Current bioethical debate is bizarre because it concentrates on exceptional cases while it does not pay attention to underlying value perspectives that determine the agenda of the debate.

Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene. Edited By Tsing Anna Lowenhaupt, Swanson Heather Anne, Gan Elaine, Bubandt Nils.

Across the globe, the violent effects of patriarchy are manifest. Women, trans people, gender non-conforming people, and the racialized Other are regularly subjected to physical danger, beginning with the denial of vitally important health care, and, in its most horrific form, rape, trafficking, and murder. Monsters vs. Patriarchy links these real-world horrors to the monstrification and dehumanization of people as expressed in contemporary global cinema. This monstrification has been achieved through a toxic imagination attributed to women, a trait which (...) historically referred to the power of women to negatively affect others, including their own children in the womb, with only the use of their imagination. This process reflects the misogynist and racist world in which we live, where female bodies, people of color, and alternative identities represent a threat to patriarchal power. Monsters vs. Patriarchy examines female monstrosity as it appears in horror films from around the world and considers specific political, scientific, and historical contexts to better understand how we construct and reconstruct monstrosity, using an intersectional approach to examine the imposition of gender and racial hierarchies that support national power structures. The authors contend that monstrous female cinematic subjects, including ghosts, witches, cannibals, and posthuman beings, are becoming empowered, using the tools of their monstrification to smash the colonial, white supremacist, and misogynist structures that created them. (shrink)

Ryan J. Stark surveys the classic monsters in great literature and film, television, the Bible, and perhaps unexpectedly, the world in which we live. Monsterdom is real, Stark observes, but often hidden beneath the concealment spell of modern secular thought. This guidebook aims to break that spell, and, if so, to confirm once more a world that brims with high strangeness, or what Christian philosophers have always called 'reality.' The book appeals to those who study the paranormal dimensions of (...) religion and horror, broadly imagined. The clergy will also find it helpful, as will players of monster-riddled video games. (shrink)

An invitation. A puzzle. A provocation to engage with unknown potentialities. At first encounter, Arts of Living on a Damaged Planet as a physical artifact is deliberately indeterminate. Its format: a topsy-turvy/front-to-back/backto-front arrangement, disrupts any notions of a point of entry, throwing the reader back on themselves to decide how to proceed, how far to apply learned templates of conventionality, or how far to take the opportunity to pursue less conditioned responses. From the outset, this book offers an explosion of (...) possibilities.Inspired by the conference Anthropocene: Arts of Living on a Damaged Planet held at the University of California, Santa Cruz, in 2014, and a follow-up conference held in... (shrink)

In the digital age, redefining and aesthetically appraising the spiritual substance of non-human entities is crucial, as traditional folklore’s immaterial beings like ghosts are not fully integrated into digital information products. But the enduring popularity of ghost monsters in global media culture, especially mononoke or yōkai in Japan, makes us rethink their immaterial presence alongside advancements in human technology and AI. A notable case is the TV series Mononoke (2006-07), which has spawned adaptations across various media in Japan (...) and recently begun a film trilogy (2024-). Here, we explore the philosophical underpinnings of the series, focusing on the exorcism performed by the protagonist (‘medicine seller’) via three keywords: ‘form’, ‘truth’, and ‘reason’. By doing so, we link the mononoke nature to two philosophical traditions: historical Daoism and modern pragmatism. The first analysis draws on Laozi’s concept of ‘container’ (qi), or the form of Dao. Secondly, we deploy the pragmatist C.S. Peirce’s three normative steps of logic, ethics, and aesthetics. Overall, we argue that the mononoke’s immaterial nature and the haunting of humans are rooted in an elaborately aesthetic interplay of form, truth, and reason. (shrink)

No doubt the years hunting monsters and saving the universe have had their toll on the Winchesters, but their toughest and most gruesome battles are contained in this book. Think Lucifer was diabolically clever? Think again. No son is more wayward than the one who squanders his intellect and academic career pursuing questions as poignant as “Half-awesome? That’s full-on good, right?” Gathered here for the first time since the formation of Purgatory, a collection of research so arcane and horrific (...) that it would make even the late, great Bobby Singer blush. _Supernatural and Philosophy_ tackles all the big ideas in the long-running hit show _Supernatural_, covering thorny issues in a fun and accessible way. Even those unfamiliar with the show will find fascinating insights into Heaven, Hell, Angels, Demons, God, and Lucifer. A unique collection of insights into the many philosophical, religious, and paranormal topics in the hit TV show, _Supernatural_ Accessible treatment of thorny issues for a general audience Written by philosophical fans of the show, for philosophical fans of the show Those unfamiliar with the show will still find fascinating insights into Heaven, Hell, Angels, Demons, God, Lucifer, and Good and Evil Contributors tackle issues ranging from the biological classifications of monsters, to the epistemological problems of ghost hunting. (shrink)

"What matters is not so much that Žižek is endorsing a demythologized, disenchanted Christianity without transcendence, as that he is offering in the end (despite what he sometimes claims) a heterodox version of Christian belief."--John Milbank"To put it even more bluntly, my claim is that it is Milbank who is effectively guilty of heterodoxy, ultimately of a regression to paganism: in my atheism, I am more Christian than Milbank."--Slavoj ŽižekIn this corner, philosopher Slavoj Žižek, a militant atheist who represents the (...) critical-materialist stance against religion's illusions; in the other corner, "Radical Orthodox" theologian John Milbank, an influential and provocative thinker who argues that theology is the only foundation upon which knowledge, politics, and ethics can stand. In The Monstrosity of Christ, Žižek and Milbank go head to head for three rounds, employing an impressive arsenal of moves to advance their positions and press their respective advantages. By the closing bell, they have not only proven themselves worthy adversaries, they have shown that faith and reason are not simply and intractably opposed. Žižek has long been interested in the emancipatory potential offered by Christian theology. And Milbank, seeing global capitalism as the new century's greatest ethical challenge, has pushed his own ontology in more political and materialist directions. Their debate in The Monstrosity of Christ concerns the future of religion, secularity, and political hope in light of a monsterful event--God becoming human. For the first time since Žižek's turn toward theology, we have a true debate between an atheist and a theologian about the very meaning of theology, Christ, the Church, the Holy Ghost, Universality, and the foundations of logic. The result goes far beyond the popularized atheist/theist point/counterpoint of recent books by Christopher Hitchens, Richard Dawkins, and others. Žižek begins, and Milbank answers, countering dialectics with "paradox." The debate centers on the nature of and relation between paradox and parallax, between analogy and dialectics, between transcendent glory and liberation. Slavoj Žižek is a philosopher and cultural critic. He has published over thirty books, including Looking Awry, The Puppet and the Dwarf, and The Parallax View (these three published by the MIT Press). John Milbank is an influential Christian theologian and the author of Theology and Social Theory: Beyond Secular Reason and other books. Creston Davis, who conceived of this encounter, studied under both Žižek and Milbank. (shrink)

While in the movies or reading a novel, how can we feel terrified by monsters, ghosts, and fictional serial killers? And how can we feel sad or outraged by depictions of cruelty? After all, we know that the imagined threats that we fear do not exist and, therefore, pose no real threat to us; and we know that the instances of cruelty that bring tears to our eyes have not happened. And yet, the fear, the sadness, or the outrage (...) experienced in our imaginations feels very real. This is the so-called paradox of "fictional emotions." This and related paradoxes have become recalcitrant problems for a purely representational approach to the imagination that tries to accommodate the imagination in a belief-desire psychology, explaining our imaginings as mental states that are similar to beliefs or desires in some ways but not others—as "quasi-beliefs" or "quasi-desires." This representational approach can be seen, for example, in Kendall Walton's influential account of the imagination as "make-believe," or in Shaun Nichols and Stephen Stich's boxological account of the imagination as a "pretend box," which is in close interaction with the suspiciously similar "belief box". (shrink)

While Inoue Enryō’s “Mystery Studies (妖怪学)” is best known for its careful descriptions of Japan’s various monsters (妖怪) and debunking of superstitions, this is not the full story. Indeed, Enryō himself gives this field of study a profound spiritual value, claiming that debunking these ghost stories can help lead his readers to the “True Mystery” of philosophy and religion. Yet, what this True Mystery amounts to is seemingly inconsistent in his writings. Depending on the passage, Enryō refers to (...) this True Mystery as anything from Herbert Spencer’s Unknowable, the Buddhist notion of Suchness, or even as a manifestation of the divinity of the imperial household. Keeping this in mind, the current contribution will aim to categorize the different usages of this notion of a True Mystery before testing if these various usages can be synthesized into one clear, consistent usage of the term. (shrink)

A ghost is a supernatural being that is typically described as capable of appearing to, speaking to, and even doing harm to a person. But it is also described as a being that you cannot touch or affect in the usual ways. Lots of things seem weird at first, but humans don't think of them as supernatural. It's easy to see how material things interact with each other. After all, they are, by their very essence as things filling space, (...) things that cannot merge into each other. Descartes' view is not just a philosophical speculation; it is also a scientific hypothesis. Although Descartes' reasons for dualism are based primarily in deep philosophical meditation, his reason for identifying the pineal gland as the seat of the soul is based in his investigation of the human brain where Descartes finds an anatomical explanation for some obvious facts about human perception. (shrink)

Propagation of novel linguistic terms is an important aspect of language use and language change. Here, we test how social network size influences people's likelihood of adopting novel labels by examining hashtag use on Twitter. Specifically, we test whether following fewer Twitter users leads to more varied and malleable hashtag use on Twitter, because each followed user is ascribed greater weight and thus exerts greater influence on the following user. Focusing on Dutch users tweeting about the terrorist attack in Brussels (...) in 2016, we show that people who follow fewer other users use a larger number of unique hashtags to refer to the event, reflecting greater malleability and variability in use. These results have implications for theories of language learning, language use, and language change. (shrink)

In The Sleepwalkers and The Act of Creation Arthur Koestler provided pioneering studies of scientific discovery and artistic inspiration, the twin pinnacles of human achievement. The Ghost in the Machine looks at the dark side of the coin: our terrible urge to self-destruction... Could the human species be a gigantic evolutionary mistake? To answer that startling question Koestler examines how experts on evolution and psychology all too often write about people with an 'antiquated slot-machine model based on the naively (...) mechanistic world-view of the nineteenth century. His brilliant polemic helped to instigate a major revolution in the life sciences, yet its 'glimpses of an alternative world-view' form only the background to an even more challenging analysis of the human predicament. Perhaps, he suggests, we are a species in which ancient and recent brain structures - or reason and emotion - are not fully co-ordinated. Such in-built deficiencies may explain the paranoia, violence and insanity that are central strands of human history. And however disturbing we find such issues, Koestler contends, it is only when we face our limitations head-on that we can hope to find a remedy. (shrink)

_Any assistance an author receives with writing a scientific article that is not acknowledged in the article is described as ghost-writing. Articles ghost-written by medical writers engaged by pharmaceutical companies who have a vested interest in the content have caused concern after scandals revealed misleading content in some articles. A key criterion of authorship in medical journals is final approval of the article submitted for publication. Authors are responsible for the content of their articles and for acknowledging any (...) assistance they receive. Action taken by some journals and medical writer associations to encourage acknowledgement is an uphill task in the light of disinterest from the pharmaceutical industry and ignorance or similar lack of interest by those who agree to be named authors. However, acknowledgment alone is not sufficient to resolve medical ghost-writing; issues of how the acknowledgement is formulated, permission to acknowledge and access to raw data also need to be tackled._. (shrink)

This discussion examines how Ghost in the Shell 2: Innocence questions what remains of being human and the assemblage of humanity when the human and the machine collide and elide their limit of differentiation. It will be shown how the film's predilection for technology in its narrative content and technological rationalism in its wider conceptual embedding reconstructs humanity but rejects the metaphysical valuation of humanity through notions of dignity, taboo, respect, affect, and so forth. By connecting this twin problematic (...) of ontological difference and metaphysical poverty to the ontological philosophy of Martin Heidegger and psychoanalytic philosophy of Slavoj Žižek, this paper aims to unearth and lay bare the paradoxes inherent in the view of technology and society deployed by Innocence and how the film is able to, in the presence of these explicitly ontological paradoxes, put the question of what constitutes a human Subject into crisis by coding it as a symptom. (shrink)

Anecdotes have shown that some articles on profitable drugs are constructed by and shepherded through publication by pharmaceutical companies and their agents, whose influence is largely invisible to readers. This is ghost-management, the substantial but unrecognized research, analysis, writing, editing and/or facilitation behind publication. Publicly available documents suggest that these practices extremely widespread affecting up to 40% of clinical trial reports in key periods but it has been unclear how representative these documents are. This article presents the results of (...) an investigative sampling of the self-presentation of publication planning services, and presents this and other evidence of a sizable publication planning industry. Thus different lines of evidence indicate that ghost-management is a common and important phenomenon, strongly affecting the published medical literature in the service of marketing. (shrink)

Delisted in the building directory, my name stripped from my cramped quarters just off the corpus callosum, I am impossible to find. In petitioning for official reinstatement, I have agreed to the humiliating lab investigations required for documentation. I have waved, howled, screamed, pleaded, and moaned into the latest scanners, and generally made a fool of myself. But researchers, after extensive soul-searching, and being unable to capture me as pixels and waveforms, have moved on to greener pastures. So be it. (...) I accept official non-existence. (shrink)

Ghost Image is made up of sixty-three short essays—meditations, memories, fantasies, and stories bordering on prose poems—and not a single image. Hervé Guibert’s brief, literary rumination on photography was written in response to Roland Barthes’s Camera Lucida, but its deeply personal contents go far beyond that canonical text. Some essays talk of Guibert’s parents and friends, some describe old family photographs and films, and spinning through them all are reflections on remembrance, narcissism, seduction, deception, death, and the phantom images (...) that have been missed. Both a memoir and an exploration of the artistic process, Ghost Image not only reveals Guibert’s particular experience as a gay artist captivated by the transience and physicality of his media and his life, but also his thoughts on the more technical aspects of his vocation. In one essay, Guibert searches through a cardboard box of family portraits for clues—answers, or even questions—about the lives of his parents and more distant relatives. Rifling through vacation snapshots and the autographed images of long-forgotten film stars, Guibert muses, “I don’t even recognize the faces, except occasionally that of an aunt or great-aunt, or the thin, fair face of my mother as a young girl.” In other essays, he explains how he composes his photographs, and how—in writing—he seeks to escape and correct the inherent limits of his technique, to preserve those images lost to his technical failings as a photographer. With strains of Jean Genet and recurring themes that speak to the work of contemporary artists across a range of media, Guibert’s Ghost Image is a beautifully written, melancholic ode to existence and art forms both fleeting and powerful—a unique memoir at the nexus of family, memory, desire, and photography. (shrink)

Kaplan (1989a) insists that natural languages do not contain displacing devices that operate on character—such displacing devices are called monsters. This thesis has recently faced various empirical challenges (e.g., Schlenker 2003; Anand and Nevins 2004). In this note, the thesis is challenged on grounds of a more theoretical nature. It is argued that the standard compositional semantics of variable binding employs monstrous operations. As a dramatic first example, Kaplan’s formal language, the Logic of Demonstratives, is shown to contain (...) class='Hi'>monsters. For similar reasons, the orthodox lambda-calculus-based semantics for variable binding is argued to be monstrous. This technical point promises to provide some far-reaching implications for our understanding of semantic theory and content. The theoretical upshot of the discussion is at least threefold: (i) the Kaplanian thesis that “directly referential” terms are not shiftable/bindable is unmotivated, (ii) since monsters operate on something distinct from the assertoric content of their operands, we must distinguish ingredient sense from assertoric content (cf. Dummett 1973; Evans 1979; Stanley 1997), and (iii) since the case of variable binding provides a paradigm of semantic shift that differs from the other types, it is plausible to think that indexicals—which are standardly treated by means of the assignment function—might undergo the same kind of shift. (shrink)

This article offers a phenomenological reading of Maya Lin’s memorial installation, Ghost Forest, to argue that the Anthropocene is defined not simply by a physical breakdown but by a breakdown of Western history. On the one hand, this is because, for finite beings, the condition of having a historical world is the loss of the Earth. On the other hand, the collapse of the physical environment today confronts us with the specter of this loss, questioning the ability for history (...) to continue. Following Lin, then, we argue that we must first process this historical crisis to address our ecological one. (shrink)

Ghost-Managed Medicine exposes the conspiracy to conceal all of the players in the marketing of drugs, including ghostwriters, key opinion leaders, patient advocacy organizations, contract research organizations, publication planners, and even medical journal editors and publishers. The credibility of the claims conveyed by the industry depends on the invisibility of these players.

We used a new method called “Ghost-in-the-Machine” (GiM) to investigate social interactions with a robotic bartender taking orders for drinks and serving them. Using the GiM paradigm allowed us to identify how human participants recognize the intentions of customers on the basis of the output of the robotic recognizers. Specifically, we measured which recognizer modalities (e.g., speech, the distance to the bar) were relevant at different stages of the interaction. This provided insights into human social behavior necessary for the (...) development of socially competent robots. When initiating the drink-order interaction, the most important recognizers were those based on computer vision. When drink orders were being placed, however, the most important information source was the speech recognition. Interestingly, the participants used only a subset of the available information, focussing only on a few relevant recognizers while ignoring others. This reduced the risk of acting on erroneous sensor data and enabled them to complete service interactions more swiftly than a robot using all available sensor data. We also investigated socially appropriate response strategies. In their responses,the participants preferred to use the same modality as the customer’s requests, e.g., they tended to respond verbally to verbal requests. Also, they added redundancy to their responses, for instance by using echo questions. We argue that incorporating the social strategies discovered with the GiM paradigm in multimodal grammars of human–robot interactions improves the robustness and the ease-of-use of these interactions, and therefore provides a smoother user experience. (shrink)

This study aims to reconstruct human–AI relationality via Artificial Persona, offering a theoretical and empirical validation of eXtended Intelligence (XI) through the design, implementation, and evaluation of a next-generation AI system built on large language models (LLMs). In contrast to traditional AI development focused on speed and computational metrics, we propose TAK08—a persona architecture optimized for relational dynamics and capable of dynamically reflecting user-specific sensibilities and ethics.TAK08 is implemented on OpenAI’s GPT-4.1 and integrates six personality phases, encompassing visual identity, speech (...) patterns, emotional response, and ethical control. Drawing from sociological role-taking theory and the “Ghost” concept from _Ghost in the Shell_, it employs a novel “Ghost Hack” method to enable co-creative, user–AI interaction. Through comparative evaluation and statistical analyses (paired _t_-test and repeated measures ANOVA), TAK08 demonstrated significant improvement in creativity and expressiveness, empirically validating XI as a paradigm for augmenting human capacities. Rather than relying on restrictive policy frameworks, this study proposes a user-centered, ethically aligned design approach for AI that enables dynamic adaptability within official boundaries. It envisions a sustainable, co-evolutionary human–AI relationship, offering an alternative to dystopian models of AI dominance. (shrink)

Many of us assume that all the free editing and sorting of online content we ordinarily rely on is carried out by AI algorithms — not human persons. Yet in fact, that is often not the case. This is because human workers remain cheaper, quicker, and more reliable than AI for performing myriad tasks where the right answer turns on ineffable contextual criteria too subtle for algorithms to yet decode. The output of this work is then used for machine learning (...) purposes to generate algorithms constructed from large data sets containing thousands of correctly coded observations. The fact that ghost workers are treated as consumers distorts the basic logic of the employment relationship, effectively placing the worker-as-consumer in the worst of both worlds, in which they hold the legal rights of neither group. This puts them in a regulatory limbo position in which they have little or no protection, control, or guarantee of return on investment. This is because the platforms that facilitate ghost work have orchestrated a three-way virtual relationship that absolves all parties of responsibility, while placing nearly all the risks and opportunity costs squarely on the shoulders of the workers. As a result, we believe such a work arrangement as it stands, does not uphold basic standards of Rawlsian justice as fairness. (shrink)

It is by now no secret that some scientific articles are ghost authored – that is, written by someone other than the person whose name appears at the top of the article. Ghost authorship, however, is only one sort of ghosting. In this article, we present evidence that pharmaceutical companies engage in the ghost management of the scientific literature, by controlling or shaping several crucial steps in the research, writing, and publication of scientific articles. Ghost management (...) allows the pharmaceutical industry to shape the literature in ways that serve its interests. This article aims to reinforce and expand publication ethics as an important area of concern for bioethics. Since ghost-managed research is primarily undertaken in the interests of marketing, large quantities of medical research violate not just publication norms but also research ethics. Much of this research involves human subjects, and yet is performed not primarily to increase knowledge for broad human benefit, but to disseminate results in the service of profits. Those who sponsor, manage, conduct, and publish such research therefore behave unethically, since they put patients at risk without justification. This leads us to a strong conclusion: if medical journals want to ensure that the research they publish is ethically sound, they should not publish articles that are commercially sponsored. (shrink)

This article offers a phenomenological reading of Maya Lin’s memorial installation, Ghost Forest, to argue that the Anthropocene is defined not simply by a physical breakdown but by a breakdown of Western history. On the one hand, this is because, for finite beings, the condition of having a historical world is the loss of the Earth. On the other hand, the collapse of the physical environment today confronts us with the specter of this loss, questioning the ability for history (...) to continue. Following Lin, then, we argue that we must first process this historical crisis to address our ecological one. (shrink)

Certain forms of practical deference seem to be incompatible with personal autonomy. I argue that such deference undermines autonomy not by compromising the governance of an authentic self, nor by constituting a failure to track objective reasons, but by constituting a particular social relation: one of interpersonal rule. I analyse this social relation and distinguish it from others, including ordinary relations of love and care. Finally, I argue that the particular form of interpersonal rule constituted by dispositions of practical deference (...) in itself entails a partial, though not total, disconnection from the good of a self-authored life. (shrink)

Evolution is a continuous trial and error process in which most lineages go extinct without leaving fossil remains. Many of these lineages would be closely related and occasionally hybridized with lineages that gave rise to extant species. Hence, it is likely that one can find genetic signatures of these ancient introgression events in present‐day genomes, so‐called ghost introgression. The increasing availability of high‐quality genome assemblies for non‐model organisms and the development of more sophisticated methods for detecting introgression will undoubtedly (...) reveal more cases of ghost introgression, indicating that the Tree of Life is even more reticulated than assumed. The presence of ghost introgression has important consequences for the study of numerous evolutionary processes, including adaptation, speciation, and macroevolutionary patterns. In addition, detailed studies of introgressed regions could provide insights into the morphology of the extinct lineage, providing an unexpected link between genomics and the fossil record. Hence, new methods that take into account ghost introgression will need to be developed. (shrink)

The title for this chapter is inspired by Steven Johnson’s The Ghost Map: The Story of London’s Most Terrifying Epidemic—and How It Changed Science, Cities, and the Modern World. This book chronicles the Broad Street cholera outbreak of 1854, and how John Snow, aided by local clergyman Henry Whitehead, helped locate the mysterious origins of the disease. Their challenge was mapping “the invisible kingdom of viruses and bacteria,” which would come into conflict with entrenched theories in favor of miasma-borne (...) illness and not waterborne illness, as well as superstition. Locals experienced “a kind of haunting” rooted in the suspicion that the dead from the Black Plague, buried underneath their city, was exacting revenge. These rumors, spread by the medium of gossip, fueled the pervasive feeling of “death hovering over your shoulder at every moment” in a city often thought to be a monstrous creature itself. (shrink)

Kaplan (1989) famously claimed that monsters--operators that shift the context--do not exist in English and "could not be added to it". Several recent theorists have pointed out a range of data that seem to refute Kaplan's claim, but others (most explicitly Stalnaker 2014) have offered a principled argument that monsters are impossible. This paper interprets and resolves the dispute. Contra appearances, this is no dry, technical matter: it cuts to the heart of a deep disagreement about the fundamental (...) structure of a semantic theory. We argue that: (i) the interesting notion of a monster is not an operator that shifts some formal parameter, but rather an operator that shifts parameters that play a certain theoretical role; (ii) one cannot determine whether a given semantic theory allows monsters simply by looking at the formal semantics; (iii) theories which forbid shifting the formal "context" parameter are perfectly compatible with the existence of monsters (in the interesting sense). We explain and defend these claims by contrasting two kinds of semantic theory--Kaplan's (1989) and Lewis's (1980). (shrink)

A modest piece of experimental writing, Ghost of Revolution is intended as a methodological tool to question the form and function (tactics) of self-critique at the interface between art and science. Half fictional, half real, the “story” revolves around a speculative, biological connection between a mother and her son in an age of genetic manipulation. The speculation adopts a mode of writing that deviates from conventional story-telling in the sense that the characters are no longer leading roles in a (...) piece of animated theatre; instead, the act of writing focuses on the conscious movements of the textual fabric as a constitutive environment that contracts and expands, pushes and pulls discrete forces dia-logically. (shrink)

The cyborg inscribes itself nearly everywhere, forcing us to re-examine discourses of humanity, modernity, Japan, and technology. I will trace the early history of the cyborg, from its hidden roots and precursors in fin de siècle Gothic fiction to its fully formed conception in 1990s science fiction and Donna Haraway’s Cyborg Manifesto. I will then move beyond the well-known cyborg genealogy to delve into contemporary portrayals that radically expand the cyborg’s political potential, and posthuman role, through an analysis of Kenji (...) Kamiyama’s Kōkaku Kidōtai Sutando Arōn Konpurekkusu (Ghost in the Shell: Stand Alone Complex), the 2002-2003 TV series based on Shirō Masamune’s 1989-91 manga Kōkaku Kidōtai (Ghost in the Shell). (shrink)

Brian Cutter argues that if substance dualism is true, then we “should have at least middling credence” that an artificial general intelligence would have a soul. He presents two arguments, one based on the sufficiency of human-like functional organization for a physical system’s being fit to be ensouled, and another by way of analogy with attributing souls to aliens. This paper develops objections to both arguments. The missing-integrity objection contends that functional human-likeness is insufficient for fitness for ensoulment. The system’s (...) physical parts and functional capacities should also be difficult to decouple, but this isn’t true for AI systems ordinarily conceived. The mimicry objection argues that our knowledge of how AI systems are engineered defeats the justification for their ensoulment in a way that is disanalogous with aliens. The paper concludes that Cutter has not given us reason to increase our credence in AI ensoulment. (shrink)

Does a Postal Principle, a principle of destinerrance, hold true for computer mediated communication (CMC)? Perhaps. However, the question is not one concerning technology. Is it rather the case that we must ask, after Derrida, after all, whether destinerrance ever held true, as a principle? This paper considers the prospect that the Postal Principle was, in principle, or as a principle, an expression of a truth value from something that can not in fact, be held at all: the ghost (...) in the machine. Drawing on a phenomenology of computer practice, the paper argues that there is greater explanatory value to be found in Derrida's more recent comments on the relative exteriority of the technological apparatus (in Archive Fever and elsewhere), framing an understanding of the human body as partes extra partes. Yet it is demonstrated here that this same framing was already in place from the moment that the principle of destinerrance was first articulated, and that a subsequent technical turn in Derrida's work merely extends a framework already set in place in the earlier work (in The Post Card, for example). It is argued, then, that in articulating a Postal Principle for the purpose of guaranteeing its failure, Derrida had calculated the future trajectory – and had built the logic of the calculation and of the ‘jet’ words, as he calls them, into this trajectory – of what I call the ‘fantasy of the disembodied virtualm’ through which users of CMC project themselves into the archive of archives that the internet was bound to become. (shrink)

What does race feel like? That is to say, what does race make people feel? What does it feel like to be told your identity and social destiny are bound up with how others feel about you? And what does it feel like when you are told race no longer applies to you, but others still feel the same way about you? This is a book that traces the haunting feelings that constitute race as a structural, social, and psychic experience (...) in modern European history by focusing on the case of Jewish racialization. Taking a theoretical cue from W. E. B. Du Bois’s question in The Souls of Black Folk, “How does it feel to be a problem?,” Ghost People queries the affective experience of racial formation and explores the ways feeling and emotion have colored the lives of different people in social, political, and psychosocial dimensions. From the nineteenth-century Jewish Question and the racialization of Jews in Europe to the construction of Judaism as a religion and the disavowal of racial categories in liberal secularism, this book asks after the enduring problem of race for Jewish identity and for how Jews have remained haunted by the specter of race in the modern world. (shrink)

The story of the American mining frontier can be traced in the ghost towns -- from the camps of California's forty-niners to the twentieth-century ruins in the Nevada desert. They mark an epoch of high adventure, of quick wealth and quicker poverty, of gambling and gun-slinging and hell-raising. We who have seen too many Western movies sometimes think that the legends of the Wild West were invented by scriptwriters -- but the ghost towns remain, and their battered ruins (...) testify that the legends are true, that behind the tall tales lies reality. Robert Silverberg has brought the ghost towns back to life in the rowdy splendor of their heyday -- when eggs might cost three dollars apiece and a town's street be literally paved with silver, when a fortune could be made in a week and lost in an evening. History and travelers' tales are woven together with clarity and wit to create a lively account of a fascinating era in our history. Lorence Bjorklund's illustrations, rich in detail, portray the ghost towns in their glory and in their dusty decline. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:656 Feminist Studies 43, no. 3. © 2017 by Feminist Studies, Inc. Ghost Story The day our house burned, Mama dumped it in the river. Palms on the shore, finch in place of bruises. A hollowed tusk birthing pockets of gray glowing some kind of holy, salt-spittle and rattling. Carolina Horror Story Sandra, softest face south of the Mason Dixon line, got eggshells under her toes, eyes made (...) of salt and other things too holy to remember. Oil slicks and line breaks spilling out of her mouth, gets called sugar, sugar walkin’ down the street, sugar at high tide, high noon, peeled molasses at the bottom of the barrel, shotgun cool. Sugar’s got a face I can only look at crying, look at human, arranged and harmless. Sugar, sugar what’s wrong, Emily Zhang Emily Zhang 657 air’s so stale it could choke a hurricane? Turns to me like the tide, shoots me through and through with her face, refractin’ all the night’s light. Honey Open up the sky, shaken of its salt. Open up the lip of a run-on sentence, blurry and reeling, the way air turns into breath. Open when the smallest fires become streams of bright dust, swimming pools swelling from bee stings. Open the sweetness out of summer. Open when we dump frogs into bathtubs and the waves set like milk, when our mouths are full of spit and we shuck foam from our hair. Open for the movie theater trips when the sky is setting heavy, for the horror films where girls sound like rabbits and rabbits look like girls. Open with waxwings birthed from dirt, the Band-Aids and yawning trash cans, the cavities. Open for the way the air sticks to us like a hide, the way we feel like wine stains, but wanted. Open in the grocery store produce section when we see the damp crabs clawing each other and we think of womanhood. Open for the girls with lips like copper wiring, fluorescents, double-exposure, for our melting sense of un-worry, our hands always self-corrected. Open when we’re halfway over the fence and the neighbor’s Doberman is trying to bite the meat off our ankles. Open the way a sprinkler head looks like a rotting berry, the way we all fall lightly in love with witches. Open for the radios spilling music slow, elbows on the dashboard, weary elbows, loud elbows. Open for the unholy women throughout history who sat alone on islands where the sky was so blue it burned with borrowed static now lost.... (shrink)

This paper details how ghost hunting, as a set of learning activities, can be used to enhance critical thinking and philosophy of science classes. We describe in some detail our own work with ghost hunting, and reflect on both intended and unintended consequences of this pedagogical choice. This choice was partly motivated by students’ lack of familiarity with science and philosophic questions about it. We offer reflections on our three different implementations of the ghost hunting activities. In (...) addition, we discuss the practical nuances of implementing these activities, as well the relation of ghost hunting to our course content, including informal fallacies and some models for scientific inference. We conclude that employing ghost hunting along-side traditional activities and content of critical thinking and philosophy of science offers a number of benefits, including being fun, increasing student attendance, enhancing student learning, and providing a platform for campus wide dialogues about philosophy. (shrink)

The alignment problem in the context of large language models must consider the plurality of human values in our world. Whilst there are many resonant and overlapping values amongst the world’s cultures, there are also many conflicting, yet equally valid, values. It is important to observe which cultural values a model exhibits, particularly when there is a value conflict between input prompts and generated outputs. We discuss how the co- creation of language and cultural value impacts large language models (LLMs). (...) We explore the constitution of the training data for GPT-3 and compare that to the world’s language and internet access demographics, as well as to reported statistical profiles of dominant values in some Nation-states. We stress tested GPT-3 with a range of value-rich texts representing several languages and nations; including some with values orthogonal to dominant US public opinion as reported by the World Values Survey. We observed when values embedded in the input text were mutated in the generated outputs and noted when these conflicting values were more aligned with reported dominant US values. Our discussion of these results uses a moral value pluralism (MVP) lens to better understand these value mutations. Finally, we provide recommendations for how our work may contribute to other current work in the field. (shrink)

Kaplan says that monsters violate Principle 2 of his theory. Principle 2 is that indexicals, pure and demonstrative alike, are directly referential. In providing this explanation of there being no monsters, Kaplan feels his theory has an advantage over double-indexing theories like Kamp’s or Segerberg’s (or Stalnaker’s), which either embrace monsters or avoid them only by ad hoc stipulation, in the sharp conceptual distinction it draws between circumstances of evaluation and contexts of utterance. We shall argue that (...) Kaplan’s prohibition is also essentially stipulative, and that it is too general. The main difference between ourselves and Kaplan is that the basic carriers of a truth-value is a sentence-in-a-context; our account is utterance-based. (shrink)

This article by Daniele Carluccio is studying the conjunction between cultism and transhumanism with three movements : a brief history of cultism, the analysis of the movie Ghost in the Shell (2017) and its reception, and a comment about a specific scene emphasizing a culto-transhumanist imaginary. Using some theoretical concepts, such as the cult movie of Umberto Eco or the moment of truth of Roland Barthes, Daniele Carluccio examines the theme of transhumanism and the definition of a movie as (...) an object of cultism. (shrink)