Even with a significant increase in representation of minority identities in popular media – especially in stories of speculative fiction – the ways in which inclusivity is designed must be examined, with Lovecraft Country standing as a useful example for this scrutiny. Adapted from a novel of the same name, the show Lovecraft Country swapped the genders and sexualities of a few characters from the book to increase representation. The ways that these swaps reified tropes about diverse identities (...) is the central concern of this analysis. Using Fields and Fields's conceptualization of racecraft as a "mental terrain of pervasive beliefs," this piece seeks to identify how pervasive beliefs and rules about identity were implicated in the series. The characters of Montrose Freeman, Ruby Baptiste, and Christina Braithwhite all undergo gender and/or sexuality swaps in the adaptation from page to screen, but the ways in which stereotypical assumptions around gender and sexuality are preserved in the narrative work mostly to reproduce negative tropes around these identities. This argument details narratives of violence, avoidance, and sacrifice that are given to these gender- and sexuality-swapped characters, and illustrates how, ultimately, these narratives provide detrimental instead of productive representation of diverse identities. (shrink)

Se realizó una investigación cualitativa, entre octubre de 2015 y junio de 2016, en la Casa de Abuelos No. 2 de Santa Clara con el objetivo de caracterizar la representación social de la sexualidad de los adultos mayores. Se seleccionó una muestra de 24 adultos mayores. Se utilizaron técnicas como: observación, entrevista, debate grupal, asociación de palabras, de cuestionamiento del núcleo central y la triangulación de datos. Como resultados se determinó que en la representación de la sexualidad se observó un (...) campo estructurado y un contenido que se aleja de su significado. Se concluyó que la representación social de la sexualidad de los adultos mayores se identificó con las relaciones sexuales, con el acto sexual. Las informaciones que poseen carecen de calidad y denotan un carácter prejuiciado y estereotipado. Manifestaron actitudes de rechazo hacia la sexualidad lo que se explicó por: el desconocimiento, la inadecuada relación entre sexualidad y reproducción, la existencia de prejuicios sociales y asociar el envejecimiento con la enfermedad. With the aim of characterizing the social representation of sexuality in senior citizens, a qualitative research was carried out from October 2015 to June 2016 in Grandparents House No. 2 in Santa Clara City. A sample of 24 people was selected. Methods such as observation, interview, group debate, words association, central core questioning technique and data triangulation were used. It was determined that in the representation of sexuality there is a structured field and a content that goes away from its meaning. Social representation of sexuality in senior citizens was identified with sexual relationships and with sexual intercourse. They lack quality information and show a prejudiced and stereotyped character. They expressed rejection attitudes towards sexuality which were based on: ignorance, inadequate connection between sexuality and reproduction, existence of social prejudice and association of aging with disease. (shrink)

This paper argues that current iterations of lesbian, gay, bisexual, transgender and intersex rights are limited by an overreliance on particular representations of sexuality, in which homosexuality is defined negatively through a binary of homosexual/heterosexual. The limits of these representations are explored in order to unpick the possibility of engaging in a form of sexuality politics that is grounded in difference rather than in sameness or opposition. The paper seeks to respond to Braidotti’s call for an “affirmative politics” that is (...) open to forms of creative, future-oriented action and that might serve to answer some of the more common criticisms of current LGBTI rights activism. (shrink)

El paso de la televisión lineal a las plataformas VOD ha favorecido la evolución de los personajes LGTBIQ+ en la ficción. Para conocer cómo se han representado los personajes queer a lo largo de esta transición se acude al análisis narrativo. Con el interés de conocer la percepción de la sociedad, el estudio realizó una encuesta. Los resultados revelan un aumento de los personajes LGTBIQ+ que no necesitan puntos de giro para realizarse. Se concluye que los personajes LGTBIQ+ responden a (...) una normalización real del colectivo en la ficción y que esta visibilidad contribuye a la aceptación de la ciudadanía. (shrink)

“James Tiptree Jr.” is a pseudonym of Alice B. Sheldon, US Air Force intelligence officer, CIA analyst, experimental psychologist, and one of the most important and highly acclaimed science fiction writers of the twentieth century. Sheldon’s work as Tiptree deals with a variety of important feminist concerns—among them, sexism, misogyny, objectification, sexual assault, the “otherness” of women, and silencing. This paper explores in a philosophical mode some of the important insights about objectification conveyed in one of Tiptree’s most well-known (...) stories, “’And I Awoke and Found Me Here on the Cold Hill’s Side.” These insights lead naturally to a characterization of sexual objectification that both avoids problems with standard philosophical characterizations and also sheds important light on the relationship between objectification and silencing. (shrink)

This paper examines the representation of mental illness and mental disorder in the Washington Community Protection Act of 1990 (WCPA), the first package of sexual predator legislation passed in the United States. I focus on the public outcry over a violent crime committed by a repeat sexual offender, Earl Shriner, and show how the act was drafted in direct response to this outcry. Following his arrest, there was a public discussion of a) whether the state had a (...) responsibility to cure individuals like Shriner before releasing them, and b) whether sex offenders could be cured at all. The WCPA was a landmark law because it shifted forensic psychology in the use of sexual criminals from an intervention model to a containment model, from a model that sought to separate out those sexual criminals who could be treated to a model that separated out sexual criminals because they could not be treated. I demonstrate here that this shift was made in response to the representation of Earl Shriner as a member of a group classified by legislators as having a coherent, recognizable and untreatable mental disorder that caused them to commit acts of sexual violence. (shrink)

The text examines the representations of relationships, intimacy and love in virtual reality, based on a thematic analysis of a corpus of keyword-selected YouTube videos. The interest in this topic is driven by its status as a new phenomenon that challenges the very boundaries of our cultural understanding. These boundaries are situated at the nexus of real and virtual, identity and belonging, trust and infidelity. Given that virtual reality is not yet a mainstream phenomenon, the analysis is made at the (...) level of representations rather than practices. In general, the data highlight specific forms of reimagining the body and its agency in online environments. (shrink)

I argue that Alisa Carse's call for antipornography legislation sets a potentially dangerous legal move that could threaten to shut off the dialogue women need to redefine the meanings and terms of our sexualities. I also argue that the terms of legitimacy need to be re-examined outside a legal system that systematically fails to protect the rights of sexual minorities.

The title of this book translates one of the many ways in which Lucretius in De rerum natura names the basic matter from which the world is made. In Lucretius, and in the strain of thought followed in this study, matter is always in motion, always differing from itself, and yet always also made of the same stuff. From the pious Lucy Hutchinson's all but complete translation of the Roman epic poem to Margaret Cavendish's repudiation of atomism, a central concern (...) of this book is how a thoroughgoing materialism can be read alongside other strains in the thought of the early modern period, particularly Christianity. In this light, Milton and Spenser are given close consideration. Although English literature is the book's main concern, it first contemplates relations between Lucretian matter and Pauline flesh by way of Tintoretto's painting The Conversion of St. Paul. Theoretical issues raised in the work of Agamben and Badiou, among others, lead to a chapter that takes up the role that Lucretius has played in theory, from Bergson and Marx to Foucault and Deleuze. This study should be of concern to students of religion and philosophy, gender and sexuality, especially as they impinge on questions of representation. (shrink)

The aim of this paper is to assert that any moral critique or political censorship of sexually violent imagery cannot be justified with reference to participants nor matters of taste. Rather, the present paper seeks to distinguish objectification and alienation and apply this distinction to the issue of the representation of sexual violence. Alienation is the morally problematic category because systems of domination and control determine the expressions and consumption of desires, but this means that the violence in (...) such material may well be a red herring. (shrink)

Media reflect and affect social understandings, beliefs, and values on many topics, including the lives of autistic and disabled people. Media analysis has garnered attention in the field of disability studies, which some scholars and activists consider a promising approach to discussing the experiences of – and for promoting social justice for – autistic people, who remain underrepresented on scripted television. Additionally, existing portrayals often rely on stereotyped representations of disabled individuals as objects of pity, objects of inspiration, or villains. (...) Television may also serve as a primary source of public knowledge about disabled people and the concept of disability. It is therefore essential that such portrayals avoid stigma and stereotyping. We take a disability studies lens to critically analyze and compare representations of diverse people, who may sometimes be conflated in the popular imaginary, across television series about autistic characters, those with cerebral palsy, and a character with fetal alcohol spectrum disorder. We employ an intersectional analytic framework to problematize representations of autistic and disabled people, using television, feminist, and critical disability studies literatures. We analyze how the formal structure of television storytelling can either enable or disable its characters, as well as how portrayals of disability that display a sensitivity to concerns raised by critical disability discourse do not necessarily display the same sensitivity when they intersect with marginalized experiences of gender, sexuality, race, and class. (shrink)

Sexualized deepfakes are frequently framed as a problem of deception, misinformation, or privacy. However, a growing body of scholarship has shown that the central harm of deepfake pornography does not primarily lie in viewers being deceived, but in the non-consensual creation and circulation of sexualized representations. Building on this insight, this article examines sexualized deepfakes as socio-technical mechanisms of gendered power. Drawing on science and technology studies and feminist media theory, it argues that deepfake pornography extends existing practices of image-based (...) sexual abuse by weaponizing visual representation against women. The paper situates sexualized deepfakes within longer histories of visual domination and analyzes how digital platforms, AI infrastructures, and cultural norms amplify these harms. It shows that current governance approaches, including consent-based legal frameworks, victim-centered resilience strategies, and technical detection tools, address only partial dimensions of a fundamentally systemic problem. In response, the article proposes a consent-centered socio-technical framework for governing deepfake abuse that integrates platform accountability, legal reform, technical safeguards, and victim support. Understanding sexualized deepfakes as instruments of power rather than merely falsified media shifts the focus of governance from protecting authenticity toward protecting autonomy, dignity, and justice in the age of generative AI. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Feminist Studies 47, no. 1. © 2021 by Feminist Studies, Inc. 147 Eric Andrew James The Representational Necropolitics of Black Women in Zombie Dystopia Video Games Though Stuart Hall defends popular representation as an important terrain of political struggle, he also argues that images of difference are dominated by “racialized regimes of representation” manifest in stereotypes and invisibilities.1 These ensure that marginal identities are reduced, essentialized, and (...) rendered other. One of the most powerful tools for this form of silencing in the popular representation repertoire is the notion of an established genre. In US popular culture, creators and critics alike often position people who experience multiple layers of oppression as constitutively outside the expectations of existing genres. Their absence is attributable not simply to creator racism but also to that genre’s relationships to intersecting categories of difference and domination, such as race and gender. Beginning with the preponderance of representational violence in popular media, this article draws from existing work by feminists of color in order to model a critique of US representational precarity. To illustrate the political tensions in popular US culture, I stage my intervention into a medium whose industry has had particularly fraught struggles with representation: video gaming. There, I focus specifically on 1. Stuart Hall, “The Spectacle of the Other,” in Discourse Theory and Practice: A Reader, ed. Margaret Wetherell, Stephanie Taylor, and Simeon J. Yates. (London: Sage, 2001), 325–44. 148 Eric Andrew James recent attempts to represent Black women, whom the gaming industry has held up as emblematic of difference and diversity. 2 These attempts are marred by predictable disasters and pitfalls. In particular, I discuss how the representational politics of Black women in popular zombie dystopia games repeats a similar violence as the previous silencing of Black women in these spaces. The gaming industry’s struggles with representation in the wake of Gamergate are demonstrative of broader tensions in Black women’s representation in popular media. Thus, while I am focused on video games, I also intend this analysis to reflect on feminist studies of the relationship between genre and representation. I advance existing scholarship on video game representations of Blackness by theorizing violence enacted at the intersections of race, gender, and sexuality in game genres. Specifically, I position this intervention as a point of departure from TreaAndrea M. Russworm’s chapter in Gaming Representation: “Dystopian Blackness and the Limits of Racial Empathy in The Walking Dead and The Last of Us.”3 This chapter provides a compelling critique of the relationship between the dystopian game genre and Black representation, highlighting the lack of self-reflexivity in mass-market representations of Blackness. Expanding this project by taking another look at her objects of study—The Last of Us (2013– 2014) and Telltale’s The Walking Dead (2012)—I argue that taking Black women’s multiple jeopardy as foundational to the zombie dystopia genre offers a deeper look at the grammars of representational violence. My use of multiple jeopardy refers to Deborah K. King’s theorization of how multiple layers of oppression exponentially multiply individual disadvantages. As King describes, “The modifier ‘multiple’ refers not only to several, simultaneous oppressions but to the multiplicative 2. AnnaMaria Jackson-Phelps, “Representation Matters: Positive Portrayals of Black Women in Video Games,” Medium, February 28, 2017, https:// medium.com/legendary-women/representation-matters-positive-portrayals -of-black-women-in-video-games-c96cf9f66fdf; Jef Rouner, “Would You Believe There Have Been Only 14 Playable Black Women in Gaming?” Houston Press, June 5, 2015, https://www.houstonpress.com/arts/would-you-believethere -have-been-only-14-playable-black-women-in-gaming-7484017. 3. TreaAndrea M. Russworm, “Dystopian Blackness and the Limits of Racial Empathy in The Walking Dead and The Last of Us,” Gaming Representation: Race, Gender, and Sexuality in Video Games, ed. Jennifer Malkowski and TreaAndrea M. Russworm (Bloomington: Indiana University Press, 2017), 109–28. Eric Andrew James 149 relationships among them as well.”4 These layers of oppression are often contradictory and may leave no avenues for action; the expectations placed on one for their race become impossible to fulfill because of the contradictory expectations placed on them for their gender or sexuality. This multiple jeopardy thus introduces... (shrink)

Background. Although genital sensations are an essential aspect of sexual behavior, the cortical somatosensory representation of genitalia in women and men remain poorly known and contradictory results have been reported. Objective. To conduct a systematic review of studies based on electrophysiological and functional neuroimaging studies, with the aim to identify insights brought by modern methods since the early descriptions of the sensory homunculus in the primary somatosensory cortex. Results. The review supports the interpretation that there are two distinct (...) representations of genital sensations in SI, one on the medial surface and the other on the lateral surface. In addition, the review suggests that the secondary somatosensory cortex and the posterior insula support a representation of the affective aspects of genital sensation. Conclusion. In view of the erogenous character of sensations originating in the genitalia, future studies on this topic should systematically assess qualitatively as well as quantitatively the sexually stimulating and/or sexually pleasurable characteristics of sensations felt by subjects in response to experimental stimuli. (shrink)

War is a highly gendered experience which is both informed by and informs constructions of masculinity and femininity. The dominant depiction of masculine heroes and feminine victims simplifies the complex intersections of militarism, nationalism and gendered roles and identities. Focusing on a case study of the Anglo-Irish War or War of Independence (1919–1921), this paper examines how violence against women, especially sexual violence, was written about and reported in ways which framed representations of Irish and British masculinity and Irish (...) femininity. In addition, by analysing a range of varied sources including newspapers, autobiographical accounts and recorded testimonies, this paper attempts to assess the extent to which violence against women formed a key aspect of military practice in the war. In conclusion, I engage with some of the difficulties faced by researchers today in exploring evidence of gendered violence in specific historical, cultural and militarized contexts. (shrink)

The evolution of human language, and the kind of thought the communication of which requires it, raises considerable explanatory challenges. These systems of representation constitute a radical discontinuity in the natural world. Even species closely related to our own appear incapable of either thought or talk with the recursive structure, generalized systematicity, and task-domain neutrality that characterize human talk and the thought it expresses. W. Tecumseh Fitch’s proposal (2004, in press) that human language is descended from a sexually selected, (...) prosodic proto-language that approximated its syntactic complexity, and later acquired semantics thanks to kin selection for its use as a means of pedagogical transmission, has the promise of meeting these explanatory challenges. However, Fitch’s theory raises two problems of its own: (1) according to Boyd and Richerson (1996, Proc. Br. Acad. 88: 77–93), circumstances in which pedagogy is adaptive are inevitably rare in nature, and (2) it is unlikely that our non-discursive precursors had generally systematic, task-domain neutral thoughts to communicate to their offspring. I propose solutions to these problems. Pedagogy would be favored in a population where complex rituals dominated diverse aspects of life. Prosodic proto-language could emerge as the medium of pedagogic transmission. As this medium was used to teach a greater variety of tasks, it would become increasingly general and domain neutral. The presence and importance of such a system of communication in hominid populations could then drive, via Baldwinian mechanisms, the evolution of a kind of ‘thinking for speaking’ (Slobin 1991, Pragmatics 1: 7–25) characterized by recursive structure, generalized systematicity, and task-domain neutrality. (shrink)

The plays written about AIDS in the past dozen years form a radical canon establishing gay men as the locus for public attention. These plays have been all but silent in their representation of women with AIDS. This article examines the marginalized women in early plays such as The Normal Heart and As Is, and the women more central to later plays such as The Baltimore Waltz, Before It Hits Home, and Patient A. It foregrounds some of the most (...) problematic issues surrounding the AIDS virus: the perception of women as vectors of disease for men and unborn children, the insistent representation of women as mothers and caregivers, and the denial of patterns of abuse, sexual exploitation, and poverty which contribute to the marginalization of woman and people of color. (shrink)

This study examines the representations of male and female social actors in selected Iranian EFL (English as a Foreign Language) textbooks. It is grounded in Critical Discourse Analysis and uses van Leeuwen’s Social Actor Network Model to analyze social actor representations in the gendered discourses of compulsory heterosexuality. Findings from the analysis show that the representations endorse the discourse of compulsory heterosexuality which is an institutionalized form of social practice in Iran. Three male and three female students were interviewed to (...) find out what they think about these representations. Their responses with regard to whether they think textbooks should also include representations of other forms of sexuality were non-committal and vague. To them LGBT people are the ‘‘Other’’ practicing a form of sexuality that is not normal. Such exclusions could obscure the reality regarding the existence of such gender identities and represent the world in a particular manner. (shrink)

In Speaking for Others: The Ethics of Informal Political Representation, I provide a novel conceptual and normative theory of informal political representatives (IPRs), who speak or act for others despite having been neither elected nor selected to do so by means of a systematized election or selection procedure. IPRs are everywhere. Some are internationally recognized leaders of social movements. Rev. Dr. Martin Luther King, Jr. informally represented Black Montgomerians during the Montgomery Bus Boycott, and Black Americans generally throughout the (...) course of the civil rights movement. Me Too movement leader Tarana Burke informally represents survivors of sexual assault, abuse, and harassment. Greta Thunberg informally represents Generation Z or, as she has put it, “we who have to live with the consequences” of climate change. Others are just our neighbors and friends. But when they go to the city council meeting to give voice to our neighborhood’s shared interests, they become our representatives, too. Despite IPRs’ ubiquity and significance to our political lives, their role is conceptually puzzling, morally troubling, and markedly undertheorized. The central ethical challenge of informal political representation is that IPRs can provide valuable political goods to those they represent; yet they are neither institutionally nor procedurally constrained in the ways formal political representatives (FPRs) like legislators are. Moreover, IPRs are often the only political actors working to advance the interests of oppressed and marginalized groups, meaning these groups rely on their IPRs. As a result, relationships between represented groups and their IPRs can be inegalitarian and oppressive. How may IPRs permissibly undertake activities central to their roles without thereby wronging those they represent? This is the question that drives my book. (shrink)

It is clear that philosophy has a “woman problem”. Despite the recent acceptance of this fact, it is less clear what ought to be done about it. In this paper, we argue that philosophy as a discipline is uniquely well-positioned to think through the marginalisation suffered by women and other minorities. We therefore interrogate two values that already undergird conversations about inclusion— representation and intersectionality—in order to think about the path ahead. We argue that, once we have done so, (...) it becomes clear that the slow pace of improvement over the last few decades is unacceptable and more radical steps need to be taken. First, we outline the current state of women in philosophy focusing on three areas: levels of employment, publishing, and sexual harassment. Then we turn to representation and intersectionality respectively. We conclude by arguing that many women and people of colour have been arguing for a more radically diverse philosophy for many years. What we are facing is a lack of ambition on the one hand and problem of attention on the other. (shrink)

Recently, scientific and popular press articles have begun to represent sex as a health-promoting activity. A number of scientific studies have identified possible health benefits of sexual activity, including increased lifespan and decreased risk of certain types of cancers. These scientific findings have been widely reported on in the popular press. This "sex for health" discourse claims that sexual activity leads to quantifiable physical and mental health benefits in areas not directly related to sexuality. Analyzing this discourse provides (...) an opportunity to better understand both broader health promotion discourses and current norms and anxieties about sexuality. In this article, I place this "sex for health" discourse within the context of broader health promotion discourses and within the context of a number of historical and contemporary discourses connecting health and sexuality. I argue that although the "sex for health" discourse may serve to de-stigmatize sexual activity for some, it may also increase pressure on others to be sexually active and may further pathologize sexual "dysfunction." In addition, these representations often serve to further privilege a normative form of sexual behavior - coitus in the context of a monogamous heterosexual partnership - at the expense of non-normative sexual desires, identities, and practices. (shrink)

Anatomy texts are seen as authoritative sources for knowledge about natural sex differences. The concepts of a natural, biological sex and of a natural difference are, however, increasingly difficult to sustain. A growing number of scholars have pointed to the fact that `sex' as much as `gender' is a historical and social construction. This article examines how the multiple-edition anatomy textbook, Gray's Anatomy, has portrayed the sexed body and male/female differences during the course of its publication, 1858 to the present, (...) focusing on specific parts of the anatomy, namely the sex organs or `organs of generation', the pelvis, the skull and the brain. An analysis of textual descriptions and graphic illustrations reveals that the male body has been the stable norm or standard against which the female body has been compared and implicitly judged as underdeveloped, weak or faulty. Only rarely has the male body been compared with the female body. Reflecting long-standing views about sexual complementarity and natural differences between men and women, some comparisons emphasize the reproductive functioning of females or imply that females are intellectually inferior. It would appear that the discipline of anatomy has remained largely immune from broader public debates about sexual inequality and gender representations. (shrink)

Sexual difference theory can best be explained with reference to French post‐structuralism, more specifically its critique of the humanist vision of subjectivity. The “post” in poststructuralism does not denote only a chronological break from the structuralists' generation of the 1940s and 1950s, but also an epistemological and theoretical revision of the emancipatory programme of structuralism itself, especially of Marxist feminist political theory. The focus of poststructuralism is the complex and manifold structure of power and the diverse, fragmented, but highly (...) effective ways in which power, knowledge, and the constitution of subjectivity combine. Poststructuralism questions the usefulness of the notion of “ideology,” especially in the sense developed by Louis Althusser, as the imaginary relation of the Subject to his/her real conditions of existence. In a feminist version, ideology refers to the patriarchal system of representation of gender and, more specifically, to the myths and images that construct femininity. Subjectivity is conceptualized therefore as a process (assujettissement) which encompasses simultaneously the material (“reality”) and the symbolic (“language”) instances which structure it. Psychoanalytic notions of identity, language, and sexuality – especially in the work of Jacques Lacan – play a central role in the redefinition of the subject as a process, rather than in the more traditional sense of a rational agent. The notion of difference emerges as a central concept in the poststructuralists' critique of both classical humanism and of the humanist legacy of Marxist‐inspired structuralist social theory. It includes both differences within each subject (between conscious and unconscious processes), as well as differences between the Subject and his/her Others. (shrink)

This essay examines media images of women in recent conflicts in the Middle East. From the Abu Ghraib prison abuses to protests in Iran, women have become the public face of violence, carried out and suffered. Women’s bodies are figured as sexual and violent, a potent combination that stirs public imagination and feeds into stereotypes of women as femme fatales or “bombshells.”.

In a recent issue of Feminist Review Camille Guy argued, focusing on selected controversies in New Zealand and Australia, that radical feminists have had a prescriptive hegemony in defining issues of sexual abuse, and that this has resulted in injustices and a censorious climate in which people who disagreed were too intimidated to speak out. This article replies to Guy's assertions and, while disagreeing with much of her argument, also suggests that it does point to more broadly sig-nificant issues (...) for feminists trying to analyse and oppose sexual violences at the end of the twentieth century. These include the legacy of the western feminist sex wars in a frequently polarized set of approaches to sexual abuse controversies, and the usefulness of postmodern/poststructuralist theories in helping feminists to make sense of the increasing complexities of the relationship between the mass media and feminist discourses against rape and child sexual abuse. (shrink)

Non-Consensual Sexual Deepfakes (NCSD) are a growing issue of our onlife experience. We argue that, far from harming individuals merely indirectly, NCSD constitute a _Direct Personal Harm_ to the persons they depict, because they can be understood as parts of their personal identity. We defend this claim by developing a narrative theory of identity according to which a person is constituted by their life story—a story that is not solely self-authored but socially shaped and often beyond one’s control. On (...) this basis, we argue that digital artifacts such as NCSD can become elements of a person’s narrative identity. We ground our account in a four-dimensionalist metaphysics that treats persons as aggregates of both biological and digital temporal parts. Finally, by examining the verbal behavior of imaginary and actual victims of NCSD, we show that this account is less counterintuitive than it may initially appear and helps make sense of why many experience NCSD as violations of their person, rather than merely of their representation. (shrink)

This study brings together various images of enslaved women characterized as jawārī (sing. jāriya) across Fatimid visual culture to shed light on the frequency with which jawārī are represented in the corpus of Fatimid art and to offer an explanation for their ubiquity in the visual archive. This study argues that the oft-repeated visual motif of jawārī highlights the required visibility of enslaved women in Fatimid society. In addition to their labor being exploited as well as their bodies being sexually (...) accessible to their owners, jawārī were also visually available to those they served. In this sense, the jawārī represented in Fatimid visual culture became mere objects on the surface of objects, things on things, constructed to provide pleasurable experiences for their audiences – their owners, of course, but also members of elite society at large. Carved in wood and ivory, painted on ceramics and walls of architectural spaces, drawn on paper, and crafted in sculptural form, representations of jawārī sought to beautify physical and sexual labor, superimposing an aesthetic element on the representation of enslavement. Representations of jawārī thus reveal less about the day-to-day experience of enslaved women in the Fatimid world and more about the carefully constructed ideologies and desires undergirding enslavement in the period. Slavery and its images were therefore not hidden features of the Fatimid visual landscape but rather spectacles to be commodified, consumed, and enjoyed. (shrink)

This article examines and presents examples of contemporary advertising within the medical and health professions that continue the process and organisation of knowledge about women and their reproductive bodies. It draws on feminist and poststructural perspectives to inform a critical evaluation of the visual representations of menopausal women and hormone replacement therapy. These representations work to construct certain definitions of the feminine that sustain and support existing contradictory cultural meanings and values about menopause. I argue that the images continue to (...) misrepresent and define what forms of femininity and sexual gender are desirable and acceptable for menopausal women. The article addresses the problems of gender discrimination and bias within the advertising industry, and illustrates the ways in which readers of visual texts may be influenced by stereotypic assumptions concerning a woman's lived experience of menopause. It illustrates how specific symbolic images directed towards men and women for hormone replacement therapy, testosterone deficiency and sexual dysfunction influence the viewer's decision making and action responses. (shrink)

Leading scholars offer new readings of Degas1 representations of the family, prostitution, city life and leisure in which looking at women is shown to be a complex and ambiguous process. One major topic of the book is the encounter between feminism and art history. Having put images of women1 on the agenda of cultural analysis, feminist interventions in the theory and analysis of representation have created a diverse and intricate field of interpretation which now supersedes that formulation. These essays (...) challenge art history to confront issues of spectatorship, the interface of class and gender, identification and the politics of vision. This illustrated collection is thus a major contribution to debates on representation and sexuality. (shrink)

The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories, such as Darwin's theory of evolution and sexual selection, deliberately drawing (...) on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science - and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media, from photography to oil painting. This volume reminds us that science and art are not tightly compartmentalized, separate influences, but rather fields that shared forms - manifest as waves, layers, lines, or geometries - and invest in the idea of the evolution of form. (shrink)

ABSTRACT Chemsex is a phenomenon in which typically gay, bisexual, trans, queer, and/or related communities of men take psychoactive drugs while having sex, often without a condom. The practice can lead to increased rates of HIV transmission, sexual assault, and in extreme cases murder. GBTQ+ men are already a stigmatised group so those who engage in chemsex face multiple stigmas. This study examines the ways that two types of media report on chemsex while negotiating these stigmas. We take a (...) large data set of newspaper articles written for the general British public and a smaller data set of magazines aimed at GBTQ+ men to examine how chemsex is represented in the media. We find that the mainstream press focus on extreme criminal cases involving chemsex, while the media aimed at GBTQ+ men focus on counselling services and discuss chemsex in relation to gay culture. Chemsex is unlikely to go away, and so we address how information about it is conveyed in different media and call for more research in this area. (shrink)

This article examines popular discourses of women's sexuality in 1920s England and argues that sex manuals like Marie Stopes's Married Life and sex novels like E.M. Hull's The Sheik, despite their adherence to status quo values, were liberating for women through their affirmation of women's sexual subjectivity. Stopes's enormously popular book contributed strongly to a new understanding of women's sexual drives as natural and autonomous. The changing attitudes were reflected in the numbers of postwar women who actively participated (...) in the creation and consumption of popular sex-novels and films, exercising both economic and sexual freedoms at once. This article focusses on the film version of The Sheik, which experienced great success as part of this growing leisure market catering specifically to women's desire, and in particular on the figure of Rudolph Valentino as a “woman-made” man. The film's “crossed” representations of sexuality (the emancipated “flapper” and the effeminate yet virile “sheik”) challenged traditional notions of femininity and masculinity, and in doing so, were liberating for women consumers at the same time that they threatened the sexual identities of men. (shrink)

This article explores the contributions to a history of sexuality, capitalism and revolution made when we consider the work of anarchist thinker and activist Emma Goldman (1869–1940). I suggest that Goldman's centring of sexual freedom at the heart of revolutionary vision and practice is part of a long tradition of sexual politics, one which struggles to make sense of how productive and reproductive labour come together, and to identify the difference between sexual freedom and capitalist opportunity. Goldman's (...) concern with the significance of kinship in holding together capitalism, militarism and religion, as well as sexual feeling's capacity to disrupt those relationships, echoes across more than a century to resonate with Marxist, feminist and queer scholars’ engagements with similar issues. But where contemporary scholars often tend to retain the opposition between culture and society, representation and the real, making it difficult to produce a materialist analysis of sexuality as transformative rather than always already overdetermined, Goldman's energetic insistence on sexual connectivity as freeing provides an important vantage point. Not only does Goldman consistently situate sexuality in a broad political context of the sexual division of labour, the institutions of marriage and the church, consumerism, patriotism and productive (as well as reproductive) labour, she frames sexual freedom as both the basis of new relationships between men and women, and as a model for a new political future. (shrink)

I suggest that the representation of cities in Indian cinema — the effects and affects of modernities as well as of ambiguous, multiplicitous sexualities — mark significant change in engagement with modernity ever since independence in 1947. The city in the Indian imaginary has occupied an ambivalent, confrontational as well as contemplative space that signifies ‘modernity’ and its concurrent promise as well as ills. Non-normative sexualities have always occupied a liminal space in socio-political configurations, a site both of empowerment (...) through transgression and containment through regulation. The urban space — newly freed up and as yet un-proscribed — assumes the metonymic equivalence of available sexual freedom (particularly for women), its powers and its dangers. The cinema as a text is especially well-suited to play with the dynamics of this fraught space: often, a film’s contexts and narratives identify the film text itself as a signifier of the liminal spaces that it proposes to explore, enacting both their limitations and their possibilities. (shrink)

We critically analyze four images of female Paralympians posing nude in ESPN The Magazine’s Body Issue from the years 2009, 2010, 2012, and 2014. Past literature shows that media portrayals of female Paralympians emphasize esthetically pleasing bodies, able-bodied images and asexualization. Weaving’s continuum of sexual objectification was applied to assess the varying degrees of sexual objectification showcased within each image. From a feminist perspective, discourses of heteronormativity and ableism were applied to outline the concerns with female Paralympic (...) class='Hi'>representation in The Body Issue. We argue that by normalizing disability and sexual objectification, woman athletes are trivialized. (shrink)

Indra Sinha’s Animal’s People (2007) narrates the story of nineteen-year-old Animal, a severely disabled survivor of a gas leak in Khaufpur, a fictionalized version of post-1984 Bhopal. The novel explores disability as a medical, physical, and social construct, with Animal’s disfigurement shaping both his identity and Sinha’s critique of power, marginalization, and industrial negligence in a poverty-stricken ‘third-world’ society. Rejecting victimhood and resisting neoliberal, Eurocentric models of disability tied to individuality and consumerism, Animal asserts a radical self-definition that negotiates intersections (...) of class, embodiment, sexuality, and local cultural norms, undoing simplistic disabled/nondisabled; human/animal binaries. However, this paper argues that his desire for a consensual sexual relationship complicates his claimed animal identity. His interactions with the American doctor, Elli, exemplify this tension—despite his defiance, he yearns for her ‘cure’ to enhance his sexual desirability. The novel thus raises critical questions about the intersections of desirability, impairment, disability, and cure. Through a critical disability studies lens, this paper examines how Animal’s People challenges dominant representations of disability, reconfigures macro-developmental discourses, and calls for the indigenization of disability frameworks. In doing so, it expands understandings of disability, disease, and human experience. (shrink)

This chapter outlines psychological understandings of sexuality charting differences in definitions and expression of sexual orientations and practices between traditional and critical schools of thought. Theoretical representations of sexuality as the product of biological processes and substances (evolution; hormones; anatomy etc.) and heterosexuality as the most natural and normal mode of sexual identity and behaviour are challenged through the introduction of critical perspectives. Drawing from sociological, feminist and ‘queer’ theory perspectives, the social construction of sexuality is emphasised with (...) issues of power, discourse and resistance highlighted and the complexity and fluidity in sexed identities and relationships detailed. (shrink)

This chapter offers an example of the vicarious experience of people who are subject to sexual abuse and literary representations of violence more generally. Many such patients do not readily disclose the abusive nature of the physical ailments they present to healthcare workers, and the engagement with such experience in literary narratives, as Dr. Vannatta narrates in the vignette to this chapter, allows providers to more fully understand and engage with their patients. In addition to Dr. Vannatta’s vignette of (...) encountering a long-time patient who presents, but does not describe, symptoms of physical violence, the chapter offers Edgar Allan Poe’s harrowing story “Berenice” and W. B. Yeats’s meditation on violence in “Leda and the Swan.”. (shrink)

Spinoza, according to common opinion, could only have written lamentable platitudes on sexual love, narrowly inspired by the prejudices of his time and without serious philosophical foundation: that for which, in the past, he has been congratulated,1 he is now reproached; or, at best, excused. He would even have, some believe to be able to add, increased the pervading puritanism: sexuality, as such, would give rise in him to a deep repulsion and women would horrify him. The second of (...) these two assertions, if one sticks to the manifest content of the texts, actually rests on nothing; if one calls upon their latent content, it would require, to be established with a minimum of rigor, a study of which we will not dispute the theoretical possibility, but which, in fact, has not yet been undertaken. The first, on the other hand, has all the appearance of the obvious: that men love women for their beauty and do not support their attachment to someone else,2 that they desire them more the more admirers they have,3 that the jealousy of the male is exacerbated by the representation of the pudenda and of the excrementa of his rival,4 that sensual attachment is unstable and conflictual,5 that it often turns to obsession,6 that Adam loved Eve because of their similarity of nature,7 that he who remains insensitive to the generosity of a courtesan does not offend by ingratitude,8 that only free men and free women can marry one another and only if they want children,9 well, it seems, that isn’t anything sensational; now these eight passages, if the two definitions of the libido are added to them,10 are the only, if I’m not mistaken, that Spinoza expressly devoted to the question! He would therefore, apparently, only have drawn up a report of deficiency. (shrink)

Sensible Ecstasy investigates the attraction to excessive forms of mysticism among twentieth-century French intellectuals and demonstrates the work that the figure of the mystic does for these thinkers. With special attention to Georges Bataille, Simone de Beauvoir, Jacques Lacan, and Luce Irigaray, Amy Hollywood asks why resolutely secular, even anti-Christian intellectuals are drawn to affective, bodily, and widely denigrated forms of mysticism. What is particular to these thinkers, Hollywood reveals, is their attention to forms of mysticism associated with women. They (...) regard mystics such as Angela of Foligno, Hadewijch, and Teresa of Avila not as emotionally excessive or escapist, but as unique in their ability to think outside of the restrictive oppositions that continue to afflict our understanding of subjectivity, the body, and sexual difference. Mystics such as these, like their twentieth-century descendants, bridge the gaps between action and contemplation, emotion and reason, and body and soul, offering new ways of thinking about language and the limits of representation. (shrink)