The _Timaeus_, I argue, encodes in its cryptic opening lines Plato’s confirmation that the dialogue represents his own views. This corresponds to the fact that a series of metaphysical, psychological, and ethical theses defended by the main speakers of other dialogues are displayed in Timaeus’ speech as components of a global system. Which in turn provides neglected support for the too often dismissed ‘mouthpiece theory’. Although these doctrines can look a little unfamiliar when they reappear in the _Timaeus_, that (...) need not represent a change of mind on Plato’s part, just the fact that they are being viewed from the point of view of physics—the physics of tripartition, the physics of Form-participation, etc. Once we see how Timaeus’ presentation draws on Platonic doctrine, I argue, we can use this lesson to see how yet another Platonic doctrine, that of Recollection, puts in a hitherto unnoticed appearance in the dialogue. (shrink)

Now with extra footnotes, by editorial demand! Final version accepted by Oxford Studies in Ancient Philosophy. -/- This essay consists in a trick and a potential insight. The trick consists in a minimalist interpretation of color mixture. The account of color mixture is minimalist in the sense that, given certain background assumptions, there is no more to Timaeus’ account of color mixture than the list of the chromatic pathēmata and the list of how these combine to elicit perceptions of (...) all the colors. The only potential controversial elements of the minimalist interpretation are the relevant background assumptions and the interpretation of the chromatic pathēmata. The potential insight concerns a motive that Plato, in the guise of Timaeus, may have for presenting an account of color mixture. Specifically, I shall argue that on the minimalist interpretation, Plato may be read as reconciling the Democritrean four color scheme with an older tradi- tion where white and black are the fundamental chromatic opposition. As we shall see, this bears on the interpretation of the chromatic pathēmata. (shrink)

In this article, I make the case for the continued relevance of Plato’s Timaeus. I begin by sketching Allan Bloom’s picture of the natural sciences today in The Closing of the American Mind, according to which the natural sciences are, objectionably, increasingly specialized and have ejected humans qua humans from their purview. I argue that Plato’s Timaeus, despite the falsity of virtually all of its scientific claims, provides a model for how we can pursue scientific questions in a (...) comprehensive way that stresses their connections to other disciplines, including the humanities, and that puts humanity qua humanity back in the picture. I then argue that being led by Plato’s philosophy to return humanity conceptually to the natural world can improve our thinking regarding climate change and other important environmental crises. (shrink)

In this article I argue that "Timaeus" 48e-52d, the passage in which Plato introduces the receptacle into his ontology, Contains the material for a satisfactory response to the third man argument. Plato's use of "this" and "such" to distinguish the receptacle, Becoming, And the forms clarifies the nature of his ontology and indicates that the forms are not, In general, self-predicative. This result removes one argument against regarding the "Timaeus" as a late dialogue.

'The god wanted everything to be good, marred by as little imperfection as possible.'Timaeus, one of Plato's acknowledged masterpieces, is an attempt to construct the universe and explain its contents by means of as few axioms as possible. The result is a brilliant, bizarre, and surreal cosmos - the product of the rational thinking of a creator god and his astral assistants, and of purely mechanistic causes based on the behaviour of the four elements. At times dazzlingly clear, at (...) times intriguingly opaque, this was state-of-the-art science in the middle of the fourth century BC. The world is presented as a battlefield of forces that are unified only by the will of God, who had to do the best he could with recalcitrant building materials.The unfinished companion piece, Critias, is the foundational text for the story of Atlantis. It tells how a model society became corrupt, and how a lost race of Athenians defeated the aggression of the invading Atlanteans. This new edition combines the clearest translation yet of these crucial ancient texts with an illuminating introduction and diagrams. (shrink)

Plato’s Timaeus was his only cosmological dialogue and for almost thirteen hundred years it provided the basis in the West for educated people’s general view of the natural world. The author provides a translation of this important work, together with the Critias – the source of the legendary tale of Atlantis. He has taken particular care to provide an accurate rendering of Plato’s words and to avoid putting his own or any other interpretation on the works.

Plato's depiction of the world soul's cognitive activity in _Timaeus_ 37 a 2‐ c 5 offers a general account of intellectual cognition. He gives this account by describing the activity of an _ideal cognitive agent,_ involving the very same comparative mechanism that governs human intellectual activity, namely, the active production of a propositional grasp of sameness and difference that things have in relation to each other in several respects. Plato depicts the world soul's intellectual activity as entirely devoid of immediate (...) forms of cognition such as perception and/or intellectual intuition: _everything_ the world soul cognizes is the outcome of its active comparison of things with each other. In particular, there is no direct cognitive grasp of the being of things. The paper ends with a suggestion as to how to understand Plato's account of the world soul's activity as an instance of the ‘like is known by like’ principle of cognition. (shrink)

A study of the significance of Plato's resumption of the simile of model and likeness in the Timaeus, with attention to the place of the Timaeus in the "longer way" that Plato has Socrates announce in the Republic. The reader embarked on the "longer way," I argue, will find in the accounts of the elements and of the kinds of animals unannounced but detailed exhibitions of the "god-given" method of dialectic that Plato has Socrates announce in the Philebus.

Among the debates on the eternity of the world in post-Hellenistic period, Ps.-Timaeus Locrus’ treatise On the nature of the world and the soul has attracted attention for its non-temporalist interpretation of the generation of the cosmos in Plato’s Timaeus. Nevertheless, this interpretation has largely been treated as a mere parallel for the ‘didactic’ interpretation of the Timaeus supposedly defended by Eudorus of Alexandria. In this article, I argue that Ps.-Timaeus offers far more than a parallel (...) to Eudorus. He understands generation as non-temporal dependence on ontologically prior principles and may have been the first post-Hellenistic interpreter we know of to have developed his reading of Plato’s Timaeus by indirectly answering Aristotle’s criticism of Plato and the Academics that a generated cosmos cannot be eternal. (shrink)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections (...) in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Platonis Timaeus: Interprete Chalcidio Cum Eiusdem Commentario Ad Fidem Librorum Manu Scriptorum Calcidius, Johann Wrobel, Plato aedibus B.G. Teubneri, 1876 Philosophy; History & Surveys; Ancient & Classical; Philosophy / History & Surveys / Ancient & Classical. (shrink)

Both an ideal entrée for beginning readers and a solid text for scholars, the second edition of Peter Kalkavage's acclaimed translation of Plato's _Timaeus_ brings enhanced accessibility to a rendering well known for its faithfulness to the original text. An extensive essay offers insights into the reading of the work, the nature of Platonic dialogue, and the cultural background of the _Timaeus_. Appendices on music, astronomy, and geometry provide additional guidance. A brief outline of the themes of the work, a (...) detailed glossary, and a selected bibliography are also included. (shrink)

The Timaeus is perhaps the most unusual of Plato’s dialogues. In this paper, I attempt to interpret Timaeus’s strange speech, which makes up most of the dialogue. I argue that Timaeus has grasped the grave challenge posed to philosophic reason by men like Hesiod who claim that mysterious gods are the first causes of the world, and therefore one cannot say that there are any true necessities governing this world. If this is true, then philosophy, as the (...) study of nature, which depends on the existence of necessity, would be impossible. Timaeus articulates two serious attempts to meet this challenge by demonstrating the stability and rational comprehensibility of the world from solid first principles: one according to which mind is the cause of all things; another according to which everything comes to be through mindless necessity. But he ultimately suggests that neither of these attempts have been successful, thereby demonstrating the limits of natural science’s ability to meet the religious challenge. Timaeus’s speech also has a rhetorical purpose related to this failure: insofar as he finds himself unable adequately to meet the religious challenge, and yet is still attracted to and finds worthwhile the pursuit of philosophy, he thinks a rhetorical account of the cosmos is necessary to shore up faith in reason for elite and educated young men who find themselves inclined to natural science. The more rhetorical aspects of Timaeus’s speech, and above all his account of the triangles, serve this purpose. (shrink)

Taking the form of dialogues between Socrates, Timaeus, Critias and Hermocrates, these two works are among Plato's final writings. In Timaeus, he gives a thorough account of the world in which we live, describing a cosmos composed of four elements - earth, air, fire and water - which combine to give existence to all things. An exploration of the origins of the universe, life and humanity, which outlines not just physical laws but also metaphysical and religious principles, it (...) remained a paradigm of science for two thousand years. The mysterious preamble to Timaeus contains the first account in literature of Atlantis, while the fragmentary Critias, unfinished by its author, provides a spellbinding description of the lost continent's ideal society, which Critias asserts was created by the god-like children of Poseidon himself. (shrink)

This paper proposes a new way of understanding the thematic unity of the Timaeus. One of the major obstacles to appreciating the unity of the dialogue has been the apparent disconnect between the prologue, which prominently includes Critias’ account of ancient Athens (20d–26d), and Timaeus’ cosmological account. Past attempts to establish unity have worked on the assumption that the Timaeus as a whole is looking forward to the Critias and have sought to show that Critias’ account is (...) in some sense complementary to Timaeus’ cosmological program. Building on recent work that calls the authenticity of the Critias into question, I argue that we can best appreciate the thematic unity of the dialogue by reading Timaeus’ account as a critical response to Critias’ account. (shrink)

The relationship between mind and necessity is one of the major points of difficulty for the interpretation of Plato’s Timaeus. At times Timaeus seems to say the demiurge is omnipotent in his creation, and at other times seems to say he is limited by pre-existing matter. Most interpretations take one of the two sides, but this paper proposes a novel approach to interpreting this issue which resolves the difficulty. This paper suggests that in his speech Timaeus presents (...) two hypothetical models of creation, one with an omnipotent demiurge and one where he is limited by matter, so as to investigate their theoretical and empirical validity. Further, he shows that each model is ultimately an inadequate explanation of the first principles of the cosmos. Timaeus’ speech is therefore properly understood to be aporetic: it leaves its listeners aware of the difficulties inherent in the two models of creation, but without a more viable alternative. (shrink)

This chapter investigates the status of δόξα in Plato’s Timaeus, where the interplay between myth and philosophy complicates epistemological analysis. Four arguments are examined: The Ontological Premise (27e–28a), which grounds the cosmological account in distinctions necessary for later inquiry; The World Soul Argument (36e–37c), which expands the epistemological framework; The Human Soul Argument (44b–47b; 86b–87b), combining two complementary accounts of human genesis; and The Receptacle Argument (49d–51e), which further refines the distinction between νοῦς and δόξα through an ontological partition. (...) The chapter concludes by addressing the guiding questions of the study in light of these analyses, highlighting the hybrid nature of knowledge and belief in the Timaeus. (shrink)

Understanding of principles forms the basis of mastering Greek Philosophy. This article focuses on the idea of Principled Knowledge. Plato, too, seems to hold that grasping a body of knowledge requires a grasp of its principles. One example is the Republic where Socrates explains the image of the line. He has divided the line into two sections, the intelligible and the perceptible. The Timaeus, like the Republic, emphasizes the need for us to grasp the proper principle of our disciplines (...) of study. The major principles enlisted in the Timaeus are as follows: Being is that which is graspable by intelligence with an account ; becoming is that which is graspable by opinion with unreasoning perception. Everything that comes into being has a cause. When a craftsman uses an eternal model, his product is necessarily fine ; if he uses a generated one, the product is not fine. The article further elaborates upon the standards of the cosmological argument and the most proper principle of coming into being which Socrates argues is the prelude. (shrink)

Plato's Timaeus, one of the great cosmological works of antiquity, was a dominant reference until the Scientific Revolution. For this reason, its current reading is often restricted to an 'archaeological curiosity,' used only to confirm the profound ruptures brought about by modern physics. Modern science, by postulating its method as the only one capable of achieving truth, expanded it even to the human sciences, an approach that Plato, however, would vehemently criticize. For him, each class of things requires a (...) science adequate to it; studying man by the physical method would be identical to reducing him to the 'infra-human,' disregarding his specificity. In fact, the Timaeus investigates the cosmos through the divine, the 'supra-human' that would design it, and starts from the premise that man, in order to think the whole, must necessarily raise hypotheses about the whole to deduce the nature of the cosmos and, consequently, his own 'place'. In this sense, Plato tacitly recognizes that the starting point for any investigation into the totality of being are the pre-scientific opinions or notions that underpin human science, that is, the art that culminates in the knowledge of ends. The elusive nature of the knowledge of ends reflects the elusive nature of the knowledge of the Good, the foundation of moderation, while the infinite knowledge of means touches on the complexity of the organization of the Good in the forms of the whole and, consequently, in the sensible world. This teaching would directly oppose Francis Bacon's critique of the ancients, particularly Aristotle, and points towards a path of conciliation: just like music that recreates the harmonization of the cosmos in its permanent and mutable traits, in its heterogeneity (of classes) and homogeneity (of means), the Timaeus suggests that, although man is not a Demiurge, the beauty of his art can elevate him. This article aims to initiate a reflection on the art of the Timaeus to arrive at the author's own terms, including the often-disregarded significance of Socrates' presence in the dialogue and, consequently, in the subtle relationship established between the human and natural sciences. This is a complex issue that requires the articulation of reflection on what is in motion “ the visible world “ with that of what remains in eternal repose “ the ideas or forms. (shrink)

This paper examines Calcidius’ position in the notorious interpretative controversy over Plato’s dialogue Timaeus. Despite Calcidius’ far-reaching influence on the later philosophical and theological tradition, his contribution to the history of this debate has received surprisingly little attention. Against previous studies that have concluded unfavourably with regard to Calcidius’ merits as a commentator, this inquiry shows that his Platonic exegesis, far from being problematic and contradictory, is original in its approach and method. During the course of this paper, moreover, (...) Calcidius’ affiliation with the Christian faith is reevaluated and found to be less extensive than has sometimes been assumed. (shrink)

Unitarianism was the norm amongst ancient interpreters of Plato. One strategy they used to maintain the unity of his thinking was to argue that different works were saying the same things but in different modes. So, for example, the Republic was saying ethically what the Timaeus was saying in the manner of natural philosophy. In this paper, I want to offer an interpretation of the Cave image in Republic 7 which lends support to this division of labour, and so (...) indirectly, at least, to a unitarian understanding of Plato’s thinking across these two works. (shrink)

In a long and important sentence in the Timaeus , Plato explains that, whereas that which truly or really is () cannot come to be in anything else, sensible things, being mere images, must necessarily come to be in something else, on pain of not existing at all.

Among all the writings of Plato the Timaeus is the most obscure to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The Critias is a fragment and it was designed to be the second part of a trilogy. Timaeus had brought down the origin of the world to the creation of man, and the dawn of history was now to succeed the philosophy of nature. It tells us about Atlantis and (...) Critias returns to this story, professing only to repeat what Solon was told by the priests. The war of which he was about to speak had occurred 9000 years ago. One of the combatants was the city of Athens, the other was the great island of Atlantis. (shrink)

Reading the Timaeus as an early attempt at mathematizing natural science runs into serious difficulties. The so-called Platonic Solids are five in number, more by one than the traditional 'elements'. Plato provides a proportional ratio for these elements but this ratio fails to tie in with their geometrical features. Appealing to the authority of mathematics appears to be a rhetorical move with no further consequences.

This is the first study to assess in its entirety the fourth-century Latin commentary on Plato's Timaeus by the otherwise unknown Calcidius, also addressing features of his Latin translation. The first part examines the authorial voice of the commentator and the overall purpose of the work; the second part provides an overview of the key themes; and the third part reassesses the commentary's relation to Stoicism, Aristotle, potential sources, and the Christian tradition. This commentary was one of the main (...) channels through which the legacy of Plato and Greek philosophy was passed on to the Christian Latin West. The text, which also establishes a connection between Plato's cosmology and Genesis, thus represents a distinctive cultural encounter between the Greek and the Roman philosophical traditions, and between non-Christian and Christian currents of thought. (shrink)

Hartshorne and Reese thought that in the Timaeus Plato wasn’t quite a panentheist—though he would have been if he’d been consistent. More recently, Cooper has argued that while Plato’s World Soul may have inspired panentheists, Plato’s text does not itself describe a form of panenetheism. In this paper, I will reconsider this question not only by examining closely the Timaeus but by thinking about which features of current characterizations of panentheism are historically accidental and how the core of (...) the doctrine might most fruitfully be understood. I’ll argue that there is a polytheistic view that deserves to be called panentheistic and that Plato’s Timaeus describes such a view. (shrink)

It is now nearly axiomatic among Platonic scholars that the Timaeus and its unfinished sequel the Critias belong to the last stage of Plato's writings. The Laws is generally held to be wholly or partly a later production. So, by many, is the Philebus, but that is all. Perhaps the privileged status of the Timaeus in the Middle Ages helped to fix the conviction that it embodies Plato's maturest theories.

The central place of Plato’s Timaeus in Plotinus’ Enneads has long been acknowledged. However, the importance of Timaeus 90 a for Plotinus’ psychology and theory of Intellect has not until now been properly recognized. This paper argues that, in Plato’s Timaeus 90 a, Plotinus sees his own distinction between the Hypostasis Intellect and human intellect, that is, our higher soul, which Plato in the Timaeus calls a daimon and which Plotinus takes to remain in the intelligible (...) realm, interpreting it along the same lines as “our allotted guardian spirit” (Ennead III.4). The way Timaeus 90 a is combined with passages drawn from other Platonic dialogues as well as with Peripatetic doctrine provides the framework for a case study on how Plotinus handles and interprets Platonic material. (shrink)

In his opening speech, Timaeus (Timaeus27d5-29b1) argues that the cosmos must be the product of a craftsman looking to an eternal paradigm. Yet his premises seem at best to justify only that the world could have been made by such a craftsman. This paper seeks to clarify Timaeus’ justification for his stronger conclusion. It is argued that Timaeus sees a necessary role for craftsmanship as a cause that makes becoming like being.

The aim of this paper is twofold. First, it may be clear that ears play a role quite different from that of the other sense-organs. Unlike the eyes, nose and tongue, ears cannot be called genuine sense-organs. They only transmit the blow in the air to the brain and the blood in the head that receive the blow. Second, since hearing is defined as a motion extending from the brain to the region around the liver, there is a possibility to (...) assume that the same sound can be grasped by the rational and the appetitive parts of the soul. It gives rise to different emotions: joy in the wise and pleasure in the fool. Furthermore, if sound affects the brain and through the brain it reaches the rational soul, then one may suppose that human reason is open to direct influences from the sensible world and plays a central role in sense-perception. (shrink)

_Plato's 'Timaeus'_ brings together a number of studies from both leading Plato specialists and up-and-coming researchers from across Europe, opening new perspectives on familiar problems, while shedding light on less well-known passages.

This paper brings Calcidius' 4th. c. AD Latin commentary on Plato's Timaeus into the fold of research on the methodological assumptions and hermeneutical practices of the ancient commentary tradition. The first part deals with the question of how Calcidius sets his role as a commentator in relation to the original text, to his audience, and to the Platonist tradition. The second part examines the organizing principles and structuring devices of the commentary, and what these can tell us about connections (...) between exegesis and worldview. As with many other commentaries, Calcidius' purpose becomes clearer if we approach him from a pedagogical angle. His practice, like most of the content of his commentary, appears to connect him to older layers of Platonism, pre-dating so-called Neoplatonism. It reveals a distinct authorial voice, of someone who is very conscious of his role as a cultural mediator and who has a philosophical line to pursue. (shrink)

Few works of philosophy have enjoyed the prestige of the Timaeus, the dialogue in which Plato set out to provide a rational account, cast in the form of a cosmological "myth," of the universe and humankind. Calcidius translated and commented on Plato's Timaeus. Chronology does little to explain Calcidius' work, which so falls outside the scope of any developmental account of "Middle-" and "Neoplatonism." Calcidius' identification of the Platonic Receptacle with Aristotelian Matter and his various Stoicising impulses reflect (...) traditions that had altered ancient perspectives on the Timaeus, but it is difficult to ascertain the degree to which his philosophical points of reference are Numenius, Alcinous, and Apuleius in the second century CE as opposed to Plotinus, Porphyry, and Iamblichus in the third to fourth. This may have contributed to the later fascination with Calcidius, especially during the "renaissance" of the twelfth century, when his translation and commentary presented themselves as a coalescence of ideas frozen outside of time and space. From Calcidius twelfth-century readers may have learned how ancient opinions on the World Soul, Fate, and Matter lined up conceptually, but they got from him no reliable means of disentangling the historical descent or intersections of those opinions. Yet Calcidius proved to be a fundamental source of inspiration for thinkers such as Bernardus Silvestris, William of Conches, and Alan of Lille, who set out to make new sense of the world, its architecture, the forces that animate it, and our place within it."--Provided by publisher. (shrink)

In the Timaeus, Plato’s Timaeus offers an account of the sensible world in terms of “images” of forms. Often, images are taken to be particulars: either objects or particular property instances (tropes). Contrary to this trend, I argue that images are general characteristics which are immanent in the receptacle, or bundles of such characteristics. Thus, the entire sensible world can be analysed in terms of immanent general characteristics, the receptacle, and forms. Hence, for Timaeus, fundamentally, there are (...) no sensible particulars. I end by arguing that my interpretation is compatible with Timaeus’ construction of sensible entities from triangles. (shrink)

This book focuses on the development of Platonic philosophy at the hands of Roman writers between the first century BCE and the early fifth century CE. It discusses the interpretation of Plato's Timaeus by Cicero, Apuleius, Calcidius, and Augustine, and examines how these authors created new contexts and settings for the intellectual heritage they received and thereby contributed to the construction of the complex and multifaceted genre of Roman Platonism. It takes advantage of the authors' treatment of Plato's (...) class='Hi'>Timaeus as a continuous point of reference to illustrate the individuality and originality of each writer in his engagement with this Greek philosophical text; each chooses a specific vocabulary, methodology, and literary setting for his appropriation of Timaean doctrine. The authors' contributions to the dialogue's history of transmission are shown to have enriched and prolonged the enduring significance of Plato's cosmology. (shrink)

In the Timaeus, plants are granted soul, and specifically the sort of soul capable of perception and desire. Also in the Timaeus, perception requires the involvement of to phronimon. It seems it must follow that plants are intelligent. I argue that we can neither avoid granting plants sensation in just this sense, nor can we suppose that ` to phronimon ' is something devoid of intelligence. Indeed, plants must be related to intelligence, if they are to be both (...) orderly and good. Plants must have individual souls if they are to be distinguished from each other, each with an orderly life; but the intelligence their perceptions require is not similarly individuated, for their ultimate good is only derivative: it is only as completing the body of the cosmos that plants are good things. Plants have their own perceptions and desires in virtue of the intelligence ordering the cosmos as a whole. (shrink)

This is an essay on perception and its objects in the Timaeus. Two features of this work are noteworthy. First, the emphasis throughout is on Timaeus' views and not Plato's. Second, I show how broader aspects of Timaeus' cosmology are directly relevant to his philosophy of perception.

The Timaeus, a decidedly non-erotic dialogue, provides surprising philosophical insight into the role and importance of eros in human life. Contrary to manytraditional readings of the dialogue, the Timaeus indicates that eros is an original part of the disembodied soul as created by the demiurge, and as such, is part of the noetic or intelligent design of the cosmos. Timaeus reveals, furthermore, that eros is the moving force behind our desire to know first causes and the noetic (...) world, that eros, like the senses and emotions, needs to be trained and guided toward its proper objects, and that eros is distinct from appetitive desires in the mortal soul. (shrink)

There is an analogy between Timaeus's act of describing a world in words and the demiurge's task of making a world of matter. This analogy implies a parallel between language as a system of reproducing ideas in words, and the world, which reproduces reality in particular things. Authority lies in the creation of a likeness in words of the eternal Forms. The Forms serve as paradigms both for the physical world created by the demiurge, and for the world in (...) discourse created by Timaeus: his discourse gains its validity not from faithfulness to the way things appear, or the way particular things 'actually happened', but in virtue of its attempt to express in words a likeness of the perfect and eternal reality. There are implications for Plato's philosophy of language, and for the relation between words and things (words do not depict or name things but can be used to construct worlds in a parallel way to the manner in which things construct worlds, both worlds being modelled on one common world of ideas). The match between world and discourse is because of their common pictorial relation (likeness) to an independent model. (shrink)

Plato’s Timaeus reveals a cosmos governed by Necessity and Intellect; commentators have debated the relationship between them. Non-literalists hold that the demiurge, having carte blanche in taming Necessity, is omnipotent. But this omnipotence, alongside the attributes of benevolence and omniscience, creates problems when non-literalists address the problem of evil. We take the demiurge rather as limited by Necessity. This position is supported by episodes within the text, and by its larger consonance with Plato’s philosophy of evil and responsibility. By (...) recognizing the analogy between man and demiurge, the literal reading provides a moral component that its non-literal counterpart lacks. (shrink)

Plato used mathematics extensively in his account of the cosmos in the Timaeus, but as he did not use equations, but did use geometry, harmony and according to some, numerology, it has not been clear how or to what effect he used mathematics. This paper argues that the relationship between mathematics and cosmology is not atemporally evident and that Plato’s use of mathematics was an open and rational possibility in his context, though that sort of use of mathematics has (...) subsequently been superseded as science has progressed. I argue that there is a philosophically and historically meaningful space between ‘primitive’ or unreflective uses of mathematics and the modern conception of how mathematics relates to cosmology. Plato’s use of mathematics in the Timaeus enabled the cosmos to be as good as it could be, allowed the demiurge a rational choice (of which planetary orbits and which atomic shapes to instantiate) and allowed Timaeus to give an account of the cosmos (where if the demiurge did not have such a rational choice he would not have been able to do so). I also argue that within this space it is both meaningful and important to differentiate between Pythagorean and Platonic uses of number and that we need to reject the idea of ‘Pythagorean/platonic number mysticism’. Plato’s use of number in the Timaeus was not mystical even though it does not match modern usage. (shrink)

According to Husserl, Plato played a fundamental role in the development of the notion of teleology, so much so that Husserl viewed the myth narrated in the Timaeus as a fundamental stage in the long history that he hoped would eventually lead to a teleological science of the world grounded in transcendental phenomenology. This article explores this interpretation of Plato’s legacy in light of Husserl’s thesis that Plato was the initiator of the ideal of genuine science. It also outlines (...) how Husserl sought conceptual resources within transcendental phenomenology to turn the key elements of Plato’s creation myth into rigorous scientific ideas. (shrink)

We are all familiar with flames, but what are they, really? Plato’s account of the ontology of sensibles in the Timaeus is notoriously controversial. The “traditional” interpretation holds that sensible entities are particulars, across the dialogue. By contrast, “reconstructionists” maintain that the ‘new beginning’ (48e2) heralds an argument whereby sensibles are proposed to be repeatable characteristics. My paper offers a novel case for traditionalism. Specifically, I argue that, at 48e2ff., we find an account of sensible particulars as consisting of (...) co-located, non-repeatable, non-persistent property-instances, each existing at exclusively one region of the Receptacle at one time. The form of traditionalism I advocate fits better with the text than the rival versions of the view and avoids the objections raised by reconstructionists. (shrink)