical staging. (shrink)

On a modified view of embodied cognition, I argue that the conceptual structure of some present-day’s abstract artifact concepts such as PIECE OF MUSIC or PIECE OF ART can be effectively explained if it is taken into account that “visual recordings” of first observed result objects played a major role in developing abstract artifact concepts.

최근에 이른바 신유물론과 포스트휴머니즘의 배경에서 인간과 비인간타자 간의 소통에 관한 문제의 한 갈래로 ‘다종 간 지식’의 가능성 문제가 대두하고 있다. 이 논문에서 우리는 ‘다종 간 지식’의 개념을 명료화하면서, 종과 종 사이의 이해 내지 소통은 공감을 통해 부분적으로 그러나 실질적으로 가능하다는 관점을 고찰한다. 문제는 다종 간 지식에 토대적으로 연관하는 공감의 개념과 이론이 보다 더 확고하게 밝혀지고 확립되어야 한다는 점이다. 이와 관련하여 우리는 인간과 동물 종 사이의 앎의 방식으로서, 뱅시안 데스프레(Vinciane Despret)가 제안하는 ‘체화된 공감’ 개념에 주목한다. 그는, 인간과 동물 사이에 비록 종들의 (...) 차이에 기인하는 비대칭성이 존재한다고 하여도 그들 사이의 소통과 이해는 체화에 기반한 상호 응답과 조율로 구성된 부분적 친화성을 통해 가능하다고 역설한다. 본 논문은 이 입장의 의의와 난점 그리고 앞으로의 과제를 논의한다. 이를 통해 우리는 비인간 타자에 대한 지식 이론의 정립을 향한 한 실마리를 제시한다. (shrink)

This article explores how lived experience can be communicated through narrative to evoke embodied and affective understanding. Focusing on industrial tree planting in British Columbia, it combines self-observation and research-creation to examine how storytelling conveys experiential knowledge often overlooked in forest management. A vivid personal narrative highlights the sensory, emotional, and relational dimensions of planting work. Drawing on narratology, phenomenology, and affect theory, we analyze how narrative form can trigger embodied simulation in readers. We argue that such (...) stories provide more than anecdote; they offer situated, emotionally rich insights that foster empathy and challenge dominant assumptions in forest policy. Narrative, particularly in research-creation, complements scientific knowledge by attuning readers to the visceral dimensions of environmental labor. (shrink)

Social media has transformed how individuals handle their illnesses. While many patients increasingly use these online platforms to understand embodied information surrounding their conditions, healthcare professionals often frame these practices as negative and do not consider the expertise that patients generate through social media. Through a combination of insights from social epistemology and ignorance studies, this paper problematizes the distinctive understandings of social media between patients and healthcare professionals from a different perspective. A total of four ideas are introduced: (...) (1) healthcare professionals see embodied knowledge that arises from patients’ social media practices as uncomfortable knowledge; (2) healthcare professionals engage in several behaviours to preserve their authority and power in front of embodied knowledge created through these online platforms; (3) failing to consider embodied knowledge can have consequences not only in terms of trust between patients and healthcare professionals but also in connection with epistemological populism and the transition towards patient-centred care; and (4) media and digital health literacy could help healthcare professionals enhance the uses of social media in healthcare. Adopting this framework allows not only to offer valuable insights into how healthcare professionals manage patients’ social media practices, but also opens new avenues to improve healthcare digitisation. (shrink)

Abstract:Ecofeminists have called for adding an ecological dimension to gender research to address various forms of oppression that women experience in their daily lives and to explain how feminine exploitation of the planet results from the same logic of patriarchal domination. Now that the flow of essentialism-phobia (Field 2000, 39) has decreased, it seems that it is time to deal with the risky topic of the body in ecofeminist research and theory to make it more central in feminist epistemologies. Yet (...) feminist theory needs to avoid repeating the past mistakes in theorizing embodiment from an ecofeminist point of view and pay proper attention to the questions of difference and diversity: whose body is being discussed and generalized? This paper builds upon the postcolonial ecofeminist perspectives of embodiment and highlights the diversity of lives and experiences of living in Others of cisgender heterosexual male bodies with a focus on covered raced body. (shrink)

What significance does the body have in the process of teaching and learning? In what way can the thoughts of a contemporary junior-level teacher in this regard be connected to the theory of the lived body formulated by the French phenomenologist philosopher Maurice Merleau-Ponty (1908-1961), and vice versa? The aim of this paper is to illuminate, enable understanding and discuss the meaning of the body in the learning process, with specific focus on the learning of writing as embodied experience. (...) In the process, the boundaries of learning are also explored. While understanding the significance both of learning as embodied experience and of the boundaries of learning is essential within the educational field, in this paper the discussion is limited to exploring how learning as embodied experience and the boundaries of learning can be viewed by taking Merleau-Ponty's notions as theoretical starting points. In an attempt to answer the aim and connect the paper's theoretical point of departure with a voice from a teacher, an interview with a junior-level teacher was conducted. The paper thus offers a theoretical contribution to the field of educational research, but one in which the theory is exemplified by, and connected to, a teacher's voice. Accordingly, the paper concludes by summarising the common understandings of learning held theoretically by Merleau-Ponty and made real in the activities of the contemporary junior-level teacher. (shrink)

What significance does the body have in the process of teaching and learning? In what way can the thoughts of a contemporary junior-level teacher in this regard be connected to the theory of the lived body formulated by the French phenomenologist philosopher Maurice Merleau-Ponty, and vice versa? The aim of this paper is to illuminate, enable understanding and discuss the meaning of the body in the learning process, with specific focus on the learning of writing as embodied experience. In (...) the process, the boundaries of learning are also explored. While understanding the significance both of learning as embodied experience and of the boundaries of learning is essential within the educational field, in this paper the discussion is limited to exploring how learning as embodied experience and the boundaries of learning can be viewed by taking Merleau-Ponty’s notions as theoretical starting points. In an attempt to answer the aim and connect the paper’s theoretical point of departure with a voice from a teacher, an interview with a junior-level teacher was conducted. The paper thus offers a theoretical contribution to the field of educational research, but one in which the theory is exemplified by, and connected to, a teacher’s voice. Accordingly, the paper concludes by summarising the common understandings of learning held theoretically by Merleau-Ponty and made real in the activities of the contemporary junior-level teacher. (shrink)

Donald Davidson has posed the problem of first-person authority and provided his own solution to it. He has argued that no epistemic theory of first-person authority can resolve the problem, but that a theory that appeals to constraints on interpreting speech can. We argue that Davidson is wrong about epistemic theories and that his own theory of first-person authority is inadequate. We propose an alternative based on the epistemic constraints associated with embodiment and argue that recognition of these constraints undermines (...) Davidson's position. (shrink)

This chapter interrogates the long-standing assumption that chronic pain, particularly gynecological pain, cannot be communicated. Drawing from feminist disability studies, rhetorical theory, and trauma studies, the chapter challenges foundational thinkers like Elaine Scarry and Ludwig Wittgenstein who frame pain as inherently inexpressible. Instead, it argues that endometriosis pain communicates through embodied rhetoric that defies traditional, logocentric language. Using Jay Dolmage’s concept of mētis and Remi Yergeau’s theory of disability as a narrative condition, the chapter asserts that pain speaks not (...) in spite of its illegibility but because of it. By analyzing patient-generated texts such as The Pain Dictionary and survey responses from advocacy organizations, the chapter contends that individuals with endometriosis forge shared linguistic meaning through metaphor, sensation, and community storytelling. These narratives reject the clinical impulse to dismiss pain as “all in one’s head” and instead reframe it as an act of resistance against medical misogyny and ableism. The chapter ultimately repositions endometriosis not as a failure of language, but as a demand for new rhetorical paradigms: ones that validate pain as a legitimate, epistemologically rich form of knowledge. Through this framework, feminist disability rhetoric emerges as a crucial methodology for understanding chronic pelvic pain and reclaiming agency. (shrink)

Traditional cognitivism treats a situated agent's point of view in terms of deficit egocentrism. Can Ballard et al.'s framework remedy this characterization? And will its fusion of computational and enactivist explanations change assumptions about what cognition is? “Yes” is suggested by considering human infants' developing spatial knowledge, but further questions are raised by analysis of their robot counterparts.