Much attention has been paid to innovative foraging methods, but little to innovative sexual displays. Innovations may be common in behavioural display, such as song or object use, and could occur in both male display form and female preferences. Similar evidence exists for innovation in display as in foraging methods, but in smaller quantities. Ramsey et al.'s methodology permits rigorous data collection in this field.

This feminist analysis focuses on sexual harassment within a specific category of jobs known as display work, where primarily women’s bodies are commodified and sold to consumers, and often through the conduits of powerful male industry leaders. Using qualitative content analysis methods to analyze 88 subjective, first-person narratives of harassment from 70 models working within the fashion business, I describe how the commodification of bodies interacts with the particular features of the modeling industry—the premium placed on youth, ambiguous (...) industry demands, and the presence of kingmakers—to produce an environment in which opportunities for sexual harassment can proliferate. All these factors impose extreme worker vulnerability costs on predominantly women and ultimately contribute to maintaining gender-based, hierarchical power differentials between men wielding authority within the industry and these models over time. (shrink)

Social roles theorists claim that differences between the sexes are of limited consequence. Such misperceptions lead to misunderstanding the important role of sexual selection in explaining phenotypic differences both between species and within humans. Countering these claims, we explain how sexual dimorphism in humans affect expressions of artistic display and patterns of male and female aggression across the ovulatory cycle.

The display of affection in romantic relationships and its concomitants still require more scientific attention. Despite some studies addressing the topic of affection display, the literature does not provide a psychometrically reliable self-descriptive tool to measure this construct. Therefore, we conducted three studies among Polish adults to develop and validate a psychological tool for comprehensively identifying and measuring the display of emotional affection. Study 1 ( N = 894) aimed to develop and validate the Public and Private (...) Romantic Display of Affection Scale (PPRDAS). It proved to be a valid psychological scale, as the theoretically assumed structure was supported by the results of the empirical analysis. Study 2 ( N = 343) confirmed the convergence validity of the PPRDAS using items of emotional expression from the Dyadic Adjustment Scale (Spanier, 1989). In Study 3 ( N = 204 couples), we further verified the external validity of the PPRDAS using an assessment of affection displayed by one's partner in the relationship. Individuals’ self-estimates of their private and public displays of affection were confirmed by their romantic partners. In all studies, display of feelings was positively correlated with sexual and relationship satisfaction. Negative correlations with age and the duration of the romantic relationship were also observed. (shrink)

I argue that the magnitude and nature of sex differences in aggression, their development, causation, and variability, can be better explained by sexual selection than by the alternative biosocial version of social role theory. Thus, sex differences in physical aggression increase with the degree of risk, occur early in life, peak in young adulthood, and are likely to be mediated by greater male impulsiveness, and greater female fear of physical danger. Male variability in physical aggression is consistent with an (...) alternative life history perspective, and context-dependent variability with responses to reproductive competition, although some variability follows the internal and external influences of social roles. Other sex differences, in variance in reproductive output, threat displays, size and strength, maturation rates, and mortality and conception rates, all indicate that male aggression is part of a sexually selected adaptive complex. Physical aggression between partners can be explained using different evolutionary principles, arising from the conflicts of interest between males and females entering a reproductive alliance, combined with variability following differences in societal gender roles. In this case, social roles are particularly important since they enable both the relatively equality in physical aggression between partners from Western nations, and the considerable cross-national variability, to be explained. (shrink)

The relationship between sexuality education and religion is often framed antagonistically, especially when it comes to tensions between the teaching of sexuality education and the priorities of some religious communities. In this paper, we argue that this antagonism can be structured as much by the prevalent forms of engagement that display it (dialogue and debate), as it is by the antagonism between contrasting ethical systems. While we acknowledge the importance of debate and dialogue in the public sphere, we contend (...) that appeals to these discursive forms in schools and classrooms can limit possibilities for rethinking engagements across sexuality education and religion. This is because of the tendency within certain manifestations of dialogue (for example, dialogical models connected to liberal political projects) to err on the side of predictability, rationality and abstraction. To address some of these limits, we draw on the recent turn to conversation in educational thinking. We think through the significance of conversation in offering a mode of engagement for students, teachers and school communities that is conditioned by the dispossession of the self and is attuned to the unpredictable, affective and contextual landscapes of shared encounters. We conclude with some thoughts on the practical implications of conversation for rethinking the role of the sexuality education teacher, practices of parental consultation and processes of policy enactment in schools. (shrink)

Female crested gibbons (genus Nomascus) perform conspicuous sequences of twitching movements involving the rump and extremities. However, these dances have attracted little scientific attention and their structure and meaning remain largely obscure. Here we analyse close-range video recordings of captive crested gibbons, extracting descriptions of dance in four species (N. annamensis, N. gabriellae, N. leucogenys and N. siki). In addition, we report results from a survey amongst relevant professionals clarifying behavioural contexts of dance in captive and wild crested gibbons. Our (...) results demonstrate that dances in Nomascus represent a common and intentional form of visual communication restricted to sexually mature females. Whilst primarily used as a proceptive signal to solicit copulation, dances occur in a wide range of contexts related to arousal and/or frustration in captivity. A linguistically informed view of this sequential behaviour demonstrates that movement within dances is organized in groups and follows an isochronous rhythm — patterns not described for visual displays in other non-human primates. We argue that applying the concept of dance to gibbons allows us to expand our understanding of communication in non-human primates and to develop hypotheses on the rules and regularities characterising it. We propose that crested gibbon dances likely evolved from less elaborate rhythmic proceptive signals, similar to those found in siamangs. Although dance displays in humans and crested gibbons share a number of key characteristics, they cannot be assumed to be homologous. Nevertheless, gibbon dances represent a striking model behaviour to investigate the use of complex gestural signals in hominoid primates. (shrink)

Sexual modesty is a feminist sexual virtue—in one sense, but not another. There are at least two distinct kinds of feminist sexual virtues: first, character traits that allow individual sexual flourishing given the realities of sexism within a specific social context; second, character traits related to sex that encourage feminist change. Modesty is a feminist sexual virtue in the second sense—it encourages feminist change, however minimally. More precisely, modesty is a feminist sexual virtue for (...) those women whose sexuality is overvalued, though not for those women whose sexuality is undervalued. Regrettably, I doubt that sexual modesty is a feminist sexual virtue in the first sense; given the realities of sexism, being modest doesn’t necessarily allow individual women to flourish sexually, but might in fact put a damper on their sex lives. In identifying sexual modesty as a feminist sexual virtue for women, I find a surprising point of agreement with conservative and feminist critic Roger Scruton, though we disagree about why sexual modesty is a virtue for women. However, I put myself at odds with those feminist writers who consider women’s sexually provocative display of their bodies and their sexuality to be a feminist act. (shrink)

This paper proposes that the human mind in its creativity and emotional self-awareness is the result of the evolutionary transition from sexuality to eroticism. Eroticism is arrived at and defined by the high amount of energy displayed in animal sexuality. We propose that the unique human emotional intelligence is due to this “overflow” of mating energy. What from the survival viewpoint looks like an enormous waste of time and energy reveals itself to be an unexpected psychological benefit. The diversion of (...) sexual energy from procreation — a process that results in erotic fantasies — turns intimacy into a source of human self -consciousness. This places different emphasis on the meaning of eroticism and provides a coherent scenario of mental development beyond mere cognitive capacities. Arguments are presented on how erotic imagination, or sexual excitation as an end in itself, promotes the human propensity for explorative curiosity; data from ethology, psychology, sociology, and neuroscience are presented to support these arguments. As philosophical anthropologists, we do not provide new empirical data, but the available results of comparative behavioral research confirm our hypothesis. (shrink)

Some victims of sexual violence fight back, seriously harming their abusers as a way of taking power or exacting retribution. Although violence always raises moral questions, there is nevertheless something impressive about those whose actions succeed in posing a formidable challenge to their oppression. The aim of this paper is to offer two ways of thinking about the ethical value of such non-ideal acts of resistance. First, violent resistance may allow victims to maintain ground projects that are being undermined (...) by their abusers. Second, violent resistance may display what I call the virtue of audacious integrity—a willingness to take moral risks, that is, to act in ways that may arouse severe moral censure, in order to uphold one’s values. Both explanations illustrate that victims of sexual abuse may choose to engage in violent resistance for a variety of ethical reasons, including but not limited to paradigmatic moral considerations. (shrink)

This chapter examines existing scholarship on sexual capital with two main objectives. First, it distinguishes sexual capital from attractiveness, a distinction often overlooked in studies that conflate desirability with sexual capital. Second, it explores how contemporary capitalism, with its unprecedented commodification and public display of sex and sexuality, amplifies the role of neoliberal sexual capital in class-making processes. Drawing on a Bourdieusian framework, the chapter argues that sexual capital is not merely an individual resource (...) for women who may use their appearance to gain professional or social advantages (though this can happen). More fundamentally, under neoliberal capitalism, where individuals are increasingly expected to leverage their personal experiences and subjectivities, sexual conduct itself becomes an asset. Sexual capital is tied to key employable skills such as agency, resilience, and well-being. In this context, the sexual realm, including attractiveness, sexual desire, and sexual experiences, has become more intertwined with market forces. The chapter also outlines three areas for future research: (1) more empirical studies on class hierarchies related to the accumulation of neoliberal sexual capital; (2) applying intersectional approaches; and (3) the potential effects of digital sex on sexual capital. (shrink)

Although "intrasexual selection" has been accepted as the mechanism by which males evolve elaborate secondary sexual traits which are used in aggressive contests, the importance of "intersexual selection" as a mechanism by which males have acquired exaggerated traits to display to females during courtship was less readily accepted. In spite of this scepticism, several genetic models have supported the latter idea, and many empirical studies showed that females were generally more discriminating in mate choice than males, because of (...) differences in relative investment between sexes. Nowadays, this idea is reinforced by various concepts (parental investment, potential reproductive rate, environmental potential for polygamy...) which stress that the strength of sexual selection is related to many interdependent factors, such as mating systems, resource distribution (food, habitat, mate), life history and other ecological characteristics. The case of Salmonids is presented here to show how novel information on sexual selection has contributed to the understanding of the plasticity of breeding patterns in the context of evolutionary biology. (shrink)

A number of theories about the origins of musicality have incorporated biological and social perspectives. Darwin argued that musicality evolved by sexual selection, functioning as a courtship display in reproductive partner choice. Darwin did not regard musicality as a sexually dimorphic trait, paralleling evidence that both sexes produce and enjoy music. A novel research strand examines the effect of musicality on sexual attraction by acknowledging the importance of facial attractiveness. We previously demonstrated that music varying in emotional (...) content increases the perceived attractiveness and dating desirability of opposite-sex faces only in females, compared to a silent control condition. Here, we built upon this approach by presenting the person depicted (target) as the performer of the music (prime), thus establishing a direct link. We hypothesized that musical priming would increase sexual attraction, with high-arousing music inducing the largest effect. Musical primes (25 s, piano solo music) varied in arousal and pleasantness, and targets were photos of other-sex faces of average attractiveness and with neutral expressions (2 s). Participants were 35 females and 23 males (heterosexual psychology students, single, and no hormonal contraception use) matched for musical background, mood, and liking for the music used in the experiment. After musical priming, females’ ratings of attractiveness and dating desirability increased significantly. In males, only dating desirability was significantly increased by musical priming. No specific effects of music-induced pleasantness and arousal were observed. Our results, together with other recent empirical evidence, corroborate the sexual selection hypothesis for the evolution of human musicality. (shrink)

This article explores gender inequities and sexual double standards in teens’ digital image exchange, drawing on a UK qualitative research project on youth ‘sexting’. We develop a critique of ‘postfeminist’ media cultures, suggesting teen ‘sexting’ presents specific age and gender related contradictions: teen girls are called upon to produce particular forms of ‘sexy’ self display, yet face legal repercussions, moral condemnation and ‘slut shaming’ when they do so. We examine the production/circulation of gendered value and sexual morality (...) via teens’ discussions of activities on Facebook and Blackberry. For instance, some boys accumulated ‘ratings’ by possessing and exchanging images of girls’ breasts, which operated as a form of currency and value. Girls, in contrast, largely discussed the taking, sharing or posting of such images as risky, potentially inciting blame and shame around sexual reputation (e.g. being called ‘slut’, ‘slag’ or ‘sket’). The daily negotiations of these new digitally mediated, heterosexualised, classed and raced norms of performing teen feminine and masculine desirability are considered. (shrink)

In this paper we argue that sensory exploitation, a model from sexual selection theory, deserves more attention in evolutionary thinking about art than it has up until now. We base our argument on the observation that in the past sensory exploitation may have been underestimated in sexual selection theory but that it is now winning field. Likewise, we expect sensory exploitation can play a more substantial role in modeling the evolution of art behavior. Darwin's theory of sexual (...) selection provides a mechanistic basis to explain the evolution of male display traits. This mechanistic approach has proven useful to developing hypotheses about the evolution of human art. Both Boyd and Richerson (1985) and Miller (1998, 1999, 2000, 2001) have applied an indirect-benefit model from sexual selection to the evolution of art behavior. We argue that the mechanistic possibilities sensory exploitation has to offer as a model have remained underexplored so far, so we propose a concept based upon it. From the sensory exploitation perspective it follows that exaptive exploitation of psychosensory biases is a primary force in the evolution of art production (notice that the use of a model from sexual selection does not imply art evolved as a sexual display - we only use it for its mechanism) and that the indirect-benefit model only provides secondary forces. Thus, sensory exploitation may operate alone under some conditions but usually secondary processes as a result of indirect benefits are expected to kick in. The concept of sensory exploitation will need to play a central role in articulating all of the existing hypotheses about art. (shrink)

Background: Body touch and close physical proximity are inevitable in some healthcare procedures and can evoke feelings of shame, humiliation, and anger in patients. Given the increasing recognition of human dignity, exploring the occurrence of these negative emotional experiences and identifying mechanisms for their prevention are crucial. Aim: To develop and define the concept of “patient’s sexual dignity discomfort.” Design: A hybrid model of concept development was utilized. Methods: In the theoretical phase, a scoping review was conducted to establish (...) a working definition of patient’s sexual dignity discomfort. This definition was refined and validated using qualitative data collected during the fieldwork phase. In the analytical phase, a final conceptual model of patient’s sexual dignity discomfort was proposed by integrating findings from both the theoretical and fieldwork phases. Ethical considerations: All participants completed an informed consent process, and interviews were conducted via Zoom or phone by a certified psychiatric nurse to ensure confidentiality, anonymity, and comfort. Results: Four themes describing attributes of patient’s sexual dignity discomfort were explored: experiencing shame and embarrassment, vulnerability-induced loss of control, dehumanization and objectification, and uncertain sexual autonomy. Patient’s sexual dignity discomfort occurs when patients perceive care procedures as sexually inappropriate or as involving unnecessary sexual activity, particularly when healthcare providers display unprofessional attitudes or when patients lack consent or are not mentally prepared for the procedure because of insufficient information. This discomfort leads patients to refuse or avoid healthcare treatments and prioritize finding better healthcare services over their health. It can also prompt providers to avoid patients, resulting in a compromised quality of care and poor health outcomes. Conclusions: Patient’s sexual dignity discomfort poses a significant threat to the quality of patient care and preservation of dignity. Nurses can trigger this intentionally or unintentionally, highlighting the need for comprehensive education and training to prevent it. (shrink)

Conceiving sexuality as a sociohistorical construction, in this paper I reflect upon possible reconfigurations that neoliberalism allows, bearing in mind that it is a specific governmentality displaying a particular mode of subjectivization. The hypothesis I develop stresses that neoliberal governmentality provides new forms of living and experiencing sexuality, resignifying sexual practices to be either accepted or dismissed. Consequently, there are pleasures and sexual acts that become more tolerated, and that originate new rules. Departing from the premise that sexuality (...) is determined by pleasure and danger logics within which neoliberalism foregrounds new discourses, I aim to show the impact such new rules have on women. In these terms, the antivictim conception that some feminist sectors demand regarding sexuality, can orbit around the neoliberal discourse and hide the vindications of women who cannot choose the rejection of their victim position. Even if feminism is widely claiming for women’s reappropriation of their sexual pleasure, these demands are resignified by discourses that urge women to be responsible of themselves, leaving them defenseless in the face of the numerous hardships crossing sexuality as a whole. (shrink)

Eliminating sexual violence requires understanding where it comes from and why it happens. We must learn to detect when the grounds for violence are being built up so that we can promptly take them down. How can we improve our ability to notice the subtle practices of sexism and make them a matter of critical reflection? The aim of this paper is to show how film can enhance critical perception of the social conditions that give rise to sexual (...) violence in particular. We do this by way of a specific example, showing how Joyce Chopra’s 1985 film Smooth Talk serves to display the complex circumstances that make sexual violence possible – thereby illustrating Frye’s philosophical insight about the interconnected mechanisms of oppression.​ -/- . (shrink)

Sexually signalling animals must trade off the benefits of attracting mates with the consequences of attracting predators. For male guppies, predation risk depends on their behaviour, colouration, environmental conditions and changing intensity of predation throughout the day. Theoretically, this drives diel patterns of display behaviour in native Trinidadian populations, where males display more under low-light conditions when their most dangerous predator is less active. Here, we observed Australian guppies in a laboratory setting to investigate their diel display (...) pattern, and if this pattern is controlled by ambient light intensity. We also quantified individual variation in both the daily frequency and diel pattern of displays, and if such variation relates to body size, colouration and a non-sexual behaviour. Under a typical daily light regime, male guppies displayed mostly in the first hour of observation. Extending the duration of dawn-like lighting, however, resulted in an extended period of high display, demonstrating that light intensity per se is an important cue for this behaviour. These findings mirror those obtained for Trinidadian populations, suggesting that male courtship timing is likely shaped by broad, potentially generalizable features of guppy ecology. The effect of acclimation to captive conditions on male behaviour is also discussed. Whereas the temporal pattern of display appeared consistent, individuals varied in their daily display frequency, and this was correlated with variation in colour phenotype and a measure of non-sexual risk acceptance behaviour. Such relationships pose promising avenues for integrating behavioural and sensory ecology with contemporary work on behavioural syndromes and animal personality. (shrink)

Human beings talk and co-operate, they build and produce, they work to accumulate and exchange, they form societies, laws and institutions, and, in all these things the phenomenon of reason—as a distinct principle of activity—seems dominant. There are indeed theories of the human which describe this or that activity as central—speech, say, productive labour (Marx), or political existence (Aristotle). But we feel that the persuasiveness of such theories depends upon whether the activity in question is an expression of the deeper (...) essence, reason itself, which all human behaviour displays. (shrink)

The Association for the Treatment and Prevention of Sexual Abuse (ATSA) is an organization for researchers and clinicians in the field concerned with treatment and understanding of individuals who have committed sexual abuse or are at risk of committing sexual abuse. ATSA’s annual conference for 2025 takes place at a SeaWorld hotel, a choice which stands in contrast to ATSA’s mission of preventing abuse. This commentary reviews the history of animal exploitation and ongoing maltreatment that enable the (...) continued public display of animals at oceanaria such as SeaWorld. The scientific evidence of an overlap and similarities between violence and abuse against human and nonhuman animals is summarized, highlighting how abuse of nonhuman animals is not without relevance for ATSA’s members. Choosing a conference venue affiliated with abuse and exploitation of nonhuman animals unveils the double standards of an organization whose mission is to prevent abuse. (shrink)

When considering possible theoretical perspectives for an ethical conceptualisation oferotic or sexually explicit display in cinema, such as recent controversial work by Frenchfemale directors Catherine Breillat and Claire Denis, the thought of Emmanuel Levinas isperhaps not the most likely or obvious candidate. Levinas has little to say directly aboutsexuality or pornography, even though the concepts of desire and Eros are central tomuch of his philosophy.1Equally, he is notoriously suspicious of figurality and the realmof the visual, a suspicion he voices (...) especially forcefully in his essay on the work of art‘Reality and its Shadow’. It is,paradoxically, and perhaps perversely, for this very reason that this article will considerhim as potentially the theorist par excellence for viewing sexual images in cinema. (shrink)

Background: Admission to a nursing home does not necessarily diminish an older person’s desire for sexual expression and fulfillment. Given that nursing staff directly and indirectly influence the range of acceptable sexual expressions of nursing home residents, their knowledge and attitudes toward aged sexuality can have far-reaching effects on both the quality of care they provide to residents and the self-image and well-being of these residents. Research objectives: To investigate nursing staff’s knowledge and attitudes toward aged sexuality, to (...) determine whether certain sociodemographic factors of the nursing staff relate to their knowledge and attitudes toward later-life sexuality, and to examine the relationship between knowledge and attitudes. Research design: Descriptive cross-sectional survey study. Research participants and research context: The administered questionnaire collected sociodemographic data and data from an adapted, Dutch version of the Aging Sexual Knowledge and Attitudes Scale. Data were collected from November 2011 through April 2012. A total of 43 geographically dispersed nursing homes in Flanders, Belgium, participated. Out of a potential research sample of 2228 nursing staff respondents, 1166 participated. Ethical considerations: The study protocol was approved by the Ethics Committee of the Faculty of Medicine of the KU Leuven. Findings: Nursing staff appeared to be moderately knowledgeable about aged sexuality and displayed a rather positive attitude toward sexuality in older people. Significant relationships between various variables were found both at univariable and multivariable levels. Knowledge and attitudes proved to be positively related, indicating that a higher level of knowledge of aged sexuality is associated with a more positive attitude toward sexuality in later life. Discussion: Research findings are discussed within a broader international context. Conclusion: There is room for improvement for both nursing staff’s knowledge and attitudes toward aged sexuality. This might be aided by appropriate educational interventions. Our results identified different target groups of nursing home staff for these interventions. (shrink)

We report three studies which test a sexual selection hypothesis for male war heroism. Based on evolutionary theories of mate choice we hypothesize that men signal their fitness through displaying heroism in combat. First, we report the results of an archival study on US-American soldiers who fought in World War II. We compare proxies for reproductive success between a control sample of 449 regular veterans and 123 surviving Medal of Honor recipients of WWII. Results suggest that the heroes sired (...) more offspring than the regular veterans. Supporting a causal link between war heroism and mating success, we then report the results of two experimental studies. We find evidence that female participants specifically regard men more sexually attractive if they are war heroes. This effect is absent for male participants judging female war heroes, suggesting that bravery in war is a gender specific signal. Finally, we discuss possible implications of our results. (shrink)

As the suspect interview is one of the key elements of a police investigation, it has received a great deal of merited attention from the scientific community. However, suspect interviews in child sexual abuse (CSA) investigations is an understudied research area. In the present mixed-methods study, we examine Swedish (n= 126) and Norwegian (n= 52) police interviewers' self-reported goals, tactics, and emotional experiences when conducting interviews with suspected CSA offenders. The quantitative analyses found associations between the interviewers' self-reported goals, (...) tactics, and emotions during these types of suspect interviews. Interviewers who reported experiencing more negative emotions were more likely to employ confrontational tactics. Specifically, anger was positively associated with the goal of obtaining a confession and with aggressive tactics like raising one's voice and emphasizing the seriousness of the crime. Frustration and disgust displayed similar patterns. Somewhat contrasting these quantitative results, the thematic analysis identified a strong consensus that emotions should not and do not affect the police interviewers' work. Furthermore, the police interviewers described a range of strategies for managing emotions during the interview and for processing their emotional reactions afterwards. The present findings highlight the relevance of emotional processes in CSA suspect interviews and provide an initial exploration of the potentially complex relationship between the goals, tactics, and emotional experiences of police interviewers who question CSA suspects. (shrink)

This paper analyses the discourse surrounding a high-profile sexual assault case in South Korea. While most research on language and sexual violence has focused on the media portrayal or online resistance movement, not much has focused on the language and the law. Using Critical Discourse Analysis and rhetoric, this present paper seeks to show the importance of value of paying closer attention to legal decision-making process, showing how this can make a significant contribution to the literature. The analysis (...) reveals two distinctive discourses at work. One is that victims must embody and display certain characteristics as a ‘pure and destroyed’ individual in order to avoid being dismissed or appearing untrustworthy. The second is that the perpetrators represent themselves as victims seeking to makes it the goal of the court to protect the perpetrators’ rights, rather than those of the victims. (shrink)

This article examines the ways in which contemporary western cultures have attempted to legitimize certain sites of bodily nakedness (such as communal showers, bathing children and other `public' displays) by maintaining a contextual space or frame which attempts to exclude the sexual. Noting the ways in which that legitimacy has broken down in recent decades, the article suggests that the slippage between the sexual and the naked results from both a breakdown in the `heterosexual matrix' as well as (...) a postmodern crisis of `the context'. (shrink)

The abiding cultural significance of swords, in an age of technologicallysophisticated weapons of mass destruction, is as much a semiotic puzzle as it is a socio-psychological one. The semiotics of swords displays certain features — commodity fetishism, the business speak of ‘cutting edge’ performance, primitive vitality, and related elements — that reveal the doubleness of desire in market society, the simultaneous desire to negate the capitalist present in favor of a primitivist past, together with an invigoration of the present through (...) tropes of violent conflict. The edginess of swordsemiotics also marks certain points of cultural instability, in terms of race, gender, and sexuality, evincing an incessantly transgressive impulse. (shrink)

There are three “scandals” that appear in most discussions of Johann Joachim Winckelmann (1717–1768), the so-called father of modern Art History: his allegedly careerist conversion to Catholicism in 1754; his semi-secret homoerotic discourse while under Vatican employ in the early-to-mid 1760s; and his shocking murder in Trieste in 1768. Of the three, Winckelmann's sexuality has garnered the most attention in recent scholarship. A little-known story reported by Casanova during his second visit to Rome in 1761 has something to do with (...) that. In this essay, I argue that we make too much of sexuality these days and, in so doing, fail to register the far more radical religious activities in which Winckelmann was involved, most notably the creation and curation of the Vatican Museums, with their almost casual display of naked statues of pagan divinities. Winckelmann's “profanity,” not his sexuality, constitutes the revolutionary core of his life's work and enduring influence. The statues he discussed so passionately were not simply naked; they were pagan. (shrink)

The opposition of ‘culture’ and ‘rights’ is not uncommon in feminist legal discourse. This article argues that such an approach is fraught with danger as it creates an extremely restrictive framework within which African women can challenge domination; it limits our strategic interventions for transforming society and essentially plays into the hands of those seeking to perpetuate and solidify the existing structures of patriarchy. Drawing examples from a parallel research on Gender, Law and Sexuality, I propose that a more critical (...) and interpretative approach to these two concepts may present a different perspective to portrayals of ‘tradition’ as constraining and/or fixed often displayed in mainstream feminist legal thinking. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Betrayal of Substance: Death, Literature, and Sexual Difference in Hegel’s “Phenomenology of Spirit” by Mary C. RawlinsonShannon Hoff (bio)Mary C. Rawlinson, The Betrayal of Substance: Death, Literature, and Sexual Difference in Hegel’s “Phenomenology of Spirit” New York: University Press, 2021, 215 pp. ISBN 978-0-231-19905-6Mary rawlinson shows that to be genuinely receptive to a philosophical text one must be creative, and she brings the Phenomenology of (...) Spirit to life with her reading. It speaks of and to experience, and she makes it resound as such, matching its aptitude with her own rich descriptions of the character of experience. The reader is bound to learn a lot from her careful and vivid analyses of consciousness, self-consciousness, reason, and spirit, where she displays her power to digest a text that is almost impossibly unwieldy. Both students and scholars of Hegel’s philosophy will find satisfaction here: her book will spark understanding and excitement in inexperienced readers and hone approaches to complex issues of interpretation in experienced ones.Rawlinson opens The Betrayal of Substance with the provocative thesis that Hegel “writes with both hands” (xv). On the one hand, he affirms the abundance of difference in life by insisting on the material realization of the abstract concept, on the life of the singleton (her translation of das Einzelne) as the site of this realization, and on the difference intrinsic to identities (xiii). On the other hand, she says, he aims at a science of logic beyond phenomenology, where singularity has been erased and difference comprehended, such that “nothing is other to it”; this is “an unrelenting insistence on an absolute [End Page 225] detachment from life” (53). Rawlinson tracks this severance of concept and life throughout the Phenomenology: in the abandonment of sensuousness in sense-certainty; in the thing’s dissolution in perception; in “the ‘loss of reality’ of the play of forces”; in the struggle to the death, where self-consciousness “risks life absolutely” (66); in stoicism and skepticism, which “install an absolute difference between life and thought” (47). The life of the singleton is severed from the concept by the production (on the part of the unhappy consciousness) of “ethics, culture, morality, and religion as institutional infrastructures sustaining the self-transcendence of the singleton in the ‘we’ of a community” (66); by reason’s erasure of singularity in its accomplishment of a universal consciousness (68); by perpetual reference to the Bacchanalian revel, that “frenzy of the group that survives [the singleton’s] collapse” (xxx). (Indeed, one of the book’s contributions is its illumination of the prevalence of the image of the revel in Hegel’s text.)In response, Rawlinson asserts the need for a double reading of this double writing: (1) to affirm the capacious narrative that dislodges “ready-made abstractions” and engages the “thick richness of life,” because that is where the truth lies (xxix–xxx); and (2) to oppose Hegel’s “completion” of the phenomenological project and the departure from it to logic, and with it the erasure of the singleton. The book reflects the style of this double reading at each turn, in turns rebellious and appreciative, at ease with its own ambiguity toward Hegel. Rawlinson produces three central pieces of evidence for her critique, three “dangling threads [that] refuse to be woven into the completed fabric of absolute knowing[:] sexual difference, the mortality of the singleton,... and the differences of style in art and literature” (xv). Her critique of Hegel’s abandonment of life sets in relief the critical centrality of Hegel’s identification of maternal love as “the most dangerous force with which the state must contend” (68): this love is a clear instance of affirmation of the singleton over the “we” in which it is submerged. Finally, Rawlinson opposes the idea that truth is “the fully realized series of shapes of knowing and figures of truth” in which “science will have been the truth of phenomenology” with the hypothesis instead that “phenomenology will prove to have been the truth of science” (xliv).Itself beginning several times, The Betrayal of Substance thematizes Hegel’s multiple beginnings and the insight ref lected thereby... (shrink)

Sex differences in aggressive and risk-taking behaviors have practical implications for sexual integration of military combat units. The social-role theory implies that female soldiers will adapt to their role and display the same aggressive and risk-taking propensities as their male comrades. If sex differences reflect evolved propensities, however, adoption of the soldier's role is unlikely to eliminate those differences.

This article investigates related contexts and connections that both hide and display the coercion and sexual violence manifest in Western cultural and aesthetic artefacts during ancient Greek and Roman eras and the French imperialist epoch. Exploring ‘Pan and Syrinx’ from Ovid’s ‘Book I’ of the Metamorphoses and Claude Debussy’s Syrinx for solo flute, I historicise the meanings of rape and sexual assault that informed Ovid’s epic and then revisit the genesis of Debussy’s Syrinx because of the uneasy (...) elements surrounding its creation. I show how its cultural production is complicit with the imperial in several ways. I consider how sexual violence impacts voice, subjectivity and the body, and finally, I draw on Luce Irigaray’s work to sketch an embodied Syrinx in relation with others and her environment. I suggest the desiring potential of sexual difference, with limitations, as a generative conception of figuring the feminine-maternal body beyond masculine appropriation. In this way I open the myth up to watery material-social relations. (shrink)

Drawing on four years of ethnographic research with romance novel writers, we show how their affiliation with romance—a literary genre known for stories containing sexual content—prompted outsiders to sexually stigmatize them. Our work examines both the application and management of this stigma. We describe how outsiders applied the stigma in two ways: by conveying blatant disapproval through “sneering” and inviting writers to display a highly sexualized self through “leering.” Writers interpreted outsiders’ sneering as slut-shaming rhetoric and responded discursively (...) to manage the stigma; leering, however, sent a more complicated message that was harder for writers to manage. In revealing how these interactions threatened to strip writers of their sexual agency, our analysis suggests gender may be a primary mechanism by which stigma is applied and managed, which has theoretical implications for the stigmatization of women’s sexual selves. (shrink)

Culture, defined as shared behavior or information within a community acquired through some form of social learning from conspecifics, is now suggested to act as a second inheritance system. Cultural processes are important in a wide variety of vertebrate species. Birdsong provides a classic example of cultural processes: cultural transmission, where changes in a shared song are learned from surrounding conspecifics, and cultural evolution, where the patterns of songs change through time. This form of cultural transmission of information has features (...) that are different in speed and form from genetic transmission. More recently, culture, vocal traditions and an extreme form of song evolution has been documented in cetaceans. Humpback whale song ‘revolutions’, where the single population-wide shared song type is rapidly replaced by a new, novel song type introduced from a neighbouring population, represents an extraordinary example of ocean basin-wide cultural transmission rivalled in its geographic extent only by humans. In this review, we examine the cultural evolutions and revolutions present in some birdsong and whale song, respectively. By taking a comparative approach to these cultural processes, we review the existing evidence to understand the similarities and differences for their patterns of expression and the underlying drivers, including anthropogenic influences, which may shape them. Finally, we encourage future studies to explore the role of innovation vs. production errors in song evolution, the fitness information present in song, and how human-induced changes in population sizes, trajectories and migratory connections facilitating cultural transmission may be driving song revolutions. (shrink)

Although facial features that are considered beautiful have been investigated across cultures using the framework of sexual selection theory, the effects of head hair on esthetic evaluations have rarely been examined from an evolutionary perspective. In the present study the effects of six hair-styles (short, medium-length, long, disheveled, knot [hair bun], unkempt) on female facial attractiveness were examined in four dimensions (femininity, youth, health, sexiness) relative to faces without visible head hair (“basic face”). Three evolutionary hypotheses were tested (covering (...) hypothesis, healthy mate theory, and good genes model); only the good genes model was supported by our data. According to this theory, individuals who can afford the high costs of long hair are those who have good phenotypic and genetic quality. In accordance with this hypothesis, we found that only long and medium-length hair had a significant positive effect on ratings of women’s attractiveness; the other hairstyles did not influence the evaluation of their physical beauty. Furthermore, these two hairstyles caused a much larger change in the dimension of health than in the rest of the dimensions. Finally, male raters considered the longer-haired female subjects’ health status better, especially if the subjects were less attractive women. The possible relationships between facial attractiveness and hair are discussed, and alternative explanations are presented. (shrink)

‘The Static-99R is one of the most commonly used risk assessment instruments for individuals convicted of sexual offenses. It has been validated for use on many populations, but few studies specifically target and describe individuals with mental disorders. Additionally, research on the discriminative properties of the instrument over longer follow-up periods is scarce. This article evaluated the validity of the Static-99R using a cohort of individuals with mental disorders convicted of sexual offenses in Sweden with fixed 5-year, 10-year, (...) 15-year, and 20-year follow-up periods. A Static-99R cut score of 6 demonstrated the highest Youden index, maximizing sensitivity and specificity, with 25.8% of recidivists correctly assumed to reoffend sexually and 95.7% of non-recidivists correctly assumed not to. The Static-99R instrument demonstrated adequate discrimination, with only marginal differences for 10-, 15-, and 20-year fixed follow-up. Calibration was acceptable, with the routine sample norms displaying a decisively better fit to the study cohort compared to the high-risk/high-need sample norms. The results affirm the recommendation that, when in doubt and where there is no recent local norm group large enough available, the Static-99R routine sample found in the evaluators’ workbook should be used. (shrink)

It is a basketball game in early March, the home team is losing by 20 points, and the only cheers and support in the arena come from the cheerleaders. Given the cheerleaders’ sparkling uniforms and emphasis on attractiveness, fans of the more popular college sports usually forget these cheerleaders are also athletes. This dismissal of cheerleaders as athletes intersects with a gendered and sexualized view of female cheerleaders. The Cheer Team will keep cheering regardless of the score or how they (...) feel personally, it is their emotional labor. Emotional labor is usually considered as individuals displaying the appropriate expected emotions with customers, patients, or family. We argue that the expectations for cheerleaders include seductive emotional displays. Thus, this chapter seeks two contributions: first, how cheerleaders negotiate their athlete status against a gendered view that disciplines their bodies. Our second focus is the exploration of the seductive emotional labor in cheerleading. We explore how gender roles and expected emotional displays are reinforced and negotiated through an analysis of visual posts in Instagram related to the #cheerleading hashtag. The analysis of visual representations helps us explore how gender stereotypes and ascribed identities are reinforced in social media and how heteronormativity is reinforced in cheerleading. (shrink)

The pigment melanin is found in all living kingdoms and in many different structures and forms. When its various functions are examined separately, its behaviors seem disparate and conflicting. It has a clear role in camouflage and sexual display. Other major roles are examined critically. It can act as a sun screen but is not a very effective one. It can also scavenge active chemical species, but this, too, is not done very effectively. It produces active radicals that (...) can damage DNA. It binds to drugs in ways that are either beneficial or deleterious. Aside from camouflage, its other roles can be brought together by a unifying hypothesis as first proposed by Proctor and McGinness nearly 20 years ago. Melanin is envisaged as an energy transducer with the properties of an amorphous semiconductor. It can absorb many different types of energy and dissipate them in the form of heat. However, if the energy input is too great, the output can be expressed in the form of activated chemical species that can damage cellular macromolecules resulting in cell death, mutations and cancer. The protective aspect of melanin in dark skin is seen as resulting from its high concentration and its confinement to ellipsoidal and densely packed organelles that can effectively shield the nucleus. In light skin, its radical nature is seen as potentially participating in the carcinogenic process, particularly when overwhelmed by intense episodes of sunburn. (shrink)

Biologists have proposed a variety of explanations for extravagant sexual displays, and controversies over explanations define the history of sexual selection research. Recently, Richard Prum has d...

This article probes the evolutionary origins ofmoral capacities and moral agency. From thisit develops a theory of the guidancesystem of higher mind (GSHM). The GSHM is ageneral model of intelligence whereby moralfunctioning is integrated with cognitive,affective, and conative functioning, resultingin a flow of information between eight brainlevels functioning as an evaluative unitbetween stimulus and response.The foundation of this view of morality and ofcaring behavior is Charles Darwin's theory,largely ignored until recently, of thegrounding of morality in sexual instincts whichlater expand (...) into parental love. Also, PaulMacLean made these same connections in hisdevelopment of the triune brain theory, whichwas founded on observations of both sexual andaffectionate responses from stimulation oflimbic and paleocortical areas (that is, notthe most primitive areas) of monkey brains. This article relates the revolutionary areas ofDarwin and of MacLean together for the firsttime in an way intended to be accessible to arange of social and natural scientists. TheGSHM builds on and expands both of their workto develop a theory of the processing withinour brains of information screened by asequence of systems, social, future, moral,developmental, and managerial ``sensitivities.''Darwin's and MacLean's observations and theGSHM theory developed here argue against theold strict distinction between ``lower''emotional processes and ``higher'' rationalprocesses. In fact, MacLean, Karl Pribram, andothers have found that emotional responses areclosely tied to reason through the functions ofthe prefrontal cortex. Prefrontal function isclosely related to the development of moralsensibility and judgment. In particular, it isthe connections between prefrontal cortex andother brain areas that allow us to makedeliberate choices to be or not to be caring. These same connections allow us to learnculturally sensitive signals for when torelease or inhibit our cooperative oraggressive tendencies (both of which can beelicited by sexual displays in monkeys as wellas humans). These are closely tied to thesocial instinct in animals, and to thesocialization that children receive from theirparents (whom the clinical psychologist AlanSchore has described as providing a ``substituteprefrontal cortex'' for their very youngchildren). Higher levels of the GSHM modelsuch capabilities as thinking beyond thecurrent social situation to ``what could be'' anddialectical synthesis of apparent opposites,which are what allow humans the freedom todesign social realities to fit our moralsensibilities. (shrink)

By way of a warning, this chapter begins by noting the strong feelings sometimes invested in arguing that the arts are evolutionary adaptations. Two theories of the arts as an adaptation are considered: Geoffrey Miller sees art as sexual display and Ellen Dissanayake views it as a form of “making special.” Both views are criticized. In seeking a common function for art, they tend to be reductive and imply that the adaptation lies elsewhere, with art as only one (...) of its implementations. Dissanayake follows the methodology of evolutionary psychology in seeking a behavior’s adaptive origin in our ancestral past. Like many others, she thinks that art originated in play. Meanwhile, many different and competing origins for music have been proposed, which points to their speculative character. It also raises questions about whether the focus on origins explains much about the form and function of the developed art. (shrink)

Most research on mate choice in modern societies is based on data that may or may not reflect actual mating behavior (e.g., stated preferences, personal advertisements). In the present study, real-life matings were reported by a large representative sample of men and women (N = 1,133). These data were used to test an evolutionary model in which mate choice is hypothesized to depend on resources potentially contributed to reproduction by each sex. Consistent with the model, it was found that (a) (...) men (but not women) of higher social status acquire more mating partners, suggesting that male status is an important criterion in female choice; (b) women’s (but not men’s) number of partners decreases linearly with age, suggesting that female reproductive potential is an important criterion in male choice; and (c) women (but not men) display a significant relationship between marital dissolution and promiscuity, suggesting that female sexual exclusivity is an important criterion in male choice. These results are discussed in relation to understanding mate choice mechanisms from behavioral data. (shrink)

Sexual selection theory provides interesting tools to address the evolution of human art behavior as it contains models that explain the evolution of elaborate male display traits and these traits exhibit conspicuous similarities with human art behavior. In sexual selection theory, it is recently suggested sensory exploitation hypothesis offers a valuable alternative to good genes and Fisherian runaway. Because, one, it can explain the origins of male display traits while good genes and Fisherian runaway cannot, and (...) two, it can even explain how these traits are maintained, namely without the need of any selection on female preferences in the sexual context, thus solely by female sensory biases maintained by selection in another context. Good genes and Fisherian runaway were previously applied to model the evolution of human art and aesthetics. The above implies application of sensory exploitation to model human art could offer a valuable addition to these models. I use some of the concepts (like dual inheritance) developed by the authors of the cultural runaway hypothesis, Boyd and Richerson, to develop a model for the evolution of art based on sensory exploitation hypothesis applied to the cultural level, which I call cultural sensory exploitation hypothesis. Boyd and Richerson's model suggest human aesthetic and artistic expression evolve as a consequence of a cultural runaway process, but in my proposed model they can originate even without this process. Finally, I use this hypothesis to address the conundrum of the creative explosion, a burst of elaborate art some 50,000 years ago and the sudden emergence of cave paintings. I conclude that some evidence indicates that the creative explosion was a consequence of a change in effective population size (i.e. interacting pool of social learners), which made maintenance of innovations necessary for the production of elaborate art possible. These innovations were maintained and selected because they offered the ability to (self)exploit preexisting sensory biases through art. In this view it does not matter whether art initially served any function in human evolution as it readily evolves as a mere consequence of sensory biases. In other words I suggest that the incidental exploitability of sensory biases through art may be the most fundamental driving force behind the origin of art and that it may play an important role in its subsequent maintenance and evolution as well. (shrink)

This paper analyzes human desire beyond frameworks that understand it merely as impulse, lack, motivation, or goal-directedness. It examines the process through which desire is compared with self-image and transformed into a task of self-alignment. Human beings want to eat, rest, be loved, be recognized, experience sexual attraction, create, and live freely. Yet the distinctive character of human desire does not lie simply in the existence of desire itself. Human beings experience desire while also interpreting themselves as beings who (...) have that desire. In this process, desire does not remain a simple state of wanting. It becomes a problem of self-interpretation, raising questions such as “Why do I want this?”, “Is this desire consistent with who I am?”, and “What kind of person am I, if I want this?” To explain this process, this paper proposes the concept of desire self-alignment. Desire self-alignment refers to the process through which human beings interpret and arrange desire within self-understanding when desire conflicts or becomes entangled with self-image, self-worth, relational position, bodily sensation, and the direction of life. This concept is distinct from mere rationalization. Whereas rationalization is closer to a defensive process that retrospectively justifies an already existing desire or action, self-alignment refers to a broader process through which desire is interpreted and positioned in relation to the self from the moment it emerges. This paper reviews existing theories of desire, self-determination theory, social comparison theory, self-discrepancy theory, self-regulation theory, cognitive dissonance, self-verification theory, second-order desire, and sexual script theory, while presenting an analytical focus distinct from these approaches. Existing theories have mainly explained what human beings desire, what levels desire has, what emotions arise from comparison and discrepancy, and how the gap between present and desired states is regulated. By contrast, this paper analyzes the pathways through which desire is processed after it encounters self-image. The model of desire self-alignment proposed in this paper consists of detection of importance, emergence of desire, self-reflection, comparison with self-image, attempted self-alignment, and outcome differentiation. Human beings first experience the moment when something ceases to be irrelevant to them. This detected importance is then transformed into wanting or avoidance. Afterward, human beings reflect on themselves as subjects of desire, compare the desire with their self-image, and attempt to arrange it within their lives. This process branches into integration, adjustment, suppression, defensive justification, fragmentation, and overidentification. Integration occurs when desire is placed within self-understanding and the direction of life. Adjustment occurs when desire is not denied, but its conditions and modes of expression are regulated. Suppression occurs when desire is pushed away as shameful or unacceptable. Defensive justification occurs when desire is protected as unquestionably right without sufficient examination. Fragmentation occurs when desire and self-image cannot be integrated, producing shame, self-loathing, and repetitive thought. Overidentification occurs when the fulfillment or frustration of desire expands into a judgment about the whole value of the self. Thus, the central problem of desire is not simply whether desire is strong or weak, but how desire relates to self-image and how that relation is processed. This paper treats sexual desire as a high-density case in which the structure of desire self-alignment becomes especially visible. Sexual desire has a biological basis, but in human beings it is entangled with bodily response, emotion, cognitive permission, self-image, relational safety, trust, mutuality, shame, gender norms, responsibility, and later memory. Human beings do not experience sexual attraction merely as a bodily response. They ask whether it is love, pleasure, loneliness, a need for recognition, whether it is consistent with their self-image, whether it is safe within a relationship, and whether they can bear its consequences. In this sense, sexual desire shows in compressed form how even basic desire becomes an event of self-interpretation in human beings. This paper also analyzes how contemporary society makes desire self-alignment more difficult. Contemporary society does not simply create desire from nothing. Rather, it activates desire more frequently, makes comparison more immediate, and allows desire to become attached to self-image more easily. Appearance, achievement, relationships, creativity, consumption, status, sexual imagery, and social recognition are continuously displayed and compared. In this environment, human beings may experience the feeling that they are insufficient before they can interpret what they actually desire. The problem of contemporary desire therefore lies not merely in the excess of desire, but in the repeated stimulation of desire before it can be sufficiently self-aligned. This paper further emphasizes that the mere presence of self-consciousness does not automatically guarantee mature desire processing. Self-consciousness creates an interpretive space between desire and action, but this space may lead not only to integration, but also to self-blame, defensive justification, or excessive loops of analysis. Human maturity, therefore, does not consist in the elimination of desire. It consists in the capacity to detect desire, distinguish its sources and meanings, interpret its tension with self-image, and arrange it within the direction of life. In conclusion, this paper locates the distinctive character of human desire not in the emergence of desire itself, but in the fact that desire is compared with self-image and transformed into a problem of self-interpretation. Human beings are not only beings who satisfy desire. They are also beings who ask what kind of beings they are through desire. Desire should therefore be understood not as a mere impulse or lack, but as a core structure through which human beings interpret themselves, arrange their lives, and form the direction of self-understanding. (shrink)

As Derrida showed in a later essay on Foucault’s relationship to psychoanalysis, Foucault displayed a marked ambivalence toward Freud, sometimes putting him on the side of the exclusion of madness and sometimes putting him on the side of those eager to listen to it. Yet, in the final stages of Foucault’s work, this ambivalence hardened into a resistance. By the time of The History of Sexuality, Volume 1, Freud is situated squarely on the side of power. It is precisely in (...) leaving Freud behind, Foucault suggests in Volume 1’s final pages, that we might begin to imagine “a different economy of bodies and pleasures”. In the late Foucault, what is necessary is thus not a reinvigorated... (shrink)

Human rights scholar Wendy Kozol has posed a series of challenging questions: when it comes to women's human rights, “How are experiences of suffering represented? By whom? In what venues? And for which audiences?” This article seeks to address Kozol's inquiry regarding representations of sexual violence and context by considering the Comfort Women Wanted exhibition at the Museum of Sex in NYC. The curators of this exhibit, partly sponsored by the Sex Workers Project, seem to have framed this art (...) display within the conflicting feminist debates on sexual slavery and sex work, thus conflating “comfort women” survivors with sex workers within a patriarchal system. Yet one key concern is that the Japanese government and right-wing ethnonationalist groups have weaponized the voluntary sex worker narrative to dismiss the plight of the “comfort women”' and deny them official recognition and redress. Against this backdrop, this analysis explores the limits of “awareness,” suggesting that such framing of “comfort women” art in the Museum of Sex may eclipse and confound the socio-political battles the global “comfort women” redress movement has made thus far and unwittingly feed into historical revisionist views. (shrink)

Contrary to chimpanzees and bonobos, humans display long-term exclusive relationships between males and females. Probably all human cultures have some kind of marriage system, apparently designed to protect these exclusive relationships and the resulting offspring in a potentially sexual competitive environment. Different hypotheses about the origin of human pair-bonds are compared and it is shown how they may refer to different phases of human evolution.