While the view that we perceive aesthetic properties may seem intuitive, it has received little in the way of explicit defence. It also gives rise to a puzzle. The first strand of this puzzle is that we often cannot perceive aesthetic properties of artworks without training, yet much aesthetic training involves the acquisition of knowledge, such as when an artwork was made, and by whom. How, if at all, can this knowledge affect our perception of an artwork’s aesthetic properties? (...) The second strand of the puzzle arises when we widen the scope of aesthetic experience. The very same aesthetic properties that seem to require training for their perception in artworks do not appear to require training to perceive in objects of everyday aesthetic appreciation and natural phenomena. In this paper I argue that a prominent extant attempt to explain how training is compatible with aesthetic perception—cognitive permeation—is an inadequate solution. I also develop a positive view of aesthetic perception that provides a unified solution to both strands of the puzzle. (shrink)

Perception is one of the most pervasive and puzzling problems in philosophy, generating a great deal of attention and controversy in philosophy of mind, psychology and metaphysics. If perceptual illusion and hallucination are possible, how can perception be what it intuitively seems to be, a direct and immediate access to reality? How can perception be both internally dependent and externally directed? Perception is an outstanding introduction to this fundamental topic, covering both the perennial and recent work (...) on the problem. Adam Pautz examines four of the most important theories of perception: the sense datum view; the internal physical state view; the representational view; and naïve realism, assessing each in turn. He also discusses the relationship between perception and the physical world and the issue of whether reality is as it appears. Useful examples are included throughout the book to illustrate the puzzles of perception, including hallucinations, illusions, the laws of appearance, blindsight, and neuroscientific explanations of our experience of pain, smell and color. The book covers both traditional philosophical arguments and more recent empirical arguments deriving from research in psychophysics and neuroscience. The addition of chapter summaries, suggestions for further reading and a glossary of terms make Perception essential reading for anyone studying the topic in detail, as well as for students of philosophy of mind, philosophy of psychology and metaphysics. (shrink)

In the debate over the existence of composite objects, it is sometimes suggested that perceptual evidence justifies belief in composite objects. But it is almost never suggested that we are perceptually justified in believing in composite objects on the basis of the fact that the phenomenology of our perceptual experiences enables us to discriminate between situations where there are composite objects and situations where there are merely simples arranged composite object-wise. But while the thought that the phenomenology of our perceptual (...) experiences cannot enable us to discriminate between situations where there are composite objects and situations where there are merely simples arranged composite object-wise is commonly taken for granted, it requires some defence, both in light of its importance in shaping the debate and in light of its recently coming under attack by a prominent philosopher of perception. In this paper, I offer such a defence. (shrink)

Good storytellers reveal their characters’ ‘inner stories’, composed of subjective experiences like feelings, perceptions, and thoughts. In fiction, narrators can faithfully represent their main characters’ thoughts, using techniques like free indirect discourse. But perceptions are fundamentally different from thoughts in that they don’t have a linguistic form for the narrator to reproduce or mimic in a report. We argue that there is in fact a dedicated linguistic category, narrated perception, similar to but distinct from free indirect discourse, that allows (...) narrators to vividly represent perceptual experiences. We propose a discourse semantics analysis of this phenomenon, built on the idea that narrators combine narrated perception and free indirect discourse into coherent discourse segments to provide a more complete representation of a fictional character’s complex mental life. (shrink)

In Perception: First Form of Mind, Tyler Burge develops an understanding of the most primitive type of representational mind: perception. Focusing on its form, function, and underlying capacities, as indicated in the sciences of perception, Burge provides an account of the representational content and formal representational structure of perceptual states, and develops a formal semantics for them. The account is elaborated by an explanation of how the representational form is embedded in an iconic format. These structures are (...) then situated in current theoretical accounts of the processing of perceptual representations, with an emphasis on the formation of perceptual categorizations. An exploration of the relationship between perception and other primitive capacities-conation, attention, memory, anticipation, affect, learning, and imagining-clarifies the distinction between perceiving, with its associated capacities, and thinking, with its associated capacities. Drawing on a broad range of historical and contemporary research, rather than relying on introspection or ordinary talk about perception, Perception: First Form of Mind is a scientifically rigorous and agenda-setting work in the philosophy of perception and the philosophy of science. (shrink)

I reply to comments on my book Perception (Routledge 2021) by Umrao Sethi, Jeff Speaks and Brian Cutter. Sethi objects to my representational view of perception on the ground that that having an experience of a color or shape can enable you to know what that color or shape is like only if it is actually present in the experience. Speaks has a very interesting discussion of my puzzle of the laws of appearance for the representational view. And (...) Cutter asks what I have against 'neural sense datum theory'. In my responses, I try to take the discussion forward. At the end, I develop a new argument against reductive physicalist theories of sensible qualities based on a principle I call "qualitative closure". (shrink)

This paper develops a theory of joint attention as based on, and explicable in terms of, the exercise of a minimal kind of perceptual joint know-how. On the action-based view I shall be developing, joint forms of perception are object-involving processes constituted by perceivers’ skillfully co-ordinated motor movements in social space. Joint experience can then be understood as presenting the process to the involved perceivers and joint attention as perceivers’ focus on the object of this process. This theory reconciles (...) at least some primitivist and reductionist intuitions about joint attention. (shrink)

Mirrors are more than reflective surfaces; they are portals to self-perception influenced by a tapestry of developmental, psychological, and cultural factors. In this paper, we explore the interplay between these factors by investigating the effect of beliefs on mirror images and clarifying how negative self-perception develops. We analyse the phenomenon of mirror self-recognition and the development of beliefs about oneself, attempting to clarify how emotionally charged beliefs could influence our experience with the mirror. Our proposal offers insights into (...) body dysmorphia disorders, emphasizing the importance of the interaction between belief and self-perception in this and related disorders. (shrink)

Perception is often treated as the passive reception of sensory data, a process that merely informs an already‑constituted self. This paper argues for a different view: perception is an active, constructive capacity that simultaneously builds a coherent self and supplies the causal information needed for intentional agency. Drawing on phenomenological (Husserl, Merleau‑Ponty), enactive (Varela, Thompson), and predictive processing (Clark, Friston) traditions, the paper defends a constructive‑enactive account of perception. It shows that perception is not only epistemic (...) (providing mental maps of the world) but also ontological – it participates in the ongoing self‑construction of the agent. Because perception makes causal pathways legible, it is the epistemic gateway to interdependence. Consequently, institutional visibility – the condition that makes causal consequences traceable – is a moral necessity. A society that blocks perception of causal relations (an obscuring‑form society) directly undermines the cognitive capacity that underlies flourishing. (shrink)

What are the ethical, political and cultural consequences of forgetting how to trust our senses? How can artworks help us see, sense, think, and interact in ways that are outside of the systems of convention and order that frame so much of our lives? In Cultivating Perception through Artworks, Helen Fielding challenges us to think alongside and according to artworks, cultivating a perception of what is really there and being expressed by them. Drawing from and expanding on the (...) work of philosophers such as Luce Irigaray and Maurice Merleau-Ponty, Fielding urges us to trust our senses and engage relationally with works of art in the here and now rather than distancing and systematizing them as aesthetic objects. Cultivating Perception through Artworks examines examples as diverse as a Rembrandt painting, M. NourbeSe Philip's poetry, and Louise Bourgeois' public sculpture, to demonstrate how artworks enact ethics, politics, or culture. By engaging with different art forms and discovering the unique way that each opens us to the world in a new and unexpected ways, Fielding reveals the importance of our moral, political, and cultural lives. (shrink)

Early modern empiricists thought that the nature of perceptual experience is given by citing the object presented to the mind in that experience. Hallucination and illusion suggest that this requires untenable mind-dependent objects. Current orthodoxy replaces the appeal to direct objects with the claim that perceptual experience is characterized instead by its representational content. This paper argues that the move to content is problematic, and reclaims the early modern empiricist insight as perfectly consistent, even in cases of illusion, with the (...) realist contention that these direct objects of perception are the persisting mind-independent physical objects we all know and love. (shrink)

Our visual experience of the world is one of diverse objects and events, each with particular colors, shapes, and motions. This experience is so coherent, so immediate, and so effortless that it seems to result from a single system that lets us experience everything in our field of view. But however appealing, this belief is mistaken: there are severe limits on what can be visually experienced. -/- For example, in a display for air-traffic control it is important to track all (...) moving items. For a single item, this can be done without problem. Three or four can also be tracked, although some degree of effort may be needed. As the number is increased further, accurate tracking becomes more and more difficult—and eventually, impossible. Performance is evidently affected by a factor within the observer which enables certain kinds of perception to occur, but is limited in some way. This factor is generally referred to as attention. -/- At various times, attention has been associated with clarity of perception, intensity of perception, consciousness, selection, or the allocation of a limited “resource” enabling various operations (see Hatfield, 1998). During the past several decades, considerable progress has been achieved by focusing on the idea of selection (Broadbent, 1982). In particular, attention can be productively viewed as contingently selective processing. This can be embodied in various ways by various processes—there need not be a single quantity identified with all forms of attention, or a single site where it operates (Allport, 1993; Tsotsos, 2011). Although “paying attention” is often considered to be a unitary operation, it may simply refer to the control of one or more selective processes, ideally in a co-ordinated way. While this view has some cost in terms of conceptual simplicity, it can help make sense of a large set of phenomena. -/- This article surveys several of the major issues in our understanding of attention and how it relates to perception. It focuses on vision, since many—if not all—considerations are similar for all sensory modalities, and the level of understanding achieved in this domain is currently the most advanced. (shrink)

This book offers solutions to two persistent and I believe closely related problems in epistemology. The first problem is that of drawing a principled distinction between perception and inference: what is the difference between seeing that something is the case and merely believing it on the basis of what we do see? The second problem is that of specifying which beliefs are epistemologically basic (i.e., directly, or noninferentially, justified) and which are not. I argue that what makes a belief (...) a perceptual belief, or a basic belief, is not any introspectible feature of the belief but rather the nature of the cognitive system, or "module", that is causally responsible for the belief. Thus, even zombies, who in the philosophical literature lack conscious experiences altogether, can have basic, justified, perceptual beliefs. -/- The theories of perceptual and basic beliefs developed in the monograph are embedded in a larger reliabilist epistemology. I use this theory of basic beliefs to develop a detailed reliabilist theory: Inferentialist Reliabilism, which offers a reliabilist theory of inferential justification and which solves some longstanding problems for other reliabilist views by demanding inferential support for some—but not all—beliefs. The book is an instance of a thoroughgoingly naturalistic approach to epistemology. Many of my arguments have an empirical basis, and the view that I endorse reserves a central role for the cognitive sciences—in particular, cognitive neuroscience—in filling in the details of an applied epistemological theory. (shrink)

This chapter takes up the issue of the contents of experience where Chapter 11 leaves off. It argues that the account of Fregean content in Chapter 11 has some important inadequacies concerning its relation to phenomenology and leaves some crucial issues unexplained. It develops a further account involving so-called Edenic content: content that represents primitive properties (such as primitive redness or greenness), properties that are not instantiated in our world but that one can imagine might have been instantiated in the (...) Garden of Eden. The chapter brings this account to bear on many questions in the philosophy of perception, including questions about color constancy, spatial content, the representation of objects, and more. (shrink)

When we see an object, we also represent those parts of it that are not visible. The question is how we represent them: this is the problem of amodal perception. I will consider three possible accounts: (a) we see them, (b) we have non-perceptual beliefs about them and (c) we have immediate perceptual access to them, and point out that all of these views face both empirical and conceptual objections. I suggest and defend a fourth account, according to which (...) we represent the occluded parts of perceived objects by means of mental imagery. This conclusion could be thought of as a (weak) version of the Strawsonian dictum, according to which “imagination is a necessary ingredient of perception itself”. (shrink)

We can see a theft, hear a lie, and feel a stabbing. These are morally important perceptions. But are they also moral perceptions--distinctively moral responses? In this book, Robert Audi develops an original account of moral perceptions, shows how they figure in human experience, and argues that they provide moral knowledge. He offers a theory of perception as an informative representational relation to objects and events. He describes the experiential elements in perception, illustrates moral perception in relation (...) to everyday observations, and explains how moral perception justifies moral judgments and contributes to objectivity in ethics. Moral perception does not occur in isolation. Intuition and emotion may facilitate it, influence it, and be elicited by it. Audi explores the nature and variety of intuitions and their relation to both moral perception and emotion, providing the broadest and most refined statement to date of his widely discussed intuitionist view in ethics. He also distinguishes several kinds of moral disagreement and assesses the challenge it poses for ethical objectivism. Philosophically argued but interdisciplinary in scope and interest, Moral Perception advances our understanding of central problems in ethics, moral psychology, epistemology, and the theory of the emotions. (shrink)

This volume of new essays brings together philosophers representing many different perspectives to address central questions in the philosophy of perception.

ABSTRACT The difference between perception and cognition seems introspectively obvious in many cases. Perceiving and thinking have also been assigned quite different roles, in epistemology, in theories of reference and of mental content, in philosophy of psychology, and elsewhere. Yet what is the nature of the distinction? In what way, or ways, do perception and cognition differ? The paper reviews recent work on these questions. Four main respects in which perception and cognition have been held to differ (...) are discussed. First, their phenomenal character, such as the often-remarked vivacity or immediacy of perception. Second, the way in which they represent the world, e.g. the non-propositional nature of the contents, or non-discursive character of the vehicles, that have been held to characterise perceptual representation. Third, their place in cognitive architecture, i.e., roughly, in the information-flow of the mind, such as their alleged (non-)modularity. Fourth, their mind-world relations, e.g. the way in which perceptions seem to be tightly causally linked with distal or proximal stimuli. Against this background, we distinguish some main options for an account of the perception/cognition distinction, in particular concerning whether there is one, several, or no interesting and principled distinction(s) to be drawn here. (shrink)

In this theoretical paper, our primary focus is on Alfred North Whitehead’s natural philosophy. While the term ‘natural philosophy’ may be misleading, it is nothing but general natural science ‘before it is convenient to split it up into various [special] branches’ of physics, biology, and psychology. In the paper’s first section, we warrant and contextualize such a study as contributing to the spirit of thinking together the physical, biological, and psychological science. In the second section, we look at Whitehead’s general (...) natural science, partly expressible as ‘mathematical theory of a hypothetical substructure of the universe.’ Specifically, we focus on two such theories, mechanistic materialism and Whitehead’s ether of events, state their formal properties in intuitive terms, and draw out the corresponding implications it has for physics (Space, Time, Mass, Charge) and psychology (Sense Objects, Perceptual Objects). We concretize the dispersed insights on perceptual psychology in this section in a subsequent section - Direct Perception - and highlight the senses in which perception might be conceptualized as direct. Two are of notable importance, the first of which concerns the rejection of ‘Bifurcation of Nature,’ and the second with acceptance of the ‘Solidarity Thesis.’ We end with a brief conclusion. (shrink)

Charles Travis presents a series of essays on philosophy of perception, inspired by the insights of Gottlob Frege. He engages with a range of contemporary thinkers, and explores key issues including how perception can make the world bear on what we do or think, and what sorts of capacities we draw on in representing something as (being) something.

It appears that the distinctive feature at the core of our understanding of synesthesia—informational integration between psychological systems—is also ubiquitous in normal perception. This observation invites the question whether synesthesia is a fundamentally distinct, pathological outlier, or a syndrome continuous with capacities present in normal perception. In this chapter I offer several arguments for the continuity view. I suggest that the forms of integration in synesthetic and normal perception exhibit striking, detailed, and unexpected similarities, while the evidence (...) some have taken to reveal significant, qualitative dissimilarities is less decisive than it may first appear. Moreover, the continuity view correctly predicts the otherwise surprising result that synesthetes perform better than non-synesthete controls in integrative perceptual tasks that don’t implicate synesthetic perception. I’ll conclude that synesthetic perception is usefully viewed as closer to non-synesthetic perception (a fortiori, less clearly pathological) than standard views allow. (shrink)

Questions about perception remain some of the most difficult and insoluble in both epistemology and in the philosophy of mind. This controversial but highly accessible introduction to the area explores the philosophical importance of those questions by re-examining what had until recent times been the most popular theory of perception - the sense-datum theory. Howard Robinson surveys the history of the arguments for and against the theory from Descartes to Husserl. He then shows that the objections to the (...) theory, particularly Wittgenstein's attack on privacy and those of the physicalists, have been unsuccessful. He argues that we should return to the theory sense-data in order to understand perception. In doing so he seeks to overturn a consensus that has dominated the philosophy of perception for nearly half a century. (shrink)

What is the nature of, and what is the relationship between, external objects and our visual perceptual experience of them? In this book, Frank Jackson defends the answers provided by the traditional Representative theory of perception. He argues, among other things that we are never immediately aware of external objects, that they are the causes of our perceptual experiences and that they have only the primary qualities. In the course of the argument, sense data and the distinction between mediate (...) and immediate perception receive detailed defences and the author criticises attempts to reduce perceiving the believing and to show that the Representative theory makes the external world unknowable. Jackson recognises that his views are unfashionable but argues in detail that they are to be preferred to their currently favoured competitors. It will become an obvious point of reference for all future work on the philosophy of perception. (shrink)

One necessary condition on any adequate account of perception is clarity regarding whether unconscious perception exists. The issue is complicated, and the debate is growing in both philosophy and science. In this paper we consider the case for unconscious perception, offering three primary achievements. First, we offer a discussion of the underspecified notion of central coordinating agency, a notion that is critical for arguments that purportedly perceptual states are not attributable to the individual, and thus not genuinely (...) perceptual. We develop an explication of what it is for a representational state to be available to central coordinating agency for guidance of behavior. Second, drawing on this explication, we place a more careful understanding of the attributability of a state to the individual in the context of a range of empirical work on vision-for-action, saccades, and skilled typing. The results place pressure on the skeptic about unconscious perception. Third, reflecting upon broader philosophical themes running through debates about unconscious perception, we highlight how our discussion places pressure on the view that perception is a manifest kind, rather than a natural kind. In doing so, we resist the tempting complaint that the debate about unconscious perception is merely verbal. (shrink)

In the 1980s, a number of philosophers argued that perception is analog. In the ensuing years, these arguments were forcefully criticized, leaving the thesis in doubt. This paper draws on Weber’s Law, a well-entrenched finding from psychophysics, to advance a new argument that perception is analog. This new argument is an adaptation of an argument that cognitive scientists have leveraged in support of the contention that primitive numerical representations are analog. But the argument here is extended to the (...) representation of non-numerical magnitudes, such as luminance and distance, and shown to apply to perception and not just cognition. The relevant sense of ‘analog’ is also clarified, and two powerful objections are addressed. Finally, the question whether perception’s analog vehicles are located in conscious experience is explored and related to a well-known controversy within psychophysics. (shrink)

How does perception give us access to external reality? This book critically engages with John McDowell's conceptualist answer to this question, by offering a new exploration of his views on perception and reality in relation to those of Immanuel Kant and Edmund Husserl. In six chapters, the book examines these thinkers' respective theories of perception, lucidly describing how they fit within their larger philosophical views on mind and reality. It thereby not only reveals the continuity of a (...) tradition that underlies today's fragmented scholarly landscape, but also yields a new critique of McDowell's conceptualist theory. In doing so, the book contributes to the ongoing bridging of traditions, by combining analytic philosophy, Kantian philosophy, and phenomenology. Perception and Reality in Kant, Husserl, and McDowell will appeal to scholars and students working in the history of philosophy, phenomenology, Kantian philosophy, and in particular the philosophy of perception. (shrink)

Evaluation is ubiquitous. This volume brings together philosophers to investigate whether there is a distinctive kind of perception that is evaluative. If so, what role does it play in evaluative knowledge, and what does its existence tell us about the nature of value?

Ayer has always given the problem of perception a central place in his thinking. The movement of Ayer's own thought has been from phenomenalism to what he describes in his latest treatment of the topic as ‘a sophisticated form of realism’. The epithet is doubly apt. No adequate account of the matter can be simple; and Ayer's account, while distinguished by his accustomed lucidity and economy of style, is notably and subtly responsive to all the complexities inherent in the (...) subject itself and to all the pressures of more or less persuasive argument which have marked the course of its treatment by philosophers. Yet the form of realism he defends has another kind of sophistication about which it is possible to have reservations and doubts. This chapter focuses on some of these doubts and reservations. It draws on Chapters 4 and 5 of _The Central Questions of Philosophy_, and considers a different kind of realism — that was advocated by J. L. Mackie in his book on Locke. There are points of contact as well as of contrast between Ayer's and Mackie's views. A comparison between them helps to bring out the nature of Strawson's reservations about both. (shrink)

This book offers a provocative, clear and rigorously argued account of the nature of perception and its role in the production of knowledge. Walter Hopp argues that perceptual experiences do not have conceptual content, and that what makes them play a distinctive epistemic role is not the features which they share with beliefs, but something that in fact sets them radically apart. He explains that the reason-giving relation between experiences and beliefs is what Edmund Husserl called 'fulfilment' - in (...) which we find something to be as we think it to be. His book covers a wide range of central topics in contemporary philosophy of mind, epistemology and traditional phenomenology. It is essential reading for contemporary analytic philosophers of mind and phenomenologists alike. (shrink)

Towards the end of the eighth century CE there occurred a debate over the future direction of Buddhism in Tibet. It pitted an Indian side, with their Tibetan sympathizers, against a Chinese side, with their Tibetan and perhaps even some Indian sympathizers too. The philosophy of Kamalaśīla, the leader of the Indian side, of meditation and yogic perception concords by and large with mainstream Indo‐Tibetan Buddhist theoretical accounts. The exchange between Kamalaśīla and Heshang, the Chinese leader, was heatedly polemical. (...) Details of the debate and its historical context are found in the classic work of the Sinologist Paul Demiéville, Le Concile de Lhasa. The debate is in part about the efficacy of various types of meditation, but, more broadly, it is about the respective worth of analysis and meditation as approaches to knowledge and enlightenment. The debate, as the chapter shows, is fundamentally about epistemological issues, problems of knowledge. (shrink)

The possibilities of unconscious perception and unconscious bias prompt parallel debates about unconscious mental content. This chapter argues that claims within these debates alleging the existence of unconscious content are made fraught by ambiguity and confusion with respect to the two central concepts they involve: consciousness and content. Borrowing conceptual resources from the debate about unconscious perception, the chapter distills the two conceptual puzzles concerning each of these notions and establishes philosophical strategies for their resolution. It then argues (...) that empirical evidence for unconscious bias falls victim to these same puzzles, but that progress can be made by adopting similar philosophical strategies. Throughout, the chapter highlights paths forward in both debates, illustrates how they serve as fruitful domains in which to study the relationship between philosophy and empirical science, and uses their combined study to further understanding of a general theory of unconscious content. (shrink)

Visual illusions are systematic misperceptions that can help us glean the heuristics with which the brain constructs visual experience. In a recently discovered visual illusion (the “frame effect”), it has been shown that flashing a stimulus inside of a moving frame produces a large misperception of that stimulus's position. Across two experiments, we investigated a novel illusion (the “split stimulus effect”) where the symmetrical motion of two overlaid frames produces two simultaneous positional misperceptions of a single stimulus. That is, one (...) stimulus is presented but two are perceived. In both experiments, a single red dot was flashed when the moving frames reversed direction, and participants were asked to report how many dots they saw. Naïve participants sometimes reported seeing two dots when only one was presented, indicating spontaneous perception of the illusion. A Bayesian analysis of the population prevalence of this effect was conducted. The dependence of this effect on the frames’ speed, the dot's opacity, spatial attention, as the presence/absence of pre-flash motion (“postdiction”) was also investigated, and the features of this illusion were compared to similar motion position illusions within a predictive processing framework. In demonstrating this illusory “splitting” effect, this study is the first to show that it is possible to be simultaneously aware of two opposing perceptual predictions about a single object and provides evidence of the hyperpriors that limit and inform the structure of visual experience. (shrink)

Cartesians equate all mental acts, such as sense-perceptions, affects, and desires, with conscious thought. This equation, Leibniz argues, leads Cartesians into a dilemma: either animals perceive, but then they also think; or they do not think, but they do not perceive either. To argue against the Cartesians that animals do perceive but do not think, Leibniz rejects the equation between perception and thought. In developing the distinction between perception and thought, I argue that Leibniz endorses the thesis that (...) heightened and distinguished sense-perceptions are not the highest common factor between humans and animals. This perspective sheds new light on a much debated question in Leibniz scholarship: What is the relationship between consciousness, reflection, and apperception according to Leibniz’s theory of human and animal cognition? (shrink)

A traditional view of perception and action makestwo assumptions: that the causal flow betweenperception and action is primarily linear or one-way,and that they are merely instrumentally related toeach other, so that each is a means to the other.Either or both of these assumptions can be rejected. Behaviorism rejects the instrumental but not theone-way aspect of the traditional view, thus leavingitself open to charges of verificationism. Ecologicalviews reject the one-way aspect but not theinstrumental aspect of the traditional view, so thatperception (...) and action are seen as instrumentallyinterdependent. It is argued here that a betteralternative is to reject both assumptions, resultingin a two-level interdependence view in whichperception and action co-depend on dynamicallycircular subpersonal relations and as a result may bemore than merely instrumentally interdependent. Thisis illustrated by reference to motor theories ofperception and control theories of action. (shrink)

According to a traditional view, there is no categorical difference between the phenomenology of perception and the phenomenology of imagination; the only difference is in degree (of intensity, resolution, etc.) and/or in accompanying beliefs. There is no categorical difference between what it is like to perceive a dog and what it is like to imagine a dog; the former is simply more vivid and/or is accompanied by the belief that a dog is really there. A sustained argument against this (...) traditional view is prosecuted by Sartre, who develops an alternative according to which there is a categorical difference between the two phenomenologies. This paper draws on Sartre’s work in this area to develop a similar account of perception and imagination as categorically different. (shrink)

I defend the thesis that at least some moral properties can be part of the contents of experience. I argue for this claim using a _contrast argument_, a type of argument commonly found in the literature on the philosophy of perception. I first appeal to psychological research on what I call emotionally empathetic dysfunctional individuals to establish a phenomenal contrast between EEDI s and normal individuals in some moral situations. I then argue that the best explanation for this contrast, (...) assuming non-skeptical moral realism, is that _badness_ is represented in the normal individual’s experience but not in the EEDI ’s experience. I consider and reject four alternative explanations of the contrast. (shrink)

“Perception is controlled hallucination,” according to proponents of predictive processing accounts of vision. I say they are right that something like this is a consequence of their view but wrong in how they have pursued the idea. The focus of my counterproposal is the causal theory of perception, which I develop in terms of a productive concept of causation. Cases of what otherwise seem like successful perception are instead mere veridical hallucination if predictive processing accounts are correct, (...) I argue, because of the role played within such accounts by absences, which cannot enter into productive causal relations. -/- I offer two arguments in support of the productive theory of perception. The first is loosely Kantian, focusing on the role that receptivity and spontaneity play in perception. The second focuses on what perception and hallucination have in common. I conclude with a series of objections and replies. (shrink)

Predictive approaches to the mind claim that perception, cognition, and action can be understood in terms of a single framework: a hierarchy of Bayesian models employing the computational strategy of predictive coding. Proponents of this view disagree, however, over the extent to which perception is direct on the predictive approach. I argue that we can resolve these disagreements by identifying three distinct notions of perceptual directness: psychological, metaphysical, and epistemological. I propose that perception is plausibly construed as (...) psychologically indirect on the predictive approach, in the sense of being constructivist or inferential. It would be wrong to conclude from this, however, that perception is therefore indirect in a metaphysical or epistemological sense on the predictive approach. In the metaphysical case, claims about the inferential properties of constructivist perceptual mechanisms are consistent with both direct and indirect solutions to the metaphysical problem of perception (e.g. naïve realism, representationalism, sense datum theory). In the epistemological case, claims about the inferential properties of constructivist perceptual mechanisms are consistent with both direct and indirect approaches to the justification of perceptual belief. In this paper, I demonstrate how proponents of the predictive approach have conflated these distinct notions of perceptual directness and indirectness, and I propose alternative strategies for developing the philosophical consequences of the approach. (shrink)

Every language has a way of talking about seeing, hearing, smelling, tasting and touching. This can be done through lexical means, and through grammatical evidentials. The studies presented here focus on the experssions of perception and cognition in languages of Africa, Oceania, and South America.

Traditional accounts of the perception/cognition divide tend to draw it in terms of subpersonal psychological processes, processes into which the subject has no first-person insight. Whatever betides such accounts, there seems to also be some first-personally accessible difference between perception and thought. At least in normal circumstances, naïve subjects can typically tell apart their perceptual states from their cognitive or intellectual ones. What are such subjects picking up on when they do so? This paper is an inconclusive search (...) for an answer. At its end, I conclude, without joy, that we may have to simply accept the perception/cognition distinction as a primitive and inexplicable bright line within the sphere of conscious phenomena. (shrink)

This chapter discusses the causal requirements on perceptual success in putative cases of the perception of absence – in particular, in cases of hearing silence and seeing darkness. It is argued that the key to providing the right account of the respect in which we can perceive silence and darkness lies in providing the right account of the respect in which we can have conscious perceptual contact with intervals of time and regions of space within which objects can potentially (...) be perceived. In this account, a significant explanatory role is assigned to comparatively invariant structural features of our conscious experience of regions of space and intervals of time. The chapter discusses how the explanatory role assigned to these structural features affects our view of the causal requirements on perceptual success. (shrink)

Here are four examples of “seeing.” You see that something green is wriggling. You see that an iguana is in distress. You see that someone is wrongfully harming an iguana. You see that torturing animals is wrong. The first is an example of low-level perception. You visually represent color and motion. The second is an example of high-level perception. You visually represent kind properties and mental properties. The third is an example of moral perception. You have an (...) impression of moral properties. The fourth is an example of intuition. You intellectually grasp a general moral truth. Should moral perceptions be thought of as high-level perceptions or as intuitions? Most proponents of moral perception have thought of them as high-level perceptions. I give epistemological and methodological reasons for thinking that at least some are examples of what I call low-level intuitions—experiences in which we both apprehend abstract generalities and apply them to concrete particulars. (shrink)

Some philosophers claim that there are certain laws that restrict what kinds of things we can perceptually represent. Those laws do not apply, however, to beliefs. To be a representationalist is to hold that there is a similarity between perception and belief. If this is the case, why do the laws apply to one kind of mental state, but not the other? I argue that the puzzle is not a puzzle for representationalists in general, but only for some forms (...) of representationalism that hold excessive analogies between perception and belief. I will consider three kinds of views: a view that identifies perception with belief; a view that claims that perception and belief share the same kind of content, viz. propositions; and the view that belief and perception are both intentional states, but do not share the same type of content. I will argue that the laws of appearance rule out views that identify perception with belief, and that consider propositions to be the contents of perception. (shrink)